Kacey Musgraves shares making-of ‘Star-Crossed’ documentary to mark album’s first birthday

Kacey Musgraves has shared a new documentary on the making of her album ‘Star-Crossed’ to celebrate its first anniversary.

  • READ MORE: Kacey Musgraves – ‘Star-Crossed’ review: a powerfully honest depiction of heartbreak

The singer’s fifth studio album came out a year ago tomorrow (September 10, 2021) and the new 14-minute documentary follows the creation of the record.

Star-Crossed: Making The Album teams studio footage of Musgraves making the album with her collaborators and interview footage of her discussing specific songs and the themes behind the album.


Check out the new documentary below.

Reviewing ‘Star-Crossed’ upon its release last year, NME said: “This record, with its varied sounds and brutally honest lyrics, never finds Musgraves shying away from the uncomfortable. It’s an intricate project – the record also comes with an accompanying 50-minute film – that could collapse under the weight of its concept. Bolstered by its author’s frank pen, though, and instilled with a sense of hope, it’s a powerful listen.”

After the album’s release, ‘Star-Crossed’ was embroiled in controversy after the record was deemed ineligible for the Best Country Album award at the 2022 Grammys.

Musgraves had submitted her recent album for Best Country Album category, but it was deemed to be ineligible because of how much it leaned towards pop. The singer seemingly responded to the news on Twitter after the nominations were announced, writing: “You can take the girl out of the country (genre) but you can’t take the country out of the girl,” alongside a picture of herself in a country outfit as a child.

Then, Recording Academy Chair Harvey Mason Jr. spoke to Billboard about this year’s categories and responded to a question which asked why they have “[removed] works, including those from Kacey Musgraves and Brandi Carlile, from the genres in which they were submitted and re-slotting them elsewhere.”


When Mason Jr. was asked: “Why shouldn’t an entry stay where the label or the creator of the work thinks it belongs?”, he responded by saying genre categories are not straightforward.

“You’re seeing genre lines blurring,” he said. “You’re seeing people switching from song to song as to what [their music] sounds like.