Introducing the new Uncut: Paul Weller, a Paul Weller CD, Brian Wilson, Kevin Rowland, Big Thief and more
CLICK HERE TO GET THE NEW ISSUE OF UNCUT DELIVERED TO YOUR DOOR Advertisement Speaking to Uncut in 2006, Brian Wilson explained the recording process for “Good Vibrations”. The song, he told us, “took six weeks to record, in five different studios. I wrote out each musician’s part on music paper then they all played it together. I found I could work out each part without it being too difficult. It did get tedious, though. The musicians understood it all more or less straight away. Hal Blaine was always right on my wavelength.” [embedded content] Although a relatively understated view of events, all the same it signalled towards Wilson’s meticulous, if exhaustive, creative processes. For further evidence, there’s black and white film on YouTube showing Wilson bringing his pocket symphony to life in the studio. When he’s not issuing orders like a benign general to Blaine – “Play hard and strong all the way” – you see Wilson in the vocal booth with the rest of The Beach Boys, singing high harmony with his eyes closed, caught up in some deeply private inner rhapsody. “He was very unfiltered, very brilliant and very humble at the same time,” Al Jardine tells… Read More →





















