The singer-songwriter paused five weekends worth of dates of her long-running residency due to go ahead last month at The Colosseum, Caesar’s Palace in February after revealing that she had fallen ill “at the end of the last leg and all the way through my break”.
The dates affected were March 1, 2, 8, 9, 15, 16, 22, 23 and 29 and 30.
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Now, she has taken to Instagram to reveal that the five weekends have now been rescheduled to the weekends of October 25-26, November 1-2, 8-9, 15-16 and 22-23.
Adele also wrote that all “ticket holders for the postponed dates will be sent an email regarding their new allocated date”.
The residency originally began in November 2022, having been postponed at the last minute in January of that year.
In January of this year, Adele said she would embark on a world tour on her next album cycle. In the middle of a Vegas show, she revealed that fans will probably have a while to wait before she releases the follow-up to 2021’s ’30’, but she will tour it more than she has done with albums in the past. “I just don’t think I’m gonna write an album for quite some time,” she told her audience. “But next time I do, I’ll come to wherever it is you live.”
The nominations for the 2023 Grammys have been announced with Beyoncé, Kendrick Lamar, Adele and Harry Styles leading the way.
READ MORE: Ukraine, Billie Eilish, Louis CK: the biggest talking points from the Grammy Awards 2022
The official Grammys YouTube hosted a livestream today (November 15) for the announcement which you can watch below, with the winners set to be announced at the 65th Grammy Awards ceremony on February 5, 2023.
Beyoncé clocked up the most nominations with nine nods including Record Of The Year and Album Of The Year, closely followed by Lamar with eight nominations.
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Adele picked up seven nominations while Future, Harry Styles, Mary J. Blige and DJ Khaled each scored six nods. Jay-Z, who picked up five nominations, is now tied with Beyoncé for the most nominated artists in Grammy history, having clocked up 88 nods in total.
Notably, the 2023 Grammy Awards will be the first time Beyoncé and Adele will go head-to-head for Record, Album, and Song Of The Year since 2017, when Adele swept all three categories.
Meanwhile, both Wet Leg and Måneskin were both nominated in the Best New Artist category.
See the full list of Grammys 2023 nominations below:
Record Of The Year
ABBA – ‘Don’t Shut Me Down’
Adele – ‘Easy On Me’
Beyoncé – ‘Break My Soul’
Brandi Carlile Featuring Lucius – ‘You And Me On The Rock’
Doja Cat – ‘Woman’
Harry Styles – ‘As It Was’
Kendrick Lamar – ‘The Heart Part 5’
Lizzo – ‘About Damn Time’
Mary J. Blige – ‘Good Morning Gorgeous’
Steve Lacy – ‘Bad Habit’
Album Of The Year
ABBA – ‘Voyage’
Adele – ’30’
Bad Bunny – ‘Un Verano Sin Ti’
Beyoncé – ‘Renaissance’
Brandi Carlile – ‘In These Silent Days’
Coldplay – ‘Music Of The Spheres’
Harry Styles – ‘Harry’s House’
Kendrick Lamar – ‘Mr. Morale & The Big Steppers’
Lizzo – ‘Special’
Mary J. Blige – ‘Good Morning Gorgeous (Deluxe)’
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Song Of The Year
Adele – ‘Easy On Me
Beyoncé – ‘Break My Soul
Bonnie Raitt – ‘Just Like That
DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – ‘God Did’
Gayle – ‘ABCDEFU’
Harry Styles – ‘As It Was’
Kendrick Lamar – ‘The Heart Part 5’
Lizzo – ‘About Damn Time’
Steve Lacy – ‘Bad Habit’
Taylor Swift – ‘All Too Well’
Best New Artist
Anitta
Domi & JD Beck
Latto
Måneskin
Molly Tuttle
Muni Long
Omar Apollo
Samara Joy
Tobe Nwigwe
Wet Leg
Best Pop Solo Performance
Adele – ‘Easy On Me’
Bad Bunny – ‘Moscow Mule’
Doja Cat – ‘Woman’
Harry Styles – ‘As It Was’
Lizzo – ‘About Damn Time’
Steve Lacy – ‘Bad Habit’
Best Pop Duo/Group Performance
ABBA – ‘Don’t Shut Me Down’
Camila Cabello Featuring Ed Sheeran – ‘Bam Bam’
Coldplay & BTS – ‘My Universe’
Post Malone & Doja Cat – ‘I Like You (A Happier Song)’
Sam Smith & Kim Petras – ‘Unholy’
Best Traditional Pop Vocal Album
Diana Ross – ‘Thank You’
Kelly Clarkson – ‘When Christmas Comes Around…’
Michael Bublé – ‘Higher’
Norah Jones – ‘I Dream Of Christmas’
Pentatonix – ‘Evergreen’
Best Pop Vocal Album
ABBA – ‘Voyage’
Adele – ’30’
Coldplay – ‘Music Of The Spheres’
Harry Styles – ‘Harry’s House’
Lizzo – ‘Special’
Best Dance/Electronic Recording
Beyoncé – ‘Break My Soul’
Bonobo – ‘Rosewood’
David Guetta & Bebe Rexha – ‘I’m Good (Blue)’
Diplo & Miguel – ‘Don’t Forget My Love’
Kaytranada Featuring H.E.R. – ‘Intimidated’
Rüfüs Du Sol – ‘On My Knees’
Best Dance/Electronic Music Album
Beyoncé – ‘Renaissance’
Bonobo – ‘Fragments’
Diplo – ‘Diplo’
Odesza – ‘The Last Goodbye’
Rüfüs Du Sol – ‘Surrender’
Best Contemporary Instrumental Album
Brad Mehldau – ‘Jacob’s Ladder’
Domi & JD Beck – ‘Not Tight’
Grant Geissman – ‘Blooz’
Jeff Coffin – ‘Between Dreaming And Joy’
Snarky Puppy – ‘Empire Central’
Best Rock Performance
Beck – ‘Old Man’
The Black Keys – ‘Wild Child’
Brandi Carlile – ‘Broken Horses’
Bryan Adams – ‘So Happy It Hurts’
Idles – ‘Crawl!’
Ozzy Osbourne Featuring Jeff Beck – ‘Patient Number 9’
Turnstile – ‘Holiday’
Best Metal Performance
Ghost – ‘Call Me Little Sunshine’
Megadeth – ‘We’ll Be Back’
Muse – ‘Kill Or Be Killed’
Ozzy Osbourne Featuring Tony Iommi – ‘Degradation Rules’
Turnstile – ‘Blackout’
Best Rock Song
Brandi Carlile – ‘Broken Horses’
Ozzy Osbourne Featuring Jeff Beck – ‘Patient Number 9’
Red Hot Chili Peppers – ‘Black Summer’
Turnstile – ‘Blackout’
The War On Drugs – ‘Harmonia’s Dream’
Best Rock Album
The Black Keys – ‘Dropout Boogie’
Elvis Costello & The Imposters – ‘The Boy Named If’
Idles – ‘Crawler’
Machine Gun Kelly – ‘Mainstream Sellout’
Ozzy Osbourne – ‘Patient Number 9’
Spoon – ‘Lucifer On The Sofa’
Best Alternative Music Performance
Arctic Monkeys – ‘There’d Better Be A Mirrorball’
Big Thief – ‘Certainty’
Florence And The Machine – ‘King’
Wet Leg – ‘Chaise Longue’
Yeah Yeah Yeahs Featuring Perfume Genius – ‘Spitting Off The Edge Of The World’
Best Alternative Music Album
Arcade Fire – ‘WE’
Big Thief – ‘Dragon New Warm Mountain I Believe In You’
Björk – ‘Fossora’
Wet Leg – ‘Wet Leg’
Yeah Yeah Yeahs – ‘Cool It Down’
Best R&B Performance
Beyoncé – ‘Virgo’s Groove’
Jazmine Sullivan – ‘Hurt Me So Good’
Lucky Daye – ‘Over’
Mary J. Blige Featuring Anderson .Paak – ‘Here With Me’
Muni Long – ‘Hrs & Hrs’
Best Traditional R&B Performance
Adam Blackstone Featuring Jazmine Sullivan – ’Round Midnight’
Babyface Featuring Ella Mai – ‘Keeps on Fallin’’
Beyoncé – ‘Plastic Off The Sofa’
Mary J. Blige – ‘Good Morning Gorgeous’
Snoh Aalegra – ‘Do 4 Love’
Best R&B Song
Beyoncé – ‘Cuff It’
Jazmine Sullivan – ‘Hurt Me So Good’
Mary J. Blige – ‘Good Morning Gorgeous’
Muni Long – ‘Hrs & Hrs’
PJ Morton – ‘Please Don’t Walk Away’
Best Progressive R&B Album
Cory Henry – ‘Operation Funk’
Moonchild – ‘Starfuit’
Steve Lacy – ‘Gemini Rights’
Tank And The Bangas – ‘Red Balloon’
Terrace Martin – ‘Drones’
Best R&B Album
Chris Brown – ‘Breezy (Deluxe)’
Lucky Daye – ‘Candy Drip’
Mary J. Blige – ‘Good Morning Gorgeous (Deluxe)’
PJ Morton – ‘Watch The Sun’
Robert Glasper – ‘Black Radio III’
Best Rap Performance
DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – ‘God Did’
Doja Cat – ‘Vegas’
Gunna & Future Featuring Young Thug – ‘Pushin P’
Hitkidd & Glorilla – ‘F.N.F. (Let’s Go)’
Kendrick Lamar – ‘The Heart Part 5’
Best Melodic Rap Performance
DJ Khaled Featuring Future & SZA – ‘Beautiful’
Future Featuring Drake & Tems – ‘Wait For U’
Jack Harlow – ‘First Class’
Kendrick Lamar Featuring Blxst & Amanda Reifer – ‘Die Hard’
Latto – ‘Big Energy (Live)’
Best Rap Song
DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – ‘God Did’
Future Featuring Drake & Tems – ‘Wait For U’
Gunna & Future Featuring Young Thug – ‘Pushin P’
Jack Harlow Featuring Drake – ‘Churchill Downs’
Kendrick Lamar – ‘The Heart Part 5’
Best Rap Album
DJ Khaled – ‘God Did’
Future – ‘I Never Liked You’
Jack Harlow – ‘Come Home The Kids Miss You’
Kendrick Lamar – ‘Mr. Morale & The Big Steppers’
Pusha T – ‘It’s Almost Dry’
Best Country Solo Performance
Kelsea Ballerini – ‘Heartfirst’
Maren Morris – ‘Circles Around This Town’
Miranda Lambert – ‘In His Arms’
Willie Nelson – ‘Live Forever’
Zach Bryan – ‘Something In The Orange’
Best Country Duo/Group Performance
Brothers Osborne – ‘Midnight Rider’s Prayer’
Carly Pearce & Ashley McBryde – ‘Never Wanted To Be That Girl’
Ingrid Andress & Sam Hunt – ‘Wishful Drinking’
Luke Combs & Miranda Lambert – ‘Outrunnin’ Your Memory’
Reba McEntire & Dolly Parton – ‘Does He Love You (Revisited)’
Robert Plant & Alison Krauss – ‘Going Where The Lonely Go’
Best Country Song
Cody Johnson – ‘’Til You Can’t’
Luke Combs – ‘Doin’ This’
Maren Morris – ‘Circles Around This Town’
Miranda Lambert – ‘If I Was a Cowboy’
Taylor Swift – ‘I Bet You Think About Me (Taylor’s Version) (From the Vault)’
Willie Nelson – ‘I’ll Love You Till the Day I Die’
Best Country Album
Ashley McBryde – ‘Ashley McBryde Presents: Lindeville’
Luke Combs – ‘Growin’ Up’
Maren Morris – ‘Humble Quest’
Miranda Lambert – ‘Palomino’
Willie Nelson – ‘A Beautiful Time’
Best New Age, Ambient, Or Chant Album
Cheryl B. Engelhardt – ‘The Passenger’
Madi Das, Dave Stringer & Bhakti Without Borders – ‘Mantra Americana’
Mystic Mirror – ‘White Sun’
Paul Avgerinos – ‘Joy’
Will Ackerman – ‘Positano Songs’
Best Improvised Jazz Solo
Ambrose Akinmusire – ‘Rounds (Live)’
Gerald Albright – ‘Keep Holding On’
John Beasley – ‘Cherokee/Koko’
Marcus Baylor – ‘Call Of The Drum’
Melissa Aldana – ‘Falling’
Wayne Shorter & Leo Genovese – ‘Endangered Species’
Best Jazz Vocal Album
The Baylor Project – ‘The Evening: Live At Apparatus’
Carmen Lundy – ‘Fade To Black’
Cécile McLorin Salvant – ‘Ghost Song’
The Manhattan Transfer & The WDR Funkhausorchester – ‘Fifty’
Samara Joy – ‘Linger Awhile’
Best Jazz Instrumental Album
Joshua Redman, Brad Mehldau, Christian McBride & Brian Blade – ‘LongGone’
Peter Erskine Trio – ‘Live In Italy’
Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton & Matthew Stevens – ‘New Standards, Vol. 1′
Wayne Shorter, Terri Lyne Carrington, Leo Genovese & Esperanza Spalding – L’ive At The Detroit Jazz Festival’
Yellowjackets – ‘Parallel Motion’
Best Large Jazz Ensemble Album
John Beasley, Magnus Lindgren & SWR Big Band – ‘Bird Lives’
Remy Le Boeuf’s Assembly Of Shadows – ‘Architecture Of Storms’
Ron Carter & The Jazzaar Festival Big Band Directed by Christian Jacob – ‘Remembering Bob Freedman’
Steve Gadd, Eddie Gomez, Ronnie Cuber & WDR Big Band Conducted by Michael Abene – ‘Center Stage’
Steven Feifke, Bijon Watson & Generation Gap Jazz Orchestra – ‘Generation Gap Jazz Orchestra’
Best Latin Jazz Album
Arturo O’Farrill & The Afro Latin Jazz Orchestra Featuring The Congra Patria Son Jarocho Collective – ‘Fandango At The Wall in New York’
Arturo Sandoval – ‘Rhythm & Soul’
Danilo Pérez Featuring The Global Messengers – ‘Crisálida’
Flora Purim – ‘If You Will’
Miguel Zenón – ‘Música de las Américas’
Best Gospel Performance/Song
Doe – ‘When I Pray’
Erica Campbell – ‘Positive
Maverick City Music & Kirk Franklin – ‘Kingdom’
PJ Morton Featuring Zacardi Cortez, Gene Moore, Samoht, Tim Rogers & Darrel Walls – ‘The Better Benediction’
Tye Tribbett – ‘Get Up’
Best Contemporary Christian Music Performance/Song
Chris Tomlin – ‘Holy Forever’
Crowder & Dante Bowe Featuring Maverick City Music – ‘God Really Loves Us (Radio Version)’
Doe – ‘So Good’
For King & Country & Hillary Scott – ‘For God Is With Us’
Maverick City Music & Kirk Franklin – ‘Fear Is Not My Future’
Phil Wickham – ‘Hymn Of Heaven (Radio Version)’
Best Gospel Album
Doe – ‘Clarity’
Maranda Curtis – ‘Die To Live’
Maverick City Music & Kirk Franklin – ‘Kingdom Book One (Deluxe)’
Ricky Dillard – ‘Breakthrough: The Exodus (Live)’
Tye Tribbett – ‘All Things New’
Best Contemporary Christian Music Album
Anne Wilson – ‘My Jesus’
Chris Tomlin – ‘Always’
Elevation Worship – ‘Lion’
Maverick City Music – ‘Breathe’
TobyMac – ‘Life After Death’
Best Roots Gospel Album
Gaither Vocal Band – ‘Let’s Just Praise The Lord’
Karen Peck & New River – ‘2:22’
Keith & Kristyn Getty – ‘Confessio – Irish American Roots’
Tennessee State University – ‘The Urban Hymnal’
Willie Nelson – ‘The Willie Nelson Family’
Best Latin Pop Album
Camilo – ‘De Adentro Pa Afuera’
Christina Aguilera – ‘Aguilera’
Fonseca – ‘Viajante’
Rubén Blades & Boca Livre – ‘Pasieros’
Sebastián Yatra – ‘Dharma +’
Best Música Urbana Album
Bad Bunny – ‘Un Verano Sin Ti’
Daddy Yankee – ‘Legendaddy’
Farruko – ‘La 167’
Maluma – ‘The Love & Sex Tape’
Rauw Alejandro – ‘Trap Cake, Vol. 2’
Best Latin Rock or Alternative Album
Cimafunk – ‘El Alimento’
Fito Paez – ‘Los Años Salvajes’
Gaby Moreno – ‘Alegoría’
Jorge Drexler – ‘Tinta y Tiempo’
Mon Laferte – ‘1940 Carmen’
Rosalía – ‘Motomami’
Best Regional Mexican Music Album (Including Tejano)
Chiquis – ‘Abeja Reina’
Christian Nodal – ‘EP #1 Forajido’
Marco Antonio Solís – ‘Qué Ganas de Verte (Deluxe)’
Natalia Lafourcade – ‘Un Canto por México – El Musical’
Los Tigres del Norte – ‘La Reunión (Deluxe)’
Best Tropical Latin Album
Carlos Vives – ‘Cumbiana II’
Marc Anthony – ‘Pa’lla Voy’
La Santa Cecilia – ‘Quiero Verte Feliz’
Spanish Harlem Orchestra – ‘Imágenes Latinas’
Tito Nieves – ‘Legendario’
Best American Roots Performance
Aaron Neville & The Dirty Dozen Brass Band – ‘Stompin’ Ground’
Aoife O’Donovan & Allison Russell – ‘Prodigal Daughter’
Bill Anderson Featuring Dolly Parton – ‘Someday It’ll All Make Sense (Bluegrass Version)’
Fantastic Negrito – ‘Oh Betty’
Madison Cunningham – ‘Life According To Raechel’
Best Americana Performance
Asleep At the Wheel Featuring Lyle Lovett – ‘There You Go Again’
Blind Boys Of Alabama Featuring Black Violin – ‘The Message’
Bonnie Raitt – ‘Made Up Mind’
Brandi Carlile Featuring Lucius – ‘You And Me On The Rock’
Eric Alexandrakis – ‘Silver Moon [A Tribute to Michael Nesmith]’
Best American Roots Song
Anaïs Mitchell – ‘Bright Star’
Aoife O’Donovan & Allison Russell – ‘Prodigal Daughter’
Bonnie Raitt – ‘Just Like That’
Brandi Carlile Featuring Lucius – ‘You And Me On The Rock’
Robert Plant & Alison Krauss – ‘High And Lonesome’
Sheryl Crow – ‘Forever’
Best Americana Album
Bonnie Raitt – ‘Just Like That…’
Brandi Carlile – ‘In These Silent Days’
Dr. John – ‘Things Happen That Way’
Keb’ Mo’ – ‘Good To Be…’
Robert Plant & Alison Krauss – ‘Raise The Roof’
Best Bluegrass Album
The Del McCoury Band – ‘Almost Proud’
The Infamous Stringdusters – ‘Toward The Fray’
Molly Tuttle & Golden Highway – ‘Crooked Tree’
Peter Rowan – ‘Calling You From My Mountain’
Yonder Mountain String Band – ‘Get Yourself Outside’
Best Traditional Blues Album
Buddy Guy – ‘The Blues Don’t Lie’
Charlie Musselwhite – ‘Mississippi Son’
Gov’t Mule – ‘Heavy Load Blues’
John Mayall – ‘The Sun Is Shining Down’
Taj Mahal & Ry Cooder – ‘Get On Board’
Best Contemporary Blues Album
Ben Harper – ‘Bloodline Maintenance’
Edgar Winter – ‘Brother Johnny’
Eric Gales – ‘Crown’
North Mississippi Allstars – ‘Set Sail’
Shemekia Copeland – ‘Done Come Too Far’
Best Folk Album
Aoife O’Donovan – ‘Age Of Apathy’
Janis Ian – ‘The Light At The End Of The Line’
Judy Collins – ‘Spellbound’
Madison Cunningham – ‘Revealer’
Punch Brothers – ‘Hell On Church Street’
Best Regional Roots Music Album
Halau Hula Keali’i o Nalani – ‘Halau Hula Keali’i o Nalani (Live At The Getty Center)’
Natalie Ai Kamauu – ‘Natalie Noelani’
Nathan & The Zydeco Cha-Chas – ‘Lucky Man’
Ranky Tanky – ‘Live At The 2022 New Orleans Jazz & Heritage Festival’
Sean Ardoin & Kreole Rock And Soul Featuring The Golden Band From Tigerland – ‘Full Circle’
Best Reggae Album
Kabaka Pyramid – ‘The Kalling’
Koffee – ‘Gifted’
Protoje – ‘Third Time’s The Charm’
Sean Paul – ‘Scorcha’
Shaggy – ‘Com Fly Wid Mi’
Best Global Music Performance
Arooj Aftab & Anoushka Shankar – ‘Udhero Na’
Burna Boy – ‘Last Last’
Matt B & Eddy Kenzo – ‘Gimme Love’
Rocky Dawuni Featuring Blvk H3ro – ‘Neva Bow Down’
Wouter Kellerman, Zakes Bantwini & Nomcebo Zikode – ‘Bayethe’
Best Global Music Album
Angélique Kidjo & Ibrahim Maalouf – ‘Queen Of Sheba’
Anoushka Shankar, Metropole Orkest & Jules Buckley Featuring Manu Delago – ‘Between Us… (Live)’
Berklee Indian Ensemble – ‘Shuruaat’
Burna Boy – ‘Love, Damini’
Masa Takumi – ‘Sakura’
Best Children’s Music Album
Alphabet Rockers – ‘The Movement’
Divinity Roxx – ‘Ready Set Go!’
Justin Roberts – ‘Space Cadet’
Lucky Diaz And The Family Jam Band – ‘Los Fabulosos’
Wendy And DB – ‘Into The Little Blue House’
Best Audio Book, Narration, And Storytelling Recording
Jamie Foxx – Act Like You Got Some Sense
Lin-Manuel Miranda – Aristotle And Dante Dive Into The Waters Of The World
Mel Brooks – All About Me!: My Remarkable Life In Show Business
Questlove – Music Is History
Viola Davis – Finding Me
Best Spoken Word Poetry Album
Amanda Gorman – Call Us What We Carry: Poems
Amir Sulaiman – You Will Be Someone’s Ancestor. Act Accordingly.
Ethelbert Miller – Black Men Are Precious
J. Ivy – The Poet Who Sat by the Door
Malcolm-Jamal Warner – Hiding In Plain View
Best Comedy Album
Dave Chappelle – ‘The Closer’
Jim Gaffigan – ‘Comedy Monster’
Louis C.K. – ‘Sorry’
Patton Oswalt – ‘We All Scream’
Randy Rainbow – ‘A Little Brains, A Little Talent’
Best Musical Theatre Album
Original Broadway Cast – ‘A Strange Loop’
New Broadway Cast – ‘Caroline, Or Change’
‘Into the Woods’ 2022 Broadway Cast – ‘Into the Woods (2022 Broadway Cast Recording)’
Original Broadway Cast – ‘MJ The Musical’
‘Mr. Saturday Night’ Original Cast – ‘Mr. Saturday Night’
Original Broadway Cast – ‘Six: Live On Opening Night’
Best Compilation Soundtrack For Visual Media
Various Artists – Elvis
Various Artists – Encanto
Various Artists – Stranger Things: Soundtrack From The Netflix Series, Season 4
Lorne Balfe, Harold Faltermeyer, Lady Gaga & Hans Zimmer – Top Gun: Maverick
Various Artists – West Side Story
Best Score Soundtrack For Visual Media (Includes Film and Television)
Germaine Franco – Encanto
Hans Zimmer – No Time To Die
Jonny Greenwood – The Power Of The Dog
Michael Giacchino – The Batman
Nicholas Britell – Succession: Season 3
Best Score Soundtrack For Video Games And Other Interactive Media
Austin Wintory – Aliens: Fireteam Elite
Bear McCreary – Call Of Duty: Vanguard
Christopher Tin – Old World
Richard Jacques – Marvel’s Guardians Of The Galaxy
Stephanie Economou – Assassin’s Creed Valhalla: Dawn Of Ragnarök
Best Song Written For Visual Media
Beyoncé – ‘Be Alive
Carolina Gaitán – La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto – Cast – ‘We Don’t Talk About Bruno’
Jessy Wilson Featuring Angélique Kidjo – ‘Keep Rising (The Woman King)’
Lady Gaga – ‘Hold My Hand’
Taylor Swift – ‘Carolina’
4*Town, Jordan Fisher, Finneas O’Connell, Josh Levi, Topher Ngo & Grayson Villanueva – ‘Nobody Like U’
Best Arrangement, Instrumental or A Cappella
Armand Hutton Featuring Terrell Hunt & Just 6 – ‘As Days Go By (An Arrangement of the Family Matters Theme Song)’
Danny Elfman – ‘Main Titles’
Kings Return – ‘How Deep Is Your Love’
Magnus Lindgren, John Beasley & The SWR Big Band Featuring Martin Auer -‘Scrapple From The Apple’
Remy Le Boeuf – ‘Minnesota, WI’
Best Arrangement, Instruments and Vocals
Becca Stevens & Attacca Quartet – ‘2 + 2 = 5 (Arr. Nathan Schram)’
Cécile McLorin Salvant – ‘Optimistic Voices / No Love Dying’
Christine McVie – ‘Songbird (Orchestral Version)’
Jacob Collier Featuring Lizzy McAlpine & John Mayer – ‘Never Gonna Be Alone’
Louis Cole – ‘Let It Happen’
Best Recording Package
Fann – ‘Telos’
Soporus – ‘Divers’
Spiritualized – ‘Everything Was Beautiful’
Tamsui-Kavalan Chinese Orchestra – ‘Beginningless Beginning’
Underoath – ‘Voyeurist’
Best Boxed or Special Limited Edition Package
Black Pumas – ‘Black Pumas (Collector’s Edition Box Set)’
Danny Elfman – ‘Big Mess’
The Grateful Dead – ‘In And Out Of The Garden: Madison Square Garden ’81, ’82, ’83’
They Might Be Giants – ‘Book’
Various Artists – ‘Artists Inspired By Music: Interscope Reimagined’
Best Album Notes
Andy Irvine & Paul Brady – ‘Andy Irvine / Paul Brady’
Astor Piazzolla – ‘The American Clavé Recordings’
Doc Watson – ‘Life’s Work: A Retrospective’
Harry Partch – ‘Harry Partch, 1942’
Wilco – ‘Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)’
Best Historical Album
Blondie – ‘Against the Odds: 1974 – 1982’
Doc Watson – ‘Life’s Work: A Retrospective’
Freestyle Fellowship – ‘To Whom It May Concern…’
Glenn Gould – ‘The Goldberg Variations: The Complete Unreleased 1981 Studio Sessions’
Wilco – ‘Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)’
Songwriter of the Year, Non-Classical
Amy Allen
Laura Veltz
Nija Charles
The-Dream
Tobias Jesso Jr.
Best Engineered Album, Non-Classical
Baynk – ‘Adolescence’
Father John Misty – ‘Chloë And The Next 20th Century’
Harry Styles – ‘Harry’s House’
Robert Glasper – ‘Black Radio III’
Wet Leg – ‘Wet Leg’
Producer of the Year, Non-Classical
Boi-1da
Dahi
Dan Auerbach
Dernst “D’Mile” Emile II
Jack Antonoff
Best Remixed Recording
Beyoncé – ‘Break My Soul (Terry Hunter Remix)’
Ellie Goulding – ‘Easy Lover (Four Tet Remix)’
The Knocks & Dragonette – ‘Slow Song (Paul Woolford Remix)’
Lizzo – ‘About Damn Time (Purple Disco Machine Remix)’
Wet Leg – ‘Too Late Now (Soulwax Remix)’
Best Immersive Audio Album
Anita Brevik, Nidarosdomens Jentekor & Trondheimsolistene – Tuvayhun – ‘Beatitudes For A Wounded World’
The Chainsmokers – ‘Memories…Do Not Open’
Christina Aguilera – ‘Aguilera’
Jane Ira Bloom – ‘Picturing the Invisible: Focus 1’
Stewart Copeland & Ricky Kej – ‘Divine Tides’
Best Orchestral Performance
Berlin Philharmonic & John Williams – ‘John Williams: The Berlin Concert’
Los Angeles Philharmonic & Gustavo Dudamel – ‘Dvořák: Symphonies Nos. 7-9’
New York Youth Symphony – ‘Works by Florence Price, Jessie Montgomery, Valerie Coleman’
Various Artists – Sila: ‘The Breath Of The World’
Wild Up & Christopher Rountree – ‘Stay On It’
Best Opera Recording
Boston Modern Orchestra Project & Odyssey Opera Chorus – ‘Anthony Davis: X: The Life And Times Of Malcolm X’
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – ‘Blanchard: Fire Shut Up In My Bones’
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – ‘Eurydice’
Best Music Video
Adele – ‘Easy On Me’
BTS – ‘Yet To Come’
Doja Cat – ‘Woman’
Harry Styles – ‘As It Was’
Kendrick Lamar – ‘The Heart Part 5’
Taylor Swift – ‘All Too Well: The Short Film’
Best Music Film
Adele – Adele One Night Only
Billie Eilish – Billie Eilish Live At The O2
Justin Bieber – Our World
Neil Young & Crazy Horse – A Band A Brotherhood A Barn
Rosalía – Motomami (Rosalía TikTok Live Performance)
Various Artists – Jazz Fest: A New Orleans Story
Adele has confirmed that people have been pronouncing her name incorrectly.
READ MORE: From the archives – 15 times Adele was truly hilarious
In a recent Q&A with fans the pop star responded to a question, adding that the fan had said her name correctly.
“Love that,” Adele said to the fan’s question submitted via video after a fellow Londoner pronounced her name “perfectly”.
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Adele clarified that her name should be pronounced “Uh-dale” and not “Ah-dell”, so with a slight emphasis on the second syllable.
You can watch the video below at around the 21:45 mark to hear the proper pronunciation.
Elsewhere in the interview the singer put any fans’ hopes of her entering a theatrical career to bed, admitting that she’s “not a massive Broadway fan” — of musicals, at least. However, she could see herself playing the role of Rose in Gypsy.
“I did love the role of the mum in it. She has a song when she was like, ‘I wanted to do all of this’, and she’s jealous of her own daughter and she’s really caught up about it,” Adele said in reference to ‘Rose’s Turn’, before adding, “At one bit, she was just a bitch in it, which I could nail.”
Meanwhile, Adele has called Taylor Swift “one of the greatest songwriters of our generation”.
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The singer also said recently that she wants to study for an English Literature degree after her upcoming Las Vegas residency.
During a recent Q&A session in Los Angeles, Adele said (via The Mirror): “After Vegas I want to get a degree in English Literature. If I hadn’t made it singing, I think I would be an English Lit teacher.”
Jennifer Lawrence has revealed that Adele told her not to star in the 2016 romantic space drama Passengers.
In a new interview with The New York Times, Lawrence cited the poorly-reviewed film as a low point in her career, noting how she could sense the dismay of her fans.
“I was like, ‘Oh no, you guys are here because I’m here, and I’m here because you’re here. Wait, who decided that this was a good movie?’” said Lawrence.
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“Adele told me not to do it! She was like, ‘I feel like space movies are the new vampire movies.’ I should have listened to her.”
The film sees Lawrence and co-star Chris Pratt portray two people in hibernation aboard a spacecraft travelling thousands of passengers to a distant colony planet. The story centres on the two characters’ relationship after they are mistakenly awoken 90 years before reaching their destination.
Chris Pratt and Jennifer Lawrence in ‘Passengers’. CREDIT: Sony
Criticising the film and her other recent work in 2021, Lawrence told Vanity Fair: “I was not pumping out the quality that I should have. I just think everybody had gotten sick of me. I’d gotten sick of me. It had just gotten to a point where I couldn’t do anything right. If I walked a red carpet, it was, ‘Why didn’t she run?’”
She continued: “I think that I was people-pleasing for the majority of my life. Working made me feel like nobody could be mad at me: ‘Okay, I said yes, we’re doing it. Nobody’s mad.’
“And then I felt like I reached a point where people were not pleased just by my existence. So that kind of shook me out of thinking that work or your career can bring any kind of peace to your soul.”
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After taking a break from acting, Lawrence made her return last year in Adam McKay’s Netflix satire Don’t Look Up. She will next appear in the drama Causeway, which is set for release on November 4.
Adele has called Taylor Swift “one of the greatest songwriters of our generation”.
During a recent fan event called ‘Happy Hour With Adele’, the singer was asked whether she’d listened to Swift’s tenth studio album ‘Midnights’, which came out last Friday (October 21).
READ MORE: Taylor Swift – ‘Midnights’ review: a shimmering return to pure pop
“I haven’t,” Adele replied (via Billboard). “But the only reason is, is ’cause I’ve been in rehearsals for, like, 12 hours a fuckin’ day. But I think Taylor’s one of the greatest songwriters of our generation, so I will definitely give it a listen.”
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Referring to Swift’s 2020 “sister records” ‘Folklore’ and ‘Evermore’, the star added: “I loved the two [albums Swift released] in COVID very, very much.” Adele then went on to further praise Swift for making her releases a “fun” experience for her fans.
The two pop stars were reported to be collaborating on a song in June 2021, prior to the release of Adele’s fourth album ’30’ last November. However, the rumours were later debunked and the team-up did not materialise.
Adele was pictured backstage with Swift at one of the latter’s concerts at Wembley Stadium back in 2018.
Adele performs on stage as American Express present BST Hyde Park in Hyde Park on July 2, 2022 in London (Picture: Gareth Cattermole/Getty Images for Adele)
Meanwhile, Adele has said that she wants to study for an English Literature degree following her upcoming Las Vegas residency.
The singer will play a lengthy run of concerts – dubbed ‘Weekends With Adele’ – at The Colosseum at Caesars Palace between this November and March 2023. In January, the original dates were postponed at the last minute as a result of issues caused by “delivery delays and COVID”.
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Yesterday (October 26) saw Adele share the official music video for her single ‘I Drink Wine’.
In other news, Taylor Swift’s record-breaking ‘Midnights’ is on course to beat Arctic Monkeys’ ‘The Car’ to Number One in the UK albums chart.
Adele has shared a new music video for ‘I Drink Wine’, a song lifted from her 2021 album ‘30’.
READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up
The seven-minute video was directed by Joe Talbot, and follows the singer-songwriter as she floats leisurely down a river with the titular beverage in-hand. Along the way, Adele meets a group of synchronised swimmers and courts a riverside fisherman, before emerging solo from the water beside a bed of floating flowers. Poet and author Olivia Gatwood and actor Jimmie Fails also make cameo appearances in the video. Watch below:
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‘I Drink Wine’ is the third ‘30’ track to receive a music video, following visuals for the singles ‘Oh My God’ in January and ‘Easy On Me’ late last year. Speaking about the music video rollout in a tweet, Adele revealed that it was the first one filmed for the album. It arrives almost a year after ‘30’ was released, in November of 2021.
‘I Drink Wine’ was co-written by producer Greg Kurstin, who also contributed to Adele tracks ‘Hello’, ‘Million Years Ago’ and ‘Water Under the Bridge’. The ballad, which Adele revealed was originally 15-minutes long, was performed by the singer at this year’s BRIT Awards, where she took home three trophies for Album of the Year, Song of the Year (for ‘Easy On Me’), and Artist of the Year.
During her acceptance speech at the ceremony, Adele reflected on the nature of ‘30’, saying the follow-up to 2015’s ‘25’ made her “very proud for sticking to my guns and putting out an album that was about something so personal to me.”
In a three-star review of ’30’, NME wrote: “This devastating level of honesty means that, despite its more experimental moments, ‘30’ still winds up feeling like trademark Adele, in its own way, most of the time. And after fair accusations of playing it safe musically in the past, it’s refreshing to see the pop titan treading braver territory – even if the hit-rate isn’t 100 per cent.”
Don McLean has clarified comments he made about Adele after she postponed her Las Vegas residency earlier this year.
READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up
In an interview with Greatest Music Of All Time podcast, McLean previously spoke about how modern musicians didn’t have enough respect for their audiences.
“They are all very rich and very spoiled and they don’t really care about the audience. They think the audience should kiss their ass and that is the opposite to how I feel,” he said at the time.
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“I feel honoured to play for people. I know they are spending money and taking time out of their lives. But I come from a different time. Guys like The Beach Boys worked really hard and so does Paul McCartney.”
Addressing the comments now in a new interview with BANG Showbiz, McLean said: “I did an interview and I was talking about artists that don’t respect their audience. And somehow it got conflated with a remark I made, which was not a critical remark, about Adele cancelling her show in Vegas.
Adele performing at Hyde Park. CREDIT: Gareth Cattermole/Getty Images
“And the thing came out: ‘Don McLean Slams Adele’. I didn’t slam Adele. I know she didn’t want to cancel, I know she’s a serious performer – I don’t even know the circumstances even of what happened there. That was something a person did to get a headline… I don’t do that. I don’t go around saying things about other people like that.”
Adele was due to start the residency at The Colosseum at Caesars Palace on January 21 this year, with the run of shows extending through to April. However, Adele postponed the gigs the day before the opening night, telling her fans in a video that her show wasn’t ready.
In July, Adele announced that all the previously postponed ‘Weekends With Adele’ concerts had now been rescheduled. In addition to the 24 previously announced shows, a further eight new shows were also unveiled.
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Last month, she discussed the problems with her initial Las Vegas residency show, saying she postponed it because it had “no soul”.
Adele has discussed the problems with her initial Las Vegas residency show, saying she postponed it because it had “no soul”.
The singer was due to start the residency at The Colosseum at Caesars Palace on January 21 this year, with the run of shows extending through to April. However, Adele postponed the gigs the day before the opening night, telling her fans in a video that her show wasn’t ready.
Last month, Adele announced that all the previously postponed ‘Weekends With Adele’ concerts had now been rescheduled. In addition to the 24 previously announced shows, a further eight new shows were also unveiled.
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After discussing how the cancellation left her “a shell of a person,” Adele has now discussed the specific reasons for the last-minute postponement.
Speaking to ELLE in a rare interview, Adele said: “It was the worst moment in my career, by far. By far. I was so excited about those shows. It was devastating.”
Of the problems with the show, she added: “There was just no soul in it. The stage setup wasn’t right. It was very disconnected from me and my band, and it lacked intimacy. And maybe I tried too hard to give it those things in such a controlled environment.”
Adele performing at Hyde Park. Credit: Gareth Cattermole/Getty Images
Of the time after the announcement, Adele added: “The first couple of months was really, really hard. I was embarrassed. But it actually made my confidence in myself grow, because it was a very brave thing to do. And I don’t think many people would have done what I did. I’m very proud of myself for standing by my artistic needs.”
In a statement when announcing the rescheduled gigs, which take place across the end of 2023 and into early 2023, Adele said: “Words can’t explain how ecstatic I am to finally be able to announce these rescheduled shows. I truly was heartbroken to have to cancel them.
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“But after what feels like an eternity of figuring out logistics for the show that I really want to deliver, and knowing it can happen, I’m more excited than ever! Now I know for some of you it was a horrible decision on my part, and I will always be sorry for that, but I promise you it was the right one.
“To be with you in such an intimate space every week has been what I’ve most been looking forward to and I’m going to give you the absolute best of me. Thank you for your patience, I love you, Adele.”
Adele’s shows at The Colosseum at Cesar’s Palace:
NOVEMBER 2022 18, 19, 25 and 26
DECEMBER 2022 2, 3, 9, 10, 16, 17, 23 and 24
JANUARY 2023 20, 21, 27 and 28
FEBRUARY 2023
3, 4, 10, 11, 17, 18, 24 and 25
MARCH 3, 4, 10, 11, 17, 18, 24 and 25
Recently, Adele gave her first public concert in five years at Hyde Park in London.
Adele has today (July 25) shared details of her rescheduled Las Vegas shows.
The singer was due to start the residency at The Colosseum at Caesars Palace on January 21, with the run of shows extending through to April. However, Adele postponed the gigs the day before the opening night, telling her fans in a video that her show wasn’t ready.
Now it’s been announced that all the previously postponed ‘Weekends With Adele’ concerts have now been rescheduled. In addition to the 24 previously announced shows, a further eight new shows have been unveiled.
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The residency will run from November 18, 2022 to March 25, 2023. In the first instance, priority will be given in the pre-sales to fans who held tickets for the original shows.
A statement on the musician’s website explained: “Access will be limited with priority given to fans who held tickets for the original show dates or had previously registered and been waitlisted for the ‘Weekends With Adele’ Verified Fan Presale.
A note on Ticketmaster added: “A select number of tickets will be available across all 32 performances. There will be two opportunities to purchase tickets for these shows.
“Access to each presale will be limited with priority given to fans who held tickets for the original show dates or had previously registered and been waitlisted for the Weekends with Adele Verified Fan Presale. Eligible fans will receive an email invitation from Ticketmaster on Wednesday, August 3 with further instructions on how to participate.”
You can find out more about how to register for the pre-sale, and how to purchase tickets when they are available here.
Adele’s shows at The Colosseum at Cesar’s Palace:
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NOVEMBER 2022 18, 19, 25 and 26
DECEMBER 2022 2, 3, 9, 10, 16, 17, 23 and 24
JANUARY 2023
20, 21, 27 and 28
FEBRUARY 2023
3, 4, 10, 11, 17, 18, 24 and 25
MARCH 3, 4, 10, 11, 17, 18, 24 and 25
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A post shared by Adele (@adele)
In a note to fans, Adele said: “Words can’t explain how ecstatic I am to finally be able to announce these rescheduled shows. I truly was heartbroken to have to cancel them.
“But after what feels like an eternity of figuring out logistics for the show that I really want to deliver, and knowing it can happen, I’m more excited than ever! Now I know for some of you it was a horrible decision on my part, and I will always be sorry for that, but I promise you it was the right one.
“To be with you in such an intimate space every week has been what I’ve most been looking forward to and I’m going to give you the absolute best of me. Thank you for your patience, I love you, Adele.”
In an appearance on The Graham Norton Show in February, Adele commented further on why she made the decision to cancel the shows originally.
“I tried my hardest and really thought I would be able to pull something else together in time, and that was why it was so last minute,” she said. “I regret that I kept going until that late in the day. But it just wasn’t ready.”
She spoke about delays relating to COVID and equipment, stating that “some things weren’t going to be arriving until the day of the show”.
She continued. “It just would have been a really half-arsed show, and I can’t do that. People will see straight through me, up on stage being like, ‘She doesn’t want to be doing this.’ And, I’ve never done anything like that in my life. I’m not going to start now, you know? I’m obviously gutted.”
When Norton asked why she couldn’t simply downsize her expectations for the Vegas residency, Adele said: “I’m not going to try do a stadium show in a theatre – but it’s Vegas. It can’t just be me on my fucking guitar.”
Recently, Adele gave her first public concert in five years at Hyde Park in London.
Adele has opened up about being forced to postpone her Weekends With Adele Las Vegas residency earlier this year.
READ MORE: Adele – ’30’ album review: dependable pop titan finally mixes things up
The singer was due to start the residency at the Colosseum at Caesars Palace on January 21, marking her first shows since 2017, and it was scheduled to extend through to April. She announced the postponement a day before the residency’s planned opening night with a video, saying the show was simply not ready.
“We’ve tried absolutely everything we can to put it together in time and for it to be good enough for you, but we’ve been absolutely destroyed by delivery delays and COVID,” she explained at the time.
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In February, while appearing on The Graham Norton Show, she discussed how delays relating to COVID and equipment had meant that, if the gigs were to have taken place as scheduled, it “would have been a really half-arsed show, and I can’t do that”.
Now, in a new interview with Lauren Laverne on BBC Radio 4, Adele elaborated on the last-minute postponement. “I definitely felt everyone’s disappointment and I was devastated and I was frightened about letting them down,” she said during the interview.
“I thought I could pull it together and make it work and I couldn’t. I don’t think any other artist would have done what I did, and I think that is why it was such a massive, massive story.”
Elsewhere in the interview, the singer said that she “was a shell of a person for a couple of months” following the postponement. “I just had to wait it out and just grieve it, I guess, just grieve the shows and get over the guilt, but it was brutal.”
However, Adele made it clear she stood by the decision to postpone the residency, maintaining that the show wasn’t good enough. “You can’t buy me for nothing,” she said. “I’m not going to just do a show because I have to or because people are going to be let down or because we’re going to lose loads of money.”
Rescheduled dates for the residency are yet to be announced. In February, Adele said the shows would “absolutely 100 per cent” happen this year, but in the BBC Radio interview said that while she’s still “working on it”, she wasn’t going to provide updates “if I ain’t got nothing to update you with”.
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Over the weekend, Adele gave her first public concerts in five years at London’s Hyde Park, performing classics like ‘Hello’, ‘Someone Like You’ and ‘Send my Love (To Your New Lover’, as well as new songs from latest album ’30’ such as ‘Easy On Me’ and ‘Oh My God’.
Adele has given her first public concert in five years at London’s Hyde Park, performing at the venue over the weekend.
The shows — which took place on Friday July 1 and Saturday July 2 as part of BST Hyde Park — were the singer’s first ticketed performances since her 2017 shows at Wembley Stadium.
READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up
Adele performed a number of classics during her two-hour set, including ‘Hello’, ‘Someone Like You’, ‘Send My Love (To Your New Lover)’ and ‘Rumour Has It’, as well as ‘Easy On Me’ and ‘Oh My God’ from her latest album ’30’. Find footage of the performances and the full set list below:
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Adele played:
‘Hello’ ‘I Drink Wine’ ‘I’ll Be Waiting’ ‘Rumour Has It’ ‘Water Under The Bridge’ ‘One And Only’ ‘Skyfall’ ‘Send My Love (To Your New Lover)’ ‘Easy On Me’
‘All I Ask’
‘Make You Feel My Love’ (Bob Dylan cover)
‘Someone Like You’
‘Oh My God’
‘Set Fire To The Rain’
‘Hold On’
‘Rolling In The Deep’
‘When We Were Young’
‘Love Is A Game’
The shows held an estimated 65,000 people each, with support acts playing throughout the day. They featured an all-female bill, comprising Kacey Musgraves, Nilüfer Yanya, Gabrielle, Mahalia, Self Esteem, Tiana Major9, Chrissi, Bonnie Kemplay, Ruti and Tamzene.
The shows were announced last October, and were intended to follow a 12-week residency in Las Vegas. However, that was postponed due to “delivery delays and COVID”.
Over the past few years, Adele has mostly given televised performances and award show appearances, including the 2022 BRIT Awards. She won Artist of the Year, Song of the Year (for ‘Easy On Me’) and Album of the Year for ’30’, performing its cut ‘I Drink Wine’.
Speaking about the album in a three-star review, NME‘s El Hunt wrote, “despite its more experimental moments, ‘30’ still winds up feeling like trademark Adele, in its own way, most of the time.”
“And after fair accusations of playing it safe musically in the past, it’s refreshing to see the pop titan treading braver territory – even if the hit-rate isn’t 100 per cent.”
BBC Radio 1 DJ Adele Roberts has revealed that she has been given the all-clear following eight months of treatment for bowel cancer.
Roberts first shared the news of her diagnosis back in October, saying that the outlook was “positive”.
She then returned to work hosting the Radio 1 Weekend Breakfast Show the following month, telling listeners that she “owed [the NHS] my life”.
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Posting on Instagram on Monday (June 27), Roberts said that she has now been given the all-clear and hailed the moment as “the day I’ve been waiting for”.
“Hearing the words ‘you’re free of cancer’ absolutely took my breath away,” she wrote. “I keep replaying it in my mind. It was the most beautiful sound I think I’ve ever heard. Even though I was praying Dr Khan would say that to me I don’t think my head let me believe it until I heard it.
“Everything we’ve been through seems to be swirling around in my body and life feels a bit surreal at the moment… BUT I AM SO GRATEFUL! I am counting my blessings.”
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Roberts continued by saying that she was also “in awe of anyone dealing with cancer”.
“The courage, the strength, the determination… and at times, the humour you have shown has been nothing short of super human,” she wrote. “You’ve inspired me and given me the fire to never give up. You’re warriors and it’s thanks to seeing you being so strong that’s kept me going. Feel the fear and do it anyway. Sometimes it took me all my strength just to get out of bed and face the day but I still did it. Every day I made sure I did something to do a huge f*ck you to cancer. It’s taken too many of us. I didn’t know what fate had in store for me but I knew I’d never stop trying.
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“Thank you to my family, my friends, everyone who’s taken time to message me, send love or positive thoughts. You’ve kept me going and helped me slay this beast. That’s one thing Dr Khan said to me. Your mind can go to dark places when dealing with cancer but that’s the one thing I knew I had control over. My body might have been dying – it’s still so sore now – but there was no way I was letting it destroy my spirit.
“If anything it’s made me happier than I’ve ever been. Going through the darkness has given me the light. It’s transformed me, given me my little stoma Audrey, brought amazing people into my life and it’s time now for me to start really living.”
Praising both the doctor who treated her and the NHS, Roberts added: “Thank you to Dr Kahn, his team and the whole of the NHS. You are angels amongst us. Thank you for saving my life.”
Adele has announced the line-up for her two upcoming shows in London – her first ticketed concerts in more than five years – with Kacey Musgraves, Nilüfer Yanya, Gabrielle and more set to open for the modern pop icon.
READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up
Both shows – slated for next Friday (July 1) and Saturday (July 2) – will take place at Hyde Park, with each set to host 65,000 fans. Performances will run all day, Adele said in an Instagram post announcing the line-up, with a total of 11 artists (including the leading lady herself) set to take the stage. Rounding out the bill will be Mahalia, Self Esteem, Tiana Major9, Chrissi, Bonnie Kemplay, Ruti and Tamzene.
“[It’s] an all female bill,” Adele wrote, “from new artists that I’m obsessed with to the heavenly [Kacey Musgraves] to one of my favorite artists of all time [Gabrielle] who I’ve loved since I was 4!! It’s going to be incredible, there’s a whole host of us performing all day, I can’t wait to share the main stage with you ladies.”
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Both of the Hyde Park gigs were announced together last October – nearly eight months ago – prior to the release of Adele’s fourth studio album, ‘30’. She was initially due to pre-empt them with a 12-week residency in Las Vegas (which would have run from January through to April), but that was eventually postponed due to “delivery delays and COVID”. Remaining tickets for the Hyde Park shows can be found here.
The upcoming shows will mark Adele’s first publicly accessible concerts since June 2017, when she performed at London’s Wembley Stadium. In the five years since then, she’s mostly performed for awards shows and TV appearances – such as this year’s BRIT Awards, where she also won Artist of the Year, Song of the Year (for ‘Easy On Me’) and Album of the Year – but has not delivered any performances that fans could buy tickets for.
Last year saw Adele perform her first full concert sets since 2017 – one in Los Angeles and the other at London’s Palladium – both of which were recorded for TV specials. Both of those premiered last November, with the former (billed as Adele: One Night Only) airing on CBS in the US, and the latter (as An Audience With Adele) on ITV in the UK.
In a three-star review of ‘30’, NME’s El Hunt wrote: “Though soul, jazz, and blues are hardly new influences for the Tottenham singer, who has built a record-smashing career on retooling retro sounds for contemporary pop, they feel much rawer here, bolstered by show-tuney strings arrangements, gospel, and a sample from the late jazz pianist Erroll Garner on the glimmering ‘All Night Parking’.”
Adele has shared a new message of support for the survivors and bereaved families of the victims of the Grenfell Tower fire to mark the fifth anniversary of the tragedy.
Yesterday (June 14) marked five years since the 2017 blaze at the high-rise which killed 72 people in North Kensington, west London.
Writing on Twitter last night, Adele – who visited Grenfell in the hours following the fire in 2017 to comfort residents and those affected, and has subsequently paid tribute to the victims on numerous occasions – shared a post from Grenfell United, who represent the survivors and bereaved families of the fire.
“For five years we’ve had to endure a justice system that protects the powerful,” Grenfell United’s statement read. “A system that prevents justice. While this system exists, we face the same unachievable battle as the many before us.
“From Aberfan, to Hillsborough, justice has been denied & #Grenfell is no different.”
I stand with the Grenfell families. Follow @GrenfellUnited and join their campaign for truth, justice and change ? https://t.co/RZb3aiQfq4
— Adele (@Adele) June 14, 2022
Adele shared that post on her Twitter account last night and added: “I stand with the Grenfell families. Follow @GrenfellUnited and join their campaign for truth, justice and change.”
AJ Tracey and Stormzy were among those in attendance at a memorial service that was held yesterday at the base of Grenfell Tower. A 72-second silence was observed by attendees at the event, which concluded with applause, before a silent two-mile walk was held in the local area.
During her An Audience With Adele TV special back in November, Adele paid tribute to Grenfell survivors and the firefighters who attended the scene in June 2017.
Producer Paul Epworth – best known for his work with Adele – has spoken out on the issue of financial barriers within the music industry.
In a new interview with The Telegraph, Epworth warned of the lost potential that comes with those of underprivileged backgrounds attempting to break into the business.
“Because of cuts in funding, youth club closures, venues closing and growing hardship, it’s getting harder and harder to get into the creative industries unless you already know somebody who can advise you or offer you an internship,” he said.
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“If you’re a kid from an underprivileged background without those links, you’ve got no hope of fulfilling your dreams of a job in music.”
The English producer went on to put his support behind London’s Ivors Academy, a music academy who are offering a new two-year diploma in Creative Entrepreneurship aimed at students aged 19 and over. Epworth himself will serve as a tutor and mentor in the diploma’s course, which is nicknamed “TheWRD”, and stressed its importance for aspiring artists.
“Without this [diploma], we risk losing another Paul McCartney or David Bowie and their massive contribution to British and world culture,” he said.
Epworth got his start as a producer of indie rock albums in the mid-2000s, working on albums such as Bloc Party‘s ‘Silent Alarm’ and Maxïmo Park‘s ‘A Certain Trigger’. He began working with Adele on her second album, 2011’s ’21’, and has produced the majority of her work since. Notably, Epworth received an Academy Award, a Golden Globe and a Grammy Award for his work on Adele’s James Bond theme, ‘Skyfall’.
Adele and Japanese Breakfast have both been named on Time‘s 2022 list of the 100 most influential people in the world.
READ MORE: Japanese Breakfast: “This year is about enjoying myself – my number one job is to have fun”
The news magazine’s annual list spotlights the “pioneers, leaders, titans, artists, innovators and icons” of the past year.
Adele is listed under the ‘icons’ category alongside Jon Batiste, Keanu Reeves and Mary J. Blige, with Late Late Show host James Corden writing in support of the singer’s entry.
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Japanese Breakfast, AKA Michelle Zauner, is celebrated as an ‘innovator’ along with Zendaya, Taika Waititi and Miranda Lambert.
Questlove, Jazmine Sullivan, Oprah Winfrey, Issa Rae and Quinta Brunson are also named on the Time 100 list for 2022. You can check out the full list here.
Adele performs on stage during The BRIT Awards 2022 at The O2 Arena on February 08, 2022 in London (Picture: Gareth Cattermole/Getty Images)
Posting on her social media channels earlier this month to celebrate her 34th birthday, Adele told her fans that she’s “never been happier”.
“If time keeps healing and smoothing out all the creases in my life like it does as the years fly by, then I can’t wait to be 60!” she wrote. “I’ve never been happier!
“So many lessons, so many blessings to be grateful for. This is 34, and I love it here! Thank you for the birthday love as always.”
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Japanese Breakfast, meanwhile, made her Saturday Night Live debut last weekend where she performed ‘Be Sweet’ and ‘Paprika’.
Nicki Minaj appeared on Carpool Karaoke last night (April 6), performing a snippet of Adele’s ‘Someone Like You’ – watch footage below.
READ MORE: How I became a reformed Barb (or: how TikTok made Nicki Minaj cool again)
Speaking to host James Corden, Minaj slipped into a British accent with Corden saying “you sound just like Adele”.
Minaj then did her best impression of Adele going viral at a basketball game, before talking about Adele’s take on Minaj’s verse from Kanye West’s ‘Monster’, which she performed on Carpool Karaoke back in 2016 as well as at a party in LA in 2019.
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At the time Minaj tweeted: “Adele is mad ratchet” and last night, she said “I just loved it. She made me so, so happy. She embodied Nicki Minaj,” before performing ‘Monster’ herself. Watch footage below:
“She just naturally has that thing,” added Minaj, still talking in a British accent. “But it’s different. She’s singing these sad songs so you don’t expect it from her.” Minaj then returned the favour, performing ‘Someone Like You’.
Elsewhere on Carpool Karaoke, Minaj performed versions of ‘Starships’, ‘Super Bass’ and ‘Do We Have A Problem?’ as well as a freestyle while Corden beatboxed.
Yes. This is the one! Enjoy ? https://t.co/epUU4sQqDs
— Nicki Minaj (@NICKIMINAJ) April 7, 2022
Minaj also opened up about her struggles with anxiety. “I think when I was younger, my more natural state was to be more confident. But I think when you’re a woman and you’re in the public eye all the time, if you’re not careful you can become less confident because you’re being constantly scrutinised. I just don’t think it’s natural. It’s not natural for a human being to feel like everyone’s critiquing them,” she said.
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“When I first came into the industry, I had this amazing sense of freedom because nobody gave a shit about what I was doing, I could get away with anything. It goes from that to the complete opposite,” she added.
She is set to headline Wireless Festival later this year.
Topping the Finsbury Park leg of the expanded festival, Minaj will be joined by Cardi B and SZA. The following weekend, Birmingham is due to welcome Dave, Cardi B and J. Cole as headliners of a brand-new, purpose-built outdoor site at the city’s National Exhibition Centre (NEC) venue.
Muse frontman Matt Bellamy has revealed further details of what to expect from the band’s new album ‘Will Of The People’.
READ MORE: Global chaos? Corrupt politicians? Here’s why we need Muse more than ever
Last week, the Teignmouth trio announced the record and shared new single ‘Compliance’.
“A pandemic, new wars in Europe, massive protests and riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilisation of the global order all informed ‘Will Of The People’,” Bellamy said of the new album at the time.
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“It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.”
Now, he has gone into detail about the sound of the record.
“We’ve always tried to think outside the box,” Bellamy told Apple Music 1. “We’ve never been one particular genre.
“This album goes from metal all the way to pop to my first version to an Adele song… a lot of electronica. It’s like a full…We produced it ourselves. We were analysing everything we’ve done to date. The last song on the album is called ‘We Are Fucking Fucked’. I’m really happy and proud of it. I genuinely think it’s our best album.”
He also said that drummer Dominic Howard has had a lot of input on the follow-up to 2018’s ‘Simulation Theory’.
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Bellamy added: “I sort of let Dom take the lead a little bit. That’s why this album’s taken two years. Every decision takes like a week for him to come back to us. Normally I just rush everything. With him he’s really slow, takes his time with every decision. I allowed him to make a lot of decisions about what was good and what wasn’t.”
‘Will Of The People’ will be released on August 26 via Warner Records. You can pre-order it here.
Meanwhile, Muse will headline the Isle of Wight Festival in June alongside Lewis Capaldi and Kasabian, with tickets available here.
The three-piece are also set to top the bill at a number of European festivals this summer, including Berlin’s Tempelhof Sounds and Madrid’s Mad Cool Festival.
Adele has promised her fans that her Weekends with Adele residency in Las Vegas will “absolutely 100 per cent” happen this year.
READ MORE: Adele-ageddon! ‘30’ marks lockdown four for music
The singer was due to start the residency at The Colosseum at Caesars Palace on January 21, with the run of shows extending through to April.
However, Adele postponed the gigs the day before the opening night of her residency, telling her fans in a video message that her show wasn’t ready.
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“We’ve tried absolutely everything we can to put it together in time and for it to be good enough for you, but we’ve been absolutely destroyed by delivery delays and COVID,” she said. Weekends with Adele has yet to be rescheduled.
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A post shared by Adele (@adele)
Speaking on The Graham Norton Show, which airs on BBC One tonight (February 11), Adele moved to reassure her fans that her Vegas residency will still be taking place in 2022.
“It has to happen this year because I’ve got plans for next year,” she told Norton (via BBC News). “Imagine if I have to cancel because I am having a baby!”
Speaking about why she had to postpone the residency last month, Adele said: “I tried my hardest and really thought I would be able to pull something together in time.
“I regret that I kept going until that late in the day. It would have been a really half-arsed show and I can’t do that. People will see straight through me up on the stage and know I didn’t want to be doing it. I’ve never done anything like that in my life and I’m not going to start now.”
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The singer added: “We are now working our arses off, but I don’t want to announce a new set of dates until I know everything will definitely be ready. The sooner I can announce the better, but I just can’t in case we are not ready in time. It is absolutely 100 per cent happening this year.”
Adele was the winner of three BRIT awards on Tuesday night (February 8), winning Album Of The Year (for ‘30′), Artist Of The Year and Song Of The Year (for ‘Easy On Me’). She also performed her song ‘I Drink Wine’ live during the ceremony.
Last night (February 10), Adele made a surprise appearance at G-A-Y at London’s Heaven nightclub.
Adele made a surprise appearance during G-A-Y at London’s Heaven nightclub last night (February 10) – check out the footage below.
The singer-songwriter is in the capital after attending this week’s BRIT Awards 2022, where she won Artist Of The Year, Song Of The Year (‘Easy On Me’) and Mastercard Album Of The Year (’30’).
READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up
Today (February 11) videos and images have emerged of Adele attending G-A-Y’s ‘Porn Idol’ event. One clip sees the star being tasked with picking the winner of the competition by Drag Race UK‘s Cheryl Hole.
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“It’s your decision, Adele!” Hole said as the pair stood on stage together. Making her decision, the singer replied: “Yes, I pick her. 100 per cent. She’s sexy, fucking beautiful, fucking lovely.”
“We love being females, don’t we?” Adele asked the winner.
Later, Hole had a proposal for Adele: “Next time you do a special, can I sing a song instead of Alan Carr please?” The singer responded: “100 per cent.”
The star then said that Hole was “invited to Vegas”, referring to her postponed 12-week residency in Sin City.
In another clip, Adele is seen dancing on a stripper pole in front of the cheering audience. See the posts below.
Adele at the Heaven Night Club in London today. pic.twitter.com/4YfQC18dkf
A BELEZA DELA! Adele no camarote da Heaven Nightclub London, agora a noite. pic.twitter.com/YzPhuytaYM
— Portal Adele Brasil (@portaladelebr) February 11, 2022
Last night at G-A-Y
Posted by Heaven Nightclub London on Friday, February 11, 2022
Jeremy Joseph, the owner of G-A-Y nightclubs in London, shared an image of himself with Adele this morning. “I hate to turn up out of the blue uninvited but I couldn’t stay away I couldn’t fight it. Last night at G-A-Y,” he wrote as the caption, in reference to 2011’s ‘Someone Like You’.
Posting an image on Instagram, meanwhille, Cheryl Hole said: “Confirmed: @Adele was devastated I was eliminated on Drag Race too. Love you divalina.” You can see those posts below.
I hate to turn up out of the blue uninvited but I Couldn't stay away I couldn't fight it Last night at G-A-Y @jacobdivapuppy ? & @Adele ❤️ ❤️ ❤️ ❤️ pic.twitter.com/vxrFlnXwiN
— Jeremy Joseph G-A-Y (@JeremyJoseph) February 11, 2022