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Heldon – Electronique Guerilla (reissue, 1974)

His name may not resonate as widely as those of Germany’s kosmische luminaries, but Richard Pinhas is now acknowledged as a significant player on the European electronic-rock scene of the 1970s, through both his solo work and with his band, Heldon. Named after the republic in Norman Spinrad’s bizarre, science fantasy/metafiction work, The Iron Dream, the group have always been essentially a solo project with changing guest lists. Between 1974-79 they released eight albums, before Pinhas was plunged deep into depression in 1983 and all but disappeared for a decade. However, 1992 marked the start of an intensely prolific and ongoing creative streak, featuring many recordings under his own name as well as collaborations with later generations of experimental musicians, including Merzbow, Wolf Eyes, Oren Ambarchi, Stephen O’Malley and Ruins’ Yoshida Tatsuya. Now 72, Pinhas is still recording and playing live; just 18 months ago, Heldon released a new album. PINK FLOYD ARE ON THE COVER OF THE NEW UNCUT – ORDER YOUR COPY HERE Their debut Electronique Guerilla is the latest in their run of ’70s reissues and marks its 50th anniversary in limited-edition, coloured vinyl form. Originally released on Pinhas’s own Disjuncta label, it serves as a great… Read More →

Liam Gallagher John Squire – Liam Gallagher John Squire

Imagine the Stone Roses with an immeasurably better singer modelled on Ian Brown, or Oasis with a dazzling lead guitarist. Liam Gallagher and John Squire have, and the resulting album plays to their strengths. Though coming almost out of the blue, it’s the most logical team-up among the remnants of Manchester’s old indie-rock imperium, currently awash with severed alliances searching for completion. PINK FLOYD ARE ON THE COVER OF THE NEW UNCUT – ORDER YOUR COPY HERE Liam and Noel were a more extreme version of Morrissey and Marr’s sundering of stellar charisma and musical genius, with Liam’s songwriting vestigial when Oasis split in 2009, and Noel’s vocals reserved for sensitive, doubting songs Our Kid couldn’t sing. Innately cautious, Noel’s albums have nudged at the edges of Oasis’s formula, finding on last year’s Council Skies a sweet spot between middle-aged reflection on his Burnage past and canny Oasis-esque bangers. Liam also hinted at maturity on 2022’s C’mon You Know, but he’s generally been laser-focused on claiming Oasis’s essence and audience for himself, replaying Knebworth, and Definitely Maybe on June’s upcoming 30th-anniversary tour. Advertisement Squire was more evenly partnered with Ian Brown in The Stone Roses, but has also proved dependent… Read More →

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Artists and music world speak out on International Women’s Day: “We’re on this planet to love and support each other”

Artists from across the music world have come together to speak out on International Women’s Day 2024 – celebrating and promoting the movement of women’s rights. Taking place today (March 8), the annual event comes as a worldwide day of acknowledgement for the achievements of women, and serves as a reminder of how far we’ve come in striving for gender equality. Gaining momentum across the early 20th century, the event was officially recognised by the UN in 1996 and also sheds light on the issues of inequality still prevalent in society, including domestic abuse, the gender pay gap, patriarchal structures and more. Each year, the event is celebrated with a unique theme, with 2024’s being ‘Invest In Women: Accelerate Progress’. Advertisement Now, countless artists and companies from across the music industry have spoken out in celebration of IWD, and taken to social media to celebrate the accomplishments of the women around them. “It’s international women’s day and I hope you are using your voice to fight for equality today, as well as the other 364 days in the year,” wrote Norwegian pop punk band Sløtface, who also used the post to promote their new single ‘Final Gørl’ which is about… Read More →

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‘Dragon Ball’ creator Akira Toriyama has died, aged 68

Legendary Japanese manga creator Akira Toriyama – who created the beloved Dragon Ball franchise – has died at the age of 68. According to a statement shared today (March 8) via the official Dragon Ball account on X (formerly Twitter), Toriyama died on March 1 due to acute subdural hemotoma. A funeral service has already been held for his family and “very few relatives”. The statement also notes that Toriyama’s family and the Bird Studio, which he founded, will not be accepting flowers, condolences gifts, visiting and offerings. The studio has also requested that Toriyama’s family be given their privacy and to “refrain from conducting interviews” with his relatives. Per Bird Studio, Toriyama had “several works in the middle of creation” when he died. Information ; Dear Friends and Partnershttps://t.co/85dXseckzJ pic.twitter.com/aHlx8CGA2M — DRAGON BALL OFFICIAL (@DB_official_en) March 8, 2024 Born in 1955, Akira Toriyama was a Japanese manga artist and character designer. His first published work came in the form of a singular Wonder Island entry in the Weekly Shōnen Jump 1978. He first achieved mainstream success in 1980 when he created and published the Dr. Slump manga, which ran from 1980 until 1984. In 1984, he debuted Dragon Ball,… Read More →

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Budget slammed as a “missed opportunity” by UK live music industry

Representatives of the UK’s live music industry have slammed the recent government budget as a “missed opportunity”. Yesterday, UK Chancellor Of The Exchequer Jeremy Hunt unveiled the latest government budget. Although it was revealed that there would be an extension of the orchestra tax relief, the budget did not deliver on a key demand – a cut in the VAT charged on tickets. In response, several representatives from various live music organisations have responded negatively to the proposed budget. Advertisement Jon Collins, the CEO of Live (Live music Industry Venues & Entertainment), issued a statement expressing frustration on the lack of action in cutting VAT rates. He said: “Today’s Budget represents yet another missed opportunity to accelerate the growth of the live music sector and the wider economy while also providing urgently needed support for grassroots music through the reintroduction of a lower VAT rate. 20% VAT on tickets in the UK is vastly out of step with our competitors in Europe and North America and has become a material factor limiting the number of gigs, tours and festivals our world class industry can put on.” Stock image of a group of people dancing. Credits: Getty Images He continued: “Fewer… Read More →

Oren Ambarchi: album by album

Oren Ambarchi’s future path was defined by a serendipitous mix-up in his grandfather’s Sydney junkshop. Taking home what he thought was a copy of Iron Maiden’s Number Of The Beast, the record inside turned out to be Miles Davis’s even more nefarious Live-Evil. “I was really confused,” recalls Ambarchi. “The music was just bizarre. To my ears it sounded completely chaotic and didn’t make any sense. But I stuck with it, and became really obsessed with [Davis’s] music from that point onwards. It opened the door to a lot of things.” Not only did his grandad’s shop inculcate an early love of freaky sounds, it provided the tools for Ambarchi’s first sonic investigations: “I was bringing home effect pedals and reel-to-reel machines, so I started fooling around with that stuff at home.” He spent his teenage years drumming in free-jazz and noise-rock bands, but was always intrigued by the possibilities of pure sound. When a bandmate abandoned an old guitar in their rehearsal studio, he couldn’t resist picking it up, incorporating its buzzes and clangs into his vivid sound collages. “I always loved guitar, I always loved rock music, but I think I came at it from a different route.”… Read More →

The making of Love’s “She Comes In Colors”

Love’s reputation rests on their dazzling third album, 1967’s Forever Changes. But the journey there involved several different stops. Not least among these is “She Comes In Colors” – a jazzier, flute and harpsichord-peppered Arthur Lee composition from 1966’s Da Capo. The Los Angeles band’s second album – named after a musical term meaning “back to the beginning” – took a pivotal step on the odyssey from their eponymous debut’s garage rock towards an ornate, psychedelic form of rock’n’roll. PINK FLOYD ARE ON THE COVER OF THE NEW UNCUT – ORDER YOUR COPY HERE “The first album was more minimalist, with everything recorded live,” recalls guitarist Johnny Echols, sipping ginger beer on a tour bus in Leeds, shortly before performing the hallowed catalogue with The Love Band. “But Da Capo was a more grown-up album. We wanted to push the envelope. I’m very proud of ‘She Comes In Colors’, because we’d been known as a garage rock band but suddenly jazz musicians would come up to us and ask, ‘How on earth did you guys come up with that..?’” Advertisement The seeds of this adventure had been sown shortly before the main album sessions, when Love entered Sunset Sound Recorders’… Read More →

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Jack Antonoff opens up about the “magic” of working with Taylor Swift and Lana Del Rey

Jack Antonoff has spoken about his past experiences working with Taylor Swift and Lana Del Rey, which he has described as “magic”. Speaking with Zane Lowe for Apple Music 1, the musician, songwriter and producer opened up about his working relationship with the two singers. According to the hit producer, there’s “magic” in the air whenever he gets into the studio with Swift and Del Rey, though he’s unsure how long it’ll last. “Every time we do something new, I joke, ‘I guess we still got it,’ because there’s no reason for it to keep coming the way it does,” Antonoff said to Lowe. He continued: “There’s a lot of magic there,” Antonoff continued. “I feel that way with Taylor, I feel that way with Lana.” Advertisement [embedded content] Antonoff explained further: “It’s almost like, the more we do, the less I expect it. Because I often think to myself, well, how much longer could we really keep having this spark? And I’m just grateful that it’s there, and I don’t know where it comes from or where it goes, but the one thing that I’ve noticed is that anyone who claims to know where it comes from and where… Read More →

Hear Nick Cave & The Bad Seeds’ new song, “Wild God”

Nick Cave & The Bad Seeds have revealed details of their new album, Wild God. Produced by Cave and Warren Ellis, mixed by David Fridmann, the album will be released on August 30 on their own Bad Seed label, in partnership with Play It Again Sam. Listen to the first single and title track below: [embedded content] Cave began writing the album on New Year’s Day 2023. It was recorded at Miraval in Provence and Soundtree in London, with the regular Bad Seeds line-up of Thomas Wydler, Martyn Casey, Jim Sclavunos, Warren Ellis and George Vjestica, plus additional performances from Colin Greenwood (bass) and Luis Almau (nylon string guitar, acoustic guitar). Advertisement “Wild God… there’s no fucking around with this record,” says Cave. “When it hits, it hits. It lifts you. It moves you. I love that about it.” “I hope the album has the effect on listeners that it’s had on me,” he continues says. “It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious. There is never a masterplan when we make a record. The records rather reflect back the emotional state of the… Read More →

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Nick Cave & The Bad Seeds announce “deeply and joyously infectious” new album ‘Wild God’

Nick Cave has shared details of a new album with the Bad Seeds called ‘Wild God’. Check out the tracklist and title track below. Set for release on August 30, the album will comprise 10 songs and see the band move between themes of convention and experimentation – introducing left-turns that heighten the rich imagery and emotive narratives created by the frontman. “I hope the album has the effect on listeners that it’s had on me. It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious,” Cave said of the upcoming release. Advertisement “There is never a masterplan when we make a record. The records rather reflect back the emotional state of the writers and musicians who played them. Listening to this, I don’t know, it seems we’re happy,” he added. “There’s no fucking around with this record. When it hits, it hits. It lifts you. It moves you. I love that about it.” To mark the announcement of the album, the band have shared the title track as the lead single, capturing the same balance between newness and their signature sound as expected in the… Read More →

Kamasi Washington announces new album, Fearless Movement

LA jazz titan Kamasi Washington has announced that his new album Fearless Movement will be released by Young on May 3. Watch a video for the track “Prologue” below: Fearless Movement features contributions from the likes of André 3000, George Clinton, BJ The Chicago Kid, Thundercat, Terrace Martin, DJ Battlecat and more, including Washington’s own daughter. Pre-order the album here and peruse the tracklisting below: Lesanu Asha The First (featuring Thundercat, Taj Austin, Ras Austin) Computer Love (featuring Patrice Quinn, DJ Battlecat, Brandon Coleman) The Visionary (featuring Terrace Martin) Get Lit (featuring George Clinton, D Smoke) Dream State (featuring André 3000) Together (featuring BJ the Chicago Kid) The Garden Path Interstellar Peace (The Last Stance) Road to Self (KO) Lines in the Sand Prologue

The Children’s Hour – Going Home

Before Josephine Foster was an idiosyncratic solo singer, she was a member of short-lived folk duo The Children’s Hour. Here, Foster’s taut, strange voice and occasional harp, piano, ukulele and harmonium player was paired with Andy Bar’s loose and scratchy guitar. The duo recorded an EP and one excellent, underlooked album, SOS JFK, which came out in 2003 on Rough Trade and featured Tim Daisy on drums. But The Children’s Hour recorded a second album not long after, this time as a fully-fledged trio with Dave Pajo. That record, Going Home, is finally getting released on Drag City after being rediscovered in the vaults. PINK FLOYD ARE ON THE COVER OF THE NEW UNCUT – ORDER YOUR COPY HERE The creation story of Going Home is part of the fun. Even though The Children’s Hour were a strictly minority pursuit, way too weird and abstract for the mainstream, the duo were asked to open for Zwan, Billy Corgan’s post-Pumpkins supergroup that would eventually dissolve in bitter recrimination. That tour saw The Children’s Hour (the name comes from Longfellow rather than the BBC) take their unusual music – oddly sacred, sometimes twee, more than a little freaky – to the arenas… Read More →

Faye Webster – Underdressed At The Symphony

Faye Webster is most at home in her own head. Every song on her fifth album puzzles over the way her brain works, how it worries over certain details, how it fixates on certain unpleasant feelings, how it works so often against her. She remembers the smell of her old apartment on “eBay Purchase History”, and she thinks she’s figured out why she’s so self-conscious on “Wanna Quit All The Time”. She tries in vain to evict an ex from her brainpan on, well, pretty much every song. That’s not to say she’s an introvert – Webster is active in the Atlanta arts scene as a photographer and collaborator, and that album title suggests she does get out of the house occasionally – but her songs are all set deep within her own mind. Her primary subject is the tangle of needs and desires, fears and doubts, epiphanies and delusions contained therein. PINK FLOYD ARE ON THE COVER OF THE NEW UNCUT – ORDER YOUR COPY HERE These new songs are all invitations into that headspace, and to her credit Webster doesn’t tidy up for company. The mess is the whole point. It’s a fascinating place to be, largely because… Read More →

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Dakota Johnson says she’ll “never” do a film like ‘Madame Web’ again

Madame Web star Dakota Johnson has spoken about her experience making the film, which is something she says she’ll “never” do again. Speaking to Bustle recently, Johnson shared that she’s “not surprised” at the film’s negative reception. She went on to explain: “It’s so hard to get movies made, and in these big movies that get made — and it’s even starting to happen with the little ones, which is what’s really freaking me out — decisions are being made by committees, and art does not do well when it’s made by committee.” “Films are made by a filmmaker and a team of artists around them. You cannot make art based on numbers and algorithms. My feeling has been for a long time that audiences are extremely smart, and executives have started to believe that they’re not. Audiences will always be able to sniff out bullshit. Even if films start to be made with AI, humans aren’t going to fucking want to see those.” Advertisement Dakota Johnson at the premiere of ‘Madame Web’ in Los Angeles, California, on February 12, 2024. CREDIT: Getty/Photo by Frederic J. Brown / AFP Johnson added: “But it was definitely an experience for me to… Read More →

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David Byrne to cover Paramore’s ‘Hard Times’ for Record Store Day 2024

Paramore have announced a limited-edition 12″ vinyl for Record Store Day which features David Byrne covering their track ‘Hard Times’. READ MORE: Record Store Day 2024: Check out the full list of releases The exclusive release will feature the pop-punk icons’ cover of Talking Head’s ‘Burning Down The House’ as a B-side. Per Alternative Press, the 12″ vinyl will be an “extremely limited run exclusive for Record Store Day in 2024.” Taking to his official X/Twitter account, Byrne tweeted: “The band told me that their song Hard Times was inspired by Talking Heads, so I learned it and recorded my version of their great song with a horn section. This was fun!” Advertisement Hayley Williams and co, who are Record Store Day Ambassadors for 2024, will also be releasing their 2023 “almost” remix album ‘Re: This Is Why’ on vinyl for the first time ever, on 2LP Ruby + Bone vinyl and single black vinyl. Both the exclusive Byrne and Paramore 12″ vinyl and the pressings of ‘Re: This Is Why’ will be available for purchase on April 20 at all participating Record Store Day shops. Visit here for more information. The band told me that their song Hard Times… Read More →

Uncut’s New Music Playlist for March 2024

2024’s torrent of great new music just keeps on coming. This month, we bring you further evidence of Mick Head’s glorious renaissance, Brett Anderson covering Echo & The Bunnymen, Bonny Light Horseman finding inspiration in a remote Irish pub, new singles from Khruangbin and Isobel Campbell, and career-best stuff from Ben Chasny’s Six Organs Of Admittance. THERE’S PLENTY MORE NEW MUSIC COVERAGE INSIDE THE NEW UNCUT! ORDER YOUR COPY HERE Plus the return of US indie scufflers Les Savy Fav and Diiv, beautifully bleak new business from Keeley Forsyth and Stars Of The Lid’s Adam Wiltzie, and news of a sequel to 2022’s much-loved Ghosted, by Oren Ambarchi and friends. The pleasure’s all ours… Advertisement PARAORCHESTRA WITH BRETT ANDERSON & CHARLES HAZLEWOOD “The Killing Moon”(World Circuit) [embedded content] BONNY LIGHT HORSEMAN“When I Was Younger”(Jagjaguwar) [embedded content] MICHAEL HEAD & THE RED ELASTIC BAND“Connemara”(Modern Sky) Advertisement [embedded content] KHRUANGBIN“May Ninth”(Dead Oceans / Night Time Stories) [embedded content] LEYLA McCALLA“Love We Had”(Anti-) [embedded content] ISOBEL CAMPBELL“4316”(Cooking Vinyl) [embedded content] AMANDA BERGMAN“Wild Geese, Wild Love”(CowCow) [embedded content] ROWENA WISE“We Are Nothing”(Dalliance) [embedded content] CEDRIC BURNSIDE“Closer”(Provogue) [embedded content] LES SAVY FAV“Guzzle Blood”(Frenchkiss) [embedded content] HOUSE Of ALL “Murmuration”(Tiny Global Productions) [embedded content] DOG UNIT“Consistent Effort”(Brace Yourself)… Read More →

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Lindsay Lohan confirms ‘Freaky Friday’ sequel with Jamie Lee Curtis

After first teasing a sequel to 2003’s comedy drama Freaking Friday, Lindsay Lohan has now confirmed that a follow-up film is finally in the works. Speaking to SiriusXM’s Andy Cohen Live on March 4, Lohan was asked about rumours of a sequel, to which she confirmed: “It’s happening.” While Lohan was unable to share more details, she shared that she’s confident that the sequel will happen, and that both Jamie Lee Curtis and herself are “excited” about the project. Advertisement [embedded content] Jamie Lee Curtis and Lindsay Lohan starred in the 2003 Disney remake of Jodie Foster’s 1976 film of the same name. For their remake, Curis played a strict, by-the-books mother while Lohan played her rebellious teenage daughter Anna. After a heated argument, the pair swap bodies and begin to each other’s perspectives. Lohan first began speaking of Freaky Friday 2 in 2022 after she revealed to Jimmy Fallon that Curtis had floated the idea by her. The Parent Trap actor added: “Let’s just take the fact that I was on set filming at the time, and Jamie Lee Curtis writes… and you just get excited and distracted immediately. So, I had to bring myself down to Earth and… Read More →

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Kylie Minogue tells us what’s next: “Indie pop folk is one of my happy places”

Kylie Minogue has spoken to NME about potentially experimenting with indie folk music next, and revealed that she is open to new collaborations. Watch our interview above. The pop legend spoke to NME on the red carpet of the 2024 BRIT Awards, before receiving the award for Global Icon and closing out the ceremony by performing a medley of her biggest hits. Ahead of the show, NME asked the ‘Padam Padam’ singer about her recent comments about wanting to experiment with new genres – particularly indie folk. “I just listen to playlists of one song I like, which leads me down this trippy path,” she said, reflecting on the artists she had been enjoying recently. “Who should I seek out tonight? Just putting it out there that indie pop folk is one of my happy places.” Advertisement She continued: “I just love collaboration and stepping into different [genres]. Being malleable and seeing what’s possible.” “I like all change. Who would’ve thought I’d do a murder ballad with Nick Cave [1996’s ‘Where The Wild Roses Grow’]? Or sing with Kermit the Frog?” she added. “There are so many artists I love, and every collaboration takes you somewhere you didn’t know you’d… Read More →

Take a look inside the new Uncut

As you’ll have gathered by now, there’s a new issue of Uncut currently in shops, featuring a cavalcade of excellent new interviews and features as well as our definitive reviews section and a free, 15-track CD. PINK FLOYD ARE ON THE COVER OF THE NEW UNCUT – ORDER YOUR COPY HERE Here’s a rundown of some highlights from the new issue… Advertisement PINK FLOYD With his SAUCERFUL OF SECRETS band, NICK MASON is on a mission to save the potent, foundational music of PINK FLOYD. In doing so, he aims to reassert the Floyd’s historic creative path from three-minute pop fantasias and cosmic-progressive freakouts to the transitional epiphanies that led to The Dark Side Of The Moon. As he prepares to lead the Saucers back out on tour, Mason and his co-conspirators – aka “the jolly Floyd” – dig deep into the band’s years of questing. “In Pink Floyd, we didn’t have a clue what we were doing half the time,” Mason tells us. “What we did have was an abundance of ideas.” THE BEACH BOYS Advertisement From three brothers wrestling on their front lawn to the miraculous creation of numerous pop masterpieces, a new photobook chronicles THE BEACH BOYS’… Read More →

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Sydney Sweeney mocks Glasgow’s Wonka Experience in ‘SNL’ skit

Sydney Sweeney has poked fun at the infamous Wonka-themed chocolate “experience” in Glasgow last week – see what she had to say below. Last week, Willy’s Chocolate Experience in Glasgow went viral last week on social media after images emerged of an empty warehouse sparsely decorated with a few plastic mushrooms and pictures attached to the walls. The event advertised “a celebration of sweetness and imagination”, inspired by the hit movie Wonka and the Roald Dahl book that inspired it. Outraged parents began demanding a refund shortly after it opened, describing it as a “farce” run by “cowboys”. The event’s organisers, House of Illuminati, decided to pull the plug just hours into its opening day. Advertisement This past weekend, Sweeney hosted Saturday Night Live (SNL), during which she partook in several skits, as is the norm with guest hosts. One such skit saw Sweeney take a quick jab at the Willy’s Chocolate Experience. [embedded content] In the ‘Airbnb Design Commercial’, Sweeney and cast member Chloe Troast portrayed designers for Airbnbs, who claimed to be behind several “bland, generic, downright uninviting” interiors. “You may know our work from cozy casita steps from LAX,” they said in the skit, which showed a real… Read More →

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Liam Gallagher and John Squire go head-to-head on Manchester derby day

It is not just the two halves of Manchester’s football elite that are going head-to-head today, but the two halves of the city’s latest blockbuster collaboration too: Liam Gallagher and John Squire. The former Oasis frontman is a well-known City fan, while the former Stone Roses guitarist supports United, and despite their album being released just two days ago (March 1), they find themselves duking it out in the city’s metro system today. As confirmed by the Bee Network, which runs the city’s buses and trams, Gallagher and Squire have been taking control of the tannoys on public transport throughout the day as fans of their respective teams made their way to the match. Advertisement Trams passing through Manchester city centre stops and on the Ashton line had the chance to hear the two musicians forcibly voicing their support for their respective teams. The Premier League match, which kicked off at 3:30pm, sees City, who started the day 15 points ahead of United, looking to close the gap on Liverpool in the race for the title, while United are looking to close in on a Champions League qualification spot. #ManchesterDerby 🙌🏻 🎥 Sky Sports pic.twitter.com/BjEJafvPfS — Liam Gallagher Daily Official… Read More →