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The Cure’s Roger O’Donnell responds to Paul Weller’s dig at Robert Smith

The Cure‘s Roger O’Donnell has responded to Paul Weller’s scathing personal attack on Robert Smith.

  • READ MORE: The Cure give us an update on their “relentless” new album – and when to expect it

Former The Jam singer Weller called Smith a “fucking fat cunt” in a lengthy interview for next month’s issue of Record Collector magazine, which is a special Weller edition (via Louder Sound).

At one point in the conversation the interviewer noted how one of the tracks on Noel Gallagher‘s new album bears a resemblance to The Cure’s classic singe ‘A Forest’ (1980).

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The writer said that Weller then responded to this observation with a mixture of “incredulity and revulsion”.

“Really?!” the soloist said. “I can’t fucking stand them. Fucking fat cunt, with his lipstick and all that bollocks. He is my age as well, isn’t he?”

Weller added: “He’s a fucking knob end. I don’t like him. There you go. There’s someone I would work with. I’d fucking slap him, or something.”

Now, Smith’s bandmate O’Donnell has weighed in with comments of his own via Twitter today (November 9).

“I’ve always thought, as Spike Milligan said, people who live in glass houses should pull the blinds down before removing their trousers… Mr Weller?” the keyboardist wrote.

Ive always thought, as Spike Milligan said, people who live in glass houses should pull the blinds down before removing their trousers… Mr Weller?

— Roger O'Donnell (@RogerODonnellX) November 9, 2022

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The reason behind the musician’s severe dislike for Smith is not clear, though Louder Sound notes how The Jam had inadvertently helped The Cure during the recording of their debut album ‘Three Imaginary Boys’ (1979).

In 1985, Smith mentioned Weller during an interview in which he said that punk wasn’t a political movement: “It later became that, because people wanted it to be seen as a movement.”

He added that people were dissatisfied with listening to “bands like Yes and Genesis“, and instead “wanted to hear something they could dance to”.

“Even people who think they’re socially aware and lend their names to things, like Paul Weller and stuff…  I mean it does no good at all, ultimately,” Smith explained. “Because you’d have to be particularly stupid to believe someone like Paul Weller.

“You’d have to be particularly stupid to believe someone like me.”

Both The Jam and The Cure were discovered by the same A&R scout, Chris Parry, who went on to sign The Jam to Polydor in 1977 and The Cure to his own label, Fiction Records, in 1978.

Smith has not yet responded to Weller’s comments.

The Cure are currently out on a European headline tour, where they’ve debuted a range of new tracks: ‘And Nothing Is Forever’, ‘Alone’, ‘Endsong’, ‘I Can Never Say Goodbye’ and ‘A Fragile Thing’.

The band’s UK and Ireland tour is set to kick off in Dublin on December 1 – see the full list of dates below and find any remaining tickets here.

Speaking at the BandLab NME Awards 2022 in March, Smith told NME exclusively that The Cure’s long-awaited 14th album – the follow-up to 2008’s ‘4:13 Dream’ – will be called ‘Songs Of A Lost World’.

“It’s got artwork, it’s got a running order, it’s almost done!” he explained.

Speaking at the BandLab NME Awards 2022 in March, Smith told NME exclusively that The Cure’s long-awaited 14th album – the follow-up to 2008’s ‘4:13 Dream’ – will be called ‘Songs Of A Lost World’.

“It’s got artwork, it’s got a running order, it’s almost done!” he explained.

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Download Festival boss on gender-balanced festival line-ups: “All festivals need to look at how diverse they are”

Earlier this week, Download announced the 2023 event would be headlined by Slipknot, Bring Me The Horizon and Metallica playing two completely different sets on two different nights. The likes of Ghost, Evanescence, The Distillers, Placebo and Architects were also confirmed to be appearing at Donington Park alongside 50 other acts.

  • READ MORE: Download Festival 2022 review: metal’s fearsome energy rages on the smaller stages

Fans were quick to call it the best Download lineup ever and, speaking to NME, festival boss Andy Copping said: “I’m definitely not going to disagree. I’m very happy with the lineup. We’ve been working on it for a couple of years now because we wanted to do something big for the 20th anniversary. We just wanted to deliver a really killer lineup.”

Bring Me The Horizon are set to play the Friday night of Download 2023, headlining the festival for the first time ever and returning for the first time since 2014. “We’ve been talking about them headlining for some time,” said Copping. “But it has never felt right. The band were always keen to do it and there’s been a number of heated discussions about it over the years but I always wanted them to headline when it was absolutely right.”

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“Now, with a number of arena tours under their belt, some big albums and them headlining Reading And Leeds earlier this year, we just knew 2023 was going to be the perfect year for them,” he continued. “With it being our 20th anniversary, I knew it was going to be a big year for us as a festival and I wanted them to be a part of that.”

bring me the horizon reading 2022
Credit: Andy Ford for NME

Copping went on to say that Download is “always susceptible to a certain amount of criticism about who headlines, it doesn’t matter who you book,” but that never puts him off booking new headliners for the festival. “We’ve got to keep pushing bands through. We’ve done it in the past with Biffy Clyro, Slipknot and Avenged Sevenfold and now it’s Bring Me The Horizon’s time.”

Speaking of Slipknot, the Iowa titans are returning to Download for their fourth headline slot at the festival, with that special relationship starting “many years ago,” according to Copping.

“They’d worked their way up the bill and in 2009, I took the plunge and gave them their first festival headline slot anywhere in the world. Now, they’re seen as a headliner wherever they go. They’ve stayed very close to the festival ever since. The fans love them, the band loves Download and having them back for the 20th anniversary, off the back of another Number One album, it’s just perfectly timed.”

Corey Taylor of Slipknot
Corey Taylor of Slipknot performs on stage during the Knotfest at Artukainen Event Park on August 13, 2022 in Turku, Finland. CREDIT: Venla Shalin/Redferns

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With Download expanding to four full days of live music, Metallica are set to headline both Thursday and Saturday night, with two completely different sets. “There’s not many bands that can dig deep into their catalogue and come up with two remarkable setlists, but Metallica are without a doubt one of those bands,” said Copping. “Every time they play, they pull out a couple of rare tracks and fans really crave that. I’m really looking forward to seeing what they’re going to give us each day.”

Despite Metallica’s 40-year career, the inclusion of ‘Enter Sandman’ in Stranger Things earlier this year saw their music suddenly exposed to a whole new audience. Because of that, Copping is sure that there are going to be “swathes of young people coming to Download for the first time, who’ve only recently discovered Metallica”.

And what can those first-timers expect? “One of the things Download has above most music festivals is that community spirit,” says Copping.” Everybody is a huge music lover.”

Download
The main stage at Download Festival 2022. Credit: Joseph Okpako/WireImage.

As well as expanding to four days, Download 2023 will see the festival continue to expand its after-hours entertainment. “In the past, it’s something we’ve just taken for granted but we really focused on it in 2022. Because of that, there was this festival atmosphere throughout the campsite from Wednesday night. We want to keep expanding that because it’s become such a big part of the festival. Download isn’t just about the bands, it’s about everything else that goes on on-site.”

The 2021 event suffered a few last minute cancellations with acts like The Distillers and The Pretty Reckless cancelling their entire European runs, with the latter blaming “unforeseen logistical challenges”. More recently, Poppy has been forced to cancel several European headline shows due to the “current climate of the world” while the likes of Animal Collective, Santigold and SOHN have all been forced to cancel tours in recent months due to to post-pandemic landscape.

Copping hopes the uncertainty will have settled by next summer “but you can never been 100 per cent sure. Bands are coming to us, saying they want to tour and we’re happy to oblige”.

Looking further down the bill, Copping is really excited to have Nova Twins at Download 2023. “The way they’ve exploded over the past 18 months is remarkable,” he said.

The punk duo are one of only five Mercury shortlisted bands to ever play the festival, alongside The Prodigy, Therapy?, Muse and Biffy Clyro. Speaking about what their breakout success means to Download, Copping said: “They’re a great band, they’ve got a great image and a brilliant attitude. They’re obviously pushing diversity boundaries as well and we need to see more of that. I think having a band like Nova Twins on the bill will certainly open things up for similar artists in the future.”

Nova Twins
Nova Twins (Picture: Federica Burelli / Press)

In previous years, Download has been criticised for its male-heavy lineups but the 2023 event features numerous acts with female musicians, with the likes of Evanescence and The Distillers in big slots alongside the likes of Witch Fever, Crawlers, Stand Atlantic, As December Falls and Brutus.

“All festivals need to look at how diverse they are,” said Copping. “It’s something we’ve tried to do over the years, and we’ve still got a long way to go but it’s encouraging there’s so many great, female artists out there. Hopefully we can help give them a platform. We’re a long way down the line from where we were, but there’s still room to improve and we want to do that year on year.”

Download Festival 2023 line-up poster
Download Festival 2023 line-up poster. CREDIT: Press

In recent years, staple Download headliners like KISS and Black Sabbath have retired from touring but, according to Copping, he isn’t worried about where the next generation of headliners will come from.

“Every year we need three headliners and that isn’t easy but there are enough quality bands out there,” he said. “There are plenty of acts that haven’t headlined Download but could: Green Day, Blink-182, Fall Out Boy, Paramore, Panic! At The Disco, Royal Blood, Red Hot Chili Peppers or possibly Foo Fighters. We took the plunge a few years ago and had Muse headline, so it’s about widening the net.”

“Then there are the bands that are coming through now. Ghost, Architects, Parkway Drive all have good slots at Download this year but they’ve definitely got the opportunity of taking that next step to headline status. I’d like to see that happen as well. Then you’ve got a band like Enter Shikari who headlined the Download Pilot in 2021, there’s no question that they have the making of a proper Download headliner.”

Copping continued: “You don’t want to rely just on the heritage acts. Download fans are a lot more open to giving newer artists opportunities than they were, say, 10 or 15 years ago. We can’t just sit there and expect the same headliners year in, year out. We’ve got to try and freshen it up a little bit.”

Enter Shikari at Reading 2019. Credit: Andy Ford/NME

After 20 years of Download, the 2023 event is arguably its strongest, most exciting year yet. So what’s the secret? “I wish I knew,” said Copping. “It’s crazy that we’re here 20 years after we started and are quite possibly going to have the biggest Download ever.”

“I think the secret is that you’ve just gotta keep driving to get better. From the very first year, we’ve tried to get better bands, better the layout, better the campsite and better the experience. You can’t rest on your laurels. You don’t want to lose sight of the history of the event, or the history of Donington Park and Monsters Of Rock, but you’ve got to keep moving with the times. You’ve got to make yourself current.”

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Maya Hawke announces US tour dates, shares video for single ‘Luna Moth’

Maya Hawke has announced the US dates for her 2023 ‘Tactless Tour’ – find the full list of dates and ticket details below.

  • READ MORE: Maya Hawke – ‘Moss’ review: a stylish return to heady school days

The singer is due to perform four dates, starting in Brooklyn in March and finishing up in Minneapolis later the same month.

Pre-sale starts this Wednesday, November 9, and fans can sign up for early access to tickets via her website. General sale starts this Friday, November 11 – find tickets here.

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In addition to the news of the tour, Hawke has released a new performance film of her single ‘Luna Moth’, which has been directed by Lance Bangs.

The video was filmed during her performances at Largo at the Coronet & Masonic Lodge at Hollywood Forever in Los Angeles. It features Hawke in an intimate performance, accompanied by bandmates Benjamin Lazar Davis, Christian Lee Hutson, and Will Graefe.

Last month, the singer announced details of her 2023 UK and European ‘Tactless Tour’. 

Hawke is due to perform six dates across February and March, starting in Milan, Italy on February 25 and finishing up at London’s Lafayette on March 6. All shows are currently sold out.

The 2023 tour is in support of her second studio album ‘Moss’, which she released last month. Reviewing Hawke’s new album, NME wrote: “This time around, she’s taken a more expansive approach, adding in subtle but important touches of synths, electric guitars and strings that signal moments of tension in the songs, or simply flesh them out to lusher, more beautiful versions.

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“Maya Hawke might not be preparing to go back to school, as the character at the heart of this record would be but, if she were, ‘Moss’ would guarantee her top grades.”

Maya Hawke’s 2023 US tour is as follows:

MARCH
12 – Music Hall of Williamsburg, Brooklyn
15 – 9:30 Club, Washington
18 – Metro, Chicago
19 – Fine Line, Minneapolis

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Pavement say it would be “total cringe” if they recorded new music

Pavement have said it would be “total cringe” if they recorded new music following their reunion tour.

  • READ MORE: Pavement on ‘Harness Your Hopes’ going viral: “It breathed new life into the band”

Back in 2020, frontman Stephen Malkmus told told NME they wouldn’t be writing new music ahead of their reunion tour, because they wanted it to be “like the 1990s.”

“It’s pretty much just pure nostalgia in my mind, but I want to try and get that right,” he continued.

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After their “jubilant” headline show at London’s Roundhouse last month, guitarist Scott Kannberg and Malkmus sat down for the latest in NME’s In Conversation series.

During the interview, the pair revealed Pavement probably wouldn’t be recording new music together.

“It’d be total cringe if we did that,” said Malkmus. “No way. These songs are good, they exist in this present. That’s just me, anyone can do what they want. It’s your life, choose your adventure. If any band wants to make a new album, they like to do that, that’s totally rad. But, yeah, not happening.”

“I understand the impetus to put out a new record; it makes it seem like the band’s more legit or something and not just like a cash-in deal,” he continued. “But it doesn’t have to be that way if you just own your songs. And people can see if you’re geezers on a cash-in reunion tour or if they’re doing it because they’re having a blast.”

“We like what we’ve done,” added Kannberg.

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Responding to the idea that Pavement fans would want new music from the band, Malkmus said: “It’s not like we couldn’t play a new song live either; I’m not completely averse to doing that. We just don’t need it recorded.”

The band originally announced their reunion in 2019, with shows booked at Primavera Sound in Barcelona as well as its sister festival in Portugal. Due to COVID-19 enforced delays, they ended up playing their first reunion show in May 2022.

Reflecting on the run of shows, Pavement said they felt like “a tiger let out of the cage”

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BoA to make first comeback in nearly two years with third mini-album ‘Forgive Me’

Veteran K-pop singer BoA will be making her long-awaited return with her third mini-album ‘Forgive Me’ later this month.

  • READ MORE: Seulgi: “Everybody has a little bit of good and evil in them”

On November 8, SM Entertainment announced the return of BoA with a cryptic black-and-white concept image of the idol along with release details for ‘Forgive Me’. The upcoming record, which marks her third mini-album, is due out on November 22 at 6PM KST.

BoA 보아 The 3rd Mini Album 〖Forgive Me〗

➫ 2022.11.22 6PM KST#BoA #보아 #Forgive_Me pic.twitter.com/9j0p3cQU4R

— BoA Official (@BoA_Official) November 7, 2022

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‘Forgive Me’ is set to arrive almost two years after BoA’s tenth Korean-language studio album ‘Better’ was released in December 2020. The singer has spent much of 2020 and 2021 as a judge on the hit South Korean TV dance competition series Street Woman Fighter and Street Man Fighter. BoA is also currently the host of K-909, a newly-launched weekly music programme.

In December 2021, BoA was revealed as a member of SM Entertainment’s all-female rotational supergroup Girls On Top. She debuted in the act’s first unit, GOT The Beat, with the single ‘Step Back’ in January.

Apart from BoA, GOT The Beat comprised the main vocalists and dancers from every girl group under SM, including Girls’ Generation’s Taeyeon and Hyoyeon, Red Velvet’s Wendy and Seulgi, and aespa’s Winter and Karina. In an interview with NME, Karina shared that her experience working with the agency’s senior artists had been “beyond anything I could have ever imagined”.

BoA first made her debut as a singer in South Korea at the age of 14 in 2000, though she soon shifted her focus to the Japanese market after finding success there. She has released ten Korean-language studio albums and nine Japanese-language studio albums to date, along with a self-titled English-language album. Some of BoA’s biggest hits include ‘Atlantis Princess’, ‘Only One’ and ’Kiss My Lips’, among many others.

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Watch Cat Power recreate Bob Dylan’s classic 1966 “Royal Albert Hall” concert

Cat Power performed a show at the Royal Albert Hall where she covered Bob Dylan‘s legendary 1966 gig in its entirety – watch below.

  • READ MORE: Cat Power: “The music I’m drawn to is about either healing or abandon – one or the other”

The gig took place on Saturday night (November 5), with Chan Marshall playing Dylan’s exact set from the gig. The first half of Marshall’s show was acoustic before she was joined by an electric band for the remainder.

Dylan played the Manchester Free Trade Hall at the end of his ‘Dylan Goes Electric’ tour in 1966. On a bootlegged version of the show it was mistakenly labelled as a gig at the Royal Albert Hall in London and has unofficially been known as such ever since.

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In 1998 the bootlegged version of the gig was officially released under the title ‘Bob Dylan Live 1966, The “Royal Albert Hall” Concert’.

Marshall’s show was originally announced in July. The musician said: “When I finally got the opportunity to play The RAH, it was a no brainer. I just wanted to sing Dylan songs. And as much as any, this collection of his songs, to me, belong there.”

Speaking to The Guardian ahead of the gig, Power said: “It’s important for me to not do my thing. I’m not being Bob, not at all. I don’t know how to describe it – I’m just recreating it, that’s all. But not making it mine. I had the inkling that I should protect that period of time and him making that crossover. It’s like this precipice of time that changed music for ever.”

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She continued: “My heart is racing, I’m terrified … It’s not like, ‘Oh what will Bob think?’ It’s like, ‘What am I doing? Am I doing something right?’ I’m going to cry.”

Power has been covering a host of artists over recent years and released a new covers album earlier this year featuring versions of tracks by Frank Ocean, The Pogues, Iggy Pop, Nick Cave, Billie Holiday and others.

Reviewing ‘Covers’, NME said: “Often, cover records are dismissed as simply a bit of fun or as an indulgent aside to an artists’ original output, but when Cat Power does it, it’s nothing less than soul-nourishing.”

Reviewing ‘Covers’, NME said: “Often, cover records are dismissed as simply a bit of fun or as an indulgent aside to an artists’ original output, but when Cat Power does it, it’s nothing less than soul-nourishing.”

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Lars Ulrich’s sons’ band Taipei Houston share energetic video for ‘Respecter’

Taipei Houston have shared the video for their new song ‘Respecter’. Watch below.

The track, which is taken from their debut project ‘Once Bit Never Bored’, is rowdy and full of energy, with hardcore riffs and heavy drums.

In the new video the pair comprising Myles and Layne Ulrich – sons of Metallica drummer Lars – are seen playing in what looks like the back of a truck with the visuals shifting quickly and continuously between cuts.

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The Ulrich brothers announced the formation of their band in the summer of 2021 and played their first gig together in Long Beach, California last September.

In September this year they announced ‘Once Bit Never Bored’ would be released on November 4 via C3 Records, previewing it with the single ‘The Middle’. The track followed the band’s debut single ‘As The Sun Sets’, which was shared earlier this year.

Frontman Layne said that the album was “a dip into the way we see things”, adding: “These songs came about at a time when we felt really upside down. I think they reflect a certain unease in the world right now.”

Myles continued: “This record is about going up when everyone else goes down, going right when everyone else goes left. We hope it makes you dance and headbang at the same time, but either/or is fine!”

In April 2020 Ulrich’s sons shared a cover of The Beatles’ ‘Eleanor Rigby’, although it wasn’t under the name Taipei Houston.

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Lars described the cover to Rolling Stone as an “insane, three-minute Blue Cheer, crazy, garage-rock version”. “You know what, boys? You done me proud,” the drummer added.

Taipei Houston will be heading out on tour in February and March 2023 where they’ll be opening for American garage punk band White Reaper in various cities across the US and Canada. Find tickets here.

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Slowthai confirms third album is complete

Slowthai has confirmed via his social media that his third album is complete.

  • READ MORE: Slowthai – “I want a day where everyone can be free of their stresses”

The rapper, whose real name is Tyron Frampton, posted a photo on Twitter and Instagram that shows him pulling a face next to a mirror and a profile constructed out of hair. The accompanying caption reads: “album 3 done . ugly”.

Slowthai released his second studio album ‘Tyron’ in February 2021. The album went to Number One in the UK charts, with the rapper dedicating the position to “anyone in a dark place”.

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Although unconfirmed, fans have been speculating for some time now that the title of his third album is ‘Ugly’ – as noted in the caption – with music expected to be released imminently.

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A post shared by slowthai (@slowthai)

In September Mount Kimbie announced a new double album and shared two new double A-side singles, with one featuring Slowthai.

Among the collection are the tracks ‘In Your Eyes’ (feat. Slowthai and Danny Brown), ‘A Deities Encore’ (feat. Liv.e), ‘Q’ and ‘Quartz’.

Mount Kimbie’s new record, which follows 2017’s ‘Love What Survives’, comprises two solo albums: one from each of the electronic duo (real names Kai Campos and Dom Maker).

Slowthai previously collaborated with Mount Kimbie on his 2020 track ‘Feel Away’, which also featured James Blake. The Northampton rapper’s single ‘BB (BODYBAG)’ was also produced by Maker.

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Earlier this year Slowthai featured on Denzel Curry‘s single ‘Zatoichi’.

The song was the second release from Curry’s fifth studio album ‘Melt My Eyez See Your Future’, which Curry announced with a teaser video, revealing that the record would feature contributions from T-Pain, Rico Nasty, JPEGMAFIA, Thundercat, Robert Glasper and more.

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Lil Yachty says Drake’s ‘Circo Loco’ line is not about Megan Thee Stallion

Lil Yachty has said a controversial lyric on Drake and 21 Savage’s new collaborative album ‘Her Loss’ is not about Megan Thee Stallion.

  • READ MORE: Megan Thee Stallion: “I’m really working on my dynasty right now”

In the first verse of the album’s ninth song ‘Circo Loco’, Drake raps: “This bitch lie ’bout getting shot but she still a stallion“.

Megan Thee Stallion alleged that Tory Lanez shot her in the foot following a house party in July 2020, which Lanez denied.

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Lanez was charged months later with felony assault with a semiautomatic firearm – personal use of a firearm – and for carrying a loaded, unregistered firearm in a vehicle. He pleaded not guilty to the assault charge in November 2020, with the court trial now scheduled for November 28.

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A post shared by The Shade Room (@theshaderoom)

Shortly after ‘Her Loss’ was release on November 4, Megan Thee Stallion shared a series of tweets demanding unnamed rappers stop referencing her shooting, including one which read: “Stop using my shooting for clout… Since when tf is it cool to joke abt women getting shot!”

In another she wrote: “I know I’m very popular but y’all gotta stop attaching weak ass conspiracy theories in bars to my name”.

I know I’m very popular but y’all gotta stop attaching weak ass conspiracy theories in bars to my name lol Niggas nor hoes EVER address me or @ me WITH a fact or receipts. I AM CLOUT BITCH keep sucking my pussy

— TINA SNOW (@theestallion) November 4, 2022

Now, Lil Yachty, who has a writing credit on the track, has weighed in on the controversy.

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“I know he’s not going to address it, because I know Drake,” he said in an Instagram live last week. “It’s not about Megan it’s about women lying about their butt shots saying it’s real when it’s fake.”

‘Her Loss’ was first announced on October 23 with the release of the music video for ‘Jimmy Crooks’, which features both Drake and 21 Savage, and was included on the tracklist of Drake’s 2022 album ‘Honestly, Nevermind’.

Last week, Drake and Savage promoted ‘Her Loss’ with a series of parody interviews and magazine covers, appearing on the cover of a fake edition of Vogue with an accompanying message of thanks to editor Anna Wintour “​​for the love and support on his historic moment”.

While ‘Her Loss’ marks Drake and Savage’s first full-length project, the duo have collaborated on a handful of songs in the past, beginning with the release of ‘Sneakin’ in 2016. They also both appeared to the Juicy J-sampling track ‘Knife Talk’ (from ‘Honestly, Nevermind), as well as ‘Mr. Right Now’ alongside Metro Boomin.

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Watch Robert Fripp and Toyah Willcox cover The Cramps’ ‘Can Your Pussy Do The Dog?’

King Crimson‘s Robert Fripp and wife Toyah Willcox have shared their latest Sunday Lunch cover – watch their rendition of The Cramps‘ ‘Can Your Pussy Do The Dog?’ below.

  • READ MORE: Toyah Willcox and Robert Fripp’s 10 best lockdown covers – ranked!

After marking Halloween with a cover of Black Sabbath’s ‘Children Of The Grave’ last week, the married couple returned to the kitchen today (November 6) for a cover of a 1986 song that featured all their signature off-the-wall energy.

Prior to the Black Sabbath’s cover, the week before’s Sunday Lunch saw Fripp and Willcox take on Korn’s 1994 hit ‘Blind’, rounding out something of a nu-metal trilogy: prior to it, they’d covered tracks by Slipknot (‘Psychosocial’) and Limp Bizkit (‘Nookie’).

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That edition also marked a return to the usual Sunday Lunch format, following a quartet of videos featuring Chesney Hawkes. With him, the pair covered ‘Summer Of 69’, ‘Mr Brightside’, ‘Stacy’s Mom’ and even Hawkes’ own song, ‘The One And Only’.

Check out the new Sunday Lunch cover of The Cramps below.

Fripp and Willcox began their Sunday Lunch series back in 2020, and have since released new episodes weekly. They’ve covered a vast array of artists, with recent standouts including Pantera’s ‘5 Minutes Alone’, Lenny Kravitz’s ‘Are You Gonna Go My Way’ and Billy Idol‘s ‘Rebel Yell’, among many others. They also recently performed a rendition of David Bowie‘s ‘Heroes’ in dedication to the late Queen Elizabeth II.

Next year, Fripp and Willcox will take Sunday Lunch on the road. They announced a joint 2023 tour back in June, but are yet to formally reveal when and where they’ll be performing.

Last Week, Fripp said the Sunday Lunch series had upset some King Crimson fans. He refused to pander to them, however, saying in a new interview: “We’re keenly aware of what people have experienced during lockdown. I mean, banged up in a small apartment while your mother’s dying and you can’t go to the funeral. My wife said to me, if all we’ve done in two years is help one person through their bad time, it’s all worth it.

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