Iggy Pop and Matt Sweeney have shared their cover of the Velvet Underground‘s ‘European Son’ – you can listen to the track below. The reimagining forms part of the upcoming tribute album ‘I’ll Be Your Mirror: A Tribute to the Velvet Underground & Nico’,...
Biffy Clyro debuted their latest single ‘Unknown Male 01’ during their gig on Glasgow Green last night (September 9) – check out fan-shot footage of their performance below. The trio released the track last week (September 3) to announce their forthcoming new album ‘The...
By Ilana Kaplan The release of her debut album is not something Normani has taken lightly. She’s spent the past few years consumed by pressure from the outside world: people’s opinions and expectations of the type of music she should be creating and the type of...
Choreographer and dancer Nick Joseph has opened up about working with BTS. READ MORE: Eight K-pop songs from August 2021 you need to hear, from Red Velvet to TXT On September 9, Joseph shared a lengthy Instagram post reflecting on his experience being in...
The Waterboys have announced details of a new box set, The Magnificent Seven: Fisherman’s Blues/Room To Roam Band, 1989-1990. ORDER NOW: The Rolling Stones are on the cover of Uncut’s November 2021 issue Comprising 5 CDs and a DVD, the box is due for release...
Earlier this week, Ed Sheeran unveiled his latest single “Shivers,” a caffeinated but tender bit of dance-pop that marked a far cry from the initial vampire vibes he sent out with “Bad Habits” when that dropped in late June. Here’s some good news: Sheeran...
Green Day have released an official version of their recent live cover of KISS’ ‘Rock And Roll All Nite’. The trio have just concluded the US leg of the ‘Hella Mega Tour’ with Fall Out Boy and Weezer, with the tour set to continue...
Kendrick Lamar has delivered another new verse for his cousin Baby Keem, appearing on the latter’s new track ‘Range Brothers’. This is the second time Keem has recruited Lamar for a track, with the two linking up for single ‘Family Ties’ at the end...
It starts with a shudder – an exhalation of electronic noise, like the moan of a poorly grounded amp. There’s a lurch, a crunch, a seasick squall of feedback. And then Alan Sparhawk and Mimi Parker’s vocals swoop in, shadowed by a rasping, electronic...
Even punk didn’t want The Stranglers: the movement for damaged outcasts drew the line at these Surrey brutes, seen as too thuggish, ancient, sexist and straight. Before that, pub-rockers too thought themselves above this glowering crew, with their corduroy-wearing biochemistry graduate singer, 37-year-old jazz...