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Adele announces rescheduled Las Vegas residency dates following illness

Adele has rescheduled several dates on her Las Vegas residency after they were postponed due to illness.

The singer-songwriter paused five weekends worth of dates of her long-running residency due to go ahead last month at The Colosseum, Caesar’s Palace in February after revealing that she had fallen ill “at the end of the last leg and all the way through my break”.

The dates affected were March 1, 2, 8, 9, 15, 16, 22, 23 and 29 and 30.

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Now, she has taken to Instagram to reveal that the five weekends have now been rescheduled to the weekends of October 25-26, November 1-2, 8-9, 15-16 and 22-23.

Adele also wrote that all “ticket holders for the postponed dates will be sent an email regarding their new allocated date”.

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In late October last year, the singer-songwriter announced that she would be extending her ‘Weekends With Adele’ residency. It was originally expected to end in June.

The residency originally began in November 2022, having been postponed at the last minute in January of that year.

In January of this year, Adele said she would embark on a world tour on her next album cycle. In the middle of a Vegas show, she revealed that fans will probably have a while to wait before she releases the follow-up to 2021’s ’30’, but she will tour it more than she has done with albums in the past. “I just don’t think I’m gonna write an album for quite some time,” she told her audience. “But next time I do, I’ll come to wherever it is you live.”

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Adele also recently confirmed that she would be holding a residency in Munich and has so far announced a total of 10 shows at the purpose built Munich Messe arena.

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Grammys nominations 2023: Beyoncé, Kendrick Lamar, Adele and Harry Styles score the most nods

The nominations for the 2023 Grammys have been announced with Beyoncé, Kendrick Lamar, Adele and Harry Styles leading the way.

  • READ MORE: Ukraine, Billie Eilish, Louis CK: the biggest talking points from the Grammy Awards 2022

The official Grammys YouTube hosted a livestream today (November 15) for the announcement which you can watch below, with the winners set to be announced at the 65th Grammy Awards ceremony on February 5, 2023.

Beyoncé clocked up the most nominations with nine nods including Record Of The Year and Album Of The Year, closely followed by Lamar with eight nominations.

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Adele picked up seven nominations while Future, Harry Styles, Mary J. Blige and DJ Khaled each scored six nods. Jay-Z, who picked up five nominations, is now tied with Beyoncé for the most nominated artists in Grammy history, having clocked up 88 nods in total.

Notably, the 2023 Grammy Awards will be the first time Beyoncé and Adele will go head-to-head for Record, Album, and Song Of The Year since 2017, when Adele swept all three categories.

Meanwhile, both Wet Leg and Måneskin were both nominated in the Best New Artist category.

See the full list of Grammys 2023 nominations below:

Record Of The Year
ABBA – ‘Don’t Shut Me Down’
Adele – ‘Easy On Me’
Beyoncé – ‘Break My Soul’
Brandi Carlile Featuring Lucius – ‘You And Me On The Rock’
Doja Cat – ‘Woman’
Harry Styles – ‘As It Was’
Kendrick Lamar – ‘The Heart Part 5’
Lizzo – ‘About Damn Time’
Mary J. Blige – ‘Good Morning Gorgeous’
Steve Lacy – ‘Bad Habit’

Album Of The Year
ABBA – ‘Voyage’
Adele – ’30’
Bad Bunny – ‘Un Verano Sin Ti’
Beyoncé – ‘Renaissance’
Brandi Carlile – ‘In These Silent Days’
Coldplay – ‘Music Of The Spheres’
Harry Styles – ‘Harry’s House’
Kendrick Lamar – ‘Mr. Morale & The Big Steppers’
Lizzo – ‘Special’
Mary J. Blige – ‘Good Morning Gorgeous (Deluxe)’

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Song Of The Year
Adele – ‘Easy On Me
Beyoncé – ‘Break My Soul
Bonnie Raitt – ‘Just Like That
DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – ‘God Did’
Gayle – ‘ABCDEFU’
Harry Styles – ‘As It Was’
Kendrick Lamar – ‘The Heart Part 5’
Lizzo – ‘About Damn Time’
Steve Lacy – ‘Bad Habit’
Taylor Swift – ‘All Too Well’

Best New Artist
Anitta
Domi & JD Beck
Latto
Måneskin
Molly Tuttle
Muni Long
Omar Apollo
Samara Joy
Tobe Nwigwe
Wet Leg

Best Pop Solo Performance
Adele – ‘Easy On Me’
Bad Bunny – ‘Moscow Mule’
Doja Cat – ‘Woman’
Harry Styles – ‘As It Was’
Lizzo – ‘About Damn Time’
Steve Lacy – ‘Bad Habit’

Best Pop Duo/Group Performance
ABBA – ‘Don’t Shut Me Down’
Camila Cabello Featuring Ed Sheeran – ‘Bam Bam’
Coldplay & BTS – ‘My Universe’
Post Malone & Doja Cat – ‘I Like You (A Happier Song)’
Sam Smith & Kim Petras – ‘Unholy’

Best Traditional Pop Vocal Album
Diana Ross – ‘Thank You’
Kelly Clarkson – ‘When Christmas Comes Around…’
Michael Bublé – ‘Higher’
Norah Jones – ‘I Dream Of Christmas’
Pentatonix – ‘Evergreen’

Best Pop Vocal Album
ABBA – ‘Voyage’
Adele – ’30’
Coldplay – ‘Music Of The Spheres’
Harry Styles – ‘Harry’s House’
Lizzo – ‘Special’

Best Dance/Electronic Recording
Beyoncé – ‘Break My Soul’
Bonobo – ‘Rosewood’
David Guetta & Bebe Rexha – ‘I’m Good (Blue)’
Diplo & Miguel – ‘Don’t Forget My Love’
Kaytranada Featuring H.E.R. – ‘Intimidated’
Rüfüs Du Sol – ‘On My Knees’

Best Dance/Electronic Music Album
Beyoncé – ‘Renaissance’
Bonobo – ‘Fragments’
Diplo – ‘Diplo’
Odesza – ‘The Last Goodbye’
Rüfüs Du Sol – ‘Surrender’

Best Contemporary Instrumental Album
Brad Mehldau – ‘Jacob’s Ladder’
Domi & JD Beck – ‘Not Tight’
Grant Geissman – ‘Blooz’
Jeff Coffin – ‘Between Dreaming And Joy’
Snarky Puppy – ‘Empire Central’

Best Rock Performance
Beck – ‘Old Man’
The Black Keys – ‘Wild Child’
Brandi Carlile – ‘Broken Horses’
Bryan Adams – ‘So Happy It Hurts’
Idles – ‘Crawl!’
Ozzy Osbourne Featuring Jeff Beck – ‘Patient Number 9’
Turnstile – ‘Holiday’

Best Metal Performance
Ghost – ‘Call Me Little Sunshine’
Megadeth – ‘We’ll Be Back’
Muse – ‘Kill Or Be Killed’
Ozzy Osbourne Featuring Tony Iommi – ‘Degradation Rules’
Turnstile – ‘Blackout’

Best Rock Song
Brandi Carlile – ‘Broken Horses’
Ozzy Osbourne Featuring Jeff Beck – ‘Patient Number 9’
Red Hot Chili Peppers – ‘Black Summer’
Turnstile – ‘Blackout’
The War On Drugs – ‘Harmonia’s Dream’

Best Rock Album
The Black Keys – ‘Dropout Boogie’
Elvis Costello & The Imposters – ‘The Boy Named If’
Idles – ‘Crawler’
Machine Gun Kelly – ‘Mainstream Sellout’
Ozzy Osbourne – ‘Patient Number 9’
Spoon – ‘Lucifer On The Sofa’

Best Alternative Music Performance
Arctic Monkeys – ‘There’d Better Be A Mirrorball’
Big Thief – ‘Certainty’
Florence And The Machine – ‘King’
Wet Leg – ‘Chaise Longue’
Yeah Yeah Yeahs Featuring Perfume Genius – ‘Spitting Off The Edge Of The World’

Best Alternative Music Album
Arcade Fire – ‘WE’
Big Thief – ‘Dragon New Warm Mountain I Believe In You’
Björk – ‘Fossora’
Wet Leg – ‘Wet Leg’
Yeah Yeah Yeahs – ‘Cool It Down’

Best R&B Performance
Beyoncé – ‘Virgo’s Groove’
Jazmine Sullivan – ‘Hurt Me So Good’
Lucky Daye – ‘Over’
Mary J. Blige Featuring Anderson .Paak – ‘Here With Me’
Muni Long – ‘Hrs & Hrs’

Best Traditional R&B Performance
Adam Blackstone Featuring Jazmine Sullivan – ’Round Midnight’
Babyface Featuring Ella Mai – ‘Keeps on Fallin’’
Beyoncé – ‘Plastic Off The Sofa’
Mary J. Blige – ‘Good Morning Gorgeous’
Snoh Aalegra – ‘Do 4 Love’

Best R&B Song
Beyoncé – ‘Cuff It’
Jazmine Sullivan – ‘Hurt Me So Good’
Mary J. Blige – ‘Good Morning Gorgeous’
Muni Long – ‘Hrs & Hrs’
PJ Morton – ‘Please Don’t Walk Away’

Best Progressive R&B Album
Cory Henry – ‘Operation Funk’
Moonchild – ‘Starfuit’
Steve Lacy – ‘Gemini Rights’
Tank And The Bangas – ‘Red Balloon’
Terrace Martin – ‘Drones’

Best R&B Album
Chris Brown – ‘Breezy (Deluxe)’
Lucky Daye – ‘Candy Drip’
Mary J. Blige – ‘Good Morning Gorgeous (Deluxe)’
PJ Morton – ‘Watch The Sun’
Robert Glasper – ‘Black Radio III’

Best Rap Performance
DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – ‘God Did’
Doja Cat – ‘Vegas’
Gunna & Future Featuring Young Thug – ‘Pushin P’
Hitkidd & Glorilla – ‘F.N.F. (Let’s Go)’
Kendrick Lamar – ‘The Heart Part 5’

Best Melodic Rap Performance
DJ Khaled Featuring Future & SZA – ‘Beautiful’
Future Featuring Drake & Tems – ‘Wait For U’
Jack Harlow – ‘First Class’
Kendrick Lamar Featuring Blxst & Amanda Reifer – ‘Die Hard’
Latto – ‘Big Energy (Live)’

Best Rap Song
DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – ‘God Did’
Future Featuring Drake & Tems – ‘Wait For U’
Gunna & Future Featuring Young Thug – ‘Pushin P’
Jack Harlow Featuring Drake – ‘Churchill Downs’
Kendrick Lamar – ‘The Heart Part 5’

Best Rap Album
DJ Khaled – ‘God Did’
Future – ‘I Never Liked You’
Jack Harlow – ‘Come Home The Kids Miss You’
Kendrick Lamar – ‘Mr. Morale & The Big Steppers’
Pusha T – ‘It’s Almost Dry’

Best Country Solo Performance
Kelsea Ballerini – ‘Heartfirst’
Maren Morris – ‘Circles Around This Town’
Miranda Lambert – ‘In His Arms’
Willie Nelson – ‘Live Forever’
Zach Bryan – ‘Something In The Orange’

Best Country Duo/Group Performance
Brothers Osborne – ‘Midnight Rider’s Prayer’
Carly Pearce & Ashley McBryde – ‘Never Wanted To Be That Girl’
Ingrid Andress & Sam Hunt – ‘Wishful Drinking’
Luke Combs & Miranda Lambert – ‘Outrunnin’ Your Memory’
Reba McEntire & Dolly Parton – ‘Does He Love You (Revisited)’
Robert Plant & Alison Krauss – ‘Going Where The Lonely Go’

Best Country Song
Cody Johnson – ‘’Til You Can’t’
Luke Combs – ‘Doin’ This’
Maren Morris – ‘Circles Around This Town’
Miranda Lambert – ‘If I Was a Cowboy’
Taylor Swift – ‘I Bet You Think About Me (Taylor’s Version) (From the Vault)’
Willie Nelson – ‘I’ll Love You Till the Day I Die’

Best Country Album
Ashley McBryde – ‘Ashley McBryde Presents: Lindeville’
Luke Combs – ‘Growin’ Up’
Maren Morris – ‘Humble Quest’
Miranda Lambert – ‘Palomino’
Willie Nelson – ‘A Beautiful Time’

Best New Age, Ambient, Or Chant Album
Cheryl B. Engelhardt – ‘The Passenger’
Madi Das, Dave Stringer & Bhakti Without Borders – ‘Mantra Americana’
Mystic Mirror – ‘White Sun’
Paul Avgerinos – ‘Joy’
Will Ackerman – ‘Positano Songs’

Best Improvised Jazz Solo
Ambrose Akinmusire – ‘Rounds (Live)’
Gerald Albright – ‘Keep Holding On’
John Beasley – ‘Cherokee/Koko’
Marcus Baylor – ‘Call Of The Drum’
Melissa Aldana – ‘Falling’
Wayne Shorter & Leo Genovese – ‘Endangered Species’

Best Jazz Vocal Album
The Baylor Project – ‘The Evening: Live At Apparatus’
Carmen Lundy – ‘Fade To Black’
Cécile McLorin Salvant – ‘Ghost Song’
The Manhattan Transfer & The WDR Funkhausorchester – ‘Fifty’
Samara Joy – ‘Linger Awhile’

Best Jazz Instrumental Album
Joshua Redman, Brad Mehldau, Christian McBride & Brian Blade – ‘LongGone’
Peter Erskine Trio – ‘Live In Italy’
Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton & Matthew Stevens – ‘New Standards, Vol. 1′
Wayne Shorter, Terri Lyne Carrington, Leo Genovese & Esperanza Spalding – L’ive At The Detroit Jazz Festival’
Yellowjackets – ‘Parallel Motion’

Best Large Jazz Ensemble Album
John Beasley, Magnus Lindgren & SWR Big Band – ‘Bird Lives’
Remy Le Boeuf’s Assembly Of Shadows – ‘Architecture Of Storms’
Ron Carter & The Jazzaar Festival Big Band Directed by Christian Jacob – ‘Remembering Bob Freedman’
Steve Gadd, Eddie Gomez, Ronnie Cuber & WDR Big Band Conducted by Michael Abene – ‘Center Stage’
Steven Feifke, Bijon Watson & Generation Gap Jazz Orchestra – ‘Generation Gap Jazz Orchestra’

Best Latin Jazz Album
Arturo O’Farrill & The Afro Latin Jazz Orchestra Featuring The Congra Patria Son Jarocho Collective – ‘Fandango At The Wall in New York’
Arturo Sandoval – ‘Rhythm & Soul’
Danilo Pérez Featuring The Global Messengers – ‘Crisálida’
Flora Purim – ‘If You Will’
Miguel Zenón – ‘Música de las Américas’

Best Gospel Performance/Song
Doe – ‘When I Pray’
Erica Campbell – ‘Positive
Maverick City Music & Kirk Franklin – ‘Kingdom’
PJ Morton Featuring Zacardi Cortez, Gene Moore, Samoht, Tim Rogers & Darrel Walls – ‘The Better Benediction’
Tye Tribbett – ‘Get Up’

Best Contemporary Christian Music Performance/Song
Chris Tomlin – ‘Holy Forever’
Crowder & Dante Bowe Featuring Maverick City Music – ‘God Really Loves Us (Radio Version)’
Doe – ‘So Good’
For King & Country & Hillary Scott – ‘For God Is With Us’
Maverick City Music & Kirk Franklin – ‘Fear Is Not My Future’
Phil Wickham – ‘Hymn Of Heaven (Radio Version)’

Best Gospel Album
Doe – ‘Clarity’
Maranda Curtis – ‘Die To Live’
Maverick City Music & Kirk Franklin – ‘Kingdom Book One (Deluxe)’
Ricky Dillard – ‘Breakthrough: The Exodus (Live)’
Tye Tribbett – ‘All Things New’

Best Contemporary Christian Music Album
Anne Wilson – ‘My Jesus’
Chris Tomlin – ‘Always’
Elevation Worship – ‘Lion’
Maverick City Music – ‘Breathe’
TobyMac – ‘Life After Death’

Best Roots Gospel Album
Gaither Vocal Band – ‘Let’s Just Praise The Lord’
Karen Peck & New River – ‘2:22’
Keith & Kristyn Getty – ‘Confessio – Irish American Roots’
Tennessee State University – ‘The Urban Hymnal’
Willie Nelson – ‘The Willie Nelson Family’

Best Latin Pop Album
Camilo – ‘De Adentro Pa Afuera’
Christina Aguilera – ‘Aguilera’
Fonseca – ‘Viajante’
Rubén Blades & Boca Livre – ‘Pasieros’
Sebastián Yatra – ‘Dharma +’

Best Música Urbana Album
Bad Bunny – ‘Un Verano Sin Ti’
Daddy Yankee – ‘Legendaddy’
Farruko – ‘La 167’
Maluma – ‘The Love & Sex Tape’
Rauw Alejandro – ‘Trap Cake, Vol. 2’

Best Latin Rock or Alternative Album
Cimafunk – ‘El Alimento’
Fito Paez – ‘Los Años Salvajes’
Gaby Moreno – ‘Alegoría’
Jorge Drexler – ‘Tinta y Tiempo’
Mon Laferte – ‘1940 Carmen’
Rosalía – ‘Motomami’

Best Regional Mexican Music Album (Including Tejano)
Chiquis – ‘Abeja Reina’
Christian Nodal – ‘EP #1 Forajido’
Marco Antonio Solís – ‘Qué Ganas de Verte (Deluxe)’
Natalia Lafourcade – ‘Un Canto por México – El Musical’
Los Tigres del Norte – ‘La Reunión (Deluxe)’

Best Tropical Latin Album
Carlos Vives – ‘Cumbiana II’
Marc Anthony – ‘Pa’lla Voy’
La Santa Cecilia – ‘Quiero Verte Feliz’
Spanish Harlem Orchestra – ‘Imágenes Latinas’
Tito Nieves – ‘Legendario’

Best American Roots Performance
Aaron Neville & The Dirty Dozen Brass Band – ‘Stompin’ Ground’
Aoife O’Donovan & Allison Russell – ‘Prodigal Daughter’
Bill Anderson Featuring Dolly Parton – ‘Someday It’ll All Make Sense (Bluegrass Version)’
Fantastic Negrito – ‘Oh Betty’
Madison Cunningham – ‘Life According To Raechel’

Best Americana Performance
Asleep At the Wheel Featuring Lyle Lovett – ‘There You Go Again’
Blind Boys Of Alabama Featuring Black Violin – ‘The Message’
Bonnie Raitt – ‘Made Up Mind’
Brandi Carlile Featuring Lucius – ‘You And Me On The Rock’
Eric Alexandrakis – ‘Silver Moon [A Tribute to Michael Nesmith]’

Best American Roots Song
Anaïs Mitchell – ‘Bright Star’
Aoife O’Donovan & Allison Russell – ‘Prodigal Daughter’
Bonnie Raitt – ‘Just Like That’
Brandi Carlile Featuring Lucius – ‘You And Me On The Rock’
Robert Plant & Alison Krauss – ‘High And Lonesome’
Sheryl Crow – ‘Forever’

Best Americana Album
Bonnie Raitt – ‘Just Like That…’
Brandi Carlile – ‘In These Silent Days’
Dr. John – ‘Things Happen That Way’
Keb’ Mo’ – ‘Good To Be…’
Robert Plant & Alison Krauss – ‘Raise The Roof’

Best Bluegrass Album
The Del McCoury Band – ‘Almost Proud’
The Infamous Stringdusters – ‘Toward The Fray’
Molly Tuttle & Golden Highway – ‘Crooked Tree’
Peter Rowan – ‘Calling You From My Mountain’
Yonder Mountain String Band – ‘Get Yourself Outside’

Best Traditional Blues Album
Buddy Guy – ‘The Blues Don’t Lie’
Charlie Musselwhite – ‘Mississippi Son’
Gov’t Mule – ‘Heavy Load Blues’
John Mayall – ‘The Sun Is Shining Down’
Taj Mahal & Ry Cooder – ‘Get On Board’

Best Contemporary Blues Album
Ben Harper – ‘Bloodline Maintenance’
Edgar Winter – ‘Brother Johnny’
Eric Gales – ‘Crown’
North Mississippi Allstars – ‘Set Sail’
Shemekia Copeland – ‘Done Come Too Far’

Best Folk Album
Aoife O’Donovan – ‘Age Of Apathy’
Janis Ian – ‘The Light At The End Of The Line’
Judy Collins – ‘Spellbound’
Madison Cunningham – ‘Revealer’
Punch Brothers – ‘Hell On Church Street’

Best Regional Roots Music Album
Halau Hula Keali’i o Nalani – ‘Halau Hula Keali’i o Nalani (Live At The Getty Center)’
Natalie Ai Kamauu – ‘Natalie Noelani’
Nathan & The Zydeco Cha-Chas – ‘Lucky Man’
Ranky Tanky – ‘Live At The 2022 New Orleans Jazz & Heritage Festival’
Sean Ardoin & Kreole Rock And Soul Featuring The Golden Band From Tigerland – ‘Full Circle’

Best Reggae Album
Kabaka Pyramid – ‘The Kalling’
Koffee – ‘Gifted’
Protoje – ‘Third Time’s The Charm’
Sean Paul – ‘Scorcha’
Shaggy – ‘Com Fly Wid Mi’

Best Global Music Performance
Arooj Aftab & Anoushka Shankar – ‘Udhero Na’
Burna Boy – ‘Last Last’
Matt B & Eddy Kenzo – ‘Gimme Love’
Rocky Dawuni Featuring Blvk H3ro – ‘Neva Bow Down’
Wouter Kellerman, Zakes Bantwini & Nomcebo Zikode – ‘Bayethe’

Best Global Music Album
Angélique Kidjo & Ibrahim Maalouf – ‘Queen Of Sheba’
Anoushka Shankar, Metropole Orkest & Jules Buckley Featuring Manu Delago – ‘Between Us… (Live)’
Berklee Indian Ensemble – ‘Shuruaat’
Burna Boy – ‘Love, Damini’
Masa Takumi – ‘Sakura’

Best Children’s Music Album
Alphabet Rockers – ‘The Movement’
Divinity Roxx – ‘Ready Set Go!’
Justin Roberts – ‘Space Cadet’
Lucky Diaz And The Family Jam Band – ‘Los Fabulosos’
Wendy And DB – ‘Into The Little Blue House’

Best Audio Book, Narration, And Storytelling Recording
Jamie Foxx – Act Like You Got Some Sense
Lin-Manuel Miranda – Aristotle And Dante Dive Into The Waters Of The World
Mel Brooks – All About Me!: My Remarkable Life In Show Business
Questlove – Music Is History
Viola Davis – Finding Me

Best Spoken Word Poetry Album
Amanda Gorman – Call Us What We Carry: Poems
Amir Sulaiman – You Will Be Someone’s Ancestor. Act Accordingly.
Ethelbert Miller – Black Men Are Precious
J. Ivy – The Poet Who Sat by the Door
Malcolm-Jamal Warner – Hiding In Plain View

Best Comedy Album
Dave Chappelle – ‘The Closer’
Jim Gaffigan – ‘Comedy Monster’
Louis C.K. – ‘Sorry’
Patton Oswalt – ‘We All Scream’
Randy Rainbow – ‘A Little Brains, A Little Talent’

Best Musical Theatre Album
Original Broadway Cast – ‘A Strange Loop’
New Broadway Cast – ‘Caroline, Or Change’
‘Into the Woods’ 2022 Broadway Cast – ‘Into the Woods (2022 Broadway Cast Recording)’
Original Broadway Cast – ‘MJ The Musical’
‘Mr. Saturday Night’ Original Cast – ‘Mr. Saturday Night’
Original Broadway Cast – ‘Six: Live On Opening Night’

Best Compilation Soundtrack For Visual Media
Various Artists – Elvis
Various Artists – Encanto
Various Artists – Stranger Things: Soundtrack From The Netflix Series, Season 4
Lorne Balfe, Harold Faltermeyer, Lady Gaga & Hans Zimmer – Top Gun: Maverick
Various Artists – West Side Story

Best Score Soundtrack For Visual Media (Includes Film and Television)
Germaine Franco – Encanto
Hans Zimmer – No Time To Die
Jonny Greenwood – The Power Of The Dog
Michael Giacchino – The Batman
Nicholas Britell – Succession: Season 3

Best Score Soundtrack For Video Games And Other Interactive Media
Austin Wintory – Aliens: Fireteam Elite
Bear McCreary – Call Of Duty: Vanguard
Christopher Tin – Old World
Richard Jacques – Marvel’s Guardians Of The Galaxy
Stephanie Economou – Assassin’s Creed Valhalla: Dawn Of Ragnarök

Best Song Written For Visual Media
Beyoncé – ‘Be Alive
Carolina Gaitán – La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto – Cast – ‘We Don’t Talk About Bruno’
Jessy Wilson Featuring Angélique Kidjo – ‘Keep Rising (The Woman King)’
Lady Gaga – ‘Hold My Hand’
Taylor Swift – ‘Carolina’
4*Town, Jordan Fisher, Finneas O’Connell, Josh Levi, Topher Ngo & Grayson Villanueva – ‘Nobody Like U’

Best Arrangement, Instrumental or A Cappella
Armand Hutton Featuring Terrell Hunt & Just 6 – ‘As Days Go By (An Arrangement of the Family Matters Theme Song)’
Danny Elfman – ‘Main Titles’
Kings Return – ‘How Deep Is Your Love’
Magnus Lindgren, John Beasley & The SWR Big Band Featuring Martin Auer -‘Scrapple From The Apple’
Remy Le Boeuf – ‘Minnesota, WI’

Best Arrangement, Instruments and Vocals
Becca Stevens & Attacca Quartet – ‘2 + 2 = 5 (Arr. Nathan Schram)’
Cécile McLorin Salvant – ‘Optimistic Voices / No Love Dying’
Christine McVie – ‘Songbird (Orchestral Version)’
Jacob Collier Featuring Lizzy McAlpine & John Mayer – ‘Never Gonna Be Alone’
Louis Cole – ‘Let It Happen’

Best Recording Package
Fann – ‘Telos’
Soporus – ‘Divers’
Spiritualized – ‘Everything Was Beautiful’
Tamsui-Kavalan Chinese Orchestra – ‘Beginningless Beginning’
Underoath – ‘Voyeurist’

Best Boxed or Special Limited Edition Package
Black Pumas – ‘Black Pumas (Collector’s Edition Box Set)’
Danny Elfman – ‘Big Mess’
The Grateful Dead – ‘In And Out Of The Garden: Madison Square Garden ’81, ’82, ’83’
They Might Be Giants – ‘Book’
Various Artists – ‘Artists Inspired By Music: Interscope Reimagined’

Best Album Notes
Andy Irvine & Paul Brady – ‘Andy Irvine / Paul Brady’
Astor Piazzolla – ‘The American Clavé Recordings’
Doc Watson – ‘Life’s Work: A Retrospective’
Harry Partch – ‘Harry Partch, 1942’
Wilco – ‘Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)’

Best Historical Album
Blondie – ‘Against the Odds: 1974 – 1982’
Doc Watson – ‘Life’s Work: A Retrospective’
Freestyle Fellowship – ‘To Whom It May Concern…’
Glenn Gould – ‘The Goldberg Variations: The Complete Unreleased 1981 Studio Sessions’
Wilco – ‘Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)’

Songwriter of the Year, Non-Classical
Amy Allen
Laura Veltz
Nija Charles
The-Dream
Tobias Jesso Jr.

Best Engineered Album, Non-Classical
Baynk – ‘Adolescence’
Father John Misty – ‘Chloë And The Next 20th Century’
Harry Styles – ‘Harry’s House’
Robert Glasper – ‘Black Radio III’
Wet Leg – ‘Wet Leg’

Producer of the Year, Non-Classical
Boi-1da
Dahi
Dan Auerbach
Dernst “D’Mile” Emile II
Jack Antonoff

Best Remixed Recording
Beyoncé – ‘Break My Soul (Terry Hunter Remix)’
Ellie Goulding – ‘Easy Lover (Four Tet Remix)’
The Knocks & Dragonette – ‘Slow Song (Paul Woolford Remix)’
Lizzo – ‘About Damn Time (Purple Disco Machine Remix)’
Wet Leg – ‘Too Late Now (Soulwax Remix)’

Best Immersive Audio Album
Anita Brevik, Nidarosdomens Jentekor & Trondheimsolistene – Tuvayhun – ‘Beatitudes For A Wounded World’
The Chainsmokers – ‘Memories…Do Not Open’
Christina Aguilera – ‘Aguilera’
Jane Ira Bloom – ‘Picturing the Invisible: Focus 1’
Stewart Copeland & Ricky Kej – ‘Divine Tides’

Best Orchestral Performance
Berlin Philharmonic & John Williams – ‘John Williams: The Berlin Concert’
Los Angeles Philharmonic & Gustavo Dudamel – ‘Dvořák: Symphonies Nos. 7-9’
New York Youth Symphony – ‘Works by Florence Price, Jessie Montgomery, Valerie Coleman’
Various Artists – Sila: ‘The Breath Of The World’
Wild Up & Christopher Rountree – ‘Stay On It’

Best Opera Recording
Boston Modern Orchestra Project & Odyssey Opera Chorus – ‘Anthony Davis: X: The Life And Times Of Malcolm X’
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – ‘Blanchard: Fire Shut Up In My Bones’
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – ‘Eurydice’

Best Music Video
Adele – ‘Easy On Me’
BTS – ‘Yet To Come’
Doja Cat – ‘Woman’
Harry Styles – ‘As It Was’
Kendrick Lamar – ‘The Heart Part 5’
Taylor Swift – ‘All Too Well: The Short Film’

Best Music Film
Adele – Adele One Night Only
Billie Eilish – Billie Eilish Live At The O2
Justin Bieber – Our World
Neil Young & Crazy Horse – A Band A Brotherhood A Barn
Rosalía – Motomami (Rosalía TikTok Live Performance)
Various Artists – Jazz Fest: A New Orleans Story

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Adele reveals people have been pronouncing her name incorrectly

Adele has confirmed that people have been pronouncing her name incorrectly.

  • READ MORE: From the archives – 15 times Adele was truly hilarious

In a recent Q&A with fans the pop star responded to a question, adding that the fan had said her name correctly.

“Love that,” Adele said to the fan’s question submitted via video after a fellow Londoner pronounced her name “perfectly”.

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Adele clarified that her name should be pronounced “Uh-dale” and not “Ah-dell”, so with a slight emphasis on the second syllable.

You can watch the video below at around the 21:45 mark to hear the proper pronunciation.

Elsewhere in the interview the singer put any fans’ hopes of her entering a theatrical career to bed, admitting that she’s “not a massive Broadway fan” — of musicals, at least. However, she could see herself playing the role of Rose in Gypsy.

“I did love the role of the mum in it. She has a song when she was like, ‘I wanted to do all of this’, and she’s jealous of her own daughter and she’s really caught up about it,” Adele said in reference to ‘Rose’s Turn’, before adding, “At one bit, she was just a bitch in it, which I could nail.”

Meanwhile, Adele has called Taylor Swift “one of the greatest songwriters of our generation”.

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The singer also said recently that she wants to study for an English Literature degree after her upcoming Las Vegas residency.

During a recent Q&A session in Los Angeles, Adele said (via The Mirror): “After Vegas I want to get a degree in English Literature. If I hadn’t made it singing, I think I would be an English Lit teacher.”

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Jennifer Lawrence says Adele told her not to star in ‘Passengers’: “I should have listened to her”

Jennifer Lawrence has revealed that Adele told her not to star in the 2016 romantic space drama Passengers.

In a new interview with The New York Times, Lawrence cited the poorly-reviewed film as a low point in her career, noting how she could sense the dismay of her fans.

“I was like, ‘Oh no, you guys are here because I’m here, and I’m here because you’re here. Wait, who decided that this was a good movie?’” said Lawrence.

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“Adele told me not to do it! She was like, ‘I feel like space movies are the new vampire movies.’ I should have listened to her.”

The film sees Lawrence and co-star Chris Pratt portray two people in hibernation aboard a spacecraft travelling thousands of passengers to a distant colony planet. The story centres on the two characters’ relationship after they are mistakenly awoken 90 years before reaching their destination.

Chris Pratt and Jennifer Lawrence in 'Passengers'
Chris Pratt and Jennifer Lawrence in ‘Passengers’. CREDIT: Sony

Criticising the film and her other recent work in 2021, Lawrence told Vanity Fair: “I was not pumping out the quality that I should have. I just think everybody had gotten sick of me. I’d gotten sick of me. It had just gotten to a point where I couldn’t do anything right. If I walked a red carpet, it was, ‘Why didn’t she run?’”

She continued: “I think that I was people-pleasing for the majority of my life. Working made me feel like nobody could be mad at me: ‘Okay, I said yes, we’re doing it. Nobody’s mad.’

“And then I felt like I reached a point where people were not pleased just by my existence. So that kind of shook me out of thinking that work or your career can bring any kind of peace to your soul.”

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After taking a break from acting, Lawrence made her return last year in Adam McKay’s Netflix satire Don’t Look Up. She will next appear in the drama Causeway, which is set for release on November 4.

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Adele says Taylor Swift is “one of the greatest songwriters of our generation”

Adele has called Taylor Swift “one of the greatest songwriters of our generation”.

During a recent fan event called ‘Happy Hour With Adele’, the singer was asked whether she’d listened to Swift’s tenth studio album ‘Midnights’, which came out last Friday (October 21).

  • READ MORE: Taylor Swift – ‘Midnights’ review: a shimmering return to pure pop

“I haven’t,” Adele replied (via Billboard). “But the only reason is, is ’cause I’ve been in rehearsals for, like, 12 hours a fuckin’ day. But I think Taylor’s one of the greatest songwriters of our generation, so I will definitely give it a listen.”

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Referring to Swift’s 2020 “sister records” ‘Folklore’ and ‘Evermore’, the star added: “I loved the two [albums Swift released] in COVID very, very much.” Adele then went on to further praise Swift for making her releases a “fun” experience for her fans.

The two pop stars were reported to be collaborating on a song in June 2021, prior to the release of Adele’s fourth album ’30’ last November. However, the rumours were later debunked and the team-up did not materialise.

Adele was pictured backstage with Swift at one of the latter’s concerts at Wembley Stadium back in 2018.

Adele
Adele performs on stage as American Express present BST Hyde Park in Hyde Park on July 2, 2022 in London (Picture: Gareth Cattermole/Getty Images for Adele)

Meanwhile, Adele has said that she wants to study for an English Literature degree following her upcoming Las Vegas residency.

The singer will play a lengthy run of concerts – dubbed ‘Weekends With Adele’ – at The Colosseum at Caesars Palace between this November and March 2023. In January, the original dates were postponed at the last minute as a result of issues caused by “delivery delays and COVID”.

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Yesterday (October 26) saw Adele share the official music video for her single ‘I Drink Wine’.

In other news, Taylor Swift’s record-breaking ‘Midnights’ is on course to beat Arctic Monkeys’ ‘The Car’ to Number One in the UK albums chart.

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Adele raises a toast with synchronised swimmers in new music video for ‘I Drink Wine’

Adele has shared a new music video for ‘I Drink Wine’, a song lifted from her 2021 album ‘30’.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

The seven-minute video was directed by Joe Talbot, and follows the singer-songwriter as she floats leisurely down a river with the titular beverage in-hand. Along the way, Adele meets a group of synchronised swimmers and courts a riverside fisherman, before emerging solo from the water beside a bed of floating flowers. Poet and author Olivia Gatwood and actor Jimmie Fails also make cameo appearances in the video. Watch below:

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‘I Drink Wine’ is the third ‘30’ track to receive a music video, following visuals for the singles ‘Oh My God’ in January and ‘Easy On Me’ late last year. Speaking about the music video rollout in a tweet, Adele revealed that it was the first one filmed for the album. It arrives almost a year after ‘30’ was released, in November of 2021.

‘I Drink Wine’ was co-written by producer Greg Kurstin, who also contributed to Adele tracks ‘Hello’, ‘Million Years Ago’ and ‘Water Under the Bridge’. The ballad, which Adele revealed was originally 15-minutes long, was performed by the singer at this year’s BRIT Awards, where she took home three trophies for Album of the Year, Song of the Year (for ‘Easy On Me’), and Artist of the Year.

During her acceptance speech at the ceremony, Adele reflected on the nature of ‘30’, saying the follow-up to 2015’s ‘25’ made her “very proud for sticking to my guns and putting out an album that was about something so personal to me.”

In a three-star review of ’30’, NME wrote: “This devastating level of honesty means that, despite its more experimental moments, ‘30’ still winds up feeling like trademark Adele, in its own way, most of the time. And after fair accusations of playing it safe musically in the past, it’s refreshing to see the pop titan treading braver territory – even if the hit-rate isn’t 100 per cent.”

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Don McLean clarifies Adele feud comments

Don McLean has clarified comments he made about Adele after she postponed her Las Vegas residency earlier this year.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

In an interview with Greatest Music Of All Time podcast, McLean previously spoke about how modern musicians didn’t have enough respect for their audiences.

“They are all very rich and very spoiled and they don’t really care about the audience. They think the audience should kiss their ass and that is the opposite to how I feel,” he said at the time.

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“I feel honoured to play for people. I know they are spending money and taking time out of their lives. But I come from a different time. Guys like The Beach Boys worked really hard and so does Paul McCartney.”

Addressing the comments now in a new interview with BANG Showbiz, McLean said: “I did an interview and I was talking about artists that don’t respect their audience. And somehow it got conflated with a remark I made, which was not a critical remark, about Adele cancelling her show in Vegas.

Adele performing at Hyde Park. CREDIT: Gareth Cattermole/Getty Images

“And the thing came out: ‘Don McLean Slams Adele’. I didn’t slam Adele. I know she didn’t want to cancel, I know she’s a serious performer – I don’t even know the circumstances even of what happened there. That was something a person did to get a headline… I don’t do that. I don’t go around saying things about other people like that.”

Adele was due to start the residency at The Colosseum at Caesars Palace on January 21 this year, with the run of shows extending through to April. However, Adele postponed the gigs the day before the opening night, telling her fans in a video that her show wasn’t ready.

In July, Adele announced that all the previously postponed ‘Weekends With Adele’ concerts had now been rescheduled. In addition to the 24 previously announced shows, a further eight new shows were also unveiled.

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Last month, she discussed the problems with her initial Las Vegas residency show, saying she postponed it because it had “no soul”.

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Adele says her postponed Vegas show had “no soul” and “lacked intimacy”

Adele has discussed the problems with her initial Las Vegas residency show, saying she postponed it because it had “no soul”.

The singer was due to start the residency at The Colosseum at Caesars Palace on January 21 this year, with the run of shows extending through to April. However, Adele postponed the gigs the day before the opening night, telling her fans in a video that her show wasn’t ready.

Last month, Adele announced that all the previously postponed ‘Weekends With Adele’ concerts had now been rescheduled. In addition to the 24 previously announced shows, a further eight new shows were also unveiled.

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After discussing how the cancellation left her “a shell of a person,” Adele has now discussed the specific reasons for the last-minute postponement.

Speaking to ELLE in a rare interview, Adele said: “It was the worst moment in my career, by far. By far. I was so excited about those shows. It was devastating.”

Of the problems with the show, she added: “There was just no soul in it. The stage setup wasn’t right. It was very disconnected from me and my band, and it lacked intimacy. And maybe I tried too hard to give it those things in such a controlled environment.”

Adele performing at Hyde Park
Adele performing at Hyde Park. Credit: Gareth Cattermole/Getty Images

Of the time after the announcement, Adele added: “The first couple of months was really, really hard. I was embarrassed. But it actually made my confidence in myself grow, because it was a very brave thing to do. And I don’t think many people would have done what I did. I’m very proud of myself for standing by my artistic needs.”

In a statement when announcing the rescheduled gigs, which take place across the end of 2023 and into early 2023, Adele said: “Words can’t explain how ecstatic I am to finally be able to announce these rescheduled shows. I truly was heartbroken to have to cancel them.

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“But after what feels like an eternity of figuring out logistics for the show that I really want to deliver, and knowing it can happen, I’m more excited than ever! Now I know for some of you it was a horrible decision on my part, and I will always be sorry for that, but I promise you it was the right one.

“To be with you in such an intimate space every week has been what I’ve most been looking forward to and I’m going to give you the absolute best of me. Thank you for your patience, I love you, Adele.”

Adele’s shows at The Colosseum at Cesar’s Palace:

NOVEMBER 2022
18, 19, 25 and 26

DECEMBER 2022
2, 3, 9, 10, 16, 17, 23 and 24

JANUARY 2023
20, 21, 27 and 28

FEBRUARY 2023
3, 4, 10, 11, 17, 18, 24 and 25

MARCH
3, 4, 10, 11, 17, 18, 24 and 25

Recently, Adele gave her first public concert in five years at Hyde Park in London. 

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Adele announces details of rescheduled Las Vegas shows

Adele has today (July 25) shared details of her rescheduled Las Vegas shows.

The singer was due to start the residency at The Colosseum at Caesars Palace on January 21, with the run of shows extending through to April. However, Adele postponed the gigs the day before the opening night, telling her fans in a video that her show wasn’t ready.

Now it’s been announced that all the previously postponed ‘Weekends With Adele’ concerts have now been rescheduled. In addition to the 24 previously announced shows, a further eight new shows have been unveiled.

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The residency will run from November 18, 2022 to March 25, 2023. In the first instance, priority will be given in the pre-sales to fans who held tickets for the original shows.

A statement on the musician’s website explained: “Access will be limited with priority given to fans who held tickets for the original show dates or had previously registered and been waitlisted for the Weekends With Adele’ Verified Fan Presale.

A note on Ticketmaster added: “A select number of tickets will be available across all 32 performances. There will be two opportunities to purchase tickets for these shows.

“Access to each presale will be limited with priority given to fans who held tickets for the original show dates or had previously registered and been waitlisted for the Weekends with Adele Verified Fan Presale. Eligible fans will receive an email invitation from Ticketmaster on Wednesday, August 3 with further instructions on how to participate.”

You can find out more about how to register for the pre-sale, and how to purchase tickets when they are available here.

Adele’s shows at The Colosseum at Cesar’s Palace:

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NOVEMBER 2022
18, 19, 25 and 26

DECEMBER 2022
2, 3, 9, 10, 16, 17, 23 and 24

JANUARY 2023
20, 21, 27 and 28

FEBRUARY 2023
3, 4, 10, 11, 17, 18, 24 and 25

MARCH
3, 4, 10, 11, 17, 18, 24 and 25

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In a note to fans, Adele said: “Words can’t explain how ecstatic I am to finally be able to announce these rescheduled shows. I truly was heartbroken to have to cancel them.

“But after what feels like an eternity of figuring out logistics for the show that I really want to deliver, and knowing it can happen, I’m more excited than ever! Now I know for some of you it was a horrible decision on my part, and I will always be sorry for that, but I promise you it was the right one.

“To be with you in such an intimate space every week has been what I’ve most been looking forward to and I’m going to give you the absolute best of me. Thank you for your patience, I love you, Adele.”

In an appearance on The Graham Norton Show in February, Adele commented further on why she made the decision to cancel the shows originally.

“I tried my hardest and really thought I would be able to pull something else together in time, and that was why it was so last minute,” she said. “I regret that I kept going until that late in the day. But it just wasn’t ready.”

She spoke about delays relating to COVID and equipment, stating that “some things weren’t going to be arriving until the day of the show”.

She continued. “It just would have been a really half-arsed show, and I can’t do that. People will see straight through me, up on stage being like, ‘She doesn’t want to be doing this.’ And, I’ve never done anything like that in my life. I’m not going to start now, you know? I’m obviously gutted.”

When Norton asked why she couldn’t simply downsize her expectations for the Vegas residency, Adele said: “I’m not going to try do a stadium show in a theatre – but it’s Vegas. It can’t just be me on my fucking guitar.”

Recently, Adele gave her first public concert in five years at Hyde Park in London. 

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Adele discusses postponing Las Vegas residency: “I was a shell of a person for a couple of months”

Adele has opened up about being forced to postpone her Weekends With Adele Las Vegas residency earlier this year.

  • READ MORE: Adele – ’30’ album review: dependable pop titan finally mixes things up

The singer was due to start the residency at the Colosseum at Caesars Palace on January 21, marking her first shows since 2017, and it was scheduled to extend through to April. She announced the postponement a day before the residency’s planned opening night with a video, saying the show was simply not ready.

“We’ve tried absolutely everything we can to put it together in time and for it to be good enough for you, but we’ve been absolutely destroyed by delivery delays and COVID,” she explained at the time.

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In February, while appearing on The Graham Norton Show, she discussed how delays relating to COVID and equipment had meant that, if the gigs were to have taken place as scheduled, it “would have been a really half-arsed show, and I can’t do that”.

Now, in a new interview with Lauren Laverne on BBC Radio 4, Adele elaborated on the last-minute postponement. “I definitely felt everyone’s disappointment and I was devastated and I was frightened about letting them down,” she said during the interview.

“I thought I could pull it together and make it work and I couldn’t. I don’t think any other artist would have done what I did, and I think that is why it was such a massive, massive story.”

Elsewhere in the interview, the singer said that she “was a shell of a person for a couple of months” following the postponement. “I just had to wait it out and just grieve it, I guess, just grieve the shows and get over the guilt, but it was brutal.”

However, Adele made it clear she stood by the decision to postpone the residency, maintaining that the show wasn’t good enough. “You can’t buy me for nothing,” she said. “I’m not going to just do a show because I have to or because people are going to be let down or because we’re going to lose loads of money.”

Rescheduled dates for the residency are yet to be announced. In February, Adele said the shows would “absolutely 100 per cent” happen this year, but in the BBC Radio interview said that while she’s still “working on it”, she wasn’t going to provide updates “if I ain’t got nothing to update you with”.

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Over the weekend, Adele gave her first public concerts in five years at London’s Hyde Park, performing classics like ‘Hello’, ‘Someone Like You’ and ‘Send my Love (To Your New Lover’, as well as new songs from latest album ’30’ such as ‘Easy On Me’ and ‘Oh My God’.

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Watch Adele give her first public concert in five years at London’s Hyde Park

Adele has given her first public concert in five years at London’s Hyde Park, performing at the venue over the weekend.

The shows — which took place on Friday July 1 and Saturday July 2 as part of BST Hyde Park — were the singer’s first ticketed performances since her 2017 shows at Wembley Stadium.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

Adele performed a number of classics during her two-hour set, including ‘Hello’, ‘Someone Like You’, ‘Send My Love (To Your New Lover)’ and ‘Rumour Has It’, as well as ‘Easy On Me’ and ‘Oh My God’ from her latest album ’30’. Find footage of the performances and the full set list below:

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Adele played:

‘Hello’
‘I Drink Wine’
‘I’ll Be Waiting’
‘Rumour Has It’
‘Water Under The Bridge’
‘One And Only’
‘Skyfall’
‘Send My Love (To Your New Lover)’
‘Easy On Me’
‘All I Ask’
‘Make You Feel My Love’ (Bob Dylan cover)
‘Someone Like You’
‘Oh My God’
‘Set Fire To The Rain’
‘Hold On’
‘Rolling In The Deep’
‘When We Were Young’
‘Love Is A Game’ 

The shows held an estimated 65,000 people each, with support acts playing throughout the day. They featured an all-female bill, comprising Kacey Musgraves, Nilüfer Yanya, Gabrielle, Mahalia, Self Esteem, Tiana Major9, Chrissi, Bonnie Kemplay, Ruti and Tamzene.

The shows were announced last October, and were intended to follow a 12-week residency in Las Vegas. However, that was postponed due to “delivery delays and COVID”.

Over the past few years, Adele has mostly given televised performances and award show appearances, including the 2022 BRIT Awards. She won Artist of the Year, Song of the Year (for ‘Easy On Me’) and Album of the Year for ’30’, performing its cut ‘I Drink Wine’.

Speaking about the album in a three-star review, NME‘s El Hunt wrote, “despite its more experimental moments, ‘30’ still winds up feeling like trademark Adele, in its own way, most of the time.”

“And after fair accusations of playing it safe musically in the past, it’s refreshing to see the pop titan treading braver territory – even if the hit-rate isn’t 100 per cent.”

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BBC Radio 1 DJ Adele Roberts announces that she’s cancer-free

BBC Radio 1 DJ Adele Roberts has revealed that she has been given the all-clear following eight months of treatment for bowel cancer.

Roberts first shared the news of her diagnosis back in October, saying that the outlook was “positive”.

She then returned to work hosting the Radio 1 Weekend Breakfast Show the following month, telling listeners that she “owed [the NHS] my life”.

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Posting on Instagram on Monday (June 27), Roberts said that she has now been given the all-clear and hailed the moment as “the day I’ve been waiting for”.

“Hearing the words ‘you’re free of cancer’ absolutely took my breath away,” she wrote. “I keep replaying it in my mind. It was the most beautiful sound I think I’ve ever heard. Even though I was praying Dr Khan would say that to me I don’t think my head let me believe it until I heard it.

“Everything we’ve been through seems to be swirling around in my body and life feels a bit surreal at the moment… BUT I AM SO GRATEFUL! I am counting my blessings.”

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A post shared by Adele Roberts (@adeleroberts)

Roberts continued by saying that she was also “in awe of anyone dealing with cancer”.

“The courage, the strength, the determination… and at times, the humour you have shown has been nothing short of super human,” she wrote. “You’ve inspired me and given me the fire to never give up. You’re warriors and it’s thanks to seeing you being so strong that’s kept me going. Feel the fear and do it anyway. Sometimes it took me all my strength just to get out of bed and face the day but I still did it. Every day I made sure I did something to do a huge f*ck you to cancer. It’s taken too many of us. I didn’t know what fate had in store for me but I knew I’d never stop trying.

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“Thank you to my family, my friends, everyone who’s taken time to message me, send love or positive thoughts. You’ve kept me going and helped me slay this beast. That’s one thing Dr Khan said to me. Your mind can go to dark places when dealing with cancer but that’s the one thing I knew I had control over. My body might have been dying – it’s still so sore now – but there was no way I was letting it destroy my spirit.

“If anything it’s made me happier than I’ve ever been. Going through the darkness has given me the light. It’s transformed me, given me my little stoma Audrey, brought amazing people into my life and it’s time now for me to start really living.”

Praising both the doctor who treated her and the NHS, Roberts added: “Thank you to Dr Kahn, his team and the whole of the NHS. You are angels amongst us. Thank you for saving my life.”

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Adele announces Kacey Musgraves, Nilüfer Yanya, Gabrielle and more as openers for London shows

Adele has announced the line-up for her two upcoming shows in London – her first ticketed concerts in more than five years – with Kacey Musgraves, Nilüfer Yanya, Gabrielle and more set to open for the modern pop icon.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

Both shows – slated for next Friday (July 1) and Saturday (July 2) – will take place at Hyde Park, with each set to host 65,000 fans. Performances will run all day, Adele said in an Instagram post announcing the line-up, with a total of 11 artists (including the leading lady herself) set to take the stage. Rounding out the bill will be Mahalia, Self Esteem, Tiana Major9, Chrissi, Bonnie Kemplay, Ruti and Tamzene.

“[It’s] an all female bill,” Adele wrote, “from new artists that I’m obsessed with to the heavenly [Kacey Musgraves] to one of my favorite artists of all time [Gabrielle] who I’ve loved since I was 4!! It’s going to be incredible, there’s a whole host of us performing all day, I can’t wait to share the main stage with you ladies.”

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A post shared by Adele (@adele)

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Both of the Hyde Park gigs were announced together last October – nearly eight months ago – prior to the release of Adele’s fourth studio album, ‘30’. She was initially due to pre-empt them with a 12-week residency in Las Vegas (which would have run from January through to April), but that was eventually postponed due to “delivery delays and COVID”. Remaining tickets for the Hyde Park shows can be found here.

The upcoming shows will mark Adele’s first publicly accessible concerts since June 2017, when she performed at London’s Wembley Stadium. In the five years since then, she’s mostly performed for awards shows and TV appearances – such as this year’s BRIT Awards, where she also won Artist of the Year, Song of the Year (for ‘Easy On Me’) and Album of the Year – but has not delivered any performances that fans could buy tickets for.

Last year saw Adele perform her first full concert sets since 2017 – one in Los Angeles and the other at London’s Palladium – both of which were recorded for TV specials. Both of those premiered last November, with the former (billed as Adele: One Night Only) airing on CBS in the US, and the latter (as An Audience With Adele) on ITV in the UK.

In a three-star review of ‘30’, NME’s El Hunt wrote: “Though soul, jazz, and blues are hardly new influences for the Tottenham singer, who has built a record-smashing career on retooling retro sounds for contemporary pop, they feel much rawer here, bolstered by show-tuney strings arrangements, gospel, and a sample from the late jazz pianist Erroll Garner on the glimmering ‘All Night Parking’.”

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Adele calls for “truth, justice and change” on fifth anniversary of Grenfell Tower fire

Adele has shared a new message of support for the survivors and bereaved families of the victims of the Grenfell Tower fire to mark the fifth anniversary of the tragedy.

Yesterday (June 14) marked five years since the 2017 blaze at the high-rise which killed 72 people in North Kensington, west London.

Writing on Twitter last night, Adele – who visited Grenfell in the hours following the fire in 2017 to comfort residents and those affected, and has subsequently paid tribute to the victims on numerous occasions – shared a post from Grenfell United, who represent the survivors and bereaved families of the fire.

“For five years we’ve had to endure a justice system that protects the powerful,” Grenfell United’s statement read. “A system that prevents justice. While this system exists, we face the same unachievable battle as the many before us.

“From Aberfan, to Hillsborough, justice has been denied & #Grenfell is no different.”

Adele shared that post on her Twitter account last night and added: “I stand with the Grenfell families. Follow @GrenfellUnited and join their campaign for truth, justice and change.”

AJ Tracey and Stormzy were among those in attendance at a memorial service that was held yesterday at the base of Grenfell Tower. A 72-second silence was observed by attendees at the event, which concluded with applause, before a silent two-mile walk was held in the local area.

During her An Audience With Adele TV special back in November, Adele paid tribute to Grenfell survivors and the firefighters who attended the scene in June 2017.

Adele producer Paul Epworth warns of music industry’s financial barriers: “We risk losing another McCartney or Bowie”

Producer Paul Epworth – best known for his work with Adele – has spoken out on the issue of financial barriers within the music industry.

In a new interview with The Telegraph, Epworth warned of the lost potential that comes with those of underprivileged backgrounds attempting to break into the business.

“Because of cuts in funding, youth club closures, venues closing and growing hardship, it’s getting harder and harder to get into the creative industries unless you already know somebody who can advise you or offer you an internship,” he said.

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“If you’re a kid from an underprivileged background without those links, you’ve got no hope of fulfilling your dreams of a job in music.”

The English producer went on to put his support behind London’s Ivors Academy, a music academy who are offering a new two-year diploma in Creative Entrepreneurship aimed at students aged 19 and over. Epworth himself will serve as a tutor and mentor in the diploma’s course, which is nicknamed “TheWRD”, and stressed its importance for aspiring artists.

“Without this [diploma], we risk losing another Paul McCartney or David Bowie and their massive contribution to British and world culture,” he said.

Epworth got his start as a producer of indie rock albums in the mid-2000s, working on albums such as Bloc Party‘s ‘Silent Alarm’ and Maxïmo Park‘s ‘A Certain Trigger’. He began working with Adele on her second album, 2011’s ’21’, and has produced the majority of her work since. Notably, Epworth received an Academy Award, a Golden Globe and a Grammy Award for his work on Adele’s James Bond theme, ‘Skyfall’.

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Adele and Japanese Breakfast named on the ‘Time 100’ list for 2022

Adele and Japanese Breakfast have both been named on Time‘s 2022 list of the 100 most influential people in the world.

  • READ MORE: Japanese Breakfast: “This year is about enjoying myself – my number one job is to have fun”

The news magazine’s annual list spotlights the “pioneers, leaders, titans, artists, innovators and icons” of the past year.

Adele is listed under the ‘icons’ category alongside Jon Batiste, Keanu Reeves and Mary J. Blige, with Late Late Show host James Corden writing in support of the singer’s entry.

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Japanese Breakfast, AKA Michelle Zauner, is celebrated as an ‘innovator’ along with Zendaya, Taika Waititi and Miranda Lambert.

Questlove, Jazmine Sullivan, Oprah Winfrey, Issa Rae and Quinta Brunson are also named on the Time 100 list for 2022. You can check out the full list here.

Adele
Adele performs on stage during The BRIT Awards 2022 at The O2 Arena on February 08, 2022 in London (Picture: Gareth Cattermole/Getty Images)

Posting on her social media channels earlier this month to celebrate her 34th birthday, Adele told her fans that she’s “never been happier”.

“If time keeps healing and smoothing out all the creases in my life like it does as the years fly by, then I can’t wait to be 60!” she wrote. “I’ve never been happier!

“So many lessons, so many blessings to be grateful for. This is 34, and I love it here! Thank you for the birthday love as always.”

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Japanese Breakfast, meanwhile, made her Saturday Night Live debut last weekend where she performed ‘Be Sweet’ and ‘Paprika’.

Watch Nicki Minaj sing Adele’s ‘Someone Like You’ on ‘Carpool Karaoke’

Nicki Minaj appeared on Carpool Karaoke last night (April 6), performing a snippet of Adele’s ‘Someone Like You’ – watch footage below.

  • READ MORE: How I became a reformed Barb (or: how TikTok made Nicki Minaj cool again)

Speaking to host James Corden, Minaj slipped into a British accent with Corden saying “you sound just like Adele”.

Minaj then did her best impression of Adele going viral at a basketball game, before talking about Adele’s take on Minaj’s verse from Kanye West’s ‘Monster’, which she performed on Carpool Karaoke back in 2016 as well as at a party in LA in 2019.

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At the time Minaj tweeted: “Adele is mad ratchet” and last night, she said “I just loved it. She made me so, so happy. She embodied Nicki Minaj,” before performing ‘Monster’ herself. Watch footage below:

“She just naturally has that thing,” added Minaj, still talking in a British accent. “But it’s different. She’s singing these sad songs so you don’t expect it from her.” Minaj then returned the favour, performing ‘Someone Like You’.

Elsewhere on Carpool Karaoke, Minaj performed versions of ‘Starships’, ‘Super Bass’ and ‘Do We Have A Problem?’ as well as a freestyle while Corden beatboxed.

Minaj also opened up about her struggles with anxiety. “I think when I was younger, my more natural state was to be more confident. But I think when you’re a woman and you’re in the public eye all the time, if you’re not careful you can become less confident because you’re being constantly scrutinised. I just don’t think it’s natural. It’s not natural for a human being to feel like everyone’s critiquing them,” she said.

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“When I first came into the industry, I had this amazing sense of freedom because nobody gave a shit about what I was doing, I could get away with anything. It goes from that to the complete opposite,” she added.

She is set to headline Wireless Festival later this year. 

Topping the Finsbury Park leg of the expanded festival, Minaj will be joined by Cardi B and SZA. The following weekend, Birmingham is due to welcome Dave, Cardi B and J. Cole as headliners of a brand-new, purpose-built outdoor site at the city’s National Exhibition Centre (NEC) venue.

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Muse’s new album “goes from metal to pop to their first version to an Adele song”

Muse frontman Matt Bellamy has revealed further details of what to expect from the band’s new album ‘Will Of The People’.

  • READ MORE: Global chaos? Corrupt politicians? Here’s why we need Muse more than ever

Last week, the Teignmouth trio announced the record and shared new single ‘Compliance’.

“A pandemic, new wars in Europe, massive protests and riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilisation of the global order all informed ‘Will Of The People’,” Bellamy said of the new album at the time.

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“It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.”

Now, he has gone into detail about the sound of the record.

“We’ve always tried to think outside the box,” Bellamy told Apple Music 1. “We’ve never been one particular genre.

“This album goes from metal all the way to pop to my first version to an Adele song… a lot of electronica. It’s like a full…We produced it ourselves. We were analysing everything we’ve done to date. The last song on the album is called ‘We Are Fucking Fucked’. I’m really happy and proud of it. I genuinely think it’s our best album.”

He also said that drummer Dominic Howard has had a lot of input on the follow-up to 2018’s ‘Simulation Theory’.

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Bellamy added: “I sort of let Dom take the lead a little bit. That’s why this album’s taken two years. Every decision takes like a week for him to come back to us. Normally I just rush everything. With him he’s really slow, takes his time with every decision. I allowed him to make a lot of decisions about what was good and what wasn’t.”

‘Will Of The People’ will be released on August 26 via Warner Records. You can pre-order it here.

Meanwhile, Muse will headline the Isle of Wight Festival in June alongside Lewis Capaldi and Kasabian, with tickets available here.

The three-piece are also set to top the bill at a number of European festivals this summer, including Berlin’s Tempelhof Sounds and Madrid’s Mad Cool Festival.

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Adele promises her Las Vegas residency shows will “absolutely 100 per cent” happen this year

Adele has promised her fans that her Weekends with Adele residency in Las Vegas will “absolutely 100 per cent” happen this year.

  • READ MORE: Adele-ageddon! ‘30’ marks lockdown four for music

The singer was due to start the residency at The Colosseum at Caesars Palace on January 21, with the run of shows extending through to April.

However, Adele postponed the gigs the day before the opening night of her residency, telling her fans in a video message that her show wasn’t ready.

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“We’ve tried absolutely everything we can to put it together in time and for it to be good enough for you, but we’ve been absolutely destroyed by delivery delays and COVID,” she said. Weekends with Adele has yet to be rescheduled.

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A post shared by Adele (@adele)

Speaking on The Graham Norton Show, which airs on BBC One tonight (February 11), Adele moved to reassure her fans that her Vegas residency will still be taking place in 2022.

“It has to happen this year because I’ve got plans for next year,” she told Norton (via BBC News). “Imagine if I have to cancel because I am having a baby!”

Speaking about why she had to postpone the residency last month, Adele said: “I tried my hardest and really thought I would be able to pull something together in time.

“I regret that I kept going until that late in the day. It would have been a really half-arsed show and I can’t do that. People will see straight through me up on the stage and know I didn’t want to be doing it. I’ve never done anything like that in my life and I’m not going to start now.”

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The singer added: “We are now working our arses off, but I don’t want to announce a new set of dates until I know everything will definitely be ready. The sooner I can announce the better, but I just can’t in case we are not ready in time. It is absolutely 100 per cent happening this year.”

Adele was the winner of three BRIT awards on Tuesday night (February 8), winning Album Of The Year (for ‘30′), Artist Of The Year and Song Of The Year (for ‘Easy On Me’). She also performed her song ‘I Drink Wine’ live during the ceremony.

Last night (February 10), Adele made a surprise appearance at G-A-Y at London’s Heaven nightclub.

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Watch Adele guest-judge G-A-Y’s ‘Porn Idol’ at London’s Heaven

Adele made a surprise appearance during G-A-Y at London’s Heaven nightclub last night (February 10) – check out the footage below.

The singer-songwriter is in the capital after attending this week’s BRIT Awards 2022, where she won Artist Of The Year, Song Of The Year (‘Easy On Me’) and Mastercard Album Of The Year (’30’).

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

Today (February 11) videos and images have emerged of Adele attending G-A-Y’s ‘Porn Idol’ event. One clip sees the star being tasked with picking the winner of the competition by Drag Race UK‘s Cheryl Hole.

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“It’s your decision, Adele!” Hole said as the pair stood on stage together. Making her decision, the singer replied: “Yes, I pick her. 100 per cent. She’s sexy, fucking beautiful, fucking lovely.”

“We love being females, don’t we?” Adele asked the winner.

Later, Hole had a proposal for Adele: “Next time you do a special, can I sing a song instead of Alan Carr please?” The singer responded: “100 per cent.”

The star then said that Hole was “invited to Vegas”, referring to her postponed 12-week residency in Sin City.

In another clip, Adele is seen dancing on a stripper pole in front of the cheering audience. See the posts below.

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Last night at G-A-Y

Posted by Heaven Nightclub London on Friday, February 11, 2022

Jeremy Joseph, the owner of G-A-Y nightclubs in London, shared an image of himself with Adele this morning. “I hate to turn up out of the blue uninvited but I couldn’t stay away I couldn’t fight it. Last night at G-A-Y,” he wrote as the caption, in reference to 2011’s ‘Someone Like You’.

Posting an image on Instagram, meanwhille, Cheryl Hole said: “Confirmed: @Adele was devastated I was eliminated on Drag Race too. Love you divalina.” You can see those posts below.

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Adele is set to appear as a guest on tonight’s episode of The Graham Norton Show alongside Dame Helen Mirren, George Ezra, Jim Broadbent and Golda Rosheuvel. You can tune in on BBC One at 22:35 GMT.

As well as dominating the night’s wins, Adele also performed her ’30’ track ‘I Drink Wine’ at the BRIT Awards 2022.

Collecting the Album Of The Year trophy at the end of the ceremony, Adele reflected on the nature of her latest record, which detailed her experiences of divorce. “I’d like to dedicate this award to my son and to Simon, to his dad – this album was all of our journey, not just mine,” she began.

“I’m very proud of myself for sticking to my guns and putting out an album that was about something so personal to me, cos not many people do stuff like that anymore.”

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Megan Thee Stallion says she wants to work with Adele

Megan Thee Stallion has said that she wants to collaborate with Adele.

The Houston rapper spoke about her desire to work with the ‘30’ singer in a new interview with People, which referenced a recent viral mash-up of their music.

  • READ MORE: Megan Thee Stallion: “I’m really working on my dynasty right now”

The TikTok video in question mixes Adele’s ‘Water Under The Bridge’ with Megan’s ‘Body’, taken from the latter’s 2020 album ‘Good News’.

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“If Adele wants me to come get on the track, be the dancer, I’m there, I’m here for it,” Megan told People about the clip, which you can watch below.

@officialmashart

I had to ? #fyp #adele #megantheestallion #mashup #remix

♬ Body On The Bridge – Ben Vertz (Mash Art)

“Somebody tell her to call me because I’m ready!”

Megan also spoke in the interview about how “manifesting” a collaboration with Beyoncé (the two both featured on a remix of the former’s ‘Savage’ in 2020) had already helped her achieve “my ultimate goal”.

“Well, I also would really, really, really love to collab with Rihanna,” she added about her next career goal. “Like, that is my next dream collab.”

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Megan Thee Stallion was recently announced as one of the headliners of Manchester’s Parklife festival alongside Tyler, the Creator and 50 Cent.

As well as Tyler, 50 Cent and Megan, the likes of Lewis Capaldi, Bicep, Chase & Status, Loyle Carner, Jamie xx, Arlo Parks, Headie One, Central Cee, Fred Again.., ArrDee, Caroline Polachek, Tom Misch and PinkPantheress will also perform.

Adele, meanwhile, will perform live at next week’s BRIT Awards. The singer has been nominated for four awards at this year’s ceremony, which will take place at The O2 in London.

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Adele to perform at the BRIT Awards 2022

Adele has confirmed that she will be performing at the BRIT Awards 2022.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

The singer-songwriter, whose latest album ’30’ was the UK’s biggest selling album of 2021, took to Instagram this evening (February 1) to announce the news.

“Hiya, so I’m really happy to say that I am performing at the Brits next week!!” Adele wrote alongside a close up photo of herself holding a 10 of hearts playing card.

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She also added that she would be taking advantage on being back in the country by stopping by The Graham Norton Show for an interview. “Anddddd I’ll also be popping in to see Graham for a chat on the couch while I’m in town too! I’m looking forward to it!” she wrote.

Adele appeared to then sign off her post by addressing recent rumours that she and her boyfriend Rich Paul were having relationship issues. “Oh, and Rich sends his love,” she wrote.

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Adele leads this year’s BRIT Awards nominations alongside Ed Sheeran, Little Simz and Dave with four nods each. All four artists, alongside Sam Fender, are up for the inaugural Artist of the Year award.

All winners will be revealed at the BRIT Awards ceremony, taking place at London’s O2 Arena on Tuesday February 22 and broadcast exclusively through ITV. The ceremony will be hosted by Mo Gilligan, who replaces Jack Whitehall after four consecutive years.

Last month, Adele announced that she was having to postpone her Las Vegas residency due to COVID delays.

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“We’ve tried absolutely everything we can to put it together in time and for it to be good enough for you, but we’ve been absolutely destroyed by delivery delays and COVID,” she said on Instagram the day before the residency was set to start.

She later FaceTimed fans to apologise for postponing the shows. “I’m really sorry I’m not there,” she told one fan. “It’s the only thing I was looking forward to but not everything arrived and I’m sorry.”

Among the fans Adele spoke to was one person who went viral after sharing her experience of buying fake tickets for a previous concert by the pop star and then getting tickets for a London show in 2017 that also went on to be cancelled. “I’ll come and see you and we’ll have a photo together,” she promised the fan.

Adele thanked her fans for their support over the postponement, tweeting: “I have the best fans in the world! Your graciousness and love tonight is overwhelming! Thank you.”

‘Weekends With Adele’ was scheduled to run from January 21 to April 16, 2022 at the Colosseum in Caesars Palace. A new date for the residency to begin has yet to be confirmed.

Meanwhile, the star will play her first UK shows since 2017 in July, when she performs for two nights at BST Hyde Park in London. Both concerts have now sold out.

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Adele FaceTimes fans to apologise for Las Vegas residency postponement

Adele has FaceTimed fans who went to Las Vegas to see the opening nights of her residency to apologise for postponing the shows.

The singer announced on Instagram on Thursday (January 20) that the residency would no longer start the next day. “We’ve tried absolutely everything we can to put it together in time and for it to be good enough for you, but we’ve been absolutely destroyed by delivery delays and COVID,” she said.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

Now, fans who were meant to attend this weekend’s concerts have shared videos of the star FaceTiming them. “I’m really sorry I’m not there,” she told one fan. “It’s the only thing I was looking forward to but not everything arrived and I’m sorry.”

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Among the fans Adele spoke to was one person who went viral after sharing her experience of buying fake tickets for a previous concert by the pop star and then getting tickets for a London show in 2017 that also went on to be cancelled. “I’ll come and see you and we’ll have a photo together,” she promised the fan.

The calls appear to have taken place at the special merch store, which is still open despite the residency’s postponement, set up at Caesars Palace. Videos shared online show Adele joining groups of fans in singalongs of her songs ‘All I Ask’ and ‘Don’t You Remember’.

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Adele thanked her fans for their support over the postponement earlier today (January 22), tweeting: “I have the best fans in the world! Your graciousness and love tonight is overwhelming! Thank you.”

‘Weekends With Adele’ was scheduled to run from January 21 to April 16, 2022 at the Colosseum in Caesars Palace. A new date for the residency to begin has yet to be confirmed.

Meanwhile, the star will play her first UK shows since 2017 in July, when she performs for two nights at BST Hyde Park in London. Both concerts have now sold out.

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Adele thanks fans for “overwhelming” support after postponing Vegas residency

Adele has thanked fans for their “overwhelming” support after announcing the last-minute postponement of her Las Vegas residency.

The singer-songwriter was set to begin a 12-week run of concerts in Sin City yesterday (January 21) in support of her fourth studio album, ’30’.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

Dubbed ‘Weekends With Adele’, the residency would have seen the star perform two shows every weekend at the Colosseum in the Caesars Palace hotel between now and April 16, 2022.

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Taking to Instagram on Thursday evening (January 20), however, Adele shared an emotional video message to announce that the performances would be pushed back due to “delivery delays” and COVID-related issues.

“I’m so sorry, but my show ain’t ready,” she explained, adding that she and her team had “tried absolutely everything” in an attempt to put the concert together in time. “I’m gutted – I’m sorry it’s so last-minute,” Adele said.

With many people understanding the predicament she faced, Adele tweeted today (January 22) to express her gratitude to those who had posted comments of support.

“I have the best fans in the world!” she wrote on the platform. “Your graciousness and love tonight is overwhelming! Thank you.” The singer signed off with the red love heart emoji – you can see the tweet below.

In her announcement earlier this week, Adele said: “Half my crew, half my team are down with COVID. They still are, and it’s been impossible to finish the show and I can’t give you what I have right now.

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“I’m so upset and I’m really embarrassed and so sorry to everyone that travelled again. I’m really, really sorry.”

Adele is currently working on rescheduling the Las Vegas residency dates. She’s vowed to  “finish my show and get it to where it’s supposed to be”, adding: “We’ve been up against so much and it just ain’t ready. I’m really sorry.”

Adele will make her UK live return with a two-night billing at BST Hyde Park in London on July 1-2. Both concerts have now sold out.

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Adele postpones Las Vegas residency: “We’ve tried absolutely everything we can”

Adele has announced the postponement of her Las Vegas residency in an emotional video.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

Adele’s Las Vegas residency was scheduled to kick off at the Colosseum in the Caesars Palace hotel from January 21, and was slated to run for 12 weeks, through April 16. The concerts were also supposed to be her first since 2017.

Adele took to Instagram on Thursday night (January 20) to break the news to her fans via a video. She said, teary-eyed: “I’m so sorry, but my show ain’t ready. We’ve tried absolutely everything we can to put it together in time and for it to be good enough for you, but we’ve been absolutely destroyed by delivery delays and COVID.”

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A post shared by Adele (@adele)

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“Half my crew, half my team are down with COVID. They still are, and it’s been impossible to finish the show and I can’t give you what I have right now. I’m gutted – I’m sorry it’s so last minute, we’ve been awake for over 30 hours trying to figure it out and we’ve run out of time. I’m so upset and I’m really embarrassed and so sorry to everyone that travelled again. I’m really, really sorry.”

Adele said she and her team are currently working on rescheduling the residency dates and that they’re “gonna finish my show and get it to where it’s supposed to be. We’ve been up against so much and it just ain’t ready. I’m really sorry.”

The Las Vegas residency was meant to support Adele’s recent chart-topping album, ’30’. Released in November, the album received a three-star review from NME’s El Hunt, who wrote: “After fair accusations of playing it safe musically in the past, it’s refreshing to see the pop titan treading braver territory – even if the hit-rate isn’t 100 per cent”.

On January 12, the British pop powerhouse shared a black-and-white music video for ‘Oh My God’, off ’30’. ’30’ was also named the biggest selling album of 2021 in the UK, selling over 600,000 copies.

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Watch Adele’s sleek black-and-white video for ‘Oh My God’

Adele has shared a new video for ‘Oh My God’, which appeared on her latest album ’30’ last year – scroll down the page to watch.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

The track follows ‘Easy On Me’, which was the star’s first new material in six years, as the record’s next single.

The black-and-white video sees Adele surrounded by performers and dancers who jump, move and somersault across a minimal space that’s littered with chairs and apples. At one point two matching incarnations of the musician appear next to each other on-screen, both singing to each other.

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The clip was directed by Sam Brown, who helmed the video for 2010’s ‘Rolling In The Deep’.

“To collaborate together again a decade later was nostalgic, to say the least,” Adele wrote on Instagram.

“We filmed this one on the day ‘Easy On Me’ dropped, there were a million things going on all at once. But the attention to detail from the crew was borderline hilarious – thank you so much for your patience and pulling it all together it was a lot of fun.

“Although right at the end a huge python was on set so I skedaddled my arse straight out of there! Big thank you to Harris Reed, Louis Vuitton and The Queens Haus – Vivienne Westwood for the most stunning clothes for me to sing my ‘I’m a hot mess’ song in!” Watch the video above.

Teasing the video last week (January 6), Adele told her fans she was “rested and re-set”. “Feeling ready for 2022, there’s so much coming, I’m excited for you all to see it,” she wrote on her social media accounts.

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Later this month (January 21) the British star will kick off her first Las Vegas residency. Adele will perform two shows every weekend at the Colosseum in Caesars Palace through April 16. The concerts will be her first since 2017.

Adele’s ’30’ was one of the records that helped increase CD sales in the US for the first time in 17 years, alongside BTS’ ‘Map Of The Soul: 7’ and ‘BE’, and Taylor Swift’s re-releases of ‘Fearless’ and ‘Red’. The UK singer’s record had the biggest impact on driving last year’s growth, selling almost 900,000 copies in CD format alone in the States.

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Adele, BTS and Taylor Swift help increase CD sales in the US for first time in 17 years

CD sales have increased in the US for the first time in almost two decades, in part due to albums by Adele, BTS and Taylor Swift.

In MRC Data’s 2021 US Year-End Report, shared by Billboard, CD album sales saw a growth of 1.1 per cent from 2020, with 40.59million albums sold in 2021 compared to 40.16million the year prior.

Adele had the biggest impact on driving last year’s growth, with her latest album ’30’ selling almost 900,000 copies in CD format alone in the US. The album’s sales accounted for 2.15 per cent of all CD sales throughout 2021.

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The second highest-selling CD album in the US was Taylor Swift’s re-release of ‘Fearless’, followed closely by her re-release of ‘Red’. Included elsewhere in the top 10 best-selling CD albums of 2021 are BTS’ two 2020 albums, ‘Map Of The Soul: 7’ and ‘Be’.

Despite the increase, vinyl outsold CDs in the US for the first time since MRC Data started reporting yearly sales in 1991. Vinyl sales experienced a huge increase, with a 51.4 per cent growth to 41.72million albums, up from 27.55million in 2020.

These increases reflect sales in the UK throughout the past year, with vinyl sales being the highest they’ve been in 30 years. More than five million vinyl records were sold in 2021, an eight per cent increase from 2020.

In addition, CD sales also increased in the UK in 2021, with Q4 sales seeing year-on-year increase in the UK of almost 15 per cent, largely thanks to ’30’, as well as Ed Sheeran‘s ‘=’ and ABBA‘s ‘Voyage’.

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Watch Travis Barker’s rocky cover of Adele’s ‘Easy On Me’

Travis Barker has shared a video of him performing a rocky drum cover of Adele’s recent hit single ‘Easy On Me’.

The Blink-182 drummer has given an unlikely makeover to the piano-led ballad, which marked the British pop star’s first new material in six years.

  • READ MORE: Adele’s voice has never sounded better than on her stunning new song ‘Easy On Me’

In a video posted to his Instagram page, Barker drummed along to the track, adding complex fills and a rock edge to it. Surging guitars can also be heard on the new version.

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At the end of the clip, one of the musician’s white drumsticks appeared to break. Watch the video below now.

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Barker’s drum cover of ‘Easy On Me’ follows Kanye West’s Sunday Service Choir recently giving their own take on the track. During a Sunday Service session in LA on November 28, the choir reworked the song to pay tribute to fashion designer, DJ and creative director Virgil Abloh, who had died earlier that day.

Go easy on me, father / I am still your child,” they sang on the gospel cover. “And I need the chance to / Feel your love around.

Upon its release in October, ‘Easy On Me’ broke the UK chart record for the highest first-week single sales in four years. It racked up 217,300 chart sales in its first week of release, the highest week one figure since Ed Sheeran’s ‘Shape Of You’ scored 226,800 chart sales in January 2017.

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In other Travis Barker news, the Blink-182 star appeared in Avril Lavigne’s video for her latest single ‘Bite Me’ in November. The track was co-produced by Barker and was released on his record label, DTA Records.

He also joined the Canadian pop-punk star as she performed the track on The Tonight Show starring Jimmy Fallon in the weeks after its release. Barker played the drums for the performance, which saw him, Lavigne and her band all dressed in red and performing from a room covered in graffiti.

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Adele is reportedly buying Sylvester Stallone’s Los Angeles mansion

Adele is reportedly in talks to buy a huge Los Angeles mansion currently owned by Sylvester Stallone.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

According to TMZ, Adele is on the way to purchasing the mansion, which is located in the exclusive gated community of Beverly Park.

One of the largest properties in the celebrity-filled community, the mansion was bought by Stallone in the 1990s and features six bedrooms, nine bathrooms, a full guest house, art studio, gym, sauna and more.

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The Los Angeles Times reports that the property initially went on the market for $110million (£81m) in early 2020, with its price then cut to $80m (£59m). The report states that Adele is in talks to buy the property for $58m (£43m).

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Adele. CREDIT: Apple Music.

Elsewhere, Adele is breaking yet more records with ’30’, with her new album becoming the first record in over a year to sell a million copies in the US.

The singer’s long-awaited new album landed back in November and shot straight to the top of the charts on both sides of the Atlantic, becoming the fastest-selling record of 2021 so far after clocking up 261,000 sales in the UK.

It becomes the first album in over a year to reach the milestone in the US, with Taylor Swift’s ‘Folklore’ the last to sell a million in October last year. ‘Folklore’ was also the only album of 2020 to reach the milestone. ‘Lover’, Swift’s seventh album from 2019, was also the only album of that year to sell a million copies.

2022, meanwhile, will see Adele hold a 12-week residency in Las Vegas. The singer-songwriter will be performing two shows every weekend at the Colosseum in the Caesars Palace hotel from January 21 through to April 16, 2022.

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The residency entitled ‘Weekends With Adele’ comes ahead of her two sold-out dates at BST Hyde Park in the UK next summer.

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Adele’s ’30’ becomes first album in over a year to sell a million copies in US

Adele is breaking yet more records with ’30’, with her new album becoming the first record in over a year to sell a million copies in the US.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

The singer’s long-awaited new album landed last month (November 19) and shot straight to the top of the charts on both sides of the Atlantic, becoming the fastest-selling record of 2021 so far after clocking up 261,000 sales in the UK.

As Billboard report, MRC Data now shows that as of this week (December 6), ’30’ has sold over one million traditional album sales, across digital downloads, CD, vinyl and cassette. Its first week sales (November 19-25) were 692,000, with 225,000 more sold in its second week (to December 2).

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It becomes the first album in over a year to reach the milestone, with Taylor Swift’s ‘Folklore’ the last to sell a million in October last year. ‘Folklore’ was also the only album of 2020 to reach the milestone. ‘Lover’, Swift’s seventh album from 2019, was also the only album of that year to sell a million copies.

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Adele, 2021 (Picture: Simon Emmett / Press)

In the UK, ’30’ scored the biggest first-week sales for an album since Ed Sheeran’s ‘÷’ in 2017, as well as the biggest opener for a female solo album since Adele’s last album, ‘25‘, in 2015, according to the Official Charts Company.

The record is this week’s biggest seller on vinyl, with 16,700 copies sold on wax and the most-streamed album of the week with a staggering 55.7million plays across its 12 tracks.

Last month, reports emerged that more than 500,000 copies of Adele’s long-awaited new album ’30’ had been pressed on vinyl – causing a huge backlog and problems in the production line for others wishing to get LPs manufactured with the world’s limited resources.

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Figures from the music industry spoke to NME about what’s really causing the delays in manufacturing vinyl and artists getting their albums made, arguing that the blame does not lie at the feet of Adele.

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Adele says her Instagram password was taken off her after posting just one picture

Adele has revealed that her Instagram password was taken off her after she posted just one picture of herself.

  • READ MORE: Adele-ageddon! ‘30’ marks lockdown four for music

The singer said the picture in question was the image of her wearing Bantu knots and a Jamaican flag bikini top ahead of the Notting Hill Carnival in 2020.

She told beauty vlogger NikkieTutorials: “In COVID, they [Adele’s management] let me have my password. I was never allowed my passwords for my socials before. It’s actually quite a well-known fact.”

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Adele continued: “They were worried if I’d get drunk, or be annoyed, whatever I would do. Not responding to anyone, more just posting my general thoughts.

“Then I posted a picture, which a lot of people know about. It’s the only picture I ever posted myself. And then they took my password away from me again.”

At the time, the singer-songwriter was accused of cultural appropriation over the image.

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But the singer was also defended by the likes of Naomi Campbell, Alexandra Burke and Labour MP for Tottenham David Lammy, with the latter describing the controversy as “poppycock” on Twitter.

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“This humbug totally misses the spirit of Notting Hill Carnival and the tradition of ‘dress up’ or ‘masquerade’,” Lammy wrote at the time. “Adele was born and raised in Tottenham she gets it more than most. Thank you Adele. Forget the Haters.”

Meanwhile, the singer-songwriter recently announced a 12-week residency in Las Vegas.

The residency entitled ‘Weekends With Adele’ comes ahead of her two sold-out dates at BST Hyde Park in the UK next summer.

She will be performing two shows every weekend at the Colosseum in the Caesars Palace hotel from January 21 through to April 16, 2022.

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Adele announces 12-week Las Vegas residency in 2022

Adele has announced a 12-week residency in Las Vegas.

  • READ MORE: Adele-ageddon! ‘30’ marks lockdown four for music

The singer-songwriter will be performing two shows every weekend at the Colosseum in the Caesars Palace hotel from January 21 through to April 16, 2022.

The residency entitled ‘Weekends With Adele’ comes ahead of her two sold-out dates at BST Hyde Park in the UK next summer.

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Fans are already being encouraged to sign up for pre-sale tickets from today at 6am PST using Ticketmaster’s Verified Fan service.

Adele. CREDIT: Apple Music.

The Verified Fan Presale will begin next Tuesday, (December 7) at 10am PST. Fans can register here.

Rumours of a Las Vegas residency had been circulating in recent months, with the star said to be deciding between either the Park Theater at the Park MGM Las Vegas or the Colosseum at Caesars Palace.

Reports of Adele’s potential Las Vegas residency first emerged in August, with a source telling the Mail On Sunday that the shows would be “hugely lucrative” for the singer. “It would make her a lot of money but it would also mean she could have a routine,” they said.

But she recently shot down rumours that she would be embarking on a Las Vegas residency in an interview with Rolling Stone, claiming at the time that there was “fucking nothing available” anyway.

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Meanwhile, the singer-songwriter’s new album ’30’ has opened at the top of the US charts, with 839,000 equivalent album units sold, according to MRC Data.

Adele will play:

JANUARY
21 – Las Vegas, The Colosseum
22 – Las Vegas, The Colosseum
28 – Las Vegas, The Colosseum
29 – Las Vegas, The Colosseum

FEBRUARY
4 – Las Vegas, The Colosseum
5 – Las Vegas, The Colosseum
11 – Las Vegas, The Colosseum
12 – Las Vegas, The Colosseum
25 – Las Vegas, The Colosseum
26 – Las Vegas, The Colosseum

MARCH
4 – Las Vegas, The Colosseum
5 – Las Vegas, The Colosseum
11 – Las Vegas, The Colosseum
12 – Las Vegas, The Colosseum
18 – Las Vegas, The Colosseum
19 – Las Vegas, The Colosseum
25 – Las Vegas, The Colosseum
26 – Las Vegas, The Colosseum

APRIL
1 – Las Vegas, The Colosseum
2 – Las Vegas, The Colosseum
8 – Las Vegas, The Colosseum
09 – Las Vegas, The Colosseum
15 – Las Vegas, The Colosseum
16 – Las Vegas, The Colosseum

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Adele Announces Las Vegas Residency After Releasing Smash Album 30

Say “Hello” to the newest fixture on the shimmering Las Vegas strip. Adele announced on Tuesday (November 30) that she will be a resident performer at the Colosseum at Caesars Palace beginning in January 2022.

Weekends With Adele kicks off January 21 and is slated to continue through April 16. The British singer-songwriter will perform two shows each weekend, with one weekend off in mid-February (when Van Morrison is scheduled to play). Tickets go on sale December 7, though fans will have to register for pre-sale access before December 3 for a chance to secure tickets for the long-rumored residency; there may not be a general sale date should the presale demand be too high.

“See you at Caesars in Vegasss,” Adele tweeted.

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Radio 1 DJ Adele Roberts returns to show after cancer diagnosis: “I owe the NHS my life”

BBC Radio 1 DJ Adele Roberts returned to host her Weekend Breakfast show on Saturday (November 27) following her cancer diagnosis.

Last month, Roberts revealed that she had been diagnosed with bowel cancer, saying that “so far the outlook is positive and I feel so lucky I can be treated”.

Speaking during the show at the weekend, Roberts said: “The good news is, they found the tumour… they’ve taken it away. My body is on the mend and I am here.”

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“It’s a huge testament to the skill and knowledge and level of care at the NHS. They’re amazing. I owe them my life. I can’t thank them enough.”

She added: “I can’t believe it – it’s a month since I had my surgery and I’ve got goosebumps. A month on, it’s incredible what the body is capable of.

“I feel amazing. I’m lucky, I’m happy, and I’m buzzing to be back.”

Roberts began hosting Radio 1’s Weekend Breakfast show in January of this year, after working on 1Xtra from 2012 and on Radio 1’s early breakfast show from 2015. She also appeared on Big Brother and I’m a Celebrity…Get Me Out of Here!

“I didn’t know I’d be writing something like this,” she said in a statement revealing her diagnosis. “The hardest thing wasn’t even finding out I had cancer, it was telling my family. It broke my heart.”

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Sharing a statement following the news, Radio 1 said: “Our love and support is with Adele, Kate and their families at this very difficult time.

“Everyone at Radio 1, along with millions of listeners, wishes her a speedy recovery and we look forward to welcoming Adele back on air soon.”

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Watch Kanye West’s Sunday Service choir cover Adele’s ‘Easy On Me’ “in loving memory of Virgil Abloh”

Kanye West‘s Sunday Service choir have performed a cover of Adele‘s ‘Easy On Me’ in honour of late designer Virgil Abloh, who died yesterday (November 28).

A Sunday Service livestream was broadcast on the Donda Live website after news of Abloh’s passing broke, during which the choir sang a rendition of the single from Adele’s latest album, ’30’.

Their cover was a reworked version of the song’s original lyrics, with the choir singing “Go easy on me, father / I am still your child / And I need the chance to / Feel your love around” in the chorus. The words “In loving memory of Virgil Abloh, creative director of ‘Donda'” appeared on the screen during the livestream.

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Watch it below.

Abloh – artistic director of Louis Vuitton’s menswear and founder of Off-White – passed away at age 41 after a two-year battle with cardiac angiosarcoma, a rare form of cancer that affects the heart.

His family made the announcement via his social media page, writing: “We are devastated to announce the passing of our beloved Virgil Abloh, a fiercely devoted father, husband, son, brother, and friend.

“He is survived by his loving wife Shannon Abloh, his children Lowe Abloh and Grey Abloh, his sister Edwina Abloh, his parents Nee and Eunice Abloh, and numerous dear friends and colleagues.”

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West – known legally as Ye – and Abloh had been friends since the early 2000s, with the latter designing many of West’s album covers, including 2010’s ‘My Beautiful Dark Twisted Fantasy’.

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Adele reveals that original version of ‘I Drink Wine’ was 15 minutes long

Adele has revealed that ‘I Drink Wine’ was originally much longer than the six-minute track that appears on new record ’30’.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

’30’, the follow-up to 2015’s ’25’, arrived on November 19, having been previously previewed by the comeback single ‘Easy On Me’ as well as ‘Hold On’. ‘I Drink Wine’ is the seventh track on the record and details the struggles of making a relationship work.

Speaking to Rolling Stone, Adele revealed that the six-minute track was longer but had to be cut down because her label said it wouldn’t get played on the radio. She said: “[The label] was like, ‘Listen, everyone loves you, but no one’s playing a 15-minute song on radio.’”

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Adele previously confirmed that the new material delves into the aftermath of her 2019 divorce from Simon Konecki, explaining that ’30’ was her most personal and “sensitive” album to date.

Ahead of the release of the record, Adele shared an intimate performance of ’30’ cut ‘To Be Loved’ on social media. She had previously debuted ‘Hold On’, ‘I Drink Wine’ and ‘Love Is A Game’ during her CBS TV special One Night Only, which included a new sit-down interview with Oprah Winfrey.

In a recent interview with Zane Lowe, Adele said that there was a point where she considered not releasing ’30’, commenting: “There were moments when I was writing these songs – and even when I was mixing them and stuff like that – where I was like, ‘Maybe I don’t need to put this album out. Like maybe I should write another.’”

She continued, “I’m never going into the studio to be like, ‘Right, I need another hit’. It’s not like that for me. When something is more powerful and overwhelming than me, I like to go to a studio because it’s normally a basement and there’s no fucking windows and no reception, so no one can get ahold of me.”

In a three-star review of ’30’, NME wrote: “This devastating level of honesty means that, despite its more experimental moments, ‘30’ still winds up feeling like trademark Adele, in its own way, most of the time. And after fair accusations of playing it safe musically in the past, it’s refreshing to see the pop titan treading braver territory – even if the hit-rate isn’t 100 per cent.”

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Tonight (November 21), Adele will perform a UK TV special An Audience With Adele, filmed at the London Palladium. It airs on ITV at 7.25pm.

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Bop Shop: Songs From Adele, Jockstrap, Cazwell, Rosalía, And More

The search for the ever-elusive "bop" is difficult. Playlists and streaming-service recommendations can only do so much. They often leave a lingering question: Are these songs really good, or are they just new?

Enter Bop Shop, a hand-picked selection of songs from the MTV News team. This weekly collection doesn't discriminate by genre and can include anything — it's a snapshot of what's on our minds and what sounds good. We'll keep it fresh with the latest music, but expect a few oldies (but goodies) every once in a while, too. Get ready: The Bop Shop is now open for business.

  • Adele: "Hold On"
    https://www.youtube.com/watch?v=yoHS2T32Z5o

    “Hold On” is the 10th track on 30, an album that feels nostalgic but not recycled, fresh, and inherently Adele. When this song begins, everything goes dark. Yet as the singer’s powerful, lachrymose voice echoes the title, a beacon of light draws you back to hope, grounding you. “Let time be patient / Let pain be gracious,” she sings as a manifestation for her own struggles and her listeners’. At the bridge — “Sometimes loneliness is the only rest we get / And the emptiness actually lets us forget / Sometimes forgiveness is easiness in secret” — things come into focus with simple, profound wisdom until Adele’s trademark crescendo. Although heartbreaking, what's so hopeful about this masterful collection is that you can see the artist on the other side of her pain. She recently told Oprah how 30’s release was the closing of that chapter. While this music is intended to meet you somewhere along your journey of grief, pain, and lost love, it reminds you to “hold on / You are still strong / Love will soon come.” Adele did. Look at her now. —Daniel Head

  • Cazwell ft. Trace Lysette and Chanel Jolé: "Taser in My Telfar Bag"
    https://youtu.be/Tjcb1mf8S2k

    Billed as a “trans self-defense anthem,” “Taser in My Telfar Bag” came to songwriter-producer Cazwell after hearing about a real-life incident of anti-transgender violence on the streets of Hollywood. The feisty hip-hop track opens on the unmistakable zap of a taser before segueing into verses from trans rappers Trace Lysette and Chanel Jolé. “Gimme two pink eight-eighties / One for my purse and one for the Mercedes,” Lysette demands over a thumping beat. With Transgender Day of Remembrance on the horizon, it’s a solemn, urgent reminder couched in a catchy bop. —Sam Manzella

  • Jockstrap: "50/50"
    https://www.youtube.com/watch?v=cd_MFQIh2zE

    On last year's excellent Wicked City EP, London duo Jockstrap proved themselves to be soulful and glitchy, full of surprises and beholden to clubby electronic styles that paved the way for their own experimentation. All of that shines throughout new single "50/50," a whirring carnival ride that moves with the vaporous logic of a dream. —Patrick Hosken

  • Sure Sure: "Peaceful in My Mind"
    https://www.youtube.com/watch?v=yNU-syoXEz8

    “Everything is fine,” the song begins over gentle guitar and tambourine, a soothing start for the first new release from indie darlings Sure Sure in over a year. But it’s really not: The breezy track is about finding your own calm in the chaos, something anyone who made it through 2020 (and 2021) can relate to. “Look, it’s raining fire outside,” the song notes, “but it’s peaceful in my mind.” Play this track on repeat enough times, and it’ll likely become the case. —Terron Moore

  • Moon Tooth: "Nymphaeaceae"
    https://www.youtube.com/watch?v=R3ZolNyLfN0

    Moon Tooth’s multidimensional talent is on full display with their latest single “Nymphaeaceae.” The track explodes right out of the gate with a memorable guitar riff and energetic drums before lead singer John Carbone adds his distinctive vocal stylings and profound lyricism to the mix. The song, which takes its name from the scientific term for water lilies, was inspired by the plant’s ability to grow "through darkness, towards the light to bloom, pollinate and create more life." It’s a beautiful, poetic metaphor for personal growth and hope amid life’s hardships. —Farah Zermane

  • Rosalía ft. The Weeknd: "La Fama"
    https://www.youtube.com/watch?v=e-CEd6xrRQc

    The latest pop star to sing in Spanish on a track with Rosalía is The Weeknd, and Abel's silken vocalizations end up the perfect complement both to the soft beat and his duettist's own show-stopping singing style. The video is a lot less gentle — she literally stabs him to death in a cocktail club — but it still sounds just as serene. —Patrick Hosken

  • Alexa Cappelli: "Whiplash"
    https://www.youtube.com/watch?v=4dhpTl1A1_Y

    Alexa Cappelli is a pop songwriter from Los Angeles, but on the stadium-sized refrain of her latest tune "Whiplash," she strives to be the placeless voice of a generation. Perhaps taking a cue from Olivia Rodrigo, Cappelli spends her verses mining her own confusion and saves the chorus for the sheer release of electric guitars and a big, vowel-led chant. The result is as hooky as it is cathartic. —Patrick Hosken

  • Taylor Swift: "Message in a Bottle (Taylor's Version) (From the Vault)"
    https://www.youtube.com/watch?v=cVaG6adE2mA

    “Blank Space” co-writers Max Martin and Shellback are credited on this From the Vault track off Red (Taylor’s Version), so my fellow Swifties and I knew it would go hard. We just didn’t know how hard. Between its springy, synth-infused sound and Tay’s clever almost-rhymes (“Time moves faster / Replaying your laughter / Disaster”), “Message in a Bottle” is saccharine pop perfection. It’s a miracle Swift was able to keep this banger bottled up for nearly a decade. —Sam Manzella

  • Earl Sweatshirt: "2010"
    https://www.youtube.com/watch?v=JUKh7Cj_3Fo

    Back in 2010, Earl Sweatshirt infamously rapped about being a "hot and bothered astronaut hot / Crashing while jacking off / To buffering vids of Asher Roth." He was barely 16 then, and the intervening years have seen Earl grow into a more thoughtful and reliably exciting artist. On his latest, "2010," twinkly and pensive production from Detroit's Black Noi$e soundtracks an Earl flow that's both laidback and gripping. "Long way to go, we already came far," he raps, reminding. "Story stayed the same, it was never madе up." —Patrick Hosken

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Watch Adele perform new song ‘To Be Loved’ in her living room

Ahead of the release of her highly-anticipated fourth album, Adele has shared an intimate performance of ’30’ cut ‘To Be Loved’ on social media.

  • READ MORE: Adele – ‘30’ album review: dependable pop titan finally mixes things up

Posting a video filmed on PhotoBooth and captioned with the song’s title, Adele performs the heartfelt track in its entirety from her living room.

Aside from the album’s lead single ‘Easy On Me’, Adele also debuted three other cuts from ’30’ in her CBS special One Night Only: ‘Hold On’, ‘I Drink Wine’ and ‘Love Is A Game’.

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Watch Adele’s living room performance of ‘To Be Loved’ below.

In an interview with Zane Lowe, Adele said that she won’t perform ‘To Be Loved’ live due to how emotional she gets when she hears it.

“I can’t even listen to it. I have to leave the room, I get really upset, I get really choked up,” she said.

“When I was writing it and singing it, I just envisioned Angelo being in his 30s. I guess I’ll sing it to him then.”

In that same interview, Adele revealed that there was a point where she considered not releasing ’30’ – which is out tomorrow (November 19) – at all, saying: “There were moments when I was writing these songs – and even when I was mixing them and stuff like that – where I was like, ‘Maybe I don’t need to put this album out. Like maybe I should write another.’”

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She continued, “I’m never going into the studio to be like, ‘Right, I need another hit’. It’s not like that for me. When something is more powerful and overwhelming than me, I like to go to a studio because it’s normally a basement and there’s no fucking windows and no reception, so no one can get ahold of me.”

In a review of ’30’, NME‘s Rhian Daly said that it was “refreshing to see the pop titan treading braver territory.” Later this week (November 21), Adele will perform a UK TV special An Audience With Adele, filmed at the London Palladium.

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Adele reveals she considered not releasing new album ’30’

Adele has revealed that she considered not releasing her fourth album ’30’.

The singer-songwriter’s new record – the follow-up to 2015’s ’25’ – is due to arrive this Friday (November 19), having been previewed by the comeback track ‘Easy On Me’ as well as ‘Hold On’.

  • READ MORE: Adele’s voice has never sounded better than on her stunning new song ‘Easy On Me’

Adele previously confirmed that the new material delves into the aftermath of her 2019 divorce from Simon Konecki, explaining that ’30’ was her most personal and “sensitive” album to date.

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During a new interview with Zane Lowe on Apple Music 1, which aired today (November 17), the star said: “There were moments when I was writing these songs – and even when I was mixing them and stuff like that – where I was like, ‘Maybe I don’t need to put this album out. Like maybe I should write another’.”

She continued: “Just because music is my therapy. I’m never going into the studio to be like, ‘Right, I need another hit’. It’s not like that for me. When something is more powerful and overwhelming than me, I like to go to a studio because it’s normally a basement and there’s no fucking windows and no reception, so no one can get ahold of me.

“So I’m basically running away. And no one would’ve known I’d written that record. And it’s like maybe I just had to get it out of my system and stuff.”

Elsewhere in the conversation, Adele said she initially wanted ’30’ to come out in 2020 before it was pushed back due to the coronavirus pandemic.

“And I drunkenly announced it at my best friend’s wedding on the stage. ‘Expect my album in September’, to a room full of people I don’t fucking know,” she recalled. “But I wouldn’t know I’d be announcing it to everyone that already pretty much knew anyway. Who the fuck did I think I was?”

Explaining that ’30’ was “done” at that point, apart from some backing vocals and orchestral elements, Adele said the album was “such an integral piece to my life story over the last few years, that I wanted it to come out”.

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Adele
Adele. CREDIT: Press

“Because, when it does come out, it’s the final door closing on that chapter of my life,” she continued. “So it feels like it’s dragged out for me a little bit.”

You can watch the full interview in the video above.

In a three-star review of ’30’, NME wrote: “This devastating level of honesty means that, despite its more experimental moments, ‘30’ still winds up feeling like trademark Adele, in its own way, most of the time. And after fair accusations of playing it safe musically in the past, it’s refreshing to see the pop titan treading braver territory – even if the hit-rate isn’t 100 per cent.”

Adele will showcase the record during an ITV special, An Audience With Adele, this Sunday (November 21).

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Watch Lizzo and Oprah belt out Adele’s ‘Hello’ during ‘One Night Only’ show

Lizzo has shared footage of herself and Oprah Winfrey belting out Adele‘s ‘Hello’ during the taping of Adele: One Night Only – tune in below.

  • READ MORE: Adele’s voice has never sounded better than on her stunning new song ‘Easy On Me’

Airing on Sunday night (November 14), the two-hour CBS special saw Adele debut three new ’30’ tracks – ‘I Drink Wine’, ‘Hold On’ and ‘Love Is A Game’ – while also performing her comeback single ‘Easy On Me’ alongside classic hits.

Elsewhere, the singer participated in an in-depth interview in Winfrey’s rose garden where she opened up about her divorce, being “objectified”, suffering “terrifying anxiety attacks” and more.

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Winfrey has since posted footage of herself and Lizzo singing along in the audience at the Griffith Observatory in Los Angeles, California. “Adele had us at hello! Lizzo what concert are we going to next?!” she captioned the clip, which sees the pair singing their hearts out to 2015’s ‘Hello’.

The ‘Juice’ singer then retweeted the video, writing: “ADELE BETTA SING THAT SONG.” Check out the post below.

Joining Lizzo in the audience were the likes of James Corden, Seth Rogen, Selena Gomez, Donald Glover, Leonardo DiCaprio and Tyler Perry, according to Hot New Hip Hop.

Adele: One Night Only is set to be followed by a UK TV special, An Audience With Adele, this Sunday (November 21) on ITV. Filmed at the London Palladium, the programme will see Adele perform in front of her “own personal heroes and heroines, fellow musicians, artists, actors, sportsmen, sportswomen and more”.

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Adele’s highly-anticipated fourth album ’30’ – the follow-up to 2015’s ’25’ – arrives this Friday (November 19).

The star will showcase the record at two huge shows in London’s Hyde Park next summer, marking her first UK headline dates since 2017. Tickets for both British Summer Time events have now sold out.

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Watch the trailer for Adele’s US TV special, ‘Adele: One Night Only’

CBS has shared two trailers for the upcoming Adele special, Adele: One Night Only.

  • READ MORE: Adele’s voice has never sounded better than on her stunning new song ‘Easy On Me’

The two-hour show will air in the US this Sunday (November 14) ahead of the ‘Easy On Me’ singer releasing her fourth album, ’30’, next Friday (November 19). It’ll feature live performances and a new sit-down interview with Oprah Winfrey “from her rose garden”.

Now, fans have been given a sneak peek at One Night Only with a pair of official preview clips – you can watch them below.

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“It will look really elegant, and then I’ll tell a load of filthy jokes,” Adele tells Winfrey of her performance, which was filmed at the Griffith Observatory in Los Angeles, California. “It’ll be a real sort of whiplash for ’em.”

Later, Winfrey promises “a very special night” as Adele sings her classic hit ‘Rolling In The Deep’. A previous trailer, meanwhile, gives a taste of the star’s live airing of her 2012 James Bond theme, ‘Skyfall’.

Adele: One Night Only will be followed by a UK TV special, An Audience With Adele, on November 21.

Earlier this week, Adele previewed an upcoming song called ‘Hold On’ in a new Amazon Christmas advert. “I swear to god I’m such a mess/ The harder that I try, I regress,” she sings on the track.

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It came after the singer shared the full tracklist for ’30’, which also includes the titles ‘I Drink Wine’, ‘Love Is A Game’, ‘Strangers By Nature’ and ‘Oh My God’. A bonus edition, available exclusively at Target, boasts three extra tracks including a duet with Chris Stapleton.

Next summer, Adele will make her UK live comeback with two headline appearances at British Summer Time in Hyde Park. Tickets for both events have now sold out.

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Adele releases tracklist for upcoming new album ’30’

Adele has released the tracklist for her upcoming new album ’30’ – you can see it in full below.

  • READ MORE: Adele’s voice has never sounded better than on her stunning new song ‘Easy On Me’

The singer-songwriter announced her fourth studio album ’30’ last month after sharing its lead single, ‘Easy On Me’ – her first new song in five years. The new LP is set to arrive on November 19.

This evening (November 1), Adele has unveiled the tracklist for the album. The standard version of ’30’ will feature 12 songs, while a Target bonus edition will have an extra three songs including a duet with Chris Stapleton.

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You can see the tracklists for both below:

Adele shot straight to Number One in the UK singles chart last month after ‘Easy On Me‘ clocked up a massive 217,300 chart sales in its first week – the highest week one figure since Ed Sheeran’s ‘Shape Of You’, earned 226,800 back in January 2017.

Adele also broke another chart record with the track racking up 24million streams in the UK topping Ariana Grande’s record of 16.9million set back in January 2019 with ‘7 Rings’.

‘Easy On Me’, her first single in five years, also earned the biggest week of digital download sales of 2021 so far, with 23,500.

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Reviewing ‘Easy On Me’, NME‘s Nick Levine wrote: “For now, though, Adele has returned with a reassuring slice of classic Adele balladry. This song will chime with anyone going through a quarter-life crisis, a mid-life crisis, or just a crisis of a hangover. And if you look to Adele’s music to make you cry, you won’t be disappointed.”

Adele will play two huge shows at London’s Hyde Park taking place next summer.

Meanwhile, Adele has revealed that she owns a framed piece of Celine Dion‘s used chewing gum.

The singer, who releases her fourth album ’30’ next month, was asked what her most “prized possession” was during the latest edition of Vogue‘s ’73 Questions’ series.

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Alex Clare on why he chose his faith over touring with Adele

Alex Clare has spoken at length about why he chose his faith over the chance to tour with Adele a decade ago.

The singer-songwriter, who is best known for his 2011 hit ‘Too Close’, said in a new interview that the music industry was intolerant of his Orthodox Judaism, which led him to miss out on vital career opportunities.

One such example was when he was forced to refuse to support growing superstar Adele on tour a decade ago because the performance dates clashed with the Jewish holiday Passover as well as the Sabbath.

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Clare’s label, Island records, was “very tolerant” of that at the time, he recalled in a new interview with the BBC. But Clare said that when date clashes happened again – this time with a BBC recording scheduled for the week of Sukkot – he came at loggerheads with his label and was dropped.

“They said, ‘It seems like you’re more into your religion than you are into your career,’ and that really wasn’t the case,” said Clare, who grew up in a secular Jewish family before turning to Orthodox Judaism in his early 20s.

“I really was focused on my career, but personal lifestyle choices, whatever they are, haven’t always necessarily been so tolerated. I’m not unique – historically this has been a running theme, not just for Jewish people but anyone who makes commitments elsewhere.”

He added: “When I signed, they knew that that was happening but they didn’t quite understand how serious the rules of keeping the Sabbath [resting from Friday sunset until Saturday sunset] are. And for some reason every piece of promo that came in was seeming to fall on a Friday night or Saturday morning, and I was turning down opportunity after opportunity.”

Clare has returned this month after a hiatus with his comeback single, ‘Why Don’t Ya’, which you can listen to above.

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He added to the BBC that when it came to turning down the support slot with Adele, he said his label “thought I was nuts”.

An Island spokesman this week told the publication that it had “reached out to apologise directly to Alex”.

“What was said to him 10 years ago was wrong and does not in any way represent our views or policies,” the spokesperson said.

Clare is now looking to release an EP early next year. He also plans to play live again – the place where he most feels that he is “fulfilling my life mission”.

Adele, meanwhile, has announced two huge shows at London’s Hyde Park next summer.

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Radio 1 DJ Adele Roberts reveals she has bowel cancer

BBC Radio 1 DJ Adele Roberts has revealed that she’s been diagnosed with bowel cancer, and will begin treatment today (October 25).

The 42-year-old DJ, who hosts the station’s weekend breakfast show, shared the news in an Instagram post, saying she was diagnosed at the start of October and that the outlook is “positive”.

“Ok, there’s no easy way to do this and it feels weird, especially posting on social media (I’m going full Black Mirror) but I’m hoping it’ll reach anyone who might benefit from seeing it or reading it,” her message, which was shared alongside photos of her in a hospital gown and details on how to spot bowel cancer, began.

“For a while now I’ve been struggling with my digestion,” she wrote. “Thanks to a conversation I had with my Dad a few years back I went to my GP for a check up. I’ll be honest, I was embarrassed but I also knew that it could be something serious. So I went just in case.

“I didn’t think anything of it at first and just assumed it might be food sensitivity. After a few phone calls I was sent for some examinations and checks. I was then diagnosed with bowel cancer. This was at the start of the month.”

The message added: “It’s all happened so quickly and I’m so sorry to post something like this on here but I hope it helps anyone who might be worrying, or suffering in silence. PLEASE make sure you get checked out if you have ANY concerns.

“The sooner you’re able to see your GP or talk to someone the sooner you can get help. If I hadn’t I might not be so lucky. As I’ve learned over the last few weeks, there’s no ‘normal’ with cancer. Sadly it can affect anyone, at any age, anytime. It doesn’t discriminate. Early detection can save your life.”

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Praising the NHS as “incredible,” Roberts added: “I’m going to have surgery tomorrow to remove the tumour and then see if I need anymore treatment or if the cancer has spread. So far the outlook is positive and I feel so lucky that I can be treated. It’s just the start of my journey but I’m going to give it everything I’ve got.

“I didn’t know I’d be writing something like this. The hardest thing wasn’t even finding out I had cancer, it was telling my family. It broke my heart.”

Sharing a statement following the news, Radio 1 said: “Our love and support is with Adele, Kate and their families at this very difficult time.

“Everyone at Radio 1, along with millions of listeners, wishes her a speedy recovery and we look forward to welcoming Adele back on air soon.”

Roberts began hosting Radio 1’s weekend breakfast show in January of this year, after working on 1Xtra from 2012 and on Radio 1’s early breakfast show from 2015.

She also appeared on Big Brother and I’m a Celebrity…Get Me Out of Here!.

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Adele’s ‘Easy On Me’ breaks chart record with highest first-week single sales in four years

Adele‘s new single ‘Easy On Me‘ has shot straight to Number One in the UK singles chart.

  • READ MORE: Adele’s voice has never sounded better than on her stunning new song ‘Easy On Me’

The singer’s third chart topping single clocked up a massive 217,300 chart sales in its first week – the highest week one figure since Ed Sheeran’s ‘Shape Of You’, earned 226,800 back in January 2017.

Adele also broke another chart record with the track racking up 24million streams in the UK this week – topping Ariana Grande’s record of 16.9million set back in January 2019 with ‘7 Rings’.

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‘Easy On Me’, her first single in five years, also earns the biggest week of digital download sales of 2021 so far, with 23,500 according to the Official Charts Company.

The single also saw two of her earlier hits climb back into the Top 40 with ‘When We Were Young’ coming in at 25, and ‘Someone Like You’ at 34.

Adele’s latest success comes after she recently broke a new Spotify streaming record with her single.

‘Easy On Me set a new record for the most streams in a single day, surpassing a record previously held by K-pop giants, BTS. They held the record with 20.9million streams for ‘Butter’.

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Reviewing ‘Easy On Me’, NME wrote: “For now, though, Adele has returned with a reassuring slice of classic Adele balladry. This song will chime with anyone going through a quarter-life crisis, a mid-life crisis, or just a crisis of a hangover. And if you look to Adele’s music to make you cry, you won’t be disappointed.”

Her fourth album, ’30’, is set to arrive on November 19.

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Adele considered “three very different” options for her new single

Adele has revealed she considered “three very different” options before settling on ‘Easy On Me’ as the first single for her new album campaign.

  • READ MORE: Everything we know so far about Adele’s new album ‘30’

Last Friday (October 15), the singer-songwriter shared her first new song in five years and the first single to be lifted from forthcoming album ’30’ ahead of its arrival next month.

Speaking to Zoe Ball on her BBC Radio Breakfast Show, Adele admitted that she had three strong contenders in mind for a first single.

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“There was three options for the first single,” said Adele, adding they were “very, very different, all of them.”

She then shared a few details about the songs that potentially could have been the lead single for ’30’. “Obviously ‘Easy on Me,'” she said, “and then there’s another one which is like, I got very into Goldfrapp again,” she noted.

“There’s another one that’s very sort of ’70s, like piano, singer-songwriter-y,” she added. “When I say piano, I mean it’s got a whole band on it, but just very Carpenters, like very Elton, whatever.”

Adele said she decided to go with ‘Easy On Me’ because of its “soaring chorus” and because it simply “just felt like a me song”, which she said was important to her being she hadn’t released a new album in six years.

Meanwhile, Adele has broken a new Spotify streaming record with new song, ‘Easy On Me’.

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The single, her first in five years, arrived at midnight on October 15 and quickly amassed millions of streams within its first few hours of going live.

The song has now set a new record for the most streams in a single day, surpassing a record previously held by K-pop giants, BTS. They held the record with 20.9 million streams for ‘Butter’.

Reviewing Adele’s new single, NME wrote: “For now, though, Adele has returned with a reassuring slice of classic Adele balladry. This song will chime with anyone going through a quarter-life crisis, a mid-life crisis, or just a crisis of a hangover. And if you look to Adele’s music to make you cry, you won’t be disappointed.”

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Bop Shop: Songs From Adele, CKay, Orion Sun, And More

The search for the ever-elusive "bop" is difficult. Playlists and streaming-service recommendations can only do so much. They often leave a lingering question: Are these songs really good, or are they just new?

Enter Bop Shop, a hand-picked selection of songs from the MTV News team. This weekly collection doesn't discriminate by genre and can include anything — it's a snapshot of what's on our minds and what sounds good. We'll keep it fresh with the latest music, but expect a few oldies (but goodies) every once in a while, too. Get ready: The Bop Shop is now open for business.

  • Adele: "Easy on Me"
    https://www.youtube.com/watch?v=U3ASj1L6_sY

    Adele is back, and the first single off her forthcoming album, 30, out November 19, is a gut-wrenching moody ballad rife with riffs like only Adele can offer them. On “Easy on Me,” the singer croons over piano chords weaving a tale of love and loss. Simultaneously tender and gritty, it is heartbreakingly honest and beautiful in its simplicity. True to form, Adele manages to capture the complexities of love in the span of a few minutes. Vulnerability, hope, and healing have a sound, and it is Adele. —Virginia Lowman

  • CKay: "Love Nwantiti"
    https://www.youtube.com/watch?v=7l22qaD31iE

    You can’t spend more than 15 minutes on TikTok or Instagram right now without coming across CKay’s mesmerizing track “Love Nwantiti.” The Nigerian singer-songwriter and emo-Afrobeat artist is true to form as he pairs spellbinding vibes with suave vocals that describe an intense, toxic love. “Love Nwantiti,” which means “small love” in Igbo, enjoyed success when CKay first released it back in 2019, but social media has turned the song into an international phenomenon that’s currently sitting at No. 2 on Billboard’s Global 200 and No. 35 on the Hot 100 with no signs of slowing down. —Farah Zermane

  • Young Thug with Drake and Travis Scott: "Bubbly"
    https://www.youtube.com/watch?v=uCDE-S1AjuQ

    You have to admire Young Thug, a decade into stardom that's found him as much a style icon as a musical innovator, opening a star-studded song on his latest release, Punk, with the words, "My career 'bout to blast like bubbly." The next three minutes feature head-spinning verses from Thug and guest Travis Scott before the beat slows down, naturally, for Drake to bring things home from the sky: "Buyin' out Louis and Christian Dior / I took the jet to the New York store." —Patrick Hosken

  • Julia Wolf: "Nikes"
    https://www.youtube.com/watch?v=nI99iyncMVg

    Don’t be put off if Julia Wolf leaves you on read; she’s just not “too much for talking.” On this clever cut, the New York-based indie-pop act examines her avoidant tendencies through the lens of her favorite kicks. “Fill my shopping cart up with new Nikes / Scuff 'em all up like how I been treating your psyche / I get so indifferent I can never keep tidy,” she sing-raps over a synth-y beat. Try to get Wolf’s catchy chorus out of your head, I dare you. —Sam Manzella

  • Orion Sun: "Concrete"
    https://www.youtube.com/watch?v=7QAz7HQbeos

    Last year, R&B-pop singer Orion Sun told MTV News that she "definitely exist[s] in both optimism and nihilism." You wouldn't know it from the silky sonics and golden voice on display throughout "Concrete," her new single produced by Rostam. She evokes the power of her antecedents as she begins "sprouting from the underground through the concrete" with all eyes seemingly turned to her. "The warm hands of my ancestors have guided me through such tough terrain," she says about the inspiration for the song. "I am comforted by them and in turn given the strength to keep going." —Patrick Hosken

  • Charli XCX: “Good Ones”
    https://www.youtube.com/watch?v=kjAuUXdSFaM

    Charli XCX has done addictive earworms and hyperpop, but her newest single finds her at a crossroads between the two as she embraces her inner “ultra pop star.” On this ode to her inability to maintain healthy relationships and penchant for toxicity, Charli channels disco and ‘80s pop as she breathily laments, “I want the bad ones / ‘Cause they’re all I know,” before breaking into a sweat-drenched dance floor-ready chorus of “I always let the good ones go.” Its big-budget, Hannah Lux Davis-helmed visual finds her positively stunting at an ex’s funeral, where she perches on top of a coffin in front of a wind machine and enacts full choreo in a two-piece by his grave. Goals. —Carson Mlnarik

  • Del Water Gap: “I Hope You Understand”
    https://www.youtube.com/watch?v=drECtU34-p8

    The guts of Del Water Gap’s excellent self-titled debut album hang in wanting, longing, reaching for love that always evades capture. But on “I Hope You Understand,” the need turns so deeply desperate; the unshakeable truth that this is not ending well has reached his core. “I had a dream you killed me,” he confesses, “bread knife to my throat.” And yet even as he bleeds out, over swooning, soaring electric guitar and synth, he wants his lover to know that they meant something wonderful to him. “Maybe I deserve it,” he decides, “it” meaning the loss, or maybe meaning the fleeting love unacknowledged. Sometimes they go hand-in-hand. —Terron Moore

  • PinkPantheress: "Reason"
    https://www.youtube.com/watch?v=H13jW-Hxfz4

    No context, all vibes — that's the M.O. of TikTok sensation PinkPantheress, who has begun to transcend that frankly quite limiting label. It's not just that her brief songs are readymade for sharing and as easy consumable as shots. It's that whatever sample she's working with — in the case of "Reason," a frantic breakbeat snippet — somehow sounds great under her nostalgic, warm, almost narcotic voice. —Patrick Hoskem

  • Death Cab for Cutie: "Coney Island" (band demo)
    https://www.youtube.com/watch?v=akjOw7Ls1Vw

    The Photo Album is not what put Death Cab for Cutie on the proverbial indie map, but it did put their poster on Seth Cohen's wall. Yes, 2003's Transatlanticism was their breakout LP, but its quieter 2001 predecessor remains steadfastly beloved for its melodic highs (and boasting potentially the band's best song). On record, penultimate track "Coney Island" is rainy and understated; on the recently unearthed "band demo" version — set to appear on a forthcoming 20th anniversary deluxe reissue — the song imagines a parallel universe where Death Cab pivoted to alt-country at the turn of the new millennium. Instead of Chris Walla's stuttering drum sample, this version rests on twangy guitar the likes of which I personally would've expected from Ben Gibbard's Neil Young sideburns era a few years later. Regardless, it sounds welcome and warm, if a touch out of character. That's what makes it so novel. —Patrick Hosken

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Adele Finally Announces Her New Album 30, And It’ll Be Here Very Soon

For the past few weeks, Adele's been back, but she hasn't been quite, you know, ~back~. She covered both the U.S. and British covers of Vogue and was tied to mysterious billboards that went up prominently in a few cities. All of this led to intense speculation that her fourth album would A) be dropping imminently, and B) be titled 30, following 2008's 19, 2011's 21, and 2015's 25.

Yesterday, she teased a new song called "Easy on Me," set to be released on October 15 — and now she's made things official. Adele's new album is indeed titled 30 and will be released November 19. "I'm ready to finally put this album out," she wrote in a highly personal note shared along with the cover art — her profile in front of a dark turquoise background.

https://www.instagram.com/p/CU-Kv8NgvVj/

"I was certainly nowhere near where I'd hoped to be when I started it nearly [three] years ago," Adele's note begins. "Quite the opposite actually. I rely on routine and consistency to feel safe, I always have. And yet there I was knowingly — willingly even, throwing myself into a maze of absolute mess and inner turmoil!"

Her note goes on to detail what that turmoil was, in abstract terms, calling it "the most turbulent period of my life" where she would "sob relentlessly not knowing why." The album was her constant through all of this, being a metaphorical friend who'd come over with wine and takeout, hold her hand in the night, and get her out of the house for some vitamin D.

On the other side of it, Adele writes, she has "learned a lot of blistering home truths about myself along the way. I've shed many layers but also wrapped myself in new ones. Discovered genuinely useful and wholesome mentalities to lead with, and I feel like I've finally found my feeling again. And I'd go as far as to say I've never felt more peaceful in my life."

https://www.instagram.com/p/CUpkLl3g0nx/

It sounds like 30 will probe both Adele's inner strife and the resolve she flexed to overcome her Saturn return — something she mentions cheekily in the note. This may or may not take the sonic form of an actual "drum n bass record," as she likewise cheekily mentioned a new album called 30 may sound like in a birthday Instagram post from 2019.

From its brief teaser, "Easy on Me" promises mid-tempo, scene-setting piano over which Adele can bring in her gargantuan pipes. That's in keeping with her history, anyway. "Home is where the heart is x," she signs her note.

Read Adele's note in full in the Instagram post above, which concludes with the tantalizing detail that she has "painstakingly rebuilt my house and my heart since then," and 30 narrates that journey.

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Adele shares surprise preview of upcoming new single ‘Easy On Me’

Adele has shared a snippet of her much anticipated new single ‘Easy On Me’ – you can listen to it below.

  • READ MORE: 15 times Adele was truly hilarious

Earlier this week, the singer-songwriter confirmed that she will release the track on Friday (October 15), marking her first new music since her third album ’25’ (2015). It comes after fan and media speculation that its follow-up ’30’ is incoming.

Alongside the release date and title for her comeback song, Adele shared a 21-second black-and-white video that contains a piano-led instrumental. The visuals see the star put a cassette tape in a car stereo before travelling down a country lane.

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Tonight (October 9), ahead of the song’s full release, Adele previewed the track, sharing a snippet during a surprise Instagram Live session.

There is no gold in this river that I’ve been washing my hands in forever,” she sings in the lyrics. “I know there is hope in these waters but I can’t bring myself to swim when I am drowning in the silence, baby let me…

You can listen to the snippet of ‘Easy On Me’ below:

Elsewhere during the Insta Live, Adele opened up about her mental health, revealing that she takes it on a “day-by-day” basis but feels it is currently “very good”.

“My mental health is very good at the moment. I take it day-by-day and I address whatever comes my way,” she told fans. “It definitely helps me feel better if I take my time. Writing my music… yeah it’s been really therapeutic for sure.”

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Speaking about her new album in a recent interview, Adele said it’s more personal to her than any of her previous records.

“It’s sensitive for me, this record, just in how much I love it,” she told Vogue/British Vogue. “I always say that ’21’ doesn’t belong to me anymore. Everyone else took it into their hearts so much. I’m not letting go of this one. This is my album. I want to share myself with everyone, but I don’t think I’ll ever let this one go.”

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Adele worked with Max Martin and Little Simz’ producer Inflo on new album

Adele has revealed that for her fourth album she worked with some heavyweight producers including Max Martin and Inflo.

  • READ MORE: 15 times Adele was truly hilarious

The singer, who gave two wide-ranging interview to Vogue and British Vogue earlier this week, confirmed that no guests appear on her new album but that she had production and songwriting from some of pop music’s most notable figures.

Swedish hit giant Max Martin, who’s worked with Taylor Swift, Coldplay, The Weeknd and many more acts, is among them. Shellback, the Swedish composer and producer Ludwig Göransson who won an Oscar for his Black Panther score, joined Martin on a production gig.

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Inflo, the British producer who’s worked on albums by Little Simz, Michael Kiwanuka and is a member of the elusive SAULT collective, was also name-dropped. The Canadian singer-songwriter Tobias Jesso Jr., Adele said, helped with a “very powerful song” that she described as “an Édith Piaf-y moment”.

Adele
Adele performs live in 2016. CREDIT: Cooper Neill/Getty Images for BT PR

In the Vogue interview, Adele also said that she was inspired by Tyler, the Creator and Skepta‘s inclusion of voice notes in her music. “I thought it might be a nice touch, seeing as everyone’s been at my door for the last 10 years, as a fan, to be like, ‘Would you like to come in?'” she said in reference to some voice recordings on the project.

She added that one song was recorded while Breakfast At Tiffany‘s was playing on mute in the studio, and it was written with Inflo. “He’s brutally honest with me, like no one else would dare,” she said of the producer. “He’s sort of got this constant resting bitch face, really.”

Elsewhere in the interviews Adele spoke about her fourth album, which is rumoured to be called ’30’, being her most personal to date. She said it’s not so much a “divorce album” (following news of her split from ex-husband Simon Konecki) but more of a divorce from herself and her past assumptions about others.

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The single ‘Easy On Me’ was teased earlier this week, which will release on October 15.

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Adele on her most personal album yet: “It was more me divorcing myself”

Adele has spoken about her “sensitive” new album, saying that it’s more personal to her than any of her previous records.

  • READ MORE: 15 times Adele was truly hilarious

In interviews published by Vogue and British Vogue today (October 7) the star opened up about her upcoming fourth album, which is rumoured to be called ’30’. She teased comeback single ‘Easy On Me’ earlier this week but no information about the album’s release date has been disclosed.

Across the interviews conducted in LA and New York respectively the pop star spoke about the negative impact that her divorce from Simon Konecki, who lives across the street from her in LA, has had on their nine-year-old son, Angelo.

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She explained that despite the pain that she was inflicting on her son by splitting from Konecki, she knew that she was doing the right thing.

“If I can reach the reason why I left, which was the pursuit of my own happiness, even though it made Angelo really unhappy – if I can find that happiness and he sees me in that happiness, then maybe I’ll be able to forgive myself for it,” she said.

The singer recalled a time when Angelo was six years old and he said to her: “Can you see me?”

“And I was like, ‘Uh, yeah,'” said Adele. “And he was like, ‘Cause I can’t see you.’ Well, my whole life fell apart in that moment. He knew I wasn’t there.”

What ensued was more frequent conversations between Adele and her son about what was happening. “That’s when I started sharing with him,” she said, explaining that her son’s observations about her appearing distant and removed hit her hard.

Adele went on to discuss how the thematic foundations of her forthcoming album began to form. She said that she realised that her naturally defensive stance against men, as explored on previous albums, might have been more her own problem than theirs.

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“I realised that I was the problem. Cause all the other albums are like, ‘You did this! You did that! Fuck you! Why can’t you arrive for me?’ Then I was like, ‘Oh, shit, I’m the running theme, actually. Maybe it’s me!'” she said.

Adele
Adele performs live in 2016. CREDIT: Cooper Neill/Getty Images for BT PR

She went on to stress that Konecki, with whom she is on good terms and co-parents Angelo with, is “not one of my exes. He’s the dad of my child”. So the album, she said, is more about “me divorcing myself”.

“Just being like, ‘Bitch, fucking hot mess, get your fucking shit together!'”

Adele added: “It’s sensitive for me, this record, just in how much I love it. I always say that ’21’ doesn’t belong to me anymore. Everyone else took it into their hearts so much. I’m not letting go of this one. This is my album. I want to share myself with everyone, but I don’t think I’ll ever let this one go.”

Elsewhere, in the British Vogue interview, she addressed falsehoods about her lifestyle change that saw her shed considerable weight over a two-year period. She explained that she decided to get physically fitter to help manage bouts of anxiety.

“It was because of my anxiety. Working out, I would just feel better. It was never about losing weight, it was always about becoming strong and giving myself as much time every day without my phone. I got quite addicted to it. I work out two or three times a day,” she said.

The singer added that she needed “to get addicted to something to get my mind right”.

“It could have been knitting, but it wasn’t. People are shocked because I didn’t share my ‘journey’. They’re used to people documenting everything on Instagram, and most people in my position would get a big deal with a diet brand. I couldn’t give a flying fuck. I did it for myself and not anyone else. So why would I ever share it? I don’t find it fascinating. It’s my body.”

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Adele reportedly planning TV special around new album

Adele is reportedly looking to air a TV special around the release of her upcoming fourth album.

  • READ MORE: Everything we know so far about Adele’s new album

The speculation comes after the singer revealed earlier today (October 5) that she is set to return next week (October 15) with long-awaited comeback single ‘Easy On Me’.

According to Vulture, Adele’s team have been approaching a number of networks and streaming platforms with a view to airing a TV special alongside the release of the album.

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The report adds that no network is officially attached to the project yet, and that “talks are still in the exploratory stage”.

Adele
Adele performs live in 2016. CREDIT: Cooper Neill/Getty Images for BT PR

The announcement of ‘Easy On Me’, which will mark the singer’s first new music since her third album ’25’ was released in 2015, comes after fan and media speculation that a new album called ’30’ is incoming.

Yesterday (October 4) Adele re-vamped her social media pages, alerting fans to an imminent announcement. She also responded to a post from Twitter regarding the Facebook/Instagram/Whatsapp outage, writing: “Hiya babes!” See that tweet above.

Last week, billboards bearing the number “30” appeared in cities including London, New York, Berlin, Dublin, Paris and Rome, hinting at the upcoming album’s title.

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It is also rumoured that Taylor Swift has moved the release of ‘Red (Taylor’s Version)’ forwards one week (from November 19 to November 12) to avoid clashing with the arrival of another big record – believed to be Adele’s ’30’.

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Adele fans believe new album is coming as ’30’ billboards emerge

Fans believe that Adele is set to return with a new album soon, as billboards with reported album title ’30’ on them have begun to emerge.

  • READ MORE: Everything we know so far about Adele’s new album

As a number of fan pages on social media have pointed out, photos have been taken of a billboard with the number emblazoned on it, and another with ’30’ broadcast onto the outside of a building in Dubai.

Adele released her last album ’25’ in 2015, with the number of the album title corresponding to the age of the singer when she started working on the record. Now 33, Adele would have begun work on ’30’ in 2018 or early 2019 if it is indeed the title of the new album.

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See the posts of the billboards below:

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Fans on social media are also speculating that Adele’s new album is related to the news that Taylor Swift is bringing forwards the release of the re-recorded version of her album ‘Red’.

The re-recording of the pop star’s 2012 album, which will “be the first time you hear all 30 songs that were meant to go” on the original album, is set to feature collaborations with Phoebe Bridgers, Ed Sheeran and more.

It was scheduled to be released on November 19, but will now arrive seven days earlier on November 12, with fans believing that the move is related to another big album arriving on the album’s original drop date.

After guest-hosting Saturday Night Live back in October, Adele signalled that she could make her return to music this year.

“I’m going back to my cave now to be the (single) cat lady that I am!” she wrote on Instagram at the time. “Peace out ’til next year.”

Speaking during her SNL opening monologue, Adele explained why she hadn’t chosen to be that week’s musical guest in addition to her hosting duties (H.E.R served as the musical guest instead) and gave an update on the progress of her upcoming new album.

“My album’s not finished, and I’m also too scared to be both,” she said, adding: “I’d rather put on some wigs… have a glass of wine or six and just see what happens.”

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Adele set for “lucrative Las Vegas residency” and will “commute by private jet”

Adele is reportedly set to join the pantheon of iconic artists who have undertaken their own residencies in Las Vegas.

The singer is said to be taking up a lengthy performing stint in Sin City, and will even be able to stay at her Los Angeles home – with a private jet flying her to each show in around 40 minutes.

According to the Mail On Sunday, the singer hopes to start the lengthy performance stint when international coronavirus restrictions eventually begin to ease.

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“Adele has very recently been talking to musicians that she has worked with before to gauge their availability, to see whether they could be in Vegas for the gigs,” a source told the publication.

“It is all very exciting. It would make her a lot of money but it would also mean she could have a routine. It would be hugely lucrative for her but also really fun.

“She loves performing live and there would be no shortage of people travelling to see her once the Covid restrictions are dropped.”

Adele
Adele. CREDIT: Glenn Hunt/Getty Images

The singer last performed at Wembley Stadium in 2017, when she was forced to axe the final two of three shows after damaging her vocal chords.

After guest-hosting Saturday Night Live back in October 2020, Adele signalled that she could make her return to music this year.

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“I’m going back to my cave now to be the (single) cat lady that I am!” she wrote on Instagram at the time. “Peace out ’til next year.”

Speaking during her SNL opening monologue, Adele explained why she hadn’t chosen to be that week’s musical guest in addition to her hosting duties (H.E.R served as the musical guest instead) and gave an update on the progress of her upcoming new album.

“My album’s not finished, and I’m also too scared to be both,” she said, adding: “I’d rather put on some wigs… have a glass of wine or six and just see what happens.”

Back in March Adele was named as the UK’s best-selling female album artist of the century.

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Adele leads entertainment world reactions to England’s Euros victory over Denmark

Adele is one of many figures from the entertainment world celebrating the England football team’s latest Euro 2020 victory.

  • READ MORE: Why ‘Three Lions’ is still the ultimate football anthem

The singer took to Instagram after the game to share a clip of Harry Kane scoring the winning goal alongside the caption: “IT’S BLOODY COMING HOME” – her take on the famous refrain from ‘Three Lions’, the 1996 track by David Baddiel, Frank Skinner, and the Lightning Seeds.

View this post on Instagram

A post shared by Adele (@adele)

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Joining Adele in referencing the iconic track, which has become one of the country’s most enduring football anthems, were the likes of Dua Lipa, Liam Gallagher, Glass Animals, Keir Starmer, Michael Dapaah, and Sex And The City actor Kim Cattrall, the latter of whom wrote: “It’s coming closer to home.” You can see the posts below.

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England beat Denmark two goals to one at Wembley Stadium this evening (July 7) after extra time, sending them through to the final of the competition for the very first time.

Following the win, Stephen Fry said he was worried about the final on Sunday, tweeting: “Phew! The tenacious terriers outran and outfought the wonderful Great Danes. But now there’s Sunday to worry about… my poor old heart…”

Whereas rapper Not3s is already picking his outfit out for Sunday, revealing that he is “gonna wear a full kit down to the shin pads for the final”.

Other celebrities posting their reactions included Backstreet Boys‘ Kevin Richardson, Skin of Skunk Anansie, Martin Kemp, Greg Jame, KSI, and more.

The official account for Peaky Blinders also got in on the action once again, sharing a photograph of Arthur Shelby pouring a cocktail and tweeting: “Live scenes across England.”

Meanwhile, unheard rap segments from New Order‘s football anthem ‘World In Motion’ are going up for auction.

The track was first released to mark the 1990 World Cup in Italy, and features vocal contributions from that year’s England Football Team and memorable bars from striker John Barnes.

Ahead of tonight’s Euros semi-final clash, it was announced “three never before heard ‘World In Motion’ raps from Barnes, Gazza [Paul Gascoigne] and (you have to hear this) Peter Beardsley” will go under the hammer via Omega Auctions.

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Taylor Swift and Adele “not” collaborating on new track after sparking speculation online

It seems that a Taylor Swift and Adele collaboration isn’t on the way after all.

Fans were convinced that the pair are set to release a joint track after a song titled ‘Broken Hearts’ was apparently registered online – with both artists named as writers.

The track was spotted on a SESAC (the Society of European Stage Authors and Composers) registry, one of the oldest performance rights organisations in the United States. Titled as ‘Broken Hearts’ and, under an ‘AKA titles’ section, ‘Shattered Hearts’, the song’s writers were credited as Adele Laurie Blue Adkins and Taylor Alison Swift.

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However, it now seems that the rumours are sadly just that.
“There is no truth to the collaboration”, a source told E!
In addition, the track no longer exists on the SESAC website.

Adele
Adele (Picture: Getty)

The most prominent fan theory is that the track will appear on the forthcoming ‘Red (Taylor’s Version)’, the next album that Swift is re-recording as part of her well-publicised dispute over ownership of her masters.

Adele’s fans are still waiting for her fourth album – and her first since 2015’s hugely successful ’25’.

In October last year, the ‘Someone Like You’ singer offered a progress update during her opening monologue while presenting Saturday Night Live, explaining why she was appearing as the host and not musical guest.

“My album’s not finished, and I’m also too scared to be both,” she told the audience. “I’d rather put on some wigs …have a glass of wine or six and just see what happens.”

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Swift has been extremely busy in the past year, releasing two new albums (‘Folklore’ and ‘Evermore’) on top of her re-recording project and, most recently, collaborating with The National‘s Aaron Dessner and Bon Iver‘s Justin Vernon on the Big Red Machine record.

On Friday (June 2), Dessner shared a new Swift-featuring single ‘Renegade’, the third preview of the band’s upcoming second album ‘How Long Do You Think It’s Gonna Last?’

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Alan Carr teases “amazing” new album from Adele

Alan Carr has revealed that his close friend, Adele, has played him some of the songs on her anticipated fourth album – hailing them as “so amazing”.

Responding to speculation that the singer is finally set to release the follow-up to 2015’s ’25’ later this year, the comedian hailed her new efforts in a new interview with Michelle Visage for Grazia UK.

  • READ MORE: The artists we really, really want new music from in 2021

Alan, who got Adele to officiate his wedding in 2018, said: “I’ve heard some tracks on it.

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“Oh my gosh, it’s so amazing. It’s so amazing.I said to her, I said, ‘That voice is like an old friend.’ It’s like an old friend.”

He added: “Because there are some people [on] the charts who sound a bit like Adele and you go, ‘Oh they sound [like] Adele,’ and then when you hear Adele’s voice again you go, ‘Oh no, there’s only one. There’s only one Adele.’”

Adele
Adele on ‘Saturday Night Live’. Credit: YouTube/Still

When asked “whose album is rumoured to be coming out in February – Adele, Rihanna or Cardi B?”, Alan also replied: “It’s Adele, isn’t it?”

It comes after the singer previously confirmed that 2021 is the earliest date to expect an album from her.

The singer revealed the album update in a lengthy post thanking the Saturday Night Live crew following her appearance as the US show’s guest host last October.

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At the end of the caption, she signed off by saying: “I’m going back to my cave now to be the (single) cat lady that I am! Peace out til next year,” suggesting that she won’t be releasing a new record until at least 2021.

It comes after she also gave an update on the follow up to ’25’ during her SNL stint.

During her opening monologue, Adele explained why she was featuring as the show’s host and not the musical guest, a role that was assumed by H.E.R instead.

She told the audience: “My album’s not finished, and I’m also too scared to be both.” She added: “I’d rather put on some wigs …have a glass of wine or six and just see what happens.”

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Adele and ‘Saturday Night Live’ face backlash over African sex tourism sketch

Adele and Saturday Night Live have come under fire for a controversial sketch on October 24 in which the pop singer and series regular Kate McKinnon played white divorcees lusting over African men.

During her hosting debut on the popular programme, the singer performed a three-minute sketch in which she, McKinnon and later Heidi Gardner, made fun of white middle-aged divorcees who travel to the African continent for no-strings-attached sex.

Backed by a beach at sunset and walking toward the camera, Adele and McKinnon front a mock African Tourist Board ad encouraging women to visit for the scenery and X-rated attractions, boasting repeatedly about its “tribesmen” and “massive bamboos”.

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At one point, a shirtless Black man can be seen strolling into shot, arm-in-arm with an older white woman.

Watch it below:

 

Though Adele’s hosting efforts were largely praised, many have expressed their regret and surprise at Adele’s taking part in such a sketch, as CNN has pointed out.

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On Twitter, Vibe journalist Shenequa Golding commented that the skit was “tone def [sic], insensitive and inappropriate” given the current EndSARS protests taking place on the continent.

“Men and women in Nigeria, Namibia, South Africa and The Democratic Republic of the Congo are fighting for their lives and to reduce the continent as sexual destination for white women is shameful,” she wrote.

In September, Adele was hit by accusations of cultural appropriation after she shared a photo to Instagram in which she wore Bantu knots and a Jamaican flag bikini top, celebrating what would have been the weekend of the 2020 Notting Hill Carnival, an annual celebration of Black British culture.

“Happy what would be Notting Hill Carnival my beloved London,” Adele captioned the post, before signing off with the British and Jamaican flag emojis.

Many of Adele’s followers claimed that the artist’s choice of hairstyle – traditional among people of African descent – was exemplary of cultural appropriation.

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Adele gives update on new album during hosting debut on ‘Saturday Night Live’

Adele has given an update on her new album during her debut as a host on Saturday Night Live.

  • Read More: Everything we know so far about Adele’s new album

During her opening monologue on the show, Adele explained why she was featuring as the show’s host and not the musical guest, a role that was last night (October 24) assumed by H.E.R instead.

Adele told the audience: “My album’s not finished, and I’m also too scared to be both.” She added: “I’d rather put on some wigs …have a glass of wine or six and just see what happens.”

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Adele addressed her previous appearances on SNL in 2008 and 2015 and credited the former with launching her career in the US.

“[It was] the show that broke my career here in America, twelve very long years ago” Adele said. “See I was the musical guest back in 2008 when Sarah Palin came on with Miss Tina Fey and so obviously a few million people tuned in to watch it and now the rest is history.”

You can watch the full monologue here:

Elsewhere in the show, Adele played a medley of songs during one of the show’s sketches – a tongue-in-cheek take on The Bachelor.

Adele performed ‘When We Were Young’, ‘Hello’ and ‘Rolling In The Deep’ during the skit which you can below:

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It’s been almost five years since Adele broke records with her last album, ’25’, and there have been many red herrings as to when the follow-up is actually being released.

In February, she was filmed telling the audience at a friend’s wedding to “expect my album in September”. However, in June that was shot down after her manager confirmed new material would not be released then.

In August, she responded to a fan’s question on Instagram asking when the album would drop, to which she said “I honestly have no idea.”

It’s reported that Adele is working with producer Raphael Saadiq on the album, in addition to John Legend.

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Adele announced as guest host for next week’s episode of ‘SNL’

Adele has announced an appearance on next week’s episode (October 24) of SNL.

The star last appeared on the US sketch show as a musical guest on November 21, 2015. It was her second time performing on the programme, following her debut appearance on October 18, 2008.

  • Read more: What’s the best Adele single? All 11 hits, reappraised and ranked worst to best

Now, it has been confirmed that she will return to the comedy series next Saturday, alongside musical guest H.E.R. The British singer will serve as the guest host for the episode.

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Announcing the booking on Instagram, Adele wrote: “Bloooooody hellllll I’m so excited about this!! And also absolutely terrified! My first ever hosting gig and for SNL of all things!!!! I’ve always wanted to do it as a stand alone moment, so that I could roll up my sleeves and fully throw myself into it, but the time has never been right. But if there was ever a time for any of us to jump head first into the deep end with our eyes closed and hope for the best it’s 2020 right?”

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Bloooooody hellllll I’m so excited about this!! And also absolutely terrified! My first ever hosting gig and for SNL of all things!!!! I’ve always wanted to do it as a stand alone moment, so that I could roll up my sleeves and fully throw myself into it, but the time has never been right. But if there was ever a time for any of us to jump head first into the deep end with our eyes closed and hope for the best it’s 2020 right? Itll be almost 12 years to the day that I first appeared on the show, during an election…which went on to break my career in America, so it feels full circle and I just couldn’t possibly say no! I am besides myself that H.E.R will be the musical guest!! I love her SO much I can’t wait to melt into a flaming hot mess when she performs, then confuse myself while I laugh my arse off in between it all. See you next week ♥️??

A post shared by Adele (@adele) on

 

She continued: “Itll be almost 12 years to the day that I first appeared on the show, during an election…which went on to break my career in America, so it feels full circle and I just couldn’t possibly say no!

“I am besides myself that H.E.R will be the musical guest!! I love her SO much I can’t wait to melt into a flaming hot mess when she performs, then confuse myself while I laugh my arse off in between it all. See you next week.”

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Adele has been working on the follow-up to her acclaimed album ‘25’ and told friends at a wedding party it would be released in September 2020. However, months before the intended release date, her manager confirmed the record had been delayed.

In August, the star admitted she had “no idea” when the album would be released now, when a fan pressed her for a release date on Instagram.

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Producer Paul Epworth opens up about working with Adele in new interview

Music producer Paul Epworth has opened up about his work with Adele over the years in a new interview.

  • Read more: Everything we know so far about Adele’s new album

Epworth, who co-wrote ‘Rolling in the Deep’ and the Oscar-winning Bond song ‘Skyfall’ with Adele, told The Times that working with Adele brings new pressures as a result of the early success the pair enjoyed.

“Every time there’s a little bit more pressure,” Epworth said. “It comes from the fact the first f***ing thing we did was ‘Rolling in the Deep.’

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“There’s more expectation from her and from me. And maybe I put pressure on myself to try and recreate it? It’s very difficult. We’d pick up the guitar and go, ‘Can’t do it.’ It feels like we’re trying to retread old ground.”

Epworth continued: “With every creative relationship there has to be an intrinsic sense of trust, and also a desire to explore, but it’s hard to explore if time is limited.

“You’re searching for the diamond when everything’s still carbon,” Epworth added.

Adele performing at Glastonbury 2016
Adele performing at Glastonbury 2016 (Picture: Getty)

Elsewhere in the interview, Epworth said he hadn’t received a call yet from Adele about working on her upcoming album which is rumoured to be coming later this year.

In response to whether a new album was on the way, Epworth said: “I don’t know” and then added: “My phone ain’t ringing!”

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Back in August, Adele told fans she has “no idea” when her new album will be released, after confirming earlier this summer it had been delayed.

The star is currently working on the follow up to her hit third ‘25’, which was released in 2015.

In February, the singer was filmed telling the audience at a friend’s wedding to “expect my album in September.” However, in June, her manager confirmed new material would not be released then.

“It isn’t coming in September, it’ll be ready when it’s ready,” Jonathan Dickins said. “I can’t put a date on that yet. We have music, but we’re still working.”

Adele herself then spoke about the album’s release in August. “Adele where’s the album?” A fan asked on her Instagram page on Friday (August 14). “I honestly have no idea,” she replied.

The musician is reportedly working with producer Raphael Saadiq on what will be her fourth studio album, as well as singer John Legend.

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Adele praises self-help book for changing her life: “It will make your soul scream”

Adele has praised a self-help book for helping change her outlook on life.

Posting on Instagram, she praised Glennon Doyle’s Untamed: stop pleasing, start living and said it had helped her to find herself and “let go”.

Sharing an image of the book’s cover on Instagram, the singer wrote: “If you’re ready – this book will shake your brain and make your soul scream. I am so ready for myself after reading this book! It’s as if I just flew into my body for the very first time.

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“Whew! Anyone who has any kind of capacity to truly let go and give into yourself with any kind of desire to hold on for dear life – Do it. Read it. Live it. Practice it. We are a lot! But we are meant to be a lot!

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If you’re ready – this book will shake your brain and make your soul scream. I am so ready for myself after reading this book! It’s as if I just flew into my body for the very first time. Whew! Anyone who has any kind of capacity to truly let go and give into yourself with any kind of desire to hold on for dear life – Do it. Read it. Live it. Practice it. We are a lot! But we are meant to be a lot! .. “A good life is a hard life!” Read this book and have a highlighter on hand to make notes because you’ll want to refer back to it trust me! I never knew that I am solely responsible for my own joy, happiness and freedom!! Who knew our own liberation liberates those around us? Cause I didn’t!! I thought we were meant to be stressed and disheveled, confused and selfless like a Disney character! ProBloodyFound!! You’re an absolute don Glennon ♥️

A post shared by Adele (@adele) on

“I never knew that I am solely responsible for my own joy, happiness and freedom!! Who knew our own liberation liberates those around us? Cause I didn’t!!”

Doyle’s memoir, which arrived in March this year, discusses her own experiences of self-discovery and encourages readers to embrace their “true self”.

It has gone on to become Amazon’s number one bestselling book, beating the new Twilight spin-off Midnight Sun.

This comes after Adele told fans that she has “no idea” when her new album will be released, after confirming earlier this summer it had been delayed.

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The star is currently working on the follow up to her hit third ‘25’, which was released in 2015.

In April, the star sparked concern amongst her followers when she was seen in an Instagram video saying: “Come on, it’s 2020 – we ain’t meant to get what we want!” Fans speculated that she was referring to the release of her new album.

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Adele says she has “no idea” when her new album will be out now

Adele has told fans that she has “no idea” when her new album will be released, after confirming earlier this summer it had been delayed.

The star is currently working on the follow up to her hit third ‘25’, which was released in 2015.

  • Read more: Everything we know so far about Adele’s new album

In February, the singer was filmed telling the audience at a friend’s wedding to “expect my album in September”. However, in June, her manager confirmed new material would not be released then.

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“It isn’t coming in September, it’ll be ready when it’s ready,” Jonathan Dickins said. “I can’t put a date on that yet. We have music, but we’re still working.”

Adele
Adele CREDIT: Getty

Now, Adele herself has spoken on the album’s release. “Adele where’s the album?” A fan asked on her Instagram page on Friday (August 14). “I honestly have no idea,” she replied.

In April, the star sparked concern amongst her followers when she was seen in an Instagram video saying: “Come on, it’s 2020 – we ain’t meant to get what we want!” Fans speculated that she was referring to the release of her new album.

The musician is reportedly working with producer Raphael Saadiq on what will be her fourth studio album, as well as singer John Legend.

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Meanwhile, Adele paid tribute to the victims of the Grenfell fire in June, on the third anniversary of the tragedy. “72 lives will be forever in our hearts,” she wrote on Instagram, encouraging her followers to tune into the Grenfell United YouTube channel “to show that we’re still united for change & justice”.

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Adele is reportedly working with Raphael Saadiq on her new album

As Adele readies her upcoming new album it’s being reported that she’s working on it with Raphael Saadiq.

  • Read more: Raphael Saadiq: “I hear a lot that I’m underrated, so I must be”

The pop star’s last album was 2015’s ’25’, which is the UK’s fastest selling album of all-time, having sold over 800,000 copies in its first week.

Earlier this year, Adele said that its follow-up would arrive in September. Speaking at a wedding party, where she was both performer and officiant for one of her friends, she told everyone present to “expect my album in September.”

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However, her manager later confirmed that the album won’t be arriving when the singer suggested. “It isn’t coming in September, it’ll be ready when it’s ready,” Jonathan Dickins said, explaining that the COVID-19 pandemic was to blame.

“We’re all in the same boat, you’re doing stuff and then all of a sudden, the world stops. It’ll come when it’s ready. I can’t put a date on that yet. We have music, but we’re still working.”

Now, it’s being reported that the ‘Hello’ singer is working with producer Raphael Saadiq on the new album.

Raphael Saadiq
Raphael Saadiq. CREDIT: Aaron Rapoport

A source told The Sun that Adele has “been a fan of Raphael since she was a teenager and loves his back ­catalogue,” and that “she wants her next album to be full of soul, with a more eclectic sound.”

Saadiq, formerly of the group Tony! Toni! Toné!, aside from having a successful solo career, is responsible for producing hits for the likes Whitney Houston, Mary J. Blige, Snoop Dogg, and Joss Stone. He also executive produced Solange‘s 2016 album ‘A Seat At The Table’.

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Also claiming that Adele is working with John Legend on the new album, the source (via The Mirror) added that she “is ­pouring her heart and soul into this record, ­including how she feels post-divorce.”

NME has reached out to Raphael Saadiq for comment.

Meanwhile, Adele paid tribute to the victims of the Grenfell Tower fire in London last month, speaking on the third anniversary of the disaster which killed 72 people.

Posting on Instagram, the singer wrote: “Today, Sunday, is three years since #Grenfell. 72 lives will be forever in our hearts.

“Join with me & @grenfell_united to REMEMBER at 6pm on youtube.com/GrenfellUnited – to show that we’re still united for change & justice. Follow @grenfell_united for more info. #Grenfell #Demandchange.”

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Adele Shows Off Slimmer Figure On IG In Birthday Post


Adele celebrated her birthday under quarantine but gave fans a sneak peek as to how she spent her big day.

There has been much chatter over the last few months about Adele’s dramatic weight loss. The powerhouse singer is known for her captivating vocals and fuller figure, but she’s decided to slim down. In recent months, there have been a few photos showing Adele’s new physical frame, some of which were shared by the singer herself on social media. On Tuesday (May 5), Adele celebrated turning 32-years-old and received a swarm of messages from friends and fans. She decided to thank everyone by sharing a photo of herself with a touching message of gratitude, but people were more interested in her new look than they were with her Instagram caption.

“Thank you for the birthday love. I hope you’re all staying safe and sane during this crazy time,” Adele penned alongside a full-body photo of herself. She then shifted the attention away from herself and decided to share the spotlight with those who have been tirelessly working throughout this COVID-19 quarantine. “I’d like to thank all of our first responders and essential workers who are keeping us safe while risking their lives! You are truly our angels ♥️ 2020 okay bye thanks x.”

It’s been an hour since she made the post, and nearly one million people have “liked” the photo. Take a look for yourself and let us know if you’re looking forward to new music from Adele.

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Adele Screams At Paparazzi After Friend’s Wedding


Adele was visibly angry about the paparazzi following her to her friend’s wedding, flipping off several cameramen and screaming while in her vehicle.

Adele was photographed by paparazzi photographers in the midst of a shouting match, leading to some pretty unflattering pictures of the star. Announcing that her upcoming album would be released in September 2020, fans of the English singer are patiently counting down the months until her latest break-up anthems see the light of day. Following her 100-pound weight loss journey, Adele is looking better than ever but, after she was followed to and from her friend’s wedding this week, she was visibly upset and began shouting from the confines of her vehicle.

As reported by Page Six, the record-breaking singer was leaving her friend’s wedding ceremony on Saturday evening when she noticed some cameras snapping photos of her in London. She quickly threw up her middle finger before becoming absolutely irate, chewing out the shutterbugs and likely cursing them out with all sorts of profane terms. The 31-year-old attempted to hide her face with a bouquet of flowers but, unfortunately, that wasn’t enough to shield her from the flashing lights.

You can’t really blame the singer for getting so aggravated about the cameras constantly following her. While it has become a normal part of her life, it has to be quite tiring to have such a total lack of privacy all the time. Take a look at the photos here.

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Adele Hints That She’s Dropping An Album This Year

Adele could be dropping a new record this year.

Adele recently suggested that she might be dropping an album this year while at a private wedding. It's been five years since the "Someone Like You" singer released her third studio album, 25 (2015), and her massive fan base is eagerly awaiting her next musical offering. But with 25 selling over ten million copies, officially going diamond, and earning her a total of five Grammys at the 59th annual Grammy Awards, the creative process can become daunting for someone who's achieved success at that magnitude. 

This past weekend, the new-look Adele attended Laura Dockrill and former Maccabees member Hugo White's wedding ceremony where she performed a variety of cover songs from Beyonce's "Crazy in Love," the Spice Girl's "Spice Up Your Life," and her very own, "Rolling In The Deep." While clips of her impromptu performance flooded the timeline, no moment topped the British singer's revelation of a full-length album possibly dropping this year. During a brief moment in the evening, Adele nonchalantly said, "Expect my album in Sept.," into the venue's microphone. 

While the music industry isn't very trustworthy when it comes to artists revealing their album release dates, there's a good chance that Adele will be reintroduced into the musical climate sometime this year. Following her recent divorce and extreme physical transformation, Adele probably has enough content to provide the masses with another record-breaking album. 

Check out the audio of Adele revealing her upcoming album release month as well as additional clips of the award-winning songstress performing at Laura Dockrill and Hugo White's wedding in the videos provided below. 

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Adele Shows Off Impressive Weight Loss In Workout Clothes

Adele was seen on her way to a workout in Los Angeles this week. It's fans' best look at her weight loss yet.

There have been rumors circulating about Adele's recent weight loss, but this new photo may be fans' best look yet at the impressive progress the Grammy-winning singer has made, according to PageSix.

In a newly released photo, seeming to depict Adele on the way to the gym, she can be seen in a full-black, mostly Nike, workout fit. PageSix reports that she lost the weight through the combination of an intense workout routine and by following the sirtfood diet. The diet focuses on sirtuins, proteins that specialize in cellular health and metabolism, and includes kale, extra-virgin olive oil, buckwheat, matcha, blueberries, arugula and more.

Adele recently ran into a fan in Anguilla, who says the singer mentioned losing 100 pounds: “She said she lost something like 100 pounds, and that it’s such a crazy positive experience,” a 19-year-old fan named LexiLarson told People. “She seemed so happy, and she looked amazing. She seemed really confident.”

Back in October, Adele made headlines for an appearance at Drake's 33rd birthday party at Goya Studios in LA and mingled with other partygoers including Kylie Jenner, Chris Brown, Future, Fetty Wap, French Montana and Snoop Dogg.

Adele's last album, 25, was released in 2015. Hopefully, fans can expect more music soon.

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Fan Recalls Meeting Adele & Harry Styles During "Crazy Experience"


This fan has a vacation of a lifetime.

19-Year-Old Lexi Larson had a once-in-a-lifetime experience when she ran into both Harry Styles and Adele while vacationing in Anguilla, an event she explained to People magazine.

While at Blanchards Restaurant and Beach Shack on January 3rd, Larson and her friends noticed Styles at a nearby table and went over to say hello.

As Larson explains, “A few minutes later, Adele came over and sat down next to me and my friend and was like, ‘So what can I do for you girls?’ We were so excited. We were talking to her for a little while, and then she got Harry Styles to come over and sit with us also. We took a picture with Harry, and we talked to them for 15 minutes probably.”

Larson says Adele was barely recognizable: “She said she lost something like 100 pounds, and that it’s such a crazy positive experience. She seemed so happy, and she looked amazing. She seemed really confident.”

The group of girls got a picture with Harry Styles, but Adele asked if they would refrain from pictures because she had her 7-year-old son Angelo with her. “She said no because she didn’t want a lot of paparazzi at the moment or anything to get too crazy with her kid,” Larson explains.

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Adele Debuts Her Banging New Beach Body While Vacationing In The Caribbean


Hello, Adele!

As pop fans await the musical return of Brit-soul queen Adele, the record-setting diva is giving us even more to salivate over by showing off her jaw-dropping new weight loss at the beach recently.

Looking summertime fine on the beautiful sands of Anguilla in the Caribbean, the 25 singer has the whole beach buzzing while happily frolicking in a polka dot Reformation “Amala” dress that left little to the imagination in her décolletage area. She was joined by a handful of friends, but two stood out the most: one being fellow pop sensation Harry Styles, and other beloved The Late Late Show host James Corden.

The GRAMMY-winning songstress’ weight loss has been the talk amongst her fans for weeks now after she debuted the transformation this past holiday season at a holiday party (seen above). If her body is getting this much talk already, we can’t wait to see what that new music does!

Check out the Caribbean chanteuse’s weight loss in the video below Daily Mail:

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Adele & Harry Styles Are On Vacation Together & They Tipped 400% At Dinner

The tip was $2020.

Two of the UK's most beloved exports, Adele and Harry Styles, have been spotted on a trip together in Anguilla and Twitter is understandably tripping. They were seen enjoying the Carribean island's beaches. Adele was photographed in a sundress that has many continuing to marvel over her significant weight losscontinuing to marvel over her significant weight loss

It appears Adele and Harry Styles are vacationing with another famous Londoner, James Corden. Styles' rapport with Corden is well-known considering the former subbed in for the latter last month as host for The Late Late Show. Corden's inclusion on the trip may not be making it into all the headlines and online discussion since his name doesn't lend to speculation about potential romance or musical collaborations. 

The whole trio of celebrities did go for dinner together, though. According to The Sun, a bartender at the Caribbean Fishmarket posted a photo of the group's bill that showed they tipped 400%. Their meal only totalled $472 but they left a gratuity of $2020, along with a message that explains the obvious reason for this tip: "Happy New Year!" The bartender, named Yahya, boasted about his generous customers, writing in the caption of his post: "When Harry Styles and Adele give your friend a nice 2020 New Years tip."

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Nardia’s New Single “Is It You” Is a Dreamy Slow Burn About Longing, Mystery—and Emotional Mastery

Some songs don’t just hit the ears—they hit the heart, hard. And “Is It You,” the latest single from Australian artist Nardia, doesn’t ask for your attention—it quietly demands it.

Released as the first taste of her upcoming album Own Every Scar, “Is It You” is a slow-burning meditation on connection, curiosity, and the disarming vulnerability of asking: Could you be the one? With minimalist production and sultry restraint, Nardia’s voice floats front and center—stripped and powerful. There’s nothing extra here. No vocal acrobatics for show. Just pure feeling, delivered with the type of honesty that makes time slow down.

https://youtu.be/uzRat7HXfg8?t=2

‘Is It You’ is about that raw, intimate feeling of wanting to connect with someone while navigating uncertainty,” says Nardia. “It’s a personal reflection on vulnerability and the mystery of human connection.

That mystery plays out not just in the song but in the single’s accompanying visual—a cinematic, nostalgia-drenched video set in a glowing retro diner, where memory and fantasy blur like condensation on a coffee cup. Is she imagining the moment, or did it really happen? Is he real or just a mirror for her longing? The answers don’t come easy. But that’s the point.

Nardia's voice, rich with blues and soul influences, moves with the quiet confidence of someone who’s seen it all and still chooses to feel deeply. And she’s earned the right to that vulnerability. Earlier this year, she landed a Top 5 finish at the International Blues Challenge in Memphis—an achievement made even more remarkable by the fact that she was the only female artist in the band category to make it to the finals out of 400 acts.

It’s just the latest in a string of accolades for the Melbourne-based singer-songwriter, who has performed alongside Australian music legends like Russell Morris and Tex Perkins and captivated audiences in VIP lounges during Beyoncé and Adele’s Australian tours. There, in those intimate rooms, her voice found the space to do what it does best: connect.

With “Is It You,” Nardia opens the door to her next chapter—one defined not just by talent but by emotional courage. She’s not performing heartache. She’s telling the truth about it.

And when her upcoming album, Own Every Scar, arrives later this year, she won’t be holding anything back.

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Win tickets to see Sturgill Simpson

We have a pair of tickets to give away to see Sturgill Simpson as his current tour hits the UK and Europe.

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THE MARCH 2025 ISSUE OF UNCUT, STARRING WILCO, A FREE WILCO CD, JEFFERSON AIRPLANE, PATTERSON HOOD, THE WHITE STRIPES AND MORE IS AVAILABLE TO ORDER NOW

The tour – in support of last year’s excellent album Passage du Desir, recorded as Johnny Blue Skies – kicks off at the Limelight in Belfast on February 28 then heads to Dublin, Glasgow, Manchester, London and Bristol, before heading into mainland Europe. You can find the full tour dates at the end of this story.

We have ONE pair of tickets to give away for Simpson’s show at London’s Eventim Apollo on Saturday, March 1.

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To enter, click the link and answer the question below. The first correct entry picked at random will win the tickets. Closing date: Tuesday, February 25, 2025 at 10am GMT.

Which Nirvana song did Simpson cover on his 2016 album, A Sailor’s Guide To Earth?

Simpson’s full UK and EU tour dates are:

February 23 – Limelight, BELFAST
February 24 – Vicar Street, DUBLIN               
February 26 – Barrowland Ballroom, GLASGOW
February 27 – Albert Hall, MANCHESTER
March 1 – Eventim Apollo, LONDON
March 2 – Beacon, BRISTOL
March 4 – Paradiso, AMSTERDAM
March 5 – Markthalle, HAMBURG
March 7 – KB Hallen, COPENHAGEN
March 8 – Annexet, STOCKHOLM
March 10 – Sentrum Scene, OSLO
March 14 – House of Culture, HELSINKI
March 15 – Alexela Concert Hall, TALLINN
March 18 – Metropol, BERLIN
March 19 – Muffathalle, MUNICH
March 21 – La Madeleine, BRUSSELS
March 22 – Le Trianon, PARIS   

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BRIT Awards 2025: Sabrina Carpenter confirmed to perform

Sabrina Carpenter has been confirmed to perform at the BRIT Awards 2025 – find out more below.

The BRITs have announced that ‘Espresso’ and ‘Please Please Please’ hitmaker Sabrina Carpenter will be present at the ceremony which will take place at The O2 in London on Saturday March 1, and broadcast exclusively on ITV1 and ITVX.

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Not only will she be present, but she will hit the stage for a performance, though details on what she’s going to perform remain under wraps.

Additionally, Carpenter will be the recipient of the prestigious Global Success award at this year’s ceremony. She will join an elite roster of acts who have been awarded the exclusive prize – past recipients are limited to One Direction, Ed Sheeran, Adele and Sam Smith.

Speaking on Carpenter’s achievement, Damian Christian, Chair of the BRIT Committee for 2025 said via a press release: “Congratulations to Sabrina on winning this prestigious award. Everyone involved in the show is looking forward to her performance, which promises to be one of the highlights of the night.”

Carpenter is the latest act to be announced at the anticipated ceremony. Late last month, the first performers at the ceremony were announced including JADE, ShaboozeyTeddy Swims, The Last Dinner Party and Myles Smith.

Recommended
Sabrina Carpenter performs onstage during
Sabrina Carpenter performs onstage during ” Taylor Swift | The Eras Tour” in Buenos Aires. (Photo by Marcelo Endelli/TAS23/Getty Images for TAS Rights Management)

More acts are expected to be announced in the lead-up to the awards ceremony in March. Comedian and actor Jack Whitehall has been announced as the returning host, making it his fifth time presenting the ceremony after doing so in 2018, 2019, 2020 and 2021.

This year’s top nominee is Charli XCX, who leads the pack with five nods including Artist Of The Year, Pop Act and Dance Act. Her collaboration with Billie Eilish, ‘Guess’, is also up for Song Of The Year, while her ‘BRAT’ record is shortlisted for Mastercard Album Of The Year.

Also nominated this year are The Cure, who have received their first BRIT nominations in over three decades for ‘Songs Of A Lost World’ – they are up for Album Of The Year, Group Of The Year and Alt/Rock Act. The Beatles have also been nominated for the Song Of The Year with Mastercard for ‘Now And Then’you can check out the complete list of nominees for the BRIT Awards 2025 here.

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Robert Smith of The Cure. CREDIT: Jim Dyson/Getty Images

Fan voting for five major categories at the BRIT Awards 2025 is now open until 11:59pm on Friday, February 14 and votes can be cast in each category once per day. The categories that fans can vote for are Alternative/Rock Act, Dance Act, Hip Hop/Grime/Rap Act, Pop Act and R&B Act.

Back in November, the new trophy design was revealed ahead of the 2025 ceremony. It was created by Gabriel Moses, an acclaimed British-Nigerian multi-disciplinary artist, who has collaborated with the likes of SkeptaLittle Simz, Burberry and more throughout the years.

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Record Store Day 2025: Here’s the full list of releases

The full list of releases for Record Store Day 2025 has been revealed – with exclusive vinyl set to drop from the likes of Oasis, Charli XCX, Fred.. Again, The Cure, Gorillaz, Taylor Swift and many more. See the full list and some of the most beautiful releases below.

The annual event will return for its 18th edition on April 12, with hundreds of exclusive releases made available on a first-come-first-served basis at over 270 independent record shops across the UK and as well as thousands more globally.

With Sam Fender confirmed as an RSD ambassador in the UK and Post Malone Stateside, the full list of releases has now been shared – also featuring the likes of Beabadoobee, Rachel Chinouriri, Confidence Man, English Teacher, Lil Uzi Vert, Megan Thee Stallion, MJ Lenderman and Post Malone, alongside legends including Public Image Ltd, Lou Reed, The Jesus and Mary Chain and many more.

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press
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Oasis are another big name on the list, warming up for their huge reunion year with the best of collection ‘Time Flies… (1994-2009)’ available on vinyl for the first time with remastered audio and completely new packaging, with the box set is numbered and includes four coloured LPs.

“Record shops were really important when I was growing up,” said Noel Gallagher. “It’s something that’s in my DNA. I think if we can keep record shops open for as long as possible, we owe it to the young people of this country.”

Announcing the release of the ‘Actual Life’ piano live sessions on vinyl for the first time for RSD 2025, Fred.. Again said: “This  vinyl series is always gonna be limited pressings of live moments that felt particularly special and  these are some of my favourite things we’ve done.

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“But we only ever made the piano lives for ‘AL2’ and ‘AL3’ and so many of you were asking for AL1, so four years after the original ‘Actual Life’ album came out on Record Store Day in 2021, I’ve recorded the Actual Life 1′ piano live a few weeks ago. We are working wit Vinyl Factory (who did all the other IRL vinyl) to produce something really special.”

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Other highlights from the list include Taylor Swift’s exclusive 7″ white vinyl of ‘Fortnight’, Gorillaz double red vinyl LP of ‘Demon Days Live From the Apollo Theatre’, The Cure’s picture disc of ‘Head On The Door’, Charli XCX’s silver picture disc of ‘Number One Angel’, a double silver LP of Lou Reed’s classic ‘Metal Machine Music’, The Hives’ Tyrannosaurus Hives’ on gold and white vinyl, and 12″ of the demos and live tracks from Air’s seminal ‘Moon Safari’.

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RSD returns after 2024 saw vinyl and physical record sales hit a 20 year high, despite the fact “beneath the surface, most UK artists earn far below average salaries” (as the FAC report).

Still, a recent Digital Entertainment and Retail Association report showed that the market for  vinyl records grew by 10.5 per cent last year, with 6.7million discs sold last year, generating £196million. Record Store Day combined with the release of Taylor Swift’s ‘The Tortured Poets Department’  saw the highest weekly vinyl sales for 30 years back in 2024.

“Every year, I am asked, ‘What is Record Store Day?’” said Mark Thorne of Thorne Records in  Edinburgh. “My answer is always, ‘It’s like Mother’s Day for record shops’ – but instead of chocolates  and flowers, we indie record retailers get a queue of wonderful customers

“It’s been a boost to our  part of the industry for nearly 20 years, and long may it continue.”

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Check out the full list of Record Store Day 2025 releases announced so far below, and visit here for more information on RSD or to find your nearest participating store.

The full list of Record Store Date 2025 releases is: 

13th Floor Elevators, The
Public Image – First Issue
2LP Black

A Day To Remember
Attack Of The Killer B-Sides
10″

A Tribe Called Quest
The Low End Theory
2xLP

a-ha
Hunting High and Low – The 1984 demos
LP

Adam Ant
Prince Charming
LP

Adicts, The
Rockers into Orbit
2xLP

Air
MOON SAFARI – LIVE & DEMOS
12″

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Alan Parsons Project, The
I Robot (Work In Progress)
LP

Alberto Baldan Bembo
OST:Nuda per Satana OST
LP

Alcatrazz
All Night Long In Japan 2019
2XLP

Alessandroni E Il Suo Complesso
L’Ora Del Cocktail
LP

Alex Chilton
Set
12″

Alison Moyet
Hometime
1LP (Gold Vinyl,
Numbered)

Anderson .Paak
Come Down – Single
12″

Antony Szmierek
Service Station At The End Of The Universe
LP

Archie Shepp and The Full Moon Ensemble
The Complete Live in Antibes
2XLP

Archive
Show Me Heaven EP
10”

Art of Noise
Impressions of Forever—In the studio with Moments in Love UMR/ZTT
1LP Red

Art Pepper
An Afternoon in Norway: The Kongsberg Concert
2LP

Avicii
Ryu / Strutnut
12″

Barbara Moore
A Little Moore Barbara
LP

Bartley, Charlene
Weekend Of A Private Secretary, The
LP

Beabadoobee
Live & Acoustic In London
12”

Belly
King (30th Anniversary Edition)
LP (Green Vinyl)

Bill Evans
Further Ahead: Live in Finland 1964-1969
2LP

Black Roots
Roots
LP

Black Sabbath
The Eternal Idol
LP

Black Spiders
Volume 2
LP

Black Stone Cherry
This is Black Stone Cherry’s RSD album. The band really likes it.
LP

Black Stone Cherry
This is Black Stone Cherry’s RSD album. The band really likes it.
CD

Blancmange
Everything is Connected Too
LP

Bloc Party
Little Thoughts EP
LP

Blue Cheer
Junk
LP

Bluey
Burger Dog / Bluey Theme Tune (Burger Dog Version) 7″ picture disc (RSD 2025)
7″

Blur
Magic Whip
LP

Bobby Charles Rarities Rhino LP

Boomtown Rats, The
DAWN OF THE RATS DEMOS B SIDES AND LIVE 1975-1979
1LP Green

Boys Wonder
Be Reasonable…
10″

Brad Fiedel
The Serpent & the Rainbow Original Motion Picutre Soundtrack
2XLP

Brooklyn People
Peace and Love / Wreck
7″

Bryan Adams feat Tina Turner
It’s Only Love
7”

Budy-Maglione
CANNIBAL FEROX – original motion picture soundtrack
LP

Bun B
Return of the Trill
2XLP

Camper Van Beethoven
Telephone Free Landslide Victory
1LP (Clear + Orange Marbled Vinyl)

Carla Thomas
Sweet Sweetheart
LP Translucent Blue

Celia Cruz & Willie Colón
Only They Could Have Made This Album
LP

Charlatans, The
The Only One I Know
12″

Charlatans, The
Wonderland (Deluxe)
2LP (Red & White)

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Charles Mingus
In Argentina: The Buenos Aires Concerts
3XLP

Charles Mingus
Mingus At Monterey
2XLP

Charli XCX
Number One Angel
LP Silver Vinyl

Charli XCX & Billie Eilish
Guess featuring billie eilish
7″ Black Vinyl

Charlie Byrd
Jazz ‘n’ Samba
LP

Charlie Parker
Parker’s Mood
LP

Chicane
Trampolines (Extended)
2XLP

CHVRCHES
Every Open Eye (10 Year Anniversary Version)
2LP Translucent Blue Vinyl

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Cimarons, The
On The Rock
LP

Cissy Houston
Legacy
2XLP

Clarence White
The Lost Masters 1963-1973
LP

Colourfield, The
Virgins & Philistines [40th Anniversary Edition]
2XLP

Confidence Man
4AM (LA LA LA)
12″ Magenta Coloured vinyl

Cop Shoot Cop
Consumer Revolt
LP

Coral, The
B Sides Vol.1
2XLP

Count Basie
Best Of THe Roulette Years
LP Green Vinyl

Cowboy Junkies
More Acoustic Junk
LP (Yellow Vinyl)

Craig Smith & Maitreya Kali
Apache-Inca
2LP

Creation Rebel
Independent Man/ Creation Rebel
12″

Creeping Jean
The Clothes Shop 7″
7″ Single (Orange Vinyl)

Cure, The
The Head On The Door
1LP Picture Disc

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Cypress Hill
Live At The Fillmore
2XLP

Dada
Puzzle (limited Strawberry with Black Swirl Vinyl Edition)
2XLP

Dana Gillespie
Box of Surprises
1LP

Dannii Minogue
Neon Nights Remixed
LP

Dark Globe ft. Boy George
MIND YOUR OWN EXISTENCE
12”

Dave Clarke
Devils Advocate
LP

Dave Stewart
Stewart Sings Dylan
12″

David “Fathead Newman * Ellis Marsalis * Cornell Dupree
Return to the Wide Open Spaces
2XLP

David Bowie
Ready, Set, Go! (Live, Riverside Studios ’03)
2XLP

David Bowie
Ready, Set, Go! (Live, Riverside Studios ’03)
CD

David Bowie 'Ready Set Go!' album artwork. Credit: PRESS
David Bowie ‘Ready Set Go!’ album artwork. Credit: PRESS

David Gilmour
Between Two Points Remixes
12″

David Sylvian
Camphor II
2LP Translucent White

De La Soul
Bigger / Respect
2X7”

Dead Or Alive
You Spin Me Round (Like A Record) (Version 1)
12″

Dead Or Alive
Youthquake Remixes (140g Translucent Blue vinyl) (RSD 2025)
1LP

Dead Sarah
Ain’t It Tragic
LP

Declan O’Rourke
Since Kyabram Limited Edition’
LP

Deep Dish
George is On
2XLP

Deicide
Once Upon the Cross (Limited 30th Anniversary “Autobots” Vinyl Edition)
LP

Dennis Ferrer
The World As I See It
2LP – Sky Blue – transparent vinyl – gatefold sleeve

Diamond Head
Death And Progress
12″

Dictators, The
D.F.F.D.
LP

Dinosaur Jr
VPRO sessions
10″

Diplomats of Soul
Soul Spaces
LP

Doc Pomus
The Elvis Demos
2XLP Orange Vinyl

Doctor Who
The Tenth Planet (140g White and Silver vinyl)
2XLP

Dokken
Broken Bones
12″

Dokken
Beast from the East
2XLP

Dolores O’Riordan
No Baggage
LP

Don Cherry
Orient
2XLP

Don Toliver
Heaven or Hell (Chopnoslop Remix) [5th Anniversary Edition]
LP

Doors, The
Strange Days 1967 – A Work In Progress
LP

Doves
Cally/Lean Into The Wind
10″ Red

Dreadzone
Second Light
2LP (Orange & Blue)

Dream Syndicate, The
Sketches for Out of the Grey
LP

DRIFT
Working on Me + Papaya
10″

Duran Duran
Danse Macabre: De Luxe Bonus LP
LP

Dusty Springfield
Reputation
LP

Dwarves, The
Sunshine, Lollipops & Rainbows
LP

Elton John
Live from the Rainbow Theatre with Ray Cooper
1LP Black

Emika Frames Emika Records 12″

Emmylou Harris
Spyboy
2XLP

English Teacher
R&B
7″

Epic Soundtracks
Theres A Light
LP

Eurythmics
Be Yourself Tonight
LP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Everything Everything
Get To Heaven (The B-Sides)
12″

Fall, The
Country On The Click (The Complete Collector’s Edition)
12″

Far Out Monster Disco Orchestra
Black Sun (Joaquin Joe Claussell Sacred Rhythm Remixes)
12″

Fatboy Slim
Ya Mama
12″

Feet
CAN’T GET IN/CHANGING MY MIND AGAIN
7”

Fields of the Nephilim
Fallen
2XLP

Fleetwood Mac
Fleetwood Mac
LP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Flying Lotus
Spirit Box
LP

Fo Clips Eclipse
Just Be Thankful B/ W Can You Feel Me
7″

Frank Turner
Positive Songs For Negative People (10th Anniversary Edition)
2LP (Red & Blue)

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Frankie and the Witch Fingers
Live at KEXP
12″

Fred Again
Actual Life Piano EP 1
Magnolia Vinyl LP

Fred Again
Actual Life 2 Piano EP
Magnolia Vinyl LP

Fred Again
Actual Life 3 Piano EP
Magnolia Vinyl LP

Freddie Hubbard
On Fire: Live from the Blue Morocco
3XLP

Free Nationals
Free Nationals (Instrumentals)
2XLP

Fruit Bats / Anaïs Mitchell
As I Rise b/w Grace Cathedral Hill
7″

Fugs, The
First Album
2XLP

Future Sound of London, The
Alice In Ultraland
2XLP

Futureheads, The
RANT (RSD 2025 COLOURED VINYL REPRESS)
Standard weight black + orange splatter vinyl + bonus 7”

Gato Barbieri
Standards Lost and Found 2
2LP

Gazelle Twin
Shadow Dogs
LP

Gazelle Twin
Black Cab (Original Soundtrack)
LP

Geddy Lee
The Lost Demos
LP

George Harrison
All Things Must Pass
3XLP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Gerry Mulligan
Nocturne
2XLP

Gerry Mulligan and Thelonious Monk
Mulligan Meets Monk (MONO)
LP

Gil Scott-Heron
The First Minute Of A New Day
LP

Gilad Atzmon, Maja Babyszka & Nikos Sidirokastritis
In Memory Of That Song
LP

Girlschool
Hit and Run – Revisited
12″

Gloria Jones
Vixen
LP

Gloria Jones
Tainted Love / My Bad Boy’s Comin’ Home
7″

Goat & Graveyard a ship of fools/light as a feather Rocket Recordings 7”

Goblin
OST:L’altro Inferno/The other Hell
LP

Golden Dawn, The
Power Plant
LP

Golden Earring
The N.E.W.S. Sessions
2LP

Good Neighbours
Live at the Village Underground
1LP

Gorillaz
Demon Days Live From the Apollo Theatre
2XLP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Gotan Project
INSPIRACIÓN ESPIRACIÓN (20TH ANNIVERSARY)
Black LP

Gracie Abrams
Live From Radio City Music Hall
2LP

Grand Slam
Whiskey In The Jar / TBC
7″ or 12″ / Picture Disc

Grateful Dead
On A Porch – Vol 1
LP

Grateful Dead
Beacon Theatre, New York, NY 6/14/76
5xLP

Griff
Live At Alexander Palace
140g LP coloured vinyl

Gunna
Wunna
2xLP

Half Japanese
Fire in the Sky
LP

Harvey Mandel
The Snake
LP

Heads, The
Still Under Sided
2XLP

Heronimus Fin
This Place Has Changed
LP

High Anxiety OST
High Anxiety – Original Soundtrack / Mel Brooks’ Greatest Hits Featuring The Fabulous Film Scores Of John Morris
LP yellow in Red Vinyl

High Fade
Life’s Too Fast
LP

Hindu Love Gods
Hindu Love Gods
LP

Hives, The
Tyrannosaurus Hives
1LP (Gold & White)

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Holly Johnson
HOLLELUJAH
Limited edition yellow (Golden Shower) vinyl.

House of Love
The House Of Love
12″

Howe Gelb
The Listener
LP

Ian North / John Howard
All The Young Droids: Junk Shop Sampler
7″

Ice – T
Power Rarities
LP

Idris Ackamoor, Rhodessa Jones, Danny Glover
ARTISTIC BEING
2XLP

Indian Ocean
School Bell / Tree House
12″

Inn House Crew, The
Afrodiziac
LP

Islandman
Bahar LL + Bonus Tracks
Black 180g LP

Isobel Campbell & Mark Lanegan
Keep Me In Mind Sweetheart
EP (180g Black Vinyl)

Ist Ist
Live from New Century
12″

Jackie DeShannon
Love Forever — Demo Recordings 1966-1967
LP

James Blunt
Back To Bedlam: The Demo’s
1LP

James Moody
Running the Gamut
LP

Jamie T
Carry On The Grudge
1LP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Jamiroquai
Funk Odyssey
2xLP

Jane Weaver
Univers (French Version/MEMORIALS Remix)
7″

Jayhawks, The Blue Earth Rhino LP + 7″

Jeff Bridges
Slow Magic, 1977-1978
LP

Jesus & The Mary Chain, The
> 45s > 84 > 85 <
LP

Jesus Lizard, The
Flux
12″

Jethro Tull
Songs From The Vault
LP

Jim Fry and Luke Haines
Test Driving The New Prius
LP

JJ Grey and Mofro
Orange Blossoms
2XLP

Joe Smooth
Promised Land
LP

Joey Valence & Brae
Good Songs by JVB (RSD25 EX)
LP

John & Yoko, The Plastic Ono Band, Elephant’s Memory
Power To The People – Live at the One To One Concert, New York City, 1972
12″ Yellow

John Legend
Get Lifted
LP

John Mayall & The Bluesbreakers
Plays John Mayall (Live)-60th Anniversary Edition
LP Red & Black Marble

John Williams
Harry Potter And The Philosopher’s Stone (OST)
2XLP

John Williams
Harry Potter And The Chamber Of Secrets (OST)
2XLP

John Williams
Harry Potter And The Prisoner Of Azkaban (OST)
2XLP

Johnny Marr
Look Out! Live In London
LP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Joni Mitchell
US Tour Live 1976
3XLP Blue Jay Colour Vinyl

Jose James / Ben Westbeech
Brownswood Recordings Remix Edition 005
12″

Judas Priest
Live in Atlanta ’82
2XLP

K. Frimpong & His Cubano Fiestas
K. Frimpong & His Cubano Fiestas
LP

Kaleo
All The Pretty Girls EP
12″ Raspberry Marble Vinyl

Kasabian
Kasabian
2xLP

Katherine Priddy
Live at Union Chapel
2LP (Purple vinyl with etching on side D)

Keane
Live From Mexico City 2024
1LP (Green and White splatter vinyl)

Keith Richards & The X-Pensive Winos
Live 3.10.22
LP

Kelela
In The Blue Light
LP

Kenny Dorham
Blue Bossa in the Bronx: Live from the Blue Morocco
2XLP

Kim Wilde
Closer – The Exclusive RSD Mixes
12″

Kinky Roland & Boy George
You’re Not the One
12”

Kitty Winter Gipsy Nova
Feel It
LP

Klaus Doldinger & Giorgio Moroder
Never Ending Story OST
LP Starlight Vinyl

Laufey
A Night At The Symphony: Hollywood Bowl
2XLP

Laura Nyro
Angel In The Dark
LP

Laurence Jones Feat. Rory Gallagher
Laurence Jones Feat. Rory Gallagher
12″

Lemonheads, The
Lemonheads in Dreamland
LP

Levitation Room
Minds Of Our Own
12″

Liam Gallagher
Acoustic Sessions
LP Silver & Blue Vinyl

Lianne La Havas
Is Your Love Big Enough
LP Pink & Blue Vinyl

Life Without Buildings
Live at the Annandale Hotel
LP (Red Vinyl)

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Lil Uzi Vert
Eternal Atake (Deluxe) / LUV vs. The World 2 (5th Anniversary Edition)
3XLP

Liminanas, The
Extra Faded
LP

Liminanas, The & David Menke
Les règles de l’art (OST)
LP

Linda Waterfall
My Heart Sings
LP

Lipstick Killers
Live In Adelaide
LP

Lisa Germano
Geek The Girl (30th Anniversary Special Edition)
2LP (Crystal Clear Vinyl)

Logic / Quentin Harris
Strictly Tuff Jam
12″

Los Jaivas
Alturas de Macchu Picchu
LP

Lou Reed
Metal Machine Music
2XLP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Madness
Take Cover!
LP – Red Translucent

Magma
Slag tanz
12″

MaL
Primal Dub 2
LP

Mark Knopfler
One Take Radio Sessions
1LP Black

Marty Stuart & His Fabulous Superlatives
Space Junk
2XLP

Matching Mole
Matching Mole’s Little Red Record
2LP

Mayhem
Live In Ski
12″

Megan Thee Stallion
Traumazine
2XLP

Melanie C
Reason
LP

Melys
Second Wind
LP

MEMORIALS
Another Waterslide/ Memorial Bells
7″

Men They Couldn’t Hang, The
The Cherry Red Jukebox
LP

Michael Chapman
Who’s This Yorkshire Guy? (Live In Brighton, 2015)
LP

Michael Kiwanuka
Floating Parade
7″

Mike Bloomfield
Guitar King! (The Norman Dayron Sessions)
LP

Miles Davis Quintet
At The Kurhaus
LP

Mission, The
Neverland (30th Anniversary Edition) (140g Translucent Red and Translucent Yellow vinyl) (RSD 2025)
2XLP

Mitch & Ira Yuspeth
7 DOORS OF DEATH – original motion picture soundtrack
LP

MJ Lenderman
And The Wind (Live and Loose!)
Transparent Sea Blue 2LP

Modern Eon
B+ B Sides + Additional Tracks
LP Clear

Mojo Men, The
Dance With Me: The Autumn Singles – produced by Sly Stone
LP

Monaco
I’ve Got A Feeling
12″

Moody Blues
Boulevard de Madeleine – The Denny Cordell sessions 1966 Esoteric Recordings
12″

Morbid Angel
Domination
LP

Morcheeba
WE LIVE AND DIE / PEACE OF ME
7″

Morphine
Bootleg Detroit
LP

Motley Crue
Smokin’ In The Boys Room / Home Sweet Home – 40th Anniversary
LP

Motorhead
The Lost Tapes Vol.6 (Live In Berlin 1992)
2XLP

My Ruin Speak & Destroy Madfish 2XLP

National Health
National Health
LP

Neil Finn
Sessions at West 54th Street
2XLP

Nektar
Remember the Future (50th anniversary remix)
12″

Nemmzzz
DND
LP

Neurotic Outsiders
Neurotic Outsiders
2XLP

Nick Lowe & Los Straitjackets
Outdoor Safari
LP

Nick Mason’s Saucerful Of Secrets
Echoes (Live)
12″

Oasis
Time Flies… 1994 – 2009
LP

[embedded content]

Olivia Dean
With love
10″

Omar Apollo, Trent Reznor & Atticus Ross
Te Maldigo (From Queer)
7″

OMD
Peel Sessions 1979-1983
1LP Black

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

One Self
Visions
12″

OST / London Music Works
OST: Stranger Things
7″

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

OST / London Music Works
OST: Succession
7″

OST / Mark Klein & Finn Keane
OST: Ludwig
LP

Pa Salieu
African Alien
LP

Pale Saints
Slow Buildings (30th Anniversary Re:Masters)
2LP (Petrol Blue Vinyl)

Panda Bear & Cass McCombs
Venom’s In
7″

Passengers
Original Soundtracks 1 (30th Anniversary Remastered Edition)
2LP Recycled Black Vinyl

Patrick Doyle
Harry Potter And The Goblet Of Fire (OST)
2XLP

Patsy Cline
Imagine That: The Lost Recordings 1954-1963
2LP

Paul Hardcastle
Paul Hardcastle [40th Anniversary Edition]
LP

Pete Droge
Necktie Second Deluxe
2XLP

Pete Shelley
Yesterday Is Not Here: Radio Sessions 1979 – 1983
LP

Peter Gabriel
OVO – Half Speed Master
2LP Green Vinyl

Peter Tosh
Greatest Hits
LP

Pharoah Sanders
Iziohi Zam (My Gifts)
LP

Phil Pratt
Star Wars Dub
LP

Pixies
Bossanova / Trompe Le Monde Live (140g Ice Blue vinyl) (RSD 2025)
2XLP

Poly Styrene
Flower Aeroplane
LP

POND
The Early Years: 2008 – 2010
2XLP

Positive Express
Changin’ Times
LP

Post Malone
Post Malone Tribute to Nirvana
LP Yellow

Prince
Live At Glam Slam
3XLP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Prince Jazzbo
Black Heart Man – Bushay Collection 1974 – 1979
LP

Propaganda
p:Machinery – the αlpha:βeta definition
1LP Crystal Clear

Public Image Limited
First Issue
1LP Black

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Queen De Lane Lea Demos USM/EMI LP

Rachel Chinouriri
Better Off Without EP
10″

Rage Against The Machine
Live on Tour 1993
LP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Rain Parade
Crashing Dream Revisited (Deluxe)
2XLP

Ramones
Loco Live
2XLP

Rembrandts, The
The Rembrandts
2XLP

Replacements, The
Tim
2XLP

Residents, The
Leftovers Again Volume 3
12″

Richard Last Group
OST:Get Ready
LP

Rise Against
Nod (7″ Single)
7″

Rival Consoles
Howl
LP

Robert Hunter
Tiger Rose (Rarities)
LP

Rock Workshop
Rock Workshop
LP

Rocket from the Tombs
The Day the Earth met the Rocket from the Tombs
2XLP

Roger Waters
The Dark Side Of The Moon Redux (Live)
1LP (Neon Pink Vinyl)

Rolling Stones, The
Out of Our Heads (US version)
1LP Clear Vinyl

Ronnie Wood
Live at Electric Ladyland
LP

Royal House
Can You Party?
LP

Royal Trux
Provenance: The Demo Tape (1988)
LP

Royel Otis
Nashville Sessions
10″ Bone

Ry Cooder
The Main Point – Live 1972
LP

Sabrina Malheiros
Equilibria
LP

Sad Lovers & Giants
Singles collection 1981-1983
LP Clear

Saints, The
Paralytic Tonight, Dublin Tomorrow
LP

Sam & Dave
Soul Study: The Nashville Sessions
2XLP

Sam Fender
Me and The Dog EP
12″

Sam Smith
BBC Proms At The Royal Albert Hall
2LP Black

Savoy Brown
Hellbound Train
LP Purple & White
Marble

Saxon
Wheels Of Steel
2XLP

SBT (Sarabeth Tucek)
Live In Bergen
LP

Scott Weiland
“I Know It’s Too Late / Missing Cleveland (Live)”
7″

Screaming Trees
Clairvoyance
2XLP

Screaming Trees
Clairvoyance
CD

Serani
No Games
7″

Sexwitch
Sexwitch
LP

Shakespears Sister
Black Sky
12″

Shane MacGowan & Sinead O’Connor
Haunted
1LP Clear Vinyl

Shed Seven
Shed Seven – The Covers
LP

Shudder To Think
Pony Express Record
2XLP

Shudder To Think First Love, Last Rites – OST Sony Legacy LP

Sister Nancy
One Two
LP

Sixpence None The Richer
Live From Gruene Hall
2XLP

Skindred
Union Black
2XLP

Slint
Tweez (Tweethan Mix)
LP

Sly & the Family Stone
The First Family: Live At Winchester Cathedral 1967 (Deluxe Color LP)
12″

Sly Stone
The Autumn Sessions 1963-65
LP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Soft Cell
*HAPPINESS NOW COMPLETED
LP

Soft Machine, The
Turns On ‘67
LP

Some Other People
VOICES IN MY HEAD
LP

Sophie Ellis-Bextor
Sophie Ellis Bextor’s Kitchen Disco (Live at The London Palladium)
2XLP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Soul Asylum
After The Flood
2XLP

Starship
We Built This City
LP

Status Quo
Live In Glasgow 27th October 1976 Night 1 (140g Ticket Stub Mint and Blue vinyl) RSD 2025)
2XLP

Steve Harley & Cockney Rebel
Make Me Smile (Come Up & See Me) [50th Anniversary]
7″

Stone Temple Pilots
Live In New Haven 1994
2XLP

Stooges, The
Live
LP

Streets, The
None Of Us Are Getting Out Of This LIVE Alive
2XLP

Suede
Sci-fi Lullabies Volume 2 (140g Clear vinyl) RSD 2025)
2XLP

Sugababes
Taller In More Ways
1LP Pink

Sugar Minott
Sugar Minott At Studio One – 20th Anniversary Edition
LP

Sun Ra
Stray Voltage
2XLP

Sun Ra
NUITS DE LA FONDATION MAEGHT
6XLP

Sunhouse
Crazy On The Weekend
LP

Supergrass
I Should Coco (30th Anniversary)
LP

Suzi Quatro
Your Mamma Won’t Like Me (50th Anniversary Edition)
2XLP

Sweet Female Attitude
Flowers – Remixes
12″

Swell
Too Many Days Without Thinking
LP

Swell Maps
The John Peel Sessions
LP

Sword, The
Warp Riders (15th Anniversary Edition)
LP

T. Rex
Bolan B-Sides (140g Translucent Blue vinyl) (RSD 2025)
2XLP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Tailgunner
Living For real
2LP

Talking Heads
Live On Tour ’78
2XLP

Record Store Day 2025. Credit: Press
Record Store Day 2025. Credit: Press

Taylor Swift
Fortnight
7″ white vinyl

Ted Nugent
Nuge Vault VOL 2: Ted Nugent 75′
LP

The Killers/ Bruce Springsteen
Encore at the Garden
12″

Thelonious Monk
Live At The It Club
2XLP

Thin Lizzy
Jailbreak (Alternative RSD Version)
1LP Black

Thompson Twins Into The Gap Live BMG 2LP

Throwing Muses
Live in Providence, 1992
LP

Todd Rundgren
Initiation
2XLP

Tom Waits
Get Behind the Mule (Spiritual) b/w Get Behind the Mule
7″

Tommy McCook And The Skatalites
Latin Goes SKA
LP

Tori Amos
Diving Deep Live
EP

Touch Of Class
Let me Be Your Everything (OPOLOPO remixes)
12″

Trees
Fore & After
2XLP

Tribesman
The Tribe/Finsbury Park
12″

Tweedy Bird Loc
No Holds Barred
LP

UK Subs
Japan Today
LP

Val Kilmer / Maurice Jarre
Top Secret! (Motion Picture Soundtrack)
LP

Van Morrison
Be Just and Fear Not
10″

Various Artists
400% Dynamite! Ska, Soul, Rocksteady, Funk and Dub in Jamaica – 25th Anniversary Special Edition
LP

Various Artists
Sweet Relief Vol. IV
2XLP

Various Artists
Rumble In The Jungle – 18th Anniversary Edition
LP

Various Artists
The Virgin Suicides Deluxe (25th Anniversary Edition)
LP

Various Artists
Over The Edge OST
LP

Various Artists
Soul Slabs Vol. 4
2XLP

Various Artists
Rockabilly Heroes Vol. 2
LP

Various Artists
Timeless Jazz Classics Volume 2
2LP

Various Artists
CAROLINE NOW! THE SONGS OF BRIAN WILSON AND THE BEACH BOYS
2XLP

Various Artists
Diesel Smoke And Dangerous Curves: Big Rig Bustin’ Hits (1962-1976)
LP

Various Artists
MOM: Music For Our Mother Ocean
12″

Various Artists
Treasures Untold : A Modern 78 RPM Reader
BOOK + CD

Various Artists
Gravity Records 01
12″

Various Artists
Jazz Dispensary: Night Lights
LP

Various Artists
Moments: The Montreux Years Vol. 1
LP

Various Artists
Alts’n Outs
LP

Various Artists
GILLES PETERSON PRESENTS INTERNATIONAL ANTHEM
2XLP

Various Artists
LA CONTRA OLA SYNTH POP & POST PUNK FROM SPAIN 1980-86
2xLP

Various Artists
POP PSYCHÉDÉLIQUE (LES EXTRAS)
LP

Various Artists
Bugs On The Wire
LP

Various Artists
Tappa Records Showcase
LP

Various Artists
Brazil 45 Boxset Vol.6
Boxset

Vegyn, Air
Blue Moon Safari
LP

Veronicas, The
The Secret Life Of….
LP

Verve, The
Voyager 1
1LP Black

Vicki Peterson & John Cowsill Long After The Fire Label 51 LP

Vince Guaraldi
Selections from “It’s the Easter Beagle, Charlie Brown” (Original Soundtrack Recording – Peanuts 75th Anniversary Mystery Easter Egg Edition)
10″

Vince Guaraldi Trio
Jazz Impressions Of A Boy Named Charlie Brown (Expanded Edition)
LP Sky Blue

Vivian Jones
Cyaan Come A Roots / Trombone Version / Dub Version1 / Dub Version 2
12”

W.A.S.P.
The Last Command
LP

Wall of Voodoo
The Lost Tapes
2XLP

Wallows
More EP
12″

Wallows
More EP
CD

War
Why Can’t We Be Friends (Deluxe)
2XLP

Waxahatchee
Much Ado About Nothing b/w Mud
7″

Wes Montgomery with the Wynton Kelly Trio
Smokin’ In Seattle: Live at the Penthouse
LP

Who, The
Tommy OST
2XLP

Wicked Movie Cast, Cynthia Erivo, Ariana Grande
Wicked: The Soundtrack
2LP Glitter green/ glitter pink

WIR (Wire)
Vien
LP

Wire
Nine Sevens
2XLP

Wombats, The
Glitterbug (10th ASnniversary)
LP

Wombles, The
Golden
LP

Wreckers, The
Stand Still, Look Pretty
LP

Wynd Chymes
Baby You’re The One
7″

Years & Years
Communion
1LP Zooetrope

Yes
Live at the Rainbow, London, England 12/16/1972
3XLP

Young Thug
Barter 6 (10th Ann Edition)
2XLP

Yuima Enya / J.A.K.A.M. / DJ Kensei
Norito
LP

Yukee
Yukee’s Garden Party: Hits from Series 1
Stripes the Badger’ Black & White LP

YUNGBLUD, Lil Yachty
When We Die (Can We Still Get High?)
7″

Yusuf / Cat Stevens
Back To Earth
LP

Zombina and the Skeletones
Taste the Blood of Zombina
12″ PIC DISC

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Marianne Faithfull: “It’s a miracle, really…”

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From Uncut’s June 2021 issue (Take 289). As she prepares to release her 22nd studio album, She Walks In Beauty, rock’s grand dame discussed recovery, Romantic poetry and how the ’60s weren’t all they were cracked up to be…

The old St Joseph’s Convent School, a red-bricked, broad-lawned building founded by the Sisters of St Marie Madeleine Postel, lies close to the centre of Reading. Marianne Faithfull first came here at the age of eight. By sixth form, her main enthusiasm was English Literature. “I sat somewhere near the middle – near the front, but not exactly at the front,” she says. “It wasn’t a very big class, but it was very important to me.”

This Spring, Faithfull releases her 22nd studio album, She Walks In Beauty, a spoken-word collection of some of her favourite Romantic poetry, scored by the composer and multi-instrumentalist Warren Ellis, with contributions from Nick Cave, Brian Eno and Vincent Ségal. It is a crowning moment in her career; the product of a long-held ambition to interpret works by Keats, Shelley, Tennyson and their contemporaries that she has carried close since St Joseph’s. Cave calls it “the greatest Marianne Faithfull album ever. And that’s saying something.” Ellis, meanwhile, describes it to Uncut as “this incredible thing, this kind of wonder. This little bit of a miracle.”

On a midweek afternoon, Faithfull, 74, is at home in Putney, south-west London, batting away questions about ’60s infamy to recall the formative influence of Palgrave’s Golden Treasury and her English teacher, Mrs Simpson.“She was very ordinary, she had white hair and glasses,” she says. “But she was really, really good. I liked her so much, and she taught me all this stuff about the Romantics. She taught me for that first year, and then of course I was torn away, and I was discovered…”

The story of how Marianne Faithfull was discovered – a teenage ingénue fêted by the in-crowd and caught up with the Stones, then duly lost to scandal and addiction, has coloured much of her career. For a long time, the popular imagination carried her as a kind of tragic muse, a victim of her own beauty and the era’s excesses. Later it recast her as a fighter, a treasure, an artist of indefatigable spirit.

Today, she sounds determined and faintly amused. She has a deeply fragrant voice, grown a little hoarse following a serious altercation with Covid that kept her in hospital for several weeks last spring. “I got terribly ill. I don’t really remember it, but apparently I almost died,” she says. “I managed not to die.”

Still, the effects of the illness have lingered – she warns we might have to conduct our interview in segments, to allow her breaks to recalibrate. “It’s been very hard to cope with,” she explains. “Particularly my lungs, because I used to smoke, and I have of course got emphysema or whatever they call it now.” She pauses. “It’s got another name, and that’s the big problem – my memory, and the fatigue. I’m sorry, I shouldn’t be talking about this! Not the point!”

The point is that before she contracted Covid, Faithfull had begun work on She Walks In Beauty. “When I came out of hospital I finished it,” she says. “I was worried: would I be able to do it? But I was, amazingly enough. It’s a miracle, really. It’s beautiful, because the ones I did post-Covid are very, very vulnerable and that’s kind of lovely.”

FIND THE FULL INTERVIEW FROM UNCUT JUNE 2021/TAKE 289 IN THE ARCHIVE

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Here are all the nominees for the BRIT Awards 2025

The full list of nominees for the BRIT Awards 2025 has been announced. Check it out below.

This year’s awards will take place at The O2 in London on Saturday March 1, and broadcast exclusively on ITV1 and ITVX. Comedian and actor Jack Whitehall has been announced as the returning  host, making it his fifth time presenting the ceremony after doing so in 2018, 2019, 2020 and 2021.

This year, Charli XCX leads the way with the most nominations, receiving nods in five categories including Artist Of The Year, Pop Act and Dance Act. Her collaboration with Billie Eilish, ‘Guess’, is also up for Song Of The Year, while her ‘BRAT’ record – which inspired BRAT Summer – is shortlisted for Mastercard Album Of The Year.

Close on her heels are Dua Lipa, The Last Dinner Party and Ezra Collective, who are each up for four awards. Myles Smith has received nods in three categories, although he was previously announced as the winner of the 2025 Rising Star award, meaning he could potentially leave with four trophies on the night.

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Another notable inclusions are The Cure, who have received their first BRIT nominations in over three decades thanks to the critically-acclaimed album ‘Songs Of A Lost World’ – their long-awaited first LP since 2008. On the night, Robert Smith and co. have the chance to win in the Album Of The Year, Group Of The Year and Alt/Rock Act categories.

Robert Smith (Photo by Daniel Boczarski/Getty Images)
Robert Smith (Photo by Daniel Boczarski/Getty Images)

The Beatles have also been shortlisted for the Song Of The Year with Mastercard thanks to their “final” track ‘Now And Then’. Created by Paul McCartney and Ringo Starr, the single was the last to include all members and used AI technology to restore previous recordings featuring George Harrison and John Lennon.

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The nod makes it the band’s first BRITs nomination since 1977 – the same year that the awards were first launched.

Check out the full list of nominees below.

The nominees for the 2025 BRIT Awards are:

Mastercard Album Of The Year
Charli XCX – ‘Brat’
The Cure – ‘Songs Of A Lost World’
Dua Lipa – ‘Radical Optimism’
Ezra Collective – ‘Dance, No One’s Watching’
The Last Dinner Party – ‘Prelude To Ecstasy’

Artist Of The Year
Beabadoobee
Central Cee
Charli XCX
Dua Lipa
Fred Again..
Jamie xx
Michael Kiwanuka
Nia Archives
Rachel Chinouriri
Sam Fender

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Group Of The Year
Bring Me The Horizon
Coldplay
The Cure
Ezra Collective
The Last Dinner Party

Charli XCX performs at the H&M&LONDON musical event in 2024
Charli XCX in 2024. CREDIT: Samir Hussein/Getty Images

Best New Artist
English Teacher
Ezra Collective
The Last Dinner Party
Myles Smith
Rachel Chinouriri

Song Of The Year With Mastercard
Artemas – ‘I Like The Way You Kiss Me’
The Beatles – ‘Now And Then’
Bl3ss with Camrin Watsin ft. bbyclose – ‘Kisses’
Central Cee ft. Lil Baby – ‘BAND4BAND’
Charli XCX ft. Billie Eilish – ‘Guess’
Chase & Status ft. Stormzy – ‘Backbone’
Coldplay – ‘feelslikeimfallinginlove’
Dua Lipa – ‘Training Season’
Ella Henderson ft. Rudimental – ‘Alibi’
JADE – ‘Angel Of My Dreams’
Jordan Adetunji – ‘KEHLANI’
KSI ft. Trippie Redd – ‘Thick Of It’
Myles Smith – ‘Stargazing’
Sam Ryder – ‘You’re Christmas To Me’
Sonny Fodera with Jazzy and D.O.D – ‘Somedays’

International Artist Of The Year
Adrianne Lenker
Asake
Benson Boone
Beyoncé
Billie Eilish
Chappell Roan
Kendrick Lamar
Sabrina Carpenter
Taylor Swift
Tyler, The Creator

International Group Of The Year
Amyl And The Sniffers
Confidence Man
Fontaines D.C.
Future and Metro Boomin
Linkin Park

International Song Of The Year
Benson Boone – ‘Beautiful Things’
Beyoncé – ‘Texas Hold ‘Em’
Billie Eilish – ‘Birds Of A Feather’
Chappell Roan – ‘Good Luck, Babe’
DJO – ‘End Of Beginning’
Eminem – ‘Houdini’
Hozier – ‘Too Sweet’
Jack Harlow – ‘Lovin On Me’
Noah Kahan – ‘Stick Season’
Post Malone ft. Morgan Wallen – ‘I Had Some Help’
Sabrina Carpenter – ‘Espresso’
Shaboozey – ‘A Bar Song (Tipsy)’
Taylor Swift ft. Post Malone – ‘Fortnight’
Teddy Swims – ‘Lose Control’
Tommy Richman  – ‘MILLION DOLLAR BABY’

[embedded content]

Alt/Rock Act
Beabadoobee
The Cure
Ezra Collective
The Last Dinner Party
Sam Fender

Hip-hop/Grime/Rap Act
Central Cee
DAVE
Ghetts
Little Simz
Stormzy

Dance Act
Becky Hill
Charli XCX
Chase & Status
Fred Again..
Nia Archives

Pop Act
Charli XCX
Dua Lipa
JADE
Lola Young
Myles Smith

R&B Act
Cleo Sol
FLO
Jorja Smith
Michael Kiwanuka
RAYE

The Brit Awards 2024 - Show - London
The Brit Awards 2024. CREDIT: James Manning/PA Images via Getty Images

Winners in the Producer Of The Year and Songwriter Of The Year categories are set to be announced at a later date.

Back in November the new trophy design was revealed ahead of the 2025 ceremony. created by Gabriel Moses. It was created by Gabriel Moses, an acclaimed British-Nigerian multi-disciplinary artist, who has collaborated with the likes of Skepta, Little Simz, Burberry and more throughout the years.

The 2024 instalment of The BRITs saw RAYE win in six out of the seven categories she was nominated in, breaking the record for the most trophies taken home in a single night. Prior to then, no artist had won more than four BRITs in any one year, with Adele, Harry Styles and Blur each hitting that milestone.

In one of her acceptance speeches, RAYE called on music executives to allow songwriters to receive royalty payments. “It doesn’t have to be at your expense, but it just means that if the songs win big, then the writers get to win big too. Please allow that to happen. Please, please, please,” she said.

Other winners on the night included Dua Lipa, Calvin Harris, Miley Cyrus, Bring Me The Horizon, Chase & Status, Jungle, Boygenius, The Last Dinner Party and SZA. The ceremony at The O2 also saw live performances from Dua Lipa, Kylie Minogue, RAYE, Becky Hill, Chase & Status, Calvin Harris, Ellie Goulding, Rema, Tate McRae and Jungle.

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Chappell Roan would “rather get arrested” than get into acting

Chappell Roan has revealed that she’d rather “get arrested” than get into acting – see what the pop star had to say below about a potential career change below.

In a new interview with Interview Magazine, Roan was asked by Bowen Yang if she’d consider getting into acting to escape from the demands of touring and performing in music.

Roan emphatically shot that down, revealing that she had already been offered lead roles in movies, but turned them down. “I say this with peace, and love, and blessings. Actors are fucking crazy,” she said, before explaining that she gets weirded out by people in the film industry. “Like, I get so freaked out by film people. I’ve been asked in the past couple of weeks, like, ‘You want the lead in XYZ?’ and I’m like, ‘No.'”

Chappell Roan performs during 2024 Lollapalooza Festival at Grant Park on August 01, 2024
Chappell Roan performs at Lollapalooza 2024. Credit: Erika Goldring/WireImage
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She then shared that she had initially got into music as a way to “get my foot in the door” for acting, but backed out of the acting idea when she arrived in Los Angeles. “The industry is legitimately so scary, and it is so out of my control. I can put out music whenever I want. I don’t have to wait for a casting director to be like, ‘It would be great if we cast you, and then we’ll decide your schedule for the next three months.'”

Chappell Roan then admitted that she would consider a cameo role if it’s something “really specific and really silly.” She continued about not wanting to take on larger roles: “I’ve been trained how to act, but it’s the most stressful thing in the world to me. I would rather get arrested… because I know how to operate myself in jail.”

Most recently, Roan hit out at “weird” and “entitled” fans who have begun displaying “creepy” behaviour towards her. She said in a series of TikTok videos:“I don’t want whatever the fuck you think you’re supposed to be entitled to whenever you see a celebrity. I don’t give a fuck if you think it’s selfish of me to say no for a photo or for your time or for a hug. That’s not normal. That’s weird. It’s weird how people think that you know a person just ’cause you see them online or you listen to the art they make. That’s fucking weird. I’m allowed to say no to creepy behavior, okay?”

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NME THE COVER 2024 CHAPPELL ROAN PHOTO BY KRISTEN JAN WONG
Credit: Kristen Jan Wong for NME

This isn’t the first time that Chappell Roan has spoken out against fans’ erratic behaviour amid her meteoric rise to fame. Last month, she revealed that she had made a promise to herself that she would quit music if “weird shit” started to affect her and her family.

The NME cover star released her debut studio album, ‘The Rise And Fall Of A Midwest Princess’, last September to critical acclaim. In a four-star reviewNME described it as “a display of Roan’s bold and brazen pen, where she places searing revelations alongside some deliciously cheeky choruses”.

Since then, she achieved her first UK Number One album almost a year after its release – something Elton John congratulated her on recently. Roan shared the single ‘Good Luck, Babe!’ this April. The song went to Number Four in the UK, and was covered by Sabrina Carpenter in the BBC Live Lounge in June.

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Adele also praised the musician last week, calling her “absolutely amazing” during her show in Munich on August 14. “Chappell Roan is her name, yes?” Adele said. “I heard a song a little while ago at my birthday, and I loved it, and it was one of my friend’s playlists. And then, I went down a rabbit hole on Monday. All day long.”

She continued: “She is spectacular, and it turns out, she’s not just got one song. She’s got, like, seven fucking brilliant songs. I think she’s absolutely amazing. I’m very excited for her, but my friend also said she’s a bit scared. So, do what you gotta do, baby girl, but you’re phenomenal. Anyway, that’s all I’ve done this week is discover Chappell Roan.”

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Uncut July 2024

HAVE A COPY SENT STRAIGHT TO YOUR HOME

Joni Mitchell, Paul Weller, Kraftwerk, Stevie Nicks, Steve Albini, Grateful Dead, Arooj Aftab, John Cale, Warren Ellis, Bonny Light Horseman, Mark E Smith and Inspiral Carpets, Josef K, Beach Boys, The Stones, Bruce Springsteen, Neil Young with Crazy Horse and more all feature in Uncut‘s July 2024 issue, in UK shops from May 24 or available to buy online now.

All print copies come with a free CD – Coast To Coast, featuring 15 tracks of the month’s best new music by John Cale, The Dirty Three, Linda Thompson, The Folk Implosion, John Grant, Cassandra Jenkins, Eiko Ishibashi, Bill MacKay and more

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INSIDE THIS MONTH’S UNCUT:

JONI MITCHELL: Hymning Hejira. A new box set brings Joni’s masterpiece back into focus. Friends and collaborators are on-hand to reveal its secrets while admirers – including The Weather Station, Weyes Blood, Allison Russell and Courtney Marie Andrews – celebrate its enduring magic

KRAFTWERK: As Autubahn turns 50, we explore the genesis of the Robots: free jazz, LSD and electronic flutes!

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STEVIE NICKS: With UK shows upcoming, this recently unearthed interview offers rare insights: her fear of computers, Mick Fleetwood’s jewellery and getting a talking-to from Tom Petty!

STEVE ALBINI: The iconoclastic music maker remembered by Jon Spencer, David Gedge and David Grubbs. Requiescat!

GRATEFUL DEAD: As Dead & Company prepare to take over the Sphere in Las Vegas, we chart the history of the Dead via 20 classic live shows – from the Acid Tests onwards

JOHN CALE: At 82, there’s no stopping Cale’s late-career hot streak. What motivates him? “Things are getting worse faster, but I’m going to fight by way through it.”

AROOJ AFTAB: The New York-based Pakistani artist continues to redefine the parameters of 21st century music with her unique and intoxicating blend of styles and traditions

AN AUDIENCE WITH… WARREN ELLIS: On Nick Cave, The Dirty Three, punching violins and the benefits of air fryers

THE MAKING OF “I WANT YOU” BY INSPIRAL CARPETS featuring MARK E SMITH: How the Madchester mainstays hooked up with a local legend… and all hell broke loose!

ALBUM BY ALBUM WITH BONNY LIGHT HORSEMAN: Anais Mitchell, Josh Kaufman and Eric D Johnson talk us through the best of their recorded highlights

MY LIFE IN MUSIC WITH SAMANTHA MORTON: The actor, director and now singer on her essential aural companions: “When you’re lonely, music becomes your friend”

REVIEWED: Paul Weller, Cassandra Jenkins, The Folk Implosion, Eiko Ishibashi, Dave Alvin and Jimmie Dale Gilmore, Cindy Lee, Madeleine Peyroux, Tom Verlaine, Animal Collective, Margo Guryan, Master Wilburn Burchette, Neil Young with Crazy Horse, Bruce Springsteen, The Beach Boys and more

PLUS: The Rolling Stones with Irma Thomas, back to school with Robyn Hitchcock, Josef K continue to fascinate, Dhani Harrison meets Tuvan throat singers Huun-Huur-Tu, introducing Ryan Davis & The Roadhouse Blues Band

CLICK TO GET THE NEW UNCUT DELIVERED TO YOUR DOOR

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NIKI announces massive 2024 and 2025 world tour

Indonesia-born California-based singer-songwriter NIKI has announced the dates for her massive ‘Buzz’ world tour – see the full list of dates below.

The tour – her biggest of her career so far – will span several months between 2024 and 2025, and will see the 88rising star perform across North America, Europe and the UK, Asia and Australia and New Zealand.

NIKI. Credit: Kevin Mazur/Getty Images

The North American leg of NIKI’s ‘Buzz’ tour will kick off on September 5 in Toronto and will conclude on October 19 in Vancouver. Pre-sale tickets go live at 10am local time today (May 15), with general tickets going on sale at 10am local time on Friday (May 17). You can buy your tickets here via Ticketmaster.

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The European and UK leg of the tour will consist of seven shows between late October and mid-November and will include concerts in Paris, Manchester, London and Dublin among others. Pre-sale tickets go live at 10am local time today (May 15), with general tickets going on sale at 10am local time on Friday (May 17). You can buy your tickets here via Ticketmaster.

Tickets to the Asia, Australia and New Zealand shows will go on sale at a currently unspecified date later this year.

NIKI’s ‘Buzz’ tour dates are:

NORTH AMERICA
SEPTEMBER 2024
05 – Budweiser Stage – Toronto, ON
07 – MGM Music Hall at Fenway – Boston, MA
08 – The Anthem – Washington, DC
12 – The Met – Philadelphia, PA
13 – SummerStage in Central Park – New York City, NY
16 – Skyla Credit Union Amphitheatre – Charlotte, NC
17- Coca-Cola Roxy – Atlanta, GA
19- 713 Music Hall – Houston, TX
20 – Moody Amphitheatre – Austin, TX
21 – Toyota Music Factory – Dallas, TX
25 – Byline Bank Aragon Ballroom – Chicago, IL
27 – The Armory – Minneapolis, MN
29 – Fillmore Auditorium – Denver, CO

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OCTOBER 2024
01 – The Union Event Center – Salt Lake City, UT
03 – Greek Theatre – Berkeley, CA 
08 – Arizona Financial Theatre – Phoenix, AZ
10 – The Chelsea – Las Vegas, NV
11 – Greek Theatre – Los Angeles, CA
14 – Cal Coast Credit Union Open Air Theatre – San Diego, CA
17 – Theater of the Clouds – Portland, OR
18 – WAMU Theater – Seattle, WA
19 – Rogers Arena – Vancouver, BC

EUROPE & THE UK
OCTOBER 2024
27 – La Madeleine – Brussels, BE
29 – Palladium – Cologne, DE

NOVEMBER 2024
01 – L’Olympia – Paris, FR
02 – Poppodium 013 – Rotterdam, NL
06 – O2 Apollo Manchester – Manchester, UK
07 – OVO Arena, Wembley – London, UK
10 – 3Olympia Theatre – Dublin, IE

ASIA
FEBRUARY 2025
09 – TBA – Hong Kong, HK
11 – TBA -Manila, PH
12 – TBA – Manila, PH
14 – TBA – Jakarta, ID
15 – TBA – Jakarta, ID
18 – TBA – Singapore, SG
20 – TBA – Taipei, TW
22 – TBA – Bangkok, TH
25 – TBA – Kuala Lumpur, MY
26 – TBA – Kuala Lumpur, MY

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AUSTRALIA & NEW ZEALAND
MARCH 2025
05 – TBA – Perth, AU
07 – TBA – Brisbane, AU
09 – TBA – Sydney, AU
13 – TBA – Melbourne, AU
15 – TBA – Auckland, NZ

The tour will be in support of NIKI’s anticipated third album, ‘Buzz’, which was announced earlier this month alongside the single ‘Too Much Of A Good Thing’. It is due for release via the Asian artist-centric label 88Rising on August 9. You can pre-order physical copies of the upcoming record or pre-save the album on streaming platforms here. A track list for the album has yet to be revealed at the time of publishing.

NIKI’s sophomore album ‘Nicole’ scored a four-star review upon its release in 2022, with Khyne Palumar writing for NME: “Though meant to confront a fickle partner who hesitates to act on love, the lyrics could just as well apply to NIKI’s relationship with music and the career choices she’s made so far. “In the end, we only regret the chances we didn’t take,” she sings. In recording and releasing ‘Nicole’ at least, taking what looks like a step back to move forward has paid off.”

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Rednex’s ‘Cotton Eye Joe’ smashes Youtube record

Rednex’s song ‘Cotton Eye Joe’ has inspired a viral event that has seen the band smash a YouTube record.

The band took to YouTube to announce that their music has received 3billion views in 26 days, thanks to a meme that reworks their hit. A sound called ‘Gedagedigedagedago’, which is a garbled version of the first lyric from ‘Cotton Eye Joe’, has spread across the social media platform with videos that have garnered millions of views using it. Danish singer Razi Irawani kicked off the trend in 2023, where his video went viral on TikTok.

However, the song went viral again this year thanks to a chicken nugget and wing singing the song, which has garnered 23million views. Since then, numerous other memes have developed with the chicken nugget – one video has created an animated series around the wing and nuggest, whilst another video speeds up the sound by 999 times.

Pat Reiniz – Rednex founder and ‘Cotten Eye Joe’ producer – said of the trend: “A paradigm shift is happening where we’re asking: how is music success best measured?

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“This event was created thanks to millions of video creators generating billions of fragmented plays of Rednex’s music, rather than as a result of the traditional way of listening. It will be a challenge for the music industry to reflect these various counts in charts and measurements and even poses the question, ‘Is the basic use and concept of music itself changing?’”

Previously, Adele‘s ‘Hello’ was the fastest song to hit 1billion views in just 87 days.

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Commenters have remarked upon the absurdity of the song’s renewed virality, with one user saying: “1994: banger. 2024: brainrot remake”. Another said “People in 1989 : we’ll have flying cars in the future. The future : a singing chicken nugget”, whilst one other user wrote: “These videos are soooo cursed but I can’t stop watching them”.

Previously, the band put themselves on sale on eBay back in 2009. Rednex put themselves on auction with a starting bid of over £1billion and said: “Buy your own pop band! For the first time in the history of the entertainment business there is a pop band for sale….And we don’t mean for sale as in, ‘Hire them for your next festival’. No, we mean completely for sale as in: it’s all yours!”

We tracked down what was happening to Rednex and countless other 90s one-hit wonders in this feature piece – check out where your favourites are here.

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Back To Black

It’s been 13 years since she died, but it often feels like Amy Winehouse never went away. The  details of her life, all the squalor and the glory, continue to be raked over in the tabloids. Every new British singer from Adele and Raye struggles to escape the long dark shadow of her towering beehive. And the content stream is never ending: after the legacy album editions, the books and Asif Kapadia‘s Oscar-winning documentary, we have, after a promotional campaign that seems to have lasted for most of 2024,  Sam Taylor-Johnson’s biopic, Back To Black.

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Let’s be clear: if you’re looking for dramatic insight into the raging soulstorm that fuelled her greatest music and tore her mind and body apart, you are barking up the wrong tree. If it isn’t quite the Hallmark version, Back To Black plays very safe with some very dark materials.

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But it may be impossible to make an entirely dull film about Amy Winehouse. There are hints of something interesting here. Marisa Abel, one moment looking like Dot Cotton’s dissolute daughter, the next like a young Streisand in a Ronnie Spector wig, is remarkable and her portrayal deserves a better script. The first third of the film, following the gobby, gloriously talented girl from Southgate through the training pens of the music industry, leading to a memorable encounter with Jonathan Ross, capture some of her defiant spark. The first encounter with Blake Fielder-Civil in a Camden boozer, where he’s inspired to heights of seductive patter over a pint at the pool table, hint at why Amy fell for him so hard.

The key scene in the movie might be late on, after another failed reconciliation with Blake, where Amy asks her dad to take her back to Soho for a visit to Ronnie Scott’s. She breathes in and sighs: “Pure intoxication.” Back To Black presents Winehouse as an artist in thrall, helpless before the power of a certain dark glamour – whether she finds it in her nan’s black and white photos of the 60s, the voice of Sarah Vaughan, the sound of the Shangri Las, a blond boy in a Fred Perry, or at the end of a crack pipe.

The film hints at these compulsions, but never really follow through. Back to Black ultimately feels like a film pathologically afraid of offending anyone – or more to the point, getting sued. Amy’s dad, Mitch, who felt so insulted by his portrayal in Kapadia’s 2015 documentary, is here portrayed by Eddie Marsan as a proud, loving and concerned dad. Fiedler-Civil, Amy’s seducer, tormentor, and grand passion, comes across as a kind of blond SuperHans – a diamond geezer who just happens to find crack very moreish.

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Arguably this is all a useful corrective to the twisted pantomime versions the tabloids have studiously curated over the years. But turning this life and this talent into a product so inoffensive seems contrary to the very essence of Amy Winehouse.

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Liam Gallagher John Squire Liam Gallagher John Squire

Imagine the Stone Roses with an immeasurably better singer modelled on Ian Brown, or Oasis with a dazzling lead guitarist. Liam Gallagher and John Squire have, and the resulting album plays to their strengths. Though coming almost out of the blue, it’s the most logical team-up among the remnants of Manchester’s old indie-rock imperium, currently awash with severed alliances searching for completion.

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Liam and Noel were a more extreme version of Morrissey and Marr’s sundering of stellar charisma and musical genius, with Liam’s songwriting vestigial when Oasis split in 2009, and Noel’s vocals reserved for sensitive, doubting songs Our Kid couldn’t sing. Innately cautious, Noel’s albums have nudged at the edges of Oasis’s formula, finding on last year’s Council Skies a sweet spot between middle-aged reflection on his Burnage past and canny Oasis-esque bangers. Liam also hinted at maturity on 2022’s C’mon You Know, but he’s generally been laser-focused on claiming Oasis’s essence and audience for himself, replaying Knebworth, and Definitely Maybe on June’s upcoming 30th-anniversary tour.

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Squire was more evenly partnered with Ian Brown in The Stone Roses, but has also proved dependent on his combustible singer for a mass audience the Seahorses couldn’t supply. His time since the Roses’ 2010s reunion has been self-sufficiently private, balancing visual art with family life’s quiet satisfactions. Liam’s invitation to guest on “Champagne Supernova” at Knebworth opportunely coincided with Squire’s renewed interest in guitars and songwriting. Liam followed up by specifically requesting guitar-heavy songs with Squire lyrics for this project.

This is therefore a Squire-centred record, demoed by him at his Macclesfield home studio while Liam emailed broad stokes of musical direction – the Pistols, Hendrix, Faces and Bee Gees. LA sessions were produced by Greg Kurstin (Adele, McCartney’s Egypt Station and much of Liam’s solo debut As You Were), who rounded out the band on bass and piano alongside drummer Joey Waronker. Squire wanted imperfections, “something slightly out of time, a bit sloppy”. Happily out of the star game for so long, his influence on a singer who has to be a star is key to their collaboration.

Opener “Raise Your Hands” suggests Liam is getting his Definitely Maybe tour prep in early, with a bouncy Britpop beat brightened by Squire’s gleaming jangle. Anthemic lyrics secrete a sardonic edge more innate to the Roses than today’s soft-spoken Squire lets on: “If revenge is all that really matters…/Raise your hands.” Liam’s vocal starts as he’ll continue, higher and therefore more vulnerable than usual, relaxed and kind, the cracked grain that usually channels punk gravel now aiding genuine warmth. Squire’s guitar counterpoints West Coast vocal harmonies, with a scratchy blues-rock solo meeting Kurstin’s barrelhouse piano on the fade.

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Where Liam’s solo albums provide aspects of his Lennon-worshipping yet sunny worldview, while often sounding written and recorded by committee, this duo debut is unmistakably authored. “Jesus Christ, about last night/I can only apologise,” “Mars To Liverpool” starts, before entering Northern psychedelic realms: “If your travel agent’s cool/Can anybody get me/From Mars to Liverpool?” Liam’s elasticating emphasis of “cool” and “pool” is almost worth the admission. The music, meanwhile, splices The La’s’ “There She Goes” and The Beatles’ “Here Comes The Sun”. The Fabs scoreboard elsewhere notches references to Wings’ “Let Me Roll It” and Plastic Ono Band’s heavy primal scream blues on “I’m A Wheel”, “I Feel Fine” on “Love You Forever”, “Getting Better” on “Make It Up As You Go Along”, and the phased guitars, pounding Revolver drums and lysergic effects of “Just Another Rainbow”. The latter’s five-and-a-half minutes has room for windmilling Who clamour too. Its lyric, Squire’s said, deals with “disappointment, and the sentiment that you never get what you really want”, disillusion Liam couldn’t concede on his own.  

The Roses helped legitimise looking back in UK rock, rehabilitating The Beatles for Oasis to fully ransack, yet “Fool’s Gold” also offered a tantalising dance-rock way forward. Oasis similarly developed their punk- and rave-inflected Beatlemania into the majesty of “Champagne Supernova”. Squire draws on this old ambition in “One Day At A Time”. “Welcome back to the land of the living,” he has Liam sing, “We’ve got so many people to be.” Suggesting both “I Am The Resurrection”’s skyscraping lift-off from working-class circumstance and Bowie-like possible persona, Squire twists into a vicious kiss-off: “I know you’re happy in your suburban trance/You should have fucked me when you had the chance.”

Though they each had one eye on the past, The Stone Roses put Squire’s guitar in a radical context, while Oasis’ white-noise clamour was a pioneering new sound made from familiar ingredients; by contrast, Liam Gallagher John Squire is an essentially conservative record of relaxed, early-’70s rock. If the tunes and attitude don’t grip as strongly as they did in either man’s era-bending pomp, both still sound better for getting together. With their regular partners perhaps permanently out of creative reach, this unheralded partnership has strong prospects.

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Listen to Liam Gallagher and John Squire’s huge collaborative single, ‘Just Another Rainbow’

Liam Gallagher and John Squire have shared their long-awaited debut collaborative single ‘Just Another Rainbow’ – check it out below.

Officially announced last month after months of teasing – with Gallagher hailing their upcoming record as “the best record since [The Beatles’] ‘Revolver’” – the first taster of the project from the former Oasis frontman and Stone Roses guitarist arrives today (January 5) in the form of the psychedelic lead single ‘Just Another Rainbow’.

Opening with a trademark floral but crunching Squires riff before Gallagher growls “I might have known this would be just another rainbow“, the track soon blooms into a ’60s-indebted psych track complete with a wailing and star-gazing guitar solo.

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NME‘s review of ‘Just Another Rainbow’ noted that the song’s “willingness to stretch out and groove is at odds with the pop-driven ‘C’Mon You Know’ [Gallagher’s 2022 solo album]” – as well as noting “hints of Cream in Squire’s performance and structures” and “even something of The Rolling Stones in the way Liam drawls: “just another rainbow, hanging over me / just another rainbow, dropping on my tree”.”

‘Just Another Rainbow’ comes ahead of what the duo promise as “more new music to follow as the year unfolds”. The single is available to pre-order on 7” vinyl here.

A video is on the way, but the duo have this week shared the below teaser trailer.

“To me the most obvious take on ‘Just Another Rainbow’ is that it’s about disappointment, and the sentiment is that you never get what you really want,” said Squire in a statement. “But I don’t like to explain songs, I think that’s the privilege of the listener, it’s whatever you want it to be. To me, it’s also one of the most uplifting tracks we’ve made together, which is weird.”

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While ‘Just Another Rainbow’ is the first taster of the long-mooted joint album, a press release from the Manchester indie legends has confirmed that “there will be much more new music to come – and there could well be shows, too”. Speaking of their collaboration, Gallagher hailed Squire as “a top songwriter”.

“Everyone always bangs on about him as a guitarist, but he’s a top songwriter too, man, no two ways about it as far as I’m concerned,” he said. “There’s not enough of his music out there, whether it’s with the Roses or himself. It’s good to see him back writing songs and fucking good ones.

“The melodies are mega and then the guitars are a given. But I think even when you take all the fucking guitars off, you can play the songs all on acoustic and they’ll all still blow your mind.”

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The first show that Gallagher ever attended was Stone Roses at the International 2 in Manchester when he was 16-years-old, with the pair meeting four years later Oasis and the Roses were both recording at Monmouth in Wales on what would become ‘Definitely Maybe’ and ‘The Second Coming’. Gallagher and Squire remained friends, later working together to write ‘Love Me and Leave Me’ the latter’s band The Seahorses, who also toured as guests to Oasis.

After the guitarist joined Gallagher onstage at Knebworth in 2022 to play on ‘Champagne Supernova’ – just as he did with Oasis in 1996 – Squire then sent over three songs which Gallagher dubbed “all mega” before they began writing in earnest and working remotely while citing Jimi Hendrix, Sex Pistols, The Faces, Bob Marley and The Bee Gees as influences.

The project then grew as Gallagher attended Squire’s studio in Macclesfield, before completing sessions in Los Angeles for three weeks of sessions with producer Greg Kurstin [Adele, Foo Fighters, Sia]. Kurstin also played bass on the record, while drums were provided by Beck, R.E.M. and Atoms For Peace drummer Joey Waronker.

While admitting that he’s “not involved in any way whatsoever”, former Oasis guitarist Paul ‘Bonehead’ Arthurs – who still plays live with Gallagher – recently revealed that he’s he’s heard the collaborative album in full.

“I’m not going to tell you anything. I’m going to keep you all in suspense,” he said. “I’m not gonna say it’s this, that or whatever, but I’ve heard it from start to finish, and I’ll keep you all going, ‘Go on, tell us, tell us, tell us’.”

Bonehead continued to explain that it wasn’t “for [him] to say” anything more about the record. “I shall leave it to the man himself,” he said, adding: “It’s very good.”

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Gallagher spoke of his long-held love for Stone Roses in his Firsts interview with NME, which you can watch above.

Asked about the first artists he ever fell in love with, Gallagher replied: “Our kid [Noel] was into The Smiths, but they were a little too early for me and a little too student-y, kind of – but the Roses were a bit more laddy. Not as laddy as us, but it felt a bit more right.”

He continued: “The first record I ever bought was The Stone Roses debut album. I know this is all sounding very cool and people won’t believe me, but it is – I’m just cool.”

Gallagher went on to explain how the first band t-shirt and CD he ever owned were by Stone Roses as he was “obsessed with them” after they were also his first gig. “It blew my mind,” he said of that show at Manchester International 2 in 1988, “and that was when I wanted to join a band.”

Liam Gallagher and John Squire
Liam Gallagher and John Squire Credit: Tom Oxley

Last month, Gallagher led fans into the announcement by hailing his collaborator as “without a doubt the best guitarist of his generation and in the world in my opinion” before Squire returned the favour by calling him “one of the all time great rock and roll voices. I put him in the same class as Dylan, Lennon, Jagger and Rotten.”

Squire has been working as a celebrated visual artist away from his work with Stone Roses, who split once again after their final gig in Glasgow in 2017. The Stone Roses initially reformed in 2011, after their first split in 1996. In 2016, they release two singles with ‘All For One‘ and ‘Beautiful Thing‘.

Gallagher will be hitting the road in 2024 to celebrate the 20th anniversary of Oasis’ seminal debut ‘Definitely Maybe‘.

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Last minute gift guide for gig lovers

A paid for ad feature with viagogo.

It’s almost Christmas and for many, that means a last minute panic as they try and find the perfect present. Gift vouchers are fine, socks are useful but overdone and the less said about shower gel gift sets the better. Instead, why not give the present of a great night out this Christmas?

From huge stadium gigs through the bombast of live theatre to the dizzying excitement of watching your favourite new band dominate the stage of a small venue, tickets really do make the best gifts. With that in mind, we’ve created the ultimate last minute gift guide to help see you through this festive period. And hey, there’s no harm in buying an extra ticket for yourself either. It is your Christmas too.

The mosher

Patrick Stump, Pete Wentz, Andy Hurley, and Joe Trohman of Fall Out Boy perform live
Fall Out Boy perform on their ‘So Much (For) Stardust’ tour. CREDIT: Elliott Ingham
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Rock & roll is back in the mainstream thanks to TikTok and a new generation of artists rediscovering the raw power of the electric guitar. Whether you’re buying for a lifelong rock fan, or someone who’s just discovered Metallica’s ‘Enter Sandman’, you can’t go wrong with a ticket to Download Festival. Taking place over three days in June, the weekender will play host to living legends (Fall Out Boy, The Offspring) alongside a new crop of greats including HotWax, Scowl and Wargasm.

Fans can buy and sell tickets for Download Festival at global marketplace, viagogo here.

If you want something more ferocious though, Slipknot have announced a 25th anniversary tour for their debut self-titled album, taking place at the end of 2024.

Fans can buy and sell tickets for Slipknot at global marketplace, viagogo here.

The hip-hop head

Teezo Touchdown
Teezo Touchdown. Credit: Renae “IIRONIC” Wootson.

None of hip-hop’s big names have confirmed plans for next year yet but your favourite rapper’s favourite rapper has announced a UK tour. Fresh from releasing debut album ‘How Do You Sleep At Night?’, Teezo Touchdown is heading out on his first proper headline run. With co-signs from Drake, Tyler, The Creator and Travis Scott, Teezo creates what he calls “rock & boom” and looks set to become the next big thing in the scene.

Fans can buy and sell tickets for Teezo Touchdown at global marketplace, viagogo here.

Alternatively, Frank Ocean has just released a range of new merch alongside a repress of ‘Blonde’.

The pop lover

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Girls Aloud
Girls Aloud – CREDIT: Getty Images

It’s been a huge year for pop music, with massive tours from Beyoncé, Madonna and Sam Smith. Somehow, 2024 will be even bigger. We’ve already had the return of Dua Lipa confirmed and Taylor Swift’s huge ‘Eras’ tour is finally touching down in Europe. Girls Aloud have also announced their long-awaited return, with a sprawling headline tour that just keeps getting bigger. Promising to play all the greatest hits alongside their own favourites, it’s set to be an emotional, joyful evening.

Fans can buy and sell tickets for Girls Aloud at global marketplace, viagogo here.

Alternatively, why not pick up a vinyl copy of Dua Lipa’s banging new single ‘Houdini’ on vinyl.

The dancing queen

ABBA Voyage
ABBA Voyage at the ABBA Arena in London. CREDIT: ABBA Voyage

If you want a great night out, you can’t go wrong with the music of ABBA. Now, while the band aren’t actually touring, the impressive ABBA Voyage is the next best thing as it brings together cutting edge tech with those timeless songs. Alternatively, the musical Mamma Mia! continues to go from strength to strength in London’s West End.

Fans can buy and sell tickets for London’s West End at global marketplace, viagogo here and Abba Voyage here

The person who just wants a fun night out

Sophie Ellis-Bextor at Glastonbury 2023. Credit: Joseph Okpako/WireImage

Sometimes, you just want the adult version of a sugar-fuelled school disco. Luckily, Nile Rodgers & Chic are touring in 2024 and they’re bringing party-starting queen Sophie Ellis-Bextor with them. If you’ve seen her showstopping Glasto 2023 performance or heard about Chic’s feel-good dance blowout, you know this is going to be a night to remember.

Fans can buy and sell tickets for Nile Rodgers at global marketplace, viagogo here.

Alternatively, Moulin Rouge is currently playing on the West End, featuring tracks from the likes of Adele, Katy Perry and Rihanna.

Fans can buy and sell tickets for London’s West End at global marketplace, viagogo here

The ‘music was better in my day’ fan

Liam Gallagher
Liam Gallagher (Photo by Sergione Infuso/Corbis via Getty Images)

Not everyone likes new music and that’s fine. There’s something comforting about going to a gig, and knowing you’re going to know all the words as you’re transported back to a time where, in your humble opinion, music was better. No gig next year is going to be as chaotically wonderful as Liam Gallagher’s 30th anniversary tour for Oasis’ classic album ‘Definitely, Maybe’. He’s even promising not to play any of his solo material.

Fans can buy and sell tickets for Liam Gallagher at global marketplace, viagogo here.

Alternatively, why not pick up a vinyl player to relive the glory days.

The hit lover

The Killers, live in Vegas, 2023. Credit: Chris Phelps
The Killers, live in Vegas, 2023. Credit: Chris Phelps

Some music lovers can’t resist a deep dive into the carefully curated world of an album. Others are just here for the hits, and next year The Killers are heading out on a massive UK headline tour in support of their second greatest hits album ‘Rebel Diamonds’, which features one song from every year they’ve been a band. As you can imagine, that setlist is going to be wall-to-wall bangers.

Fans can buy and sell tickets for The Killers at global marketplace, viagogo here.

Additionally, why not get some earplugs so they a) don’t damage their hearing and b) can’t hear how out of tune their neighbour is singing along to ‘Mr Brightside’

The humble bragger

The Last Dinner Party
The Last Dinner Party CREDIT: Cal McIntyre

Got a friend who can’t help but tell you that they saw an artist before they got massive? Well, why not help them out with tickets to see The Last Dinner Party on their upcoming UK and European headline tour. From the moment they released their first single ‘Nothing Matters’, the band have been known as the most exciting thing in indie and with their debut album finally coming out in February, their next headline tour is going to be a real  ‘I was there’ moment.

Fans can buy and sell tickets for The Last Dinner Party at global marketplace, viagogo here.

Alternatively, why not buy them tickets to a gig at your local grassroots venue. Not only will you be supporting a scene that can’t help but create greatness, but you could discover something wonderful.

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Laufey announces biggest UK headline show to date at London’s Royal Albert Hall

Laufey has announced details of a UK headline show, taking place at the Royal Albert Hall in London. Find ticket information below.

The tour is just one of the many stops that the Grammy-nominated Icelandic-Chinese artist, composer, producer and multi-instrumentalist will embark on for 2024, and will be her biggest headline show to date in the UK.

Set to take place on May 16, the concert will be a career-defining moment for the singer and comes in celebration of her latest LP ‘Bewitched’ – which arrived back in September and later broke the record as the biggest-ever debut for a jazz album on Spotify.

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The new dates follow Laufey’s completely sold-out North American tour this autumn and her UK/European tour next February and March. It also includes an extensive run of North American dates that will run between April and May.

“It’s such an honour to play at Royal Albert Hall,” said Laufey of the new announcement. “It’s one of those venues that has historically brought different musical worlds together, which I strive to do as a musician.”

Tickets for all newly announced shows will go on sale this Friday (December 8) at 10am local time. Visit here for tickets to UK shows and here for tickets to US dates. Additionally, look below for a full run of upcoming shows.

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Laufey’s 2024 tour dates are:

FEBRUARY
10—Dublin, Ireland—The Academy (Matinee) SOLD OUT
11—Glasgow, Scotland—SWG3 Galvanizers SOLD OUT
14—Manchester, UK—Albert Hall SOLD OUT
15—London, UK—EartH SOLD OUT
16—London, UK—EartH SOLD OUT
17—London, UK—EartH SOLD OUT
20—Paris, France—Le Trianon SOLD OUT
21—Brussels, Belgium—La Madeleine SOLD OUT
23—Hamburg, Germany—Grosse Freiheit 36 SOLD OUT
25—Stockholm, Sweden—Nalen SOLD OUT
26—Copenhagen, Denmark—Vega SOLD OUT
27—Berlin, Germany—Astra Kulturhaus SOLD OUT
29—Milan, Italy—Magazzini Generali SOLD OUT

MARCH
3—Lausanne, Switzerland—Les Docks SOLD OUT
5—Cologne, Germany—Carlswerk Victoria SOLD OUT
6—Amsterdam, Netherlands—Melkweg SOLD OUT
9—Reykjavík, Iceland—Eldborg Harpa SOLD OUT
10—Reykjavík, Iceland—Eldborg Harpa SOLD OUT
13—London, UK—Roundhouse SOLD OUT

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APRIL
8—Vancouver, BC—Queen Elizabeth Theatre
9—Seattle, WA—Paramount Theatre
12—San Francisco, CA—Masonic Theatre
13—San Francisco, CA—Masonic Theatre
15—Phoenix, AZ—Arizona Financial Theatre
18—Dallas, TX—Winspear Opera House
19—Austin, TX—Bass Concert Hall
20—Houston, TX—713 Music Hall
22—Atlanta, GA—The Tabernacle
23—Nashville, TN—Ryman Auditorium
25—Washington, DC—The Anthem
28—Chicago, IL—Chicago Theatre
30—Toronto, ON—Massey Hall

MAY
3—New York, NY—Radio City Music Hall
6—Philadelphia, PA—The Met
7—Boston, MA—Wang Theatre
16—London, UK—Royal Albert Hall

JUNE
25—Pittsburgh PA—Heinz Hall for the Performing Arts (with Pittsburgh Symphony Orchestra)
29—Montreal, QC—Montreal International Jazz Festival

AUGUST
7—Los Angeles, CA (TBA)

As well as breaking the Spotify record for the biggest debut of a jazz album, ‘Bewitched’ also debuted at #2 on Spotify’s Global and U.S. Album Charts and was nominated for “Best Traditional Pop Vocal Album” at the 2024 GRAMMY Awards.

The hit single ‘From The Start’ is now RIAA-certified GOLD in the US, Australia and Canada, and the LP followed on from her 2022 debut album ‘Everything I Know About Love’.

As well as turning heads with the release of ‘Bewitched’, Laufey is also the cover star for the latest edition of NME. She follows on from the two previous issues, which featured d4vd and ENHYPEN on the cover, and the November/December 2023 issue is now available exclusively at retailer Dawsons.

Laufey 2023 NME The Cover
Laufey on The Cover of NME. Credit: Eva Pentel for NME

She also spoke to NME earlier this year, recalling the inspiration behind her lyrics in ‘Bewitched’. “Love and relationships became this really curious thing to me, because I entered into it so late that it went from nothing to something in like a night,” she said. “I remember thinking to myself, ‘Everybody goes through this?’”

She also recalled how she moved away from a perfectionist mindset to create the album, stating: “You have to learn to unlearn, I am a true believer in that… I’m breaking so many rules every single day, and I think that’s where you make good music.”

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Ellie Goulding announces intimate orchestral show at London’s Royal Albert Hall

Ellie Goulding has announced an orchestral show at London’s Royal Albert Hall with the Royal Philharmonic Concert Orchestra. 

The multi-platinum singer will take over the Royal Albert Hall with the orchestra on April 11, 2024, to perform classical rearrangements of tracks from her back catalogue, including cuts from her latest album, ‘Higher Than Heaven’, which she released in April. Tickets for the event will be available from December 8 at 9AM, via Live Nation.

Goulding initially teased ‘Higher Than Heaven’ by calling it her “least personal” release yet in an interview. “In the best possible way, this album wasn’t taken from personal experiences, and it was such a relief and really refreshing to not be sitting in the studio going through all the things that happened to me and affected me,” she said.

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“It’s the least personal album, but I think it’s the best album because I got to just explore other things about myself. I just really, really enjoy writing, really enjoy being a singer.”

‘Higher Than Heaven’ features the singles ‘Let It Die’, Julia Michaels co-write ‘Easy Lover’, and her collaboration with Alok and Sigala, ‘All By Myself’. Following its release, Goulding tied with Adele as the British female solo artist with the most number one albums to her name.

It earned a four-star review from NME, with Nick Levine praising the strength of Goulding’s songwriting despite her absence from the charts. “But whether it yields chart hits or not, Goulding’s fifth album still shimmers with the confidence of a consummate professional,” Levine wrote. “‘Higher Than Heaven’ may not be strictly personal, but it definitely sounds like an album crafted with care, skill and no small amount of flair.”

In September, Goulding’s collaboration with Calvin Harris, ‘Miracle’, was named the second-highest streamed single in the UK over the summer, behind Dave’s and Central Cee’s joint single, ‘Sprinter’. The track, which was released in March, marks the third collaboration between Goulding and Harris, following 2012’s ‘I Need Your Love’ and 2014’s ‘Outside’, and spent eight weeks on the number one spot in the UK.

In August, the 36-year-old was caught in an accident while performing at Victorious Festival in Portsmouth, wherein a firework was launched at the wrong time while performing ‘Miracle’, and hit her. In footage of the incident, she was seen screaming and covering her face upon the firework’s impact, before continuing to sing.

She later assured fans through a statement posted to Instagram after the incident, writing: “To those asking I am ok! Pyro didn’t hit me directly in the face. Face is intact. Love you thank you x.”

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‘Friends’ cast “working on a joint statement” about late co-star Matthew Perry

The cast of Friends are reportedly working on a joint statement following Matthew Perry’s death.

Perry, who was best known for his role as Chandler Bing in the long running sitcom, died on Saturday (October 28) aged 54 and was reportedly found unresponsive due to a suspected drowning. Authorities have said no foul play was involved, and no drugs were found at the scene.

His former co-stars including Jennifer Aniston, Matt Le Blanc, David Schwimmer, Courtney Cox and Lisa Kudrow are yet to officially comment on his death although reports suggest that the latter was considering adopting his dog.

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Showbiz correspondent Kinsey Schofield told GB News this morning (October 30) that the cast are set to release a joint statement in the coming days.

“New information is that the core cast of Friends is currently working on a joint statement they can release. According to sources they are reeling about the death of Matthew Perry, they say that he was their brother, and that they fiercely protected him through some of his toughest times.

Matthew Perry. CREDIT: Michael Buckner/Getty

“They believe that this is incredibly unfair, according to one of Lisa Kudrow’s friends, and no one saw this coming because they felt like he was in a really good place that he had one of his best years.”

It comes after the creators of Friends, Marta Kauffman and David Crane issued a statement paying tribute to the late actor following his death.

“We are shocked and deeply, deeply saddened by our beloved friend Matthew’s passing. It still seems impossible. All we can say is that we feel blessed to have had him as part of our lives,” they wrote [via Deadline].

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A host of stars have paid tribute to Perry as have fans who have been laying flowers outside the New York apartment building that frequently appeared in Friends.

Elsewhere, Perry’s last interview before his death has also resurfaced, in which he gave advice to people struggling with addiction.

Last night (October 29), Charlie Puth was among the names who paid tribute to the actor. The moment came during his concert in Melbourne, when he performed a piano version of the iconic Friends theme tune ‘I’ll Be There For You’. Elsewhere, Adele also paid her respects at a recent concert in Las Vegas over the weekend.

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Laufey’s album ‘Bewitched’ breaks records and makes history

Laufey‘s new album ‘Bewitched’ has broken numerous records since it was released last month.

The album broke a record on Spotify, recording the biggest first day for a jazz album on the streamer in history.

It also debuted at Number 23 on the all-genre Billboard 200, marking Laufey’s first appearance on the chart, and is still comfortably sitting in the top 100 almost a month on from release.

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The album’s lead single ‘From The Start’ also proved massively successful, clocking up 1 million streams in less than 24 hours upon release and gaining a further 1.75million streams a day since. With that, it has become, currently, the most-streamed jazz song in the world.

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Speaking to NME The Cover earlier this year, Laufey explained why she was drawn to explore ideas about love, relationships and romanticising one’s own life on the album.

““I think love makes everyone really silly,” Laufey says. “I remember the first time I went on a date, we had a glass of wine and we kissed and then I left in the rain, and I remember thinking, ‘Oh my god, it’s really like the movies!’”

In a five-star review of ‘Bewitched’, NME wrote: “Claiming space with her take on the music of classical legends of years gone by mixed with something more modern, up on that stage is where Laufey’s destined to be.”

Laufey is set to tour the UK and Europe in 2024. Tickets for the UK shows can be found here, while ticketing for dates in other countries can be accessed here.

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FEBRUARY
Saturday 10 – Dublin, The Academy
Monday 12 – Glasgow, Saint Luke’s
Wednesday 14 – Manchester, Albert Hall
Thursday 15, Friday 16 and Saturday 17 – London, EartH
Tuesday 20 – Paris, Le Trabendo
Wednesday 21 – Brussels, La Madeleine
Friday 23 – Hamburg, Gruenspan
Monday 26 – Copenhagen, Vega
Tuesday 27 – Berlin, Heimathafen Neukolin
Thursday 29 – Milan, Magazzini Generali

MARCH
Sunday 3 – Lausanne, Les Docks
Tuesday 5 – Cologne, Bürgerhaus Stoilwerck
Wednesday 6 – Amsterdam, Melkweg
Saturday 9 – Reykjavík, Eldborg Concert Hall

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Eurythmics’ Dave Stewart and Lou Reed had to convince Damien Hirst not to chop off his hands for an art project

Eurythmics’ Dave Stewart has revealed he and Lou Reed once had to convince Damien Hirst not to chop off his hands for an art project.

Stewart told the story as part of an interview for NME’s Does Rock N’Roll Kill Braincells? series, shortly after he was asked which comedian had played him in a ’90s Rock Profile sketch.

“He wanted to have his hands chopped off and then stitched back on by a surgeon in Mexico, while filming it as an art piece,” Stewart said. “He seemed dead-serious but myself and Lou Reed were trying to convince him: ‘No, this isn’t a good idea. This could go badly!’ [Laughs]. That was when we were all reasonably inebriated in The Village in New York. Thank god he didn’t do it!”

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Elsewhere in the interview, Stewart is quizzed over which country Shakespear’s Sister’s hit ‘Stay’, which he co-wrote, was banned in and who played his escorts in the video for Eurythmics’ ‘Who’s That Girl?’

Dave Stewart of Eurythmics
Dave Stewart of Eurythmics performs onstage during the 37th Annual Rock & Roll Hall of Fame Induction Ceremony at Microsoft Theater on November 5, 2022 in Los Angeles CREDIT: Amy Sussman/WireImage

Stewart recently paid tribute to his late mentee Faye Fantarrow, who died last month at the age of 21 from a rare and aggressive glioma brain tumour.

He attended her funeral, which took place last week, and told BBC News afterwards that she was “the strongest person I know”.

“She was brilliantly talented, wrote songs one after the other, they were so great, she was full of joy and laughter,” he added.

Earlier this month, he announced a UK and European tour in which he is set to  hit the road with an female band for a series of shows which will mark 40 years since Eurythmics’ breakthrough album ‘Sweet Dreams (Are Made of This)’.

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It comes after Stewart previously played a one-off show at the London’s Royal Festival Hall in 2019 featuring the band’s greatest songs, with the blessing of Annie Lennox, who no longer tours.

The full list of dates are below and tickets can be purchased here.

NOVEMBER

7 – Baloise, Switzerland
10 – Sunderland Empire
13 – Salle Pleyel, Paris
14 – La Madeleine, Brussels
15 – Mitsubishi Electric Halle, Dusseldorf
17 – London Palladium
25 – Konzerthaus, Vienna
26 – Jahrhunderthalle, Frankfurt
27 – Potsdamer Platz, Berlin
28 – Vredenburg, Utrecht

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Michael Gambon fans are remembering his sweary acceptance speech from the 1990s

Fans of Sir Michael Gambon are taking to social media to pay tribute to the late actor whose death was announced this afternoon.

READ MORE: Sir Michael Gambon dies, aged 82

A prolific star of stage and screen, his career spanned six decades, with his portrayal of wizard Albus Dumbledore in the Harry Potter series, from the third instalment onwards, solidifying his stardom and popularity across generations.

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One particular video of the late actor has been circulating Twitter this afternoon. It features Gambon accepting an award at the Evening Standard Awards in 1995.

In the video, Gambon is seen walking up to the stage to accept his second Evening Standard Award for Best Actor for his titular role in comedy Volpone from that year, his first being in 1987 for his portrayal of tragic protagonist Eddie Carbone in A View From The Bridge. He politely greets his future Harry Potter co-star, Dame Maggie Smith, with a kiss on the cheek, before amusing the audience with a simple and honest “Fuck me.”

One Twitter user tweeted the video with the caption, “This remains the single best way to react to getting an award. Sleep well Gambon. X”

Michael Gambon
Michael Gambon attends ‘Dad’s Army’ World Premiere in 2016 in London, United Kingdom. CREDIT: Photo by Mark Cuthbert/UK Press via Getty Images

Fans have continued to share the clip today as they learn the news of Gambon’s death. “Oh that’s just perfect!” said one, while another said, “I think he was my favourite swearer. Very sad to hear he’s gone.”

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Another user paid further tribute to the actor’s skill and talent, with the tweet reading, “I once saw Simon Russell Beale interviewed at the National Theatre. SRB had been in Volpone with Gambon. The interviewer said, ‘When you’re working with an actor like, say, Michael Gambon – ‘ SRB interrupted- ‘There is no actor like Michael Gambon’.”

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Ayri Teases Upcoming Album Including Recent Single “Shake”

One of the rising stars of the Latin Pop scene, Ayri, has dropped her latest "Shake," a love elixir that effortlessly blends dance, passion, and excitement. She has crafted a musical journey that uplifts listeners, encouraging them to let go of negativity and embrace the rhythm and celebration. The US-based singer presents a lively and energetic track that reflects her unique style, diverse musical influences, and radiates pure joy, serving as the perfect mood-booster for those seeking a brighter day.

In the lyrics, Ayri radiates confidence as she boldly declares her love, “Been around the world boy and I’ve been back again/ Knew we would be lovers before we ever met/ Had my eyes set on you/ You got a hold on me/ Lock me in your arms now/ I don’t want to be free.”  She showcases her impeccable vocal skills, singing, "I can’t just shake you boy ya boy ya so deep/ Can’t shake you all in my dreams/ Wouldn’t wanna be away too long cause I need/ Wanna shake/ Wanna shake."

During a recent interview, Ayri unveiled the captivating themes and melodies that will define her highly anticipated upcoming album, saying: “Our highly skilled team excels at creating unique and innovative sounds that will keep fans' positive hearts pumping. We are continuously fusing different musical styles with new instruments to deliver fresh beats that excite and inspire. Maintaining authenticity is paramount in our music; therefore, we only sing about topics we believe in and feel an emotional responsibility towards our audience.”

She added: “It is essential for an artist to represent themselves authentically through their music to maintain their credibility with their fans. My goal is for my music to become a tool for women to seduce any man they desire, while also serving as an attractive and sensual anthem that allows them to shake off negative emotions and embrace positivity. I aim to create an irresistible "love cocktail" or "love machine" that blends dance, passion, and fun.”

Ayri finds her creative spark in rich global rhythms and melodies, drawing inspiration from Latin America, the Middle East, and Africa. Her musical influences span across renowned contemporary icons such as Madonna, Michael Jackson, Rihanna, Adele, and Selena Gomez. The upcoming album promises not only the already released hits "Shake," "La La La (Luv U)," and "Distance," but also an exciting lineup of epic new singles.

Listen to “Shake” below:

Watch the music video here:

https://www.youtube.com/embed/ZSK_X_2gzHg
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Beyoncé and Jay-Z are tied for most Grammy nominations of all time

Jay-Z is now tied with Beyoncé for the most nominations in Grammy history, having clocked up 88 nods in total each.

  • READ MORE: Grammys nominations 2023: Beyoncé, Kendrick Lamar, Adele and Harry Styles score the most nods

Both acts picked up a significant amount of nods yesterday (November 15) for the 2023 Grammys with the former picking up five nominations and the latter picking up nine nods including Record Of The Year and Album Of The Year for ‘Renaissance’.

As a result, both are now tied on 88 nominations since their careers began.

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They are closely followed by Paul McCartney, who has 81 nominations overall and Quincy Jones who has 80.

Beyoncé, Kendrick Lamare, Adele and Harry Styles lead the way in the 2023 Grammy nominations CREDIT: Getty

As well as Beyoncé, Kendrick Lamar scored eight Grammy nominations, Adele picked up seven while Future, Harry Styles, Mary J. Blige and DJ Khaled each scored six nods.

Notably, the 2023 Grammy Awards will be the first time Beyoncé and Adele will go head-to-head for Record, Album and Song Of The Year since 2017, when Adele swept all three categories.

Meanwhile, both Wet Leg and Måneskin were both nominated in the Best New Artist category. You can view the full list of nominations here.

The winners are set to be announced at the 65th Grammy Awards ceremony on February 5, 2023.

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Elsewhere, Denzel Curry has criticised the 2023 Grammy nominations, taking particular aim at the Recording Academy’s list of Best Rap Album nominees.

Taylor Swift meanwhile, said she could “scream for 10 minutes straight” following her Grammy nomination for Song Of The Year for the 10 minute re-recorded version of ‘All Too Well’.

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Taylor Swift says she could “scream for 10 minutes straight” following Grammys 2023 nomination

Taylor Swift has said she could “scream for 10 minutes straight” following her Grammy nomination for Song Of The Year.

The singer-songwriter’s 10 minute re-recorded version of ‘All Too Well’ appears in the aforementioned category along with the likes of Adele (‘Easy On Me’), Beyoncé (‘Break My Soul’) and Harry Styles (‘As It Was’).

  • READ MORE: Taylor Swift’s ‘All Too Well’ short film highlights the emotional power of her storytelling

Despite having achieved 11 Grammy wins over the course of her career, Swift hasn’t yet bagged the Song Of The Year award.

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Last night (November 15), the star took to Instagram Stories to react to the nod after the full list of nominees for next year’s ceremony was announced.

“So many reasons to lose my damn mind today but… All Too Well 10 is the song I’m the most proud of, out of anything I’ve written,” Swift began.

“The fact that it’s nominated for Song of the Year at the Grammys, an award I’ve never won, that honours the songwriting… it’s momentous and surreal.”

She continued: “Just got off the phone with [Liz Rose], my co writer on ATW, and reminisced about how we started writing together when I was 14. She believed in me then and we are nominated together now. It’s just so cute I can’t cope.

Taylor Swift's Instagram Stories statement following Grammys 2023 nomination
CREDIT: Taylor Swift/ Instagram Stories

“I want to ramble about the magic and mystery of time and fate and reclaiming my art but instead I think I’ll go scream for ten minutes straight. And think about how this wouldn’t have happened without you.”

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Swift posted the message alongside a snippet of the ‘All Too Well’ short film, which is up for the Best Music Video award. The emotional clip stars Sadie Sink (Stranger Things) and Dylan O’Brien (Maze Runner).

The 65th Grammy Awards ceremony is scheduled to take place at the Crypto.com Arena in Los Angeles on February 5, 2023.

Last Sunday (November 13), Swift took home the Best Video award at the MTV EMAs 2022 for ‘All Too Well (10 Minute Version)’. She also picked up the statues for Best Artist, Best Pop and Best Longform Video (‘All Too Well’).

Taylor Swift released her 10th studio album ‘Midnights’ on October 2021. The singer is set to embark on her North American ‘Eras Tour’ in March.

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Here are all the winners from the MTV EMAs 2022

The ceremony for this year’s MTV Europe Music Awards was held yesterday (November 13), with the night’s biggest winners being Taylor Swift, Nicki Minaj, David Guetta, Seventeen and Blackpink.

  • READ MORE: Taylor Swift – ‘Midnights’ review: a shimmering return to pure pop

Swift dominated her competition, winning four of the five awards she was nominated for: Best Artist, Best Pop, Best Video and Best Longform Video (earning the latter two for her short film All Too Well). She was also nominated for the Biggest Fans award, but lost out to BTS. That was the only title that the K-Pop megastars took out, but they led the list of overall nominees, earning a total of seven nods.

Minaj, Seventeen and David Guetta each took home two awards, with Minaj winning Best Song (for ‘Super Freaky Girl’) and Best Hip-Hop, Guetta winning Best Electronic and Best Collaboration (for his Bebe Rexha joint ‘I’m Good’) and Seventeen winning Best Push and Best New.

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Blackpink, on the other hand, scored two awards on a technicality. The group themselves took out the title for Best Metaverse Performance (for their PUBG concert ‘The Virtual’), while Lisa won the Best K-Pop award; notably, both Lisa and Blackpink were nominated for the latter.

Elsewhere, Chlöe took out the Best R&B award, Muse took out Best Rock, Gorillaz took out Best Alternative and Anitta took out Best Latin, while Sam Smith won the Video For Good award (for their Kim Petras joint ‘Unholy’) and Harry Styles earned the gong for Best Live.

The full list of MTV VMAs 2022 winners is: 

BEST SONG
Bad Bunny, Chencho Corleone – ‘Me Porto Bonito’
Harry Styles – ‘As It Was’
Jack Harlow – ‘First Class’
Lizzo – ‘About Damn Time’
Nicki Minaj – ‘Super Freaky Girl’ // WINNER
Rosalía – ‘Despechá’

BEST VIDEO
Blackpink – ‘Pink Venom’
Doja Cat – ‘Woman’
Harry Styles – ‘As It Was’
Kendrick Lamar – ‘The Heart Part 5’
Nicki Minaj – ‘Super Freaky Girl’
Taylor Swift – ‘All Too Well (10 Minute Version) (Taylor’s Version)’ // WINNER

BEST ARTIST
Adele
Beyoncé
Harry Styles
Nicki Minaj
Rosalía
Taylor Swift // WINNER

BEST COLLABORATION
Bad Bunny, Chencho Corleone – ‘Me Porto Bonito’
David Guetta, Bebe Rexha – ‘I’m Good (Blue)’ // WINNER
DJ Khaled ft. Drake & Lil Baby – ‘Staying Alive’
Megan Thee Stallion, Dua Lipa – ‘Sweetest Pie’
Post Malone, Doja Cat – ‘I Like You (A Happier Song)’
Shakira, Rauw Alejandro – ‘Te Felicito’
Tiësto, Ava Max – ‘The Motto’

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BEST LIVE
Coldplay
Ed Sheeran
Harry Styles // WINNER
Kendrick Lamar
Lady Gaga
The Weeknd

BEST POP
Billie Eilish
Doja Cat
Ed Sheeran
Harry Styles
Lizzo
Taylor Swift // WINNER

BEST NEW
Baby Keem
Dove Cameron
Gayle
Seventeen // WINNER
Stephen Sanchez
Tems

BEST K-POP
Blackpink
BTS
Itzy

Lisa // WINNER
Seventeen
Twice

BEST LATIN
Anitta // WINNER
Bad Bunny
Becky G
J Balvin
Rosalía
Shakira

BEST ELECTRONIC
Calvin Harris
David Guetta // WINNER
DJ Snake
Marshmello
Swedish House Mafia
Tiësto

BEST HIP-HOP
Drake
Future
Jack Harlow
Kendrick Lamar
Lil Baby
Megan Thee Stallion
Nicki Minaj // WINNER

BEST ROCK
Foo Fighters
Liam Gallagher
Måneskin
Muse // WINNER
Red Hot Chili Peppers
The Killers

BEST ALTERNATIVE
Gorillaz // WINNER
Imagine Dragons
Panic! At The Disco
Tame Impala
Twenty One Pilots
Yungblud

BEST R&B
Chlöe // WINNER
Givēon
H.E.R.
Khalid
Summer Walker
SZA

BEST LONGFORM VIDEO
Foo Fighters – Studio 666
Rosalía – ‘Motomami’ (Rosalía TikTok Live Performance)
Stormzy – ‘Mel Made Me Do It’
Taylor Hawkins Tribute concert, Wembley Stadium, London
Taylor Swift – ‘All Too Well (10 Minute Version) (Taylor’s Version)’ // WINNER

VIDEO FOR GOOD
Ed Sheeran ft. Lil Baby – ‘2step’
Kendrick Lamar – ‘The Heart Part 5’
Latto – ‘Pussy’
Lizzo – ‘About Damn Time’
Sam Smith ft. Kim Petras – ‘Unholy’ // WINNER
Stromae – ‘Fils de joie’

BIGGEST FANS
Blackpink
BTS // WINNER
Harry Styles
Lady Gaga
Nicki Minaj
Taylor Swift

BEST PUSH
Doechii
Gayle
JVKE
Mae Muller
Muni Long
Nessa Barrett
Omar Apollo
Saucy Santana
Seventeen // WINNER
Shenseea
Stephen Sanchez
Wet Leg

BEST METAVERSE PERFORMANCE
Blackpink – The Virtual (PUBG) // WINNER
BTS (Minecraft)
Charli XCX (Roblox)
Justin Bieber – An Interactive Virtual Experience (Wave)
Twenty One Pilots – Concert Experience (Roblox)

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Gorillaz share ‘Baby Queen’, inspired by a stagediving Thai princess

Gorillaz have shared another preview of their new album – listen to the woozy ‘Baby Queen’ below.

  • READ MORE: ‘Gorillaz’ at 20: how Damon Albarn’s virtual band shaped music history

The cartoon band will release new album ‘Cracker Island’ on February 24, 2023 via Parlophone (pre-order here) and announced the record recently by sharing latest single ‘New Gold’, featuring Tame Impala and Bootie Brown.

‘Baby Queen’, the latest preview of the record, was inspired by a Blur gig from 1997 which was attended by a stagediving Thai princess.

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Damon Albarn explained the origins of the song in a recent interview with the Los Angeles Times: “‘Song 2’ started and she stood on her throne and stage-dived into the crowd.

“The reason I’ve written a song about it is because I had a dream about this princess very recently; she’d grown up and we spent time in my dream together, her as a woman.”

Listen to ‘Baby Queen’ below.

The virtual band has a host of collaborators on ‘Cracker Island’, their eighth studio album including Stevie Nicks, Bad Bunny, Adeleye Omotayond and more, as well as the aforementioned Tame Impala and Bootie Brown.

Back in September, Gorillaz and Beck debuted a new collaboration from the album, titled ‘Possession Island’, while the band also performed the title track from ‘Cracker Island’ with Thundercat.

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Guitarist Noodle said of the their new record: “’Cracker Island’ is the sound of change and the chorus of the collective.” Drummer Russel added: “When the reckoning comes, gotta be ready to step through the gateway. Cracker Island’s got the entry codes…”.

See the ‘Cracker Island’ tracklist below.

1. ‘Cracker Island’ feat. Thundercat
2. ‘Oil’ feat. Stevie Nicks
3. ‘The Tired Influencer’
4. ‘Tarantula’
5. ‘Silent Running’ ft. Adeleye Omotayo
6. ‘New Gold’ feat. Tame Impala & Bootie Brown
7. ‘Baby Queen’
8. ‘Tormenta’ feat. Bad Bunny
9. ‘Skinny Ape’
10. ‘Possession Island’ (feat. Beck)

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Taylor Swift becomes first act to claim entire Top 10 of Billboard’s Hot 100 song chart

Taylor Swift has become the first act in history to land 10 tracks in Billboard‘s Hot 100 song chart.

  • READ MORE: Taylor Swift – ‘Midnights’ review: a shimmering return to pure pop

The pop star has scored one of the most historic weeks in the 64-year history of the US song chart with the feat, surpassing Drake who logged nine of the Hot 100’s Top 10 songs for a week in September 2021 [via Billboard].

All 10 songs in the US chart feature on Swift’s 10th album ‘Midnights‘, which was released on October 21 and has since gone on to break multiple records. ‘Midnights’ is also top of the Billboard 200 albums chart with the biggest week for any release in seven years.

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Swift has now beaten both Drake and The Beatles for the most titles from the top of the Hot 100 in a single week. Her monopoly of the Top 10 pips those acts, each of whom had reigned over the Top Five for a week each in 2021 and 1964 respectively.

Taylor Swift
Taylor Swift. Credit: Jamie McCarthy/Getty Images

The pop titan also now has the highest number of Top 10 in Billboard chart history with 40 (surpassing Madonna’s 38). Among all acts, she trails only Drake (59 Top 10s).

She celebrated the news earlier today (October 31) by writing on Twitter: “10 out of 10 of the Hot 100??? On my 10th album??? I AM IN SHAMBLES.”

Additionally, Swift passes Drake and The Beatles for the most titles from the top of the Hot 100 in a single week. Before Drake’s top five tally on September 18, 2021, The Beatles held numbers 1-5 on the chart (dated April 4, 1964).

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Billboard’s Hot 100 charts encompasses all-genre US streaming (official audio and official video), radio airplay, and sales data. All charts (dated to this Saturday, November 5) update tomorrow (November 1).

See information on the Hot 100 chart (based on October 21-27 tracking week):

(Rank, title: streams / airplay audience / sales)
01, ‘Anti-Hero’: 59.7million streams / 32million in airplay audience / 13,500 sold
02, ‘Lavender Haze’: 41.4 million / 2.4million / 2,800
03, ‘Maroon’: 37.6million / 471,000 / 2,900
04, ‘Snow On The Beach’ feat. Lana Del Rey: 37.2million / 615,000 / 2,600
05, ‘Midnight Rain’: 36.9million / 449,000 / 2,200
06, ‘Bejeweled’: 35.5million / 1.6million / 16,100
07, ‘Question…?’: 31million / 425,000 / 21,400
08, ‘You’re on Your Own, Kid’: 34.1million / 498,000 / 1,500
09, ‘Karma’: 33 million / 1.9million / 3,400
010, ‘Vigilante Shit’: 32.2million / 424,000 / 6,400

‘Mignights’ landed the biggest week for any album in almost seven years, selling 1.578million copies according to Luminate (via Billboard). The last album to achieve such a high number of sales in its first week of release was Adele‘s ’25’ in 2015, which broke the scale with more than 3million units.

The Top 10 feat is the the latest in a string of records that Swift has broken with her new studio album, smashing Spotify’s record for the most-streamed album in a day upon its release. It also broke Apple Music’s record for biggest pop album of all time by first-day streams, and Amazon Music’s most first-day album streams globally of any artist.

Swift also went on to achieve an Official Chart Double in the UK, with ‘Midnights’ and its single ‘Anti-Hero’ claiming Number One spots on both the Official Albums and Singles Charts at the same time.

Speaking about the album in a four-star review, NME‘s Hannah Mylrea heralded ‘Midnights’ as Swift’s “shimmering return to pure pop”.

“The pop titan’s tenth record pivots away from her mellow lockdown creations and recent re-recording project, offering up brighter, future-facing sounds.”

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The 1975 to hold signing session at London’s Rough Trade East

The 1975 are set to make an appearance for a signing session at London’s Rough Trade East.

  • READ MORE: The 1975 live at Reading Festival 2022: “It’s. Just. Fucking. Bangers”

The band will drop into the record store from midday on Sunday, October 16, two days after the release of their new album ‘Being Funny In A Foreign Language’.

You can purchase tickets for the special signing here now. You can also pre-order/pre-save their fifth studio album.

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The news comes after the band recently shared their new single, ‘All I Need To Hear’.

Speaking to Apple Music 1 about the track, frontman Matty Healy explained: “A lot of my songs require me to perform them, but I think that I’d love to hear Joe Cocker [sing this] – not that we could have that, but it feels like one of those songs where it’s like I’ve stepped out of the Matty-ness of everything.”

He continued: “And it’s something that Adele could sing… it would make total sense, and she wouldn’t have to talk about jacking off or what [The 1975’s] usual subject matter is.”

Healy also performed a solo version of ‘All I Need To Hear’ when he supported Phoebe Bridgers in Los Angeles last October.

It follows on from the recent tracks ‘Part Of The Band’, ‘Happiness’ and ‘I’m In Love With You’.

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Meanwhile, The 1975 are set to embark on a UK and Ireland headline tour in January 2023 following a string of North American concerts this November/December. You can find any remaining tickets here (UK) and here (NA).

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Watch Gorillaz and Beck debut new collaboration ‘Possession Island’ live

Gorillaz and Beck debuted a new collaboration at the former’s Los Angeles show this weekend (September 23) – watch them perform ‘Possession Island’ below.

  • READ MORE: ‘Gorillaz’ at 20: how Damon Albarn’s virtual band shaped music history

Gorillaz will release new album ‘Cracker Island’ on February 24, 2023 via Parlophone (pre-order here) and announced the record recently by sharing latest single ‘New Gold’, featuring Tame Impala and Bootie Brown.

The new Beck collaboration will feature on the follow-up to 2020’s ‘Song Machine, Season One – Strange Timez’, and they performed it for the first time at the gig at Los Angeles’ Forum on Friday night, alongside their first collaboration, ‘Strange Timez’ track ‘The Valley Of The Pagans’.

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Elsewhere at the show, Gorillaz performed ‘New Gold’ with Tame Impala and Bootie Brown, and debuted ‘Song Machine’ track ‘Pac-Man’ with ScHoolboy Q.

They also performed the title track from ‘Cracker Island’ with Thundercat and gave a second performance of ‘Rock The House’ with Del the Funky Homosapien, a song that was given its live debut at an earlier show this week, 21 years after its release.

Watch the live debut of ‘Possession Island’ and the other collaborations below.

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The virtual band has a host of collaborators on ‘Cracker Island’, their eighth studio album including Stevie Nicks, Bad Bunny, Adeleye Omotayond and more, as well as the aforementioned Beck, Tame Impala and Bootie Brown.

It’s produced by eight-time Grammy Award-winning producer, multi-instrumentalist and songwriter Greg Kurstin along with Gorillaz and Remi Kabaka Jr.

Press material about Gorillaz’s new album states: “Originally based at Kong Studios in West London, the group of musical misfits – Murdoc, Noodle, Russel and 2D – have relocated to Silverlake, California as they recruit new members to join The Last Cult in search of the one truth to fix the world. Reports from the Golden State indicate that Murdoc is in love with the lady next door. Russel is glued to the TV. Noodle is compiling a handbook of wisdom and knowledge. And 2D is busy being 2D.”

Guitarist Noodle said of the their new record: “’Cracker Island’ is the sound of change and the chorus of the collective.” Drummer Russel added: “When the reckoning comes, gotta be ready to step through the gateway. Cracker Island’s got the entry codes…”.

See the ‘Cracker Island’ tracklist below.

1. ‘Cracker Island’ feat. Thundercat
2. ‘Oil’ feat. Stevie Nicks
3. ‘The Tired Influencer’
4. ‘Tarantula’
5. ‘Silent Running’ ft. Adeleye Omotayo
6. ‘New Gold’ feat. Tame Impala & Bootie Brown
7. ‘Baby Queen’
8. ‘Tormenta’ feat. Bad Bunny
9. ‘Skinny Ape’
10. ‘Possession Island’ (feat. Beck)

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Gorillaz and Del the Funky Homosapien perform ‘Rock The House’ live for first time

Gorillaz and Del the Funky Homosapien performed ‘Rock The House’ live for first time at a gig this week – see footage below.

  • READ MORE: ‘Gorillaz’ at 20: how Damon Albarn’s virtual band shaped music history

The track appears on Gorillaz’ self-titled debut album from 2001, one of two collaborations between the pair on the record – the other being hit single ‘Clint Eastwood’.

In 21 years, they had never played ‘Rock The House’ live together until this week in San Francisco, when they gave the track its first airing at a show at the Chase Center on Wednesday (September 21).

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After Damon Albarn teased to the crowd that they were set to “play a song we’ve never played before with Del,” they shared the live debut of ‘Rock The House’.

See footage of the performance below.

Last month, Gorillaz shared details of their new album ‘Cracker Island’ alongside the release of latest single ‘New Gold’ featuring Tame Impala and Bootie Brown.

‘Cracker Island’ will be released on February 24, 2023 via Parlophone (pre-order here) and marks the follow-up to 2020’s ‘Song Machine, Season One – Strange Timez‘.

The virtual band has a host of collaborators on their eighth studio album including Stevie Nicks, Bad Bunny, Beck, Thundercat, Adeleye Omotayond and the aforementioned Tame Impala and Bootie Brown.

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It’s produced by eight-time Grammy Award-winning producer, multi-instrumentalist and songwriter Greg Kurstin along with Gorillaz and Remi Kabaka Jr.

Press material about Gorillaz’s new album states: “Originally based at Kong Studios in West London, the group of musical misfits – Murdoc, Noodle, Russel and 2D – have relocated to Silverlake, California as they recruit new members to join The Last Cult in search of the one truth to fix the world. Reports from the Golden State indicate that Murdoc is in love with the lady next door. Russel is glued to the TV. Noodle is compiling a handbook of wisdom and knowledge. And 2D is busy being 2D.”

Guitarist Noodle said of the their new record: “’Cracker Island’ is the sound of change and the chorus of the collective.” Drummer Russel added: “When the reckoning comes, gotta be ready to step through the gateway. Cracker Island’s got the entry codes…”.

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