Hit Singles

We’re New Here – Folk Bitch Trio

You might not expect an acoustic vocal harmony group to radiate “‘fuck yeah’ rock’n’roll energy” but this is how Melbourne’s Folk Bitch Trio characterise their sound and attitude. In practice, they produce a sometimes spare, sometimes sumptuous, always graceful blend with a lyrical sting in the tail, moving Phoebe Bridgers to describe them as “Boygenius if it was from the ’40s”. “We just set out to play music together with our means and the feelings in our hearts,” says Gracie Sinclair, “but singing songs in three-part harmony is what we are best at.” Advertisement Sinclair and bandmates Heide Peverelle and Jeanie Pilkington were not always folk bitches. “My head was really in the jazz game,” says Sinclair, who studied jazz voice and was performing corporate and club gigs by her mid-teens. Pilkington dropped out of the same course but held on to her love of harmonics. Peverelle dipped in and out of piano lessons, art school and their dad’s record collection. “There was a period of time when I rejected folk music in a really heavy way because I thought it was daggy and uncool,” they say. “Then you get to 17, 18 and think, ‘Whatever I like is cool… Read More →

The New Eves – The New Eve Is Rising

Disclosure, self-affirmation and avowal may be the presentation currencies of our time – mystique now seems so very 20th century – but still, it takes courage and conviction for a young band to state their case from the get-go. All the more so if it’s a group of women, who risk accusations of bad faith and superficiality should they choose to develop their artistry or change their image. If they’ve considered it at all, none of this bothers Brighton four-piece The New Eves, who came together via a regular meet-up of creative women held in the early days after lockdown. Their name is an unambiguous wresting of power from the most enduring of female archetypes, while the title of their debut album packs a note of forewarning in its defiance. They’re hardly the first UK band nourished by community and eager to recast gender roles; but unlike, say, Goat Girl, Dream Wife, Big Joanie, Charmpit or Dream Nails, punk is not The New Eves’ bedrock. Patti Smith is clearly a touchstone but Swedish folk, post-punk, kosmische, art skronk and even musical theatre are in the mix too, with violin, cello and flute augmenting the usual guitar/bass/drums. Also, rather than directly… Read More →

Mark Stewart – The Fateful Symmetry

CLICK HERE TO SUBSCRIBE TO UNCUT Mark Stewart tended to confound expectations wherever he went. Not because he wanted to – he just couldn’t help it. His innate curiosity, sense of humour and gently provocative nature, coupled with his enormous charisma and sharp mind, meant that while he dedicated his life to making intensely powerful music, he didn’t take himself too seriously. Spend even a couple of minutes in his company and he’d be ribbing you left, right and centre, barking ten to the dozen in his rich Bristolese; this towering post-punk prophet, all six and a half foot of him, had a touch of Tommy Cooper about him. Advertisement Stewart died unexpectedly in April 2023 at the age of 62, a force of nature suddenly silent, but he’d completed what would become The Fateful Symmetry, his eighth solo album, before his death. Looking back at what he worked on during the last decade or so of his life – two new albums with the reformed Pop Group and versions of their classic 1979 debut Y reissued through Mute, plus a couple of industrial dub solo releases that brought together the likes of Bobby Gillespie, Richard Hell, Kenneth Anger, Penny… Read More →

David Gilmour announces new live album and film

David Gilmour has announced details of a new live album and film, both recorded during his sold out 2024 Luck and Strange tour. Scroll down to hear Gilmour’s live version of “Sorrow” – which originally appeared on Pink Floyd‘s 1987 album A Momentary Lapse Of Reason. Advertisement CLICK HERE TO SUBSCRIBE TO UNCUT Live At The Circus Maximus, Rome – which is released via Sony Music Vision and Trafalgar Releasing – will be shown in cinemas & IMAX worldwide on September 17, for a limited time only. Tickets go on sale from August 6 at 2pm BST/ 9am EDT / 6am PDT. Full screening details will be available here. The film will also be released on 2 Blu-Ray and 3 DVD sets with bonus unseen footage on October 17. Also on October 17, Sony Music release The Luck And Strange Concerts, featuring 23 tracks spread across 4LPs or 2CDs, recorded at selected shows from the tour and blends solo tracks from Gilmour’s most recent album alongside classic Pink Floyd tracks. The super deluxe edition of the album features all the formats as well as a 120-page hardback book featuring Polly Samson’s photographs taken on the tour. Pre-order here. Advertisement DAVID GILMOURTHE LUCK AND STRANGE… Read More →

Terry Reid: “I was with Jimi in New York and Miles came round…”

News reached us earlier this month that British rock original Terry Reid has sadly been forced to postpone his upcoming European tour due to an ongoing battle with cancer. Now his friends have set up a GoFundMe page to help raise money for his treatment – click here to read more and donate. We wish Terry a speedy recovery. Below, you can read our Audience With Terry Reid from the October 2023 issue of Uncut (Take 317): from helping to assemble Led Zeppelin, to getting loaded with Bowie, to Chuck Berry stealing his amp, Superlungs has seen it all… Advertisement Terry Reid is sanguine about being forever known as the man who turned down Led Zeppelin. But he’d rather be known as the man who put together Led Zeppelin. “Jimmy [Page] asked me what he should do with the band,” explains Reid, Zooming in from his home in Indio, California. “He needed a singer who could sing around those guitar licks, and not everybody could do that. I’d seen Robert with John Bonham, so I said to him, ‘Not only is Robert perfect, you’ve got to get the drummer – he’s an animal!’” It turns out that Reid might be… Read More →

Kelly Monrow’s “Time Would Come” Is the Empowerment Anthem You Didn’t Know You

If you’re going through it, put on Kelly Monrow ’s “Time Would Come” and turn the volume up. This isn’t just a song—it’s a whole emotional reset. After making waves as an actress on hit shows like Lucifer and Billions, Kelly Monrow is now all-in on music—and “Time Would Come” proves that she’s not here to play. It’s raw, it’s real, and it hits like a message from your future self telling you: “Hold on. You got this.” Built on strong pop-country bones with a modern cinematic twist, the track is powerful without being preachy. Kelly’s voice has that rich, smoky texture that makes you stop and listen, especially when she sings, “I knew my time would come.” It doesn’t just sound good—it feels good. It feels like the soundtrack to finally walking away from something toxic. Or the moment before everything in your life starts clicking. Fans of Shania Twain and Kacey Musgraves will feel right at home here, but Kelly Monrow’s edge is her storytelling. You can tell she’s lived this. She’s not just singing about hope—she’s been through the waiting game, and now she’s on the other side of it. And let’s not ignore the visual: Kelly… Read More →

Nick Drake: 10 revelations from the new Five Leaves Left boxset

Today (July 25) sees the release of the highly anticipated new Nick Drake boxset, The Making Of Five Leaves Left, which tells the story of how his stunning debut album came together across four discs of demos, studio outtakes and previously unheard songs. Here is Uncut’s guide to the most revealing tracks from the new boxset, which shine new light on one of the most mythologised albums of all-time: Advertisement “TIME HAS TOLD ME”(1st SOUND TECHNIQUES, MARCH 1968)Drake’s second ever studio recording fully unpacks the rich voice, complex guitar progressions and mysterious lyrics that will forever characterise him. “STRANGE FACE”(ROUGH MIX WITH GUIDE VOCAL, SEPTEMBER 11, 1968)A studio experiment whose overdubs build into an artificial-sounding,proto-motorik groove, with Drake’s voice and guitar unperturbed at its heart. INSTRUMENTAL(CAMBRIDGE, LENT TERM 1968)Only 1:40 long, this unknown guitar fragment taped in Robert Kirby’s room sounds packed with possibilities, forsehadowing Bryter Layter’s penchant for instrumentals. Advertisement “MICKEY’S TUNE”(CAMBRIDGE, LENT TERM 1968)The set’s new Drake song, supposedly named after his friend Micky Astor, is breezy and bossa nova-like. “When I played it at an event last year,” says Drake biographer Richard Morton Jack, “it hadn’t been heard publicly by anyone before – including Micky Astor, who… Read More →

The 200 Greatest Progressive Rock Albums…Ranked!

Welcome back my friends… With the best progressive rock albums, you were on pretty safe ground judging the book (actually the record) by its cover. As you’d probably hope, with someone behind so many such covers, the artist Roger Dean has a very good take on how the whole progressive rock album package – the music, the logo, the futuristic icescape on the sleeve – all fitted together. Advertisement In a field so often criticised for excess, Roger sees the offering more in terms of generosity. “What we were doing was making an integrated and holistic gift,” he told me in 2019. “The LP cover was a fantastic gift to give and receive. If an album came with a plastic toy it was seen as an important icon.” In this boom time for the music business, the package, and the music within it expanded – and this is where our latest Ultimate Record Collection takes its place. The 200 Greatest Progressive Rock Albums…Ranked! is filled with new innovations, and widened horizons. Finding themselves lacking the charisma and traditional beauty and showmanship of a Mick Jagger, a progressive musician might more comfortably retreat behind his futuristic artwork, logo, or banks of… Read More →

Electric 5’s New Offering: Hear “Enter Sandman” Like Never Before

Electric 5 didn’t just cover Metallica’s “Enter Sandman”—they detonated it, rewired the wreckage, and rebuilt something sharper. Their debut release doesn’t chase novelty, it declares identity. With three electric violins, two electric cellos, zero backing tracks, and an unapologetic sense of purpose, the Chicago-based quintet offers a version of the metal classic that feels at once intimate and immense. There’s something visceral about hearing a track so tied to thrash history rendered with strings that aren’t trying to mimic guitars—they’re reinventing what it means to play with force. This isn’t about gimmick or irony. It’s a high-wire act of composition, craft, and dare. From the wah-pedal solo that slices through the arrangement like a siren to the deep, percussive growl of the double cello bassline, every section feels earned. The band speaks openly about how this piece nearly got shelved when they were a quartet. Only after expanding their lineup did the puzzle click into place. That detail matters—it’s the kind of behind-the-scenes recalibration that speaks to Electric 5’s obsessive attention to sound. You hear it in the arrangement: tight without being sterile, inventive without sacrificing aggression. Visually, their performance video is stripped to the essentials—five women, dressed to impress,… Read More →

Led Zeppelin mark 50th anniversary of Physical Graffiti with new live EP

On September 12, Led Zeppelin will continue to celebrate the 50th anniversary of Physical Graffiti with an updated deluxe vinyl edition of the album, complete with bonus replica promotional poster. But perhaps more interestingly, they will also release a new EP featuring four rare live recordings: “In My Time Of Dying” and “Trampled Under Foot” from Earl’s Court, 1975, alongside “Sick Again” and “Kashmir” from Knebworth, 1979. It will be the first time these performances have appeared on CD or vinyl, having only ever been previously released on the 2003 Led Zeppelin DVD. Watch the video for “Trampled Under Foot (Live At Earl’s Court)” below: Pre-order the Live EP and the new deluxe poster edition of Physical Graffiti here. You can read the full, fascinating story of the making of Physical Graffiti in the April 2025 issue of Uncut, which is still available from our online store.

Inside our new free Uncut CD: Paul Weller’s Movin On, deep cuts and rarities!

Paul Weller is the star of our latest free CD, Movin On, available with the September 2025 issue of Uncut, in shops now. The 10-track album includes rarities, deep cuts and B-sides, including blistering six-minute closer “I Work In The Clouds”. Advertisement There have been few artists who have had a career quite like Weller’s – not least in his stunning move into kaleidoscopic experimentation in his middle age. After last year’s impressive 66, he’s now returned with Find El Dorado, a covers album that’s much more than that: a “deeply personal new album of reinterpretations”, it shines a light on some of Weller’s own favourite songs, from the well-known – The Kinks’ “Nobody’s Fool” to the Bee Gees’ “I Started A Joke” – to the obscure – especially “Lawdy Rolla”, by French studio group The Guerillas. To mark the new record, we’ve put together, in conjunction with the man himself, this survey of rarities and album tracks from one of his golden periods of exploration. It spans the eclectic, overdriven funk and fuzz rock of 2015’s Saturns Pattern, his gritty 2017 soundtrack to Jawbone and the psychedelic soul and jazz of the same year’s A Kind Revolution, and the… Read More →

Power Jackson Shares Intimate New Single “Keep You Safe”

Rising Hip Hop and R&B artist Power Jackson has released a new single titled “Keep You Safe,” offering listeners a stripped-back and emotionally resonant look into love, trust, and vulnerability. The track dropped across streaming platforms earlier this week, quietly making its way onto the radar of fans of alternative R&B and minimalist soul. Built around a repetitive, hypnotic vocal hook—“You know I love you bae / You know I’ll keep you safe”—the song doubles down on intimacy rather than grandeur. Clocking in at just over two minutes, it blends ambient textures with unfiltered vocals, creating an atmosphere that feels confessional and raw. Power Jackson, known for his lo-fi aesthetic and emotionally charged songwriting, continues his streak of self-produced releases with “Keep You Safe.” The single arrives without a traditional rollout or major label backing, reflecting the artist’s independent ethos and direct-to-listener approach. Though brief in runtime, the song’s impact lies in its repetition, which plays more like a mantra than a hook. Listeners have responded to the simplicity and sincerity of the track, with early social media comments calling it “soothing,” “haunting,” and “a song for people who need to hear ‘I got you.’” Power Jackson has yet to… Read More →

Cult 1973 album from Fleetwood Mac duo Buckingham Nicks gets first ever reissue

15 months before they were invited to join Fleetwood Mac on New Year’s Eve 1974, Lindsey Buckingham and Stevie Nicks released the duo album Buckingham Nicks. Although it was a commercial flop, the song “Frozen Love” persuaded Mick Fleetwood to get in touch, and the rest is history. Yet despite Buckingham Nicks’ burgeoning reputation as a cult classic, the album has never been officially reissued, until now. “[We] knew what we had as a duo, two songwriters that sang really well together. And it was a very natural thing, from the beginning,” recalls Stevie Nicks, in the new liner notes. Adds Buckingham: “It stands up in a way you hope it would, by these two kids who were pretty young to be doing that work.” Newly remastered from the original analogue tapes, Buckingham Nicks will be released on vinyl, CD and hi-res digital by Rhino on September 19. A special high-fidelity LP version (limited to 2,000 copies) is available to pre-order here, including two replica 7-inch singles featuring the original single mixes of “Crying In The Night” b/w “Stephanie” and “Don’t Let Me Down Again” b/w “Races Are Run”.

Kendrick Lamar and SZA: a scintillating spectacle from two 21st century superstars

The last time Kendrick Lamar was in London – back in 2022 with The Big Steppers Tour – he came on like no one so much as David Bowie in his Thin White Duke era, bringing a stark, expressionist theatre of ego to the soulless bowl of the O2. It was a fabulous display of force and control, but it left you wondering whether he was ready to evolve – to create a show that seduced as much as it impressed, and to prove he truly was a bona fide 21st-century superstar. Advertisement Tonight, as blowtorches send blue smoke rings into the north London sky and 60,000 fans chant along to every bar, he delivers – in spades. The Grand National Tour, staged at the state-of-the-art Tottenham Hotspur Stadium, feels like the apotheosis of 21st-century pop: choreography, pyrotechnics, cinema and music, fused with peerless technical excellence into a scintillating spectacle. The pre-show mix leans heavily on Prince, whose unholy blend of genres, modes and registers may well be the presiding spirit of the evening. Co-headlining with the sensational alt-R&B siren SZA transforms what could have been a devastating but one-dimensional rap show into a full-spectrum stadium phantasmagoria, thrilling not just… Read More →

Hear Johnny Marr and Neil Tennant cover David Bowie’s “Rebel Rebel”

Johnny Marr has announced that he’ll release a new 22-track live album via BMG on September 19. Advertisement Look Out Live! was recorded at the Hammersmith Apollo in 2024 during his Spirit Power tour. A special guest that night was Pet Shop Boys’ Neil Tennant, and you can hear their versions of Electronic’s “Getting Away With It” (Tennant’s first collaboration with Marr back in 1989) and David Bowie’s “Rebel Rebel” below: [embedded content] [embedded content] Look Out Live! is available on limited edition orange double vinyl (previously only available in indie stores as a Record Store Day exclusive release), on black double vinyl, limited edition 2CD and digitally. Both double vinyl formats include 18 songs, with tracks 19-22 available on the 2CD and digital editions of the album. Check out the tracklisting below and pre-order the album here. For all of Johnny Marr’s upcoming North American and European tour dates, go here. Sensory Street Panic Generate! Generate! Spirit Power and Soul This Charming Man Somewhere Walk Into The Sea The Answer Please, Please, Please, Let Me Get What I Want Armatopia Get The Message Hi Hello How Soon Is Now? Easy Money Rebel Rebel (Ft. Neil Tennant) Getting Away With It… Read More →

Black Sabbath: “We wanted to create a vibe, so we rehearsed in the dungeons”

To celebrate the incredible life and reassuringly heavy music of Ozzy Osbourne, we revisit a classic Black Sabbath interview from the July 2014 issue of Uncut (Take 206). Riding high on the success of their chart-topping reunion album 13, Ozzy, Tommy and Geezer took us through the formidable Sabbath cannon, album-by-album. Ozzy Osbourne is in high spirits as he calls from Los Angeles. “I’m having the time of my life,” he says, revelling in the success that has greeted the reformation of the classic Black Sabbath lineup for a new album and tour. “We’re having a fucking blast,” he adds. “We played the Hollywood Bowl last Sunday. The last time we played there it was a fucking disaster. It was 42 years ago: we had to cut the show short because we were all going to pass out from drug overdoses.” BLACK SABBATHVertigo, 1970The black and blues. The newly christened Sabbath rock out, pretty much live. Advertisement [embedded content] OZZY OSBOURNE: We were made by Jim Simpson… he used to have a club, Henry’s Blues House. We used to carry our equipment around in case someone didn’t turn up, and say, “We’ll play”. We started off as a blues/jazz band… Read More →

Ozzy Osbourne: “I walked around Birmingham barefoot for years”

RIP Ozzy Osbourne, that most fun-loving of dark princes. Back in our May 2010 issue (Take 156), he kindly consented to answer questions sent in by Uncut readers – and a few famous fans, including Frank Skinner, Sparks and Aston Villa legend Gordon Cowans… Who was your musical hero growing up, and what are you getting me for my birthday?Duff McKagan, Guns N’ Roses What am I getting you for your birthday? Same as you got me, you cunt, which is fuck all. Ha ha! My musical heroes? Well, it’s The Beatles, obviously. That’s why I did those Lennon covers. A few people have said they’re the worst songs ever made, but they come from the heart. I fucking mean them! I can still remember first hearing The Beatles. I was walking down the street in Birmingham with this battery-operated radio, and “Please Please Me” came blaring out. It was one of those moments where the world seems to shift a bit. Nothing was the same again. I used to fantasise about meeting McCartney. Now I’ve met him several times, and every time I still can’t believe I’m talking to him. Me and bloody Paul McCartney! Bloody hell! Advertisement Sharon’s… Read More →

S/he Is Still Her/e – new doc explores the extraordinary life of Genesis P-Orridge

“What does magic mean to me?” wonders an indomitable Genesis P-Orridge, puffing on the oxygen tubes that sprout from h/er reconstructed nose at the start of David Charles Rodrigues’ loving, curious, partial documentary. “The only real answer to any question you have is: the sum total of my life so far.” Advertisement S/he Is Still Her/e doesn’t quite give us that sum total, and feels very much like the authorised story (a large part of it is told by h/er delightfully nonchalant Californian daughters, Genesse and Caresse). But then any proper reckoning with this queer, relentless, experimental life might run to several hours, in many media and be seized by police in most countries. In some ways, Rodrigues gives us the fairy story: how a sickly, sullen boy from Middle England heard voices in the hedgerows, dived headlong into the 1970s transgressive art scene and eventually, through the power of unconditional love, transformed themselves into a fabulous pandrogynous international art monster. It includes various fairy godmothers and fathers (notably William Burroughs who, over a couple of bottles of whisky, advises the young GPO that “your job is to learn how to short-circuit control”), some very wicked witches (the police, censors… Read More →

Paul Weller on Rick Buckler: “I wish I’d seen him one more time”

The new issue of Uncut – in shops now and available to order online by clicking here – features a wide-ranging and candid interview with Paul Weller touching on movie acting, King Charles’ coronation, the travails of Kneecap, the revived Sex Pistols, and the musical discoveries behind his new covers album, Find El Dorado. He also looks back at the early days of The Jam, prompted by the recent death of his bandmate, Rick Buckler. Advertisement “I’m just really sad,” says Weller, to Uncut’s Pete Paphides. “I mean, Rick’s passing was a real shock; it was a real fucking … perspective-changing moment. Because even though we weren’t close and we hadn’t spoken for decades, nevertheless, we were intrinsically joined together and always will be, really, the three of us. So that was a real moment of, ‘Fuck, man, one of us has gone’, do you know what I mean?” “It made me realise how ridiculous it is not to speak to someone, right? Just before Rick’s passing, I thought, ‘Maybe, I think I’d really like to go and see him,’ even though we hadn’t seen each other or spoke for 40 years or whatever it’s been. But then I was… Read More →

The B-52s – The Warner And Reprise Years

‘‘Imagine,” Fred Schneider tells Uncut, “one week I’m washing dishes to make ends meet because I’d quit my job to do the band, and then the next week we’re flying to Nassau to record…” At the Bahamas’ luxurious Compass Point Studios over three weeks in early 1979, The B-52s laid down their self-titled debut album. These five skint musicians were a bold signing for Island and Warners, even amid the excitement of post-punk: a deeply strange and subtly transgressive group, they shared as much DNA with the avant-garde, from Sun Ra to Yoko Ono to Captain Beefheart, as with surf music, girl group pop, disco and punk. Formed in Athens, Georgia, in 1976, The B-52s had been nourished by the city’s unique environment. This was a farm town of eccentrics, led by the likes of Jeremy Ayers (later of Limbo District) and record shop owner William Orten Carlton, a place that welcomed outsider art and queerness. From the start, The B-52s were unusual. They were a collective with no leader, a five-piece with three singers and no bassist (vocalist Kate Pierson handled keyboard bass along with organ) that sculpted songs via group improvisations, with a postmodern eye on the past…. Read More →

Hear Robert Plant and Saving Grace cover Low’s “Everybody’s Song”

Robert Plant has announced that his new album Saving Grace – named after the band he’s been touring with over the last few years – will be released by Nonesuch Records on September 26. Advertisement Hear the first single, a cover of Low‘s “Everybody’s Song”, below: [embedded content] Saving Grace was recorded between April 2019 and January 2025 in the Cotswolds and on the Welsh Borders, with vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, and cellist Barney Morse-Brown. “We laugh a lot, really. I think that suits me. I like laughing,” Plant says. “You know, I can’t find any reason to be too serious about anything. I’m not jaded. The sweetness of the whole thing… These are sweet people and they are playing out all the stuff that they could never get out before. They have become unique stylists and together they seem to have landed in a most interesting place.” Advertisement As well as the Low cover, Saving Grace includes songs by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan and Sarah Siskind. Pre-order the album here and check out the tracklisting below: Chevrolet As… Read More →