When we caught up with MUNA backstage at Lollapalooza, the trio—Katie Gavin, Josette Maskin, and Naomi McPherson—were in high spirits, reflecting on their evolution as a band. Their latest album, Dancing On The Wall, marks a significant milestone as their fourth studio release, following the commercial success of their self-titled record. Described by the band as “emotional ass synth-pop” with “muscle,” the project draws inspiration from both the writings of M. Gessen and the classic sounds of new wave synth-pop.
The band emphasized that this era is about growth and staying true to their identity. “We were honing in on a specific sound that’s always been a part of MUNA’s DNA,” Gavin explained. “It’s a dance-forward record, and it’s also a very heart-centered record.” Maskin added that they were intentional about not trying to replicate the lightning-in-a-bottle success of previous hits like “Silk Chiffon,” choosing instead to evolve alongside the changing times.
The world changed so much since we put out “Silk Chiffon.” —Jo Maskin
Beyond their own music, the trio expressed genuine admiration for the rising group ADÉLA. Having watched Pop Star Academy, the members of MUNA were deeply moved by the group’s dedication and resilience. “I see them and I think, You guys are so fucking strong,” Maskin noted, defending the young artists against online criticism. “I could never do that and anybody who talks shit or does anything to these girls online, fuck you.”
However, the conversation took a sharper turn when the topic shifted to industry trends. While the band expressed appreciation for the resurgence of guitar-driven music, they were unequivocal in their disdain for generative AI. “We vehemently oppose generative AI and the effects that it has on people and their communities,” McPherson stated firmly. “Also, fuck AI music.”
Also, fuck AI music. —Naomi McPherson
As they look toward the future, MUNA remains focused on authentic connection and the “gratitude frequency.” Whether they are discussing their favorite perfumes or the creative process behind their latest tracks, the band continues to prioritize the human element of artistry, proving that their “emotional ass synth-pop” is more relevant than ever.
