Kendrick Lamar – Mr Morale & The Big Steppers
Kendrick Lamar is one of the finest instrumentalists of his era, although his instrument happens to be his own voice. On previous albums but especially on his latest, Mr Morale & The Big Steppers, he raps in many modes, varying his pitching and flow on nearly every song, switching up his cadence as though changing his identity. He sounds impossibly nimble and declarative on opener “United In Grief”, even as he warns the listener, “I’ve been goin’ through something/Be afraid”. He goes low and legato on “Crown”, then spry and playful on “N95”. He uses short, choppy lines on “Count Me Out” to unsettle the listener, then delivers “Auntie Diaries” in a near whisper, as though drawing you closer to tell you a secret. The album is a remarkable series of disruptive transformations. ORDER NOW: THE BEATLES ARE ON THE COVER OF THE LATEST ISSUE OF UNCUT Lamar isn’t the only rapper who bends his flow into so many different shapes, but few others pull it off so dramatically or so eloquently, and almost no-one achieves the same emotional payoff. It heightened the tension of his 2012 breakthrough, good kid, M.A.A.D. City, and made 2015’s To Pimp A Butterfly one of… Read More →





















