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Watch Suede’s Brett Anderson and Nadine Shah perform a powerful cover of Mercury Rev’s ‘Holes’

Suede‘s Brett Anderson and Nadine Shah have teamed up with the Paraorchestra for a one off concert of covers including David Bowie, Echo & The Bunnymen and Mercury Rev.

The nine-track gig, dubbed ‘Death Songbook’, which will be streamed by BBC Cymru as part of GŴYL 2021 this weekend, also features Portishead‘s Adrian Utley on guitar and Seb Rochford from Sons of Kemet on drums.

The acoustic/electric set was recorded in a COVID-safe environment in January on the largest of Wales Millennium Centre’s stages and featured tracks by Suede along with Bowie’s cover of Jacques Brel’s ‘My Death’ and Echo And The Bunnymen’s ‘The Killing Moon’.

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You can view a performance of Mercury Rev’s ‘Holes’ and the full setlist below.

GŴYL 2021 is a free to watch online festival weekend of music, comedy, and conversation which you can watch this Saturday and Sunday (March 6/7).

‘Death Songbook’ will go out 3.30pm GMT on Saturday and will be available for a total of 37 days here.

“This was such a joyous project to happen amidst the gloom of January. I’d loved Nadine’s work since I heard ‘Fool’ and she and I had spoken about doing something together for ages as had me and [composer] Charles [Hazlewood] who I had also greatly admired from afar,” said Anderson.

“For this all to happen against the odds with those wonderful musicians from Paraorchestra, plus the talents of Adrian Utley and Seb Rochford, was just so lovely.”

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The full set list is:

‘The Killing Moon’ – Echo and the Bunnymen
‘Unsung’ – Brett Anderson
‘Nightporter’ – Japan
‘The End of the World’ – Skeeter Davis
‘He’s Dead’ – Suede
‘Wonderful Life’ – BLACK
‘The Next Life’ – Suede
‘Holes’ – Mercury Rev
‘My Death’ – Jacqueline Brel (David Bowie version)

Meanwhile, Suede recently postponed their ‘Coming Up’ anniversary tour, with the UK dates now set to take place in November.

Back in November the band called on their fans to submit voice recordings for their next record, detailing a list of instructions that included singing and shouting “along when we ask you to”.

“Everything you send in will be gratefully received. If you can do two or even three recordings, that would be even better,” the band further explained.

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SoundCloud becomes first streaming service to introduce fan-powered royalties

SoundCloud has announced that it will become the first streaming service to direct the fees of paying subscribers to the artists they listen to, a move previously backed by musicians who have criticised the economics of streaming.

  • READ MORE: Mark, My Words – from music to healthcare, the public is being asked to plug broken systems

Leading streaming services such as Spotify and Apple Music currently operate on a system where royalty payments are dished out in accordance with which artists have the most plays.

But it has been criticised by artists further down the ladder, who say that the system allows huge stars to generate vast amounts of money, while leaving little for musicians who have not achieved similar success.

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From April 1, SoundCloud will start directing royalties due from each subscriber only to the artists they are currently streaming.

“Many in the industry have wanted this for years. We are excited to be the ones to bring this to market to better support independent artists,” said Michael Weissman, SoundCloud’s chief executive officer, in a statement.

Weissman added: “Artists are now better equipped to grow their careers by forging deeper connections with their most dedicated fan. Fans can directly influence how their favorite artists are paid.”

The new model, known as fan-powered royalties, has faced fierce resistance from major record label bosses, as AFP reports.

The move comes after a series of UK parliamentary select committee hearings investigated the financial impact of streaming.

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The likes of Radiohead’s Ed O’Brien, Elbow’s Guy Garvey and Nadine Shah warned MPs that unfair streaming payments were “threatening the future of music”, before it was claimed that emerging artists are facing “massive competition” from classic acts.

During the hearing, SoundCloud also rubbished claims that fan-based royalty payments could prove too complicated – claiming that its royalties calculations took just 20 minutes under the new model, compared with 23 hours under the old one.

“The most important takeaway from SoundCloud’s data is that none of the previous modelling has been accurate, that when you actually run a user-centric system, the rewards to artists that have an audience are significantly improved,” said Crispin Hunt, chair of the British Ivors Academy.

“It proves the distortion in value that the existing model delivers,” he said.

Spotify has rubbished suggestions that raising its subscription price could result in a fairer model, instead claiming that any price rise could push users to online piracy.

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Watch Miley Cyrus Bring Her Raw Power To The Super Bowl Tailgate

Over the past few years, Miley Cyrus has established herself as a queen of covers. No one else in the mainstream pop realm has done what she has, reclaiming her energy through the lens of the past and making it new. On Plastic Hearts, that meant including her takes on "Zombie" and "Heart of Glass" as well as invited Billy Idol and Joan Jett to sing with her.

On Sunday (February 7) ahead of Super Bowl LV, Miley once again cemented her status, bringing out Idol for a super-charged "Night Crawling" in front of a vaccinated crowd of 7,500 frontline workers. As part of the TikTok Tailgate party ahead of the kickoff, Miley and Idol naturally segued into Idol's own "White Wedding" in the sunshine of Tampa, Florida.

https://www.youtube.com/watch?v=34v6wFILMXc&feature=emb_title

Cyrus brought her spirit via her cheerleader outfit, a look she teased on Instagram in the lead-up to the pregame celebration. "Been working my ass off on this set list! I think you’re gonna DIG IT! ☠️," she wrote in the caption.

That lengthy setlist included plenty of Plastic Hearts cuts and — of course — several covers. She kicked off with Toni Basil's "Mickey" (fitting given her outfit) and also belted out cuts from Dolly Parton and Nine Inch Nails, alongside her 2018 Mark Ronson collab "Nothing Breaks Like a Heart."

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Kesha teams up with Sam Feldt for powerful new song ‘Stronger’

Kesha has teamed up with Dutch DJ and producer Sam Feldt for a powerful new song called ‘Stronger’ – watch the video below.

  • Read more: The Big Read – Kesha: “I made this record because it made my heart happy”

As the title suggests, the new track is about finding inner strength and being both resilient and patient in the face of adversity.

You gotta take it day-by-day/ Keep moving forward, no matter what they say/ And when the thieves try to steal your faith/ Keep pushin’ through ’em ’cause there ain’t no other way/ If you wanna get stronger,” Kesha sings over Feldt’s pulsating sonics and heavy drum kicks.

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Accompanied by a boxing-themed video directed by Andrew Donoho, Kesha can be seen facing off with herself in fight to the death as Feldt, who takes on the role of judge and announcer, watches on.

Watch the video for ‘Stronger’ below:

Feldt said in a statement:”Back in the days I listened to all Kesha’s track [sic], so when she approached me with the idea for the track Stronger I was very excited.

“The message Kesha sends with the track is really inspiring and super relevant in these turbulent times. That’s why I knew I had to be part of this message. I started on the production right away and tried to create the right balance between the emotional but so inspiring message and the uplifting and hopeful beat.”

Meanwhile, Fiona Apple has revealed that she thought about boycotting the Grammys over Dr. Luke being nominated at next year’s ceremony.

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Speaking in a recent interview with The Guardian, Apple discussed the Recording Academy’s decision to nominate the producer (under the pseudonym Tyson Trax) despite Kesha’s allegations that he sexually assaulted her.

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Listen to Yonaka start “a new chapter” with new single ‘Seize The Power’

Yonaka have returned to action by releasing their new single ‘Seize The Power’ – you can hear the track below.

The song is the Brighton-based band’s first piece of new material since the release of their debut album ‘Don’t Wait ‘Til Tomorrow’ in May 2019.

  • Read more: Yonaka – the breakthrough British rock band tackling toxic relationships on their empowering debut

Yonaka have released ‘Seize The Power’, which was self-produced by the four-piece and features spoken-word vocals from lead singer Theresa Jarvis, today (January 27).

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“It’s been so long since we released new music and the time has finally come; this is a new chapter for us,” the band said about ‘Seize The Power’. “We want you to get lost in a feeling of strength and empowerment when listening to this song.”

While you can already hear Yonaka’s ‘Seize The Power’ in the above clip, the official video for the track will premiere on YouTube at 8pm tonight.

A live Q&A with the band will also take place in the video’s accompanying live chat at 7:30pm.

Last month Yonaka were among the acts who performed during the digital music festival Five4Five, which raised money for the Music Venue Trust’s #SaveOurVenues crisis fund.

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Yonaka said they were “dead excited to be headlining this festival” in a statement at the time.

“It’s for a great cause for everyone to get involved in, saving the grassroots venues that we have all had a great time in. We all want to get sweaty and moshy again so do what you can to help and enjoy the show!”

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Angel Haze returns with powerful new single ‘Weight’

Angel Haze has shared a brand new single – listen to ‘Weight’ below.

It’s a rare slice of new material from the New York rapper, who has not released a new album since 2015’s ‘Back To The Woods’.

  • READ MORE: Angel Haze – ‘Back To The Woods’

“Y’all couldn’t take what I been through,” she raps on the song, addressing her detractors. “Yeah, silly n****s you was thinking I was buried/ But I soared/ Now y’all gone wish that I died in the psych ward.”

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Referencing her time away from music, Haze adds: “Me and God had a real conversation/ He said get back on the occupation/ Then I went and took the lock and the combination.”

Watch the video for ‘Weight’ below.

In a statement discussing the new song, Haze said: “When I or anyone else listens to “Weight”, I want them to partake in the experience. Every single instrument is a testament to strength and colour. It is about how we grow our power. It’s about where to and how we carry everything we’ve had to survive, and then repurposing that energy.

“It took me quite some time to realise my weight, but now I’m too strong to hold. You will be too.”

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Last summer, Haze detailed how police tweets “threw tear gas in our faces” as she attended a Black Lives Matter protest in California.

Going on to say that the “protest was peaceful,” Haze added: “[Police] just started being violent out of nowhere. Then blocked us in, hit and pushed us as we were trying to leave. These guys do not give a fuck.”

Haze came out as agender in 2015, though now prefers to go by singular (he/she) pronouns rather than the gender neutral ‘they’.

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Architects share powerful new single ‘Dead Butterflies’

Architects have shared their new single ‘Dead Butterflies’, the latest track to arrive from their upcoming ninth album ‘For Those That Wish To Exist‘.

The latest effort from the metal-core titans comes accompanied by a video which captures the Brighton band in full flight during their recent livestream show at London’s Royal Albert Hall.

  • READ MORE: Five things we learned from our In Conversation video chat with Architects’ Sam Carter

It comes after they shared the album track ‘Black Lungs‘ last month, which followed October’s ‘Animals‘ – the band’s first new music since 2018’s ‘Holy Hell‘.

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‘For Those That Wish To Exist’ is set to arrive on February 26, with the band previously explaining how it was inspired by global uncertainty in 2020 and looming threats to the future of mankind.

“This album was me looking at our inability to change to a way of life that would sustain the human race and save the planet,” explained guitarist and songwriter Dan Searle.

“I wanted to look in the mirror and ask ourselves the question of what are we going to do, as opposed to trying to point the finger at politicians. Change has to start on a personal level. The world has developed a culture of wanting someone else to deal with it, when we need to take our own responsibility. It has to start there.”

In a five-star review of their November show at the Royal Albert Hall, NME wrote: “Classics such as opener ‘Nihilist’ and closer ‘Doomsday’ demonstrate a band at the peak of their talents, yet it’s their embrace of the new colours in their palate that indicates Architects’ longevity.

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Jorja Smith launches BBC Radio 3 series ‘Tearjerker’ about the healing power of music

Jorja Smith is hosting a new BBC Radio 3 show that aims to soothe listeners and provide escape through music.

The singer’s programme, titled ‘Tearjerker’, is a 12-part series that launched its first two episodes on Saturday night (January 16). The first one-hour part is described as “string-inspired music that just catches you”, and the second is a collection of Smith’s favourite piano pieces. You can listen to the series on BBC Sounds.

Episode one “focuses on Jorja’s favourite string-inspired music, including tracks from Kano, Laura Mvula and Sade. She says they are tracks that make her feel ‘safe’, where ‘silky vocals’ take her to new, more comforting places”.

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In other news, Smith teamed up with Enny last month for a remix of the rising South East London rapper’s single ‘Peng Black Girls’.

  • READ MORE: Enny’s ‘Peng Black Girls’ is a joyous celebration of individuality

Enny, who is signed to Smith’s label FAMM, released her third single featuring Amia Brave, in November. “Everything about the remix coming together honestly feels like a divine hand,” Enny said of the work. “It was created in a slight state of panic during the first lockdown by Paya & Srigala but we all knew it was something special when we heard it.

“Then to have Jorja drop a cold verse and bring a whole new vibe to it. Madness! The remix song and vid all just reiterate again the culture of being ‘Black and British’ and living in it.”

Smith collaborated last year with Popcaan on the single ‘Come Over’. It marked Smith’s fifth single of 2020, however, she hasn’t released an album since her 2018 debut ‘Lost & Found‘.

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Lady Gaga gives powerful speech on racial justice: “White people are taught that we are fine and those other people need fixing”

Lady Gaga has given a powerful speech on racial justice and dismantling white supremacy as she collected a Beloved Community award.

The awards were given out by The King Center, a non-profit in Atlanta that was founded in 1968 by Coretta Scott King as a “living memorial” to Dr Martin Luther King Jr.

  • Read more: Lady Gaga’s ‘Bad Romance’ at 10 – how the surreal single shook the pop landscape

Gaga received the Higher Ground award and was presented with it by Jennifer Hudson in the virtual ceremony, which was held yesterday (January 16).

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In a video acceptance speech, the pop star discussed her own journey with racial justice and confronting her racial bias as a white person. “The colour of my own skin is not lost on me in this very radicalised moment,” she said. “I am aware I am before you as Stefani Germanotta, my given name; as Lady Gaga, a famous white woman with the power of a large platform. My racial identity alone centres my whiteness while I’m still very much finding my place in crating Dr King Jr’s beloved community.”

After dedicating the award to people of colour, Gaga addressed white people and told them: “Black lives matter. Black life matters. Blackness matters. Black joy matters. White people, I believe that Black life represents the best of our nation and as white people, I believe we have a responsibility to unlearn, to accept the honest truth about the history of our country, admit that white supremacy makes us unhealthy and change our own behaviours to contribute to a world where freedom is real for everyone.”

She continued: “White people, I believe we must right our wrongs without shame, we must change our actions and we must do this for ourselves. This is just one of our roles in the beloved community. To adapt some of Dr King Jr’s language, I believe white people must qualitatively heal our insides and we must quantitatively change our actions and behaviours. Unlearning allows me to walk through the world differently. I no longer say I don’t see colour, as I used to say. Instead, I now celebrate colour. Saying I don’t see colour was once the greatest thing standing in my way of understanding what a beloved community requires.

“Unlearning means I look for racialised social constructs in every part of my life. Every day, all day. I try to fight against them and change my own actions when I collude with them or benefit from them. Unlearning has given me a new set of eyes. The more I see with these new eyes, the more I change my own beliefs. The more my beliefs change, the more I change my own actions. The more my actions change, the deeper my commitment to a liberated community grows and I hope my actions affect the actions of others.”

The musician added that white people needed “moral healing from centuries of unearned power” and to accept how they benefit from systems of white supremacy.

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“Systems of white supremacy were designed by humans,” she explained. “They are literally socially constructed, which means they can be dismantled by humans. I believe that one way freedom can be possible is when white people accept systems of oppression serve us while literally taking the lives of people of colour.

“Simply by default, white people who look like me are taught that we are fine and those other people need fixing. I invite you in joining me in unlearning this American narrative. I invite us to stop asking ‘What is wrong with them?’ and instead relentlessly ask ‘What is wrong with us?’” You can watch Gaga’s speech in full above now.

Meanwhile, Gaga has been confirmed to sing the US national anthem at Joe Biden’s inauguration on Wednesday (January 20). The star previously supported the President-elect and Vice President-elect Kamala Harris’ campaign, performing at a special drive-in event in Pittsburgh, Pennsylvania in the run-up to the 2020 election.

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Watch the trailer for new Serj Tankian documentary ‘Truth To Power’

A first trailer has been shared for Truth To Power, the upcoming documentary about System Of A Down frontman Serj Tankian – watch it below.

As announced last month, the film, which is set to focus on the way Tankian built awareness around the Armenian revolution of 2018, will land on February 19.

  • READ MORE: System Of A Down’s new anthems of rebellion are arena-ready calls for justice

“With Oscilloscope [Laboratories, producers] and Live Nation at our back, the music and message of our film can now touch the hearts and minds of audiences across the world, inspiring all of us to speak – and bring – truth to power,” the film’s director Garin Hovannisian said in a statement.

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Watch the trailer, which teases interviews with Tankian’s bandmates in System Of A Down, Rage Against The Machine guitarist Tom Morello, producer Rick Rubin and more, below.

“Armenia is going through this injustice, this hold on the populace, and their destiny was happening by a handful of corrupt leaders,” Tankian mused in the trailer, with Rubin telling him: “The things you’re talking about are reflecting what’s really going. A lot of people just don’t want to talk about it, not talking about it doesn’t make it go away.”

Tankian had previously spoken about the documentary to Rolling Stone back in 2018, saying: “I also have a music documentary I’m doing that’s tentatively called Truth to Power, looking through my eyes at how message becomes reality through the arts.

“Instead of focusing on me as an artist, it asks, how does one’s message come to fruition? Can music change the world?”

Hovannisian has previously worked on projects around the revolution, including 2018’s documentary I Am Not Alone, which was executive produced and scored by Tankian.

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System Of A Down recently released their first new music in 15 years, with two songs called ‘Protect The Land’ and ‘Genocidal Humanoidz’. The songs were released as a way to raise awareness and funds for the conflict between Artsakh and Azerbaijan.

Reviewing the tracks, NME wrote: “In 2020, many new songs are political in some way or another, but few manage to cut through the noise and inspire a reaction in the way that System Of A Down do.

“Right now, it doesn’t matter if this is the spark that ignites a new album or if these tracks are the last we ever hear from the band. Both songs are potent reminders of the band’s power and their decision to wield it now should tell you something about the ongoing crisis.”

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AC/DC Power Up

It is a line AC/DC are obviously pleased with: they’ve wheeled it out more than once. The gag runs that, during some or other promotional campaign, some upstart critic accused them of having made the same album 11 times. AC/DC retort to the effect that this is an outrageous, ignorant and insupportable calumny: they have, in fact, made the same album 12 times. The numbers vary with the telling, but AC/DC’s repeated deployment of this quip is itself almost a meta-commentary on the joke they’re telling against themselves. It’s also an assertion of the – correct – belief that they got everything absolutely and unimprovably right the first time, back on 1975’s High Voltage, and have therefore perceived no subsequent reason to tinker with the formula.

Power Up does kind of, inevitably, amount to AC/DC having now made the same album 17 times, but its very appearance is some measure more remarkable than that of any of its predecessors. It would have been little surprise to anyone had AC/DC – or what remained of AC/DC – hung it up at the end of 2016’s Rock Or Bust Tour, itself a miracle of defiance. Guitarist Malcolm Young, plausibly the greatest pure rhythm player of all time, the malevolent metronome who underpinned AC/DC’s fundamentalist rock’n’roll, was dying in hospital in Sydney. Long-serving drummer Phil Rudd was serving home detention in New Zealand after being convicted of charges including drug possession and making threats to kill. Towards the end of the tour, singer Brian Johnson was forced out by encroaching deafness; AC/DC’s decision to swap in Guns N’ Roses’ Axl Rose prompted an uncharacteristically public outbreak of internecine sniping.

Malcolm Young died in November 2017 – just a few weeks after the death of his and Angus Young’s brother George Young, the Easybeats and Flash & The Pan founder who’d also co-produced AC/DC’s first few albums. Those losses – and the attendant funerals – seem to have been a significant catalyst in bringing the band back together. The AC/DC of Power Up are Brian Johnson, whose hearing has been sufficiently restored by experimental technology, Angus Young, Phil Rudd, Stevie Young – Malcolm and Angus’s nephew, who first picked up rhythm guitar when Malcolm became too ill to play in 2014 – and Cliff Williams, who did announce his retirement post-Rock Or Bust, but has had a change of heart.

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This is all entirely in keeping with AC/DC’s ruggedly utilitarian ‘man down, drive on’ ethos. Famously, they were not knocked noticeably off their stride by the death of a lead singer: just five months elapsed between the passing of Bon Scott in 1980 and the release of Back In Black, not merely the biggest-selling album by AC/DC, but by some estimations the biggest-selling album by anybody other than Michael Jackson. While one obviously wishes Angus Young nothing but a long and healthy life, it would be strangely reassuring to believe that there’s an up-and-coming Young cousin spending spare hours learning to duck-walk in a school uniform while tearing furious solos from the sweat-slathered neck of a Gibson SG as a battery of cannons erupts on the downbeat and a vast womanly dirigible writhes atop an immense blazing locomotive.

Angus Young has spoken of Power Up being a tribute to his late brother in much the way that Back In Black was a memorial to Bon Scott (not that Back In Black was overladen with sombre reflections on mortality, unless there was elegiac subtext buried deep in “Given The Dog A Bone” and “Let Me Put My Love Into You”). On Power Up, they get perhaps as morose as AC/DC are ever likely to on “Through The Mists Of Time”, but this is nevertheless a pounding metal anthem with a soaring chorus, screeching solos and drums that pound like a diplodocus’s heartbeat.

The songs on Power Up are substantially posthumously credited to Malcolm Young, wrung from riffs he’d conjured around the writing of 2008’s Black Ice. There being no imaginable mileage in comparing any of Power Up to anything but previous AC/DC albums, it’s a solid second-tier AC/DC record: it’s no Highway To Hell or Dirty Deeds Done Dirt Cheap, but it wouldn’t be at all embarrassed by the company of, say, Ballbreaker or The Razor’s Edge. And the best individual songs are well worthy of the AC/DC marque: “Realize”, impossible to hear without imagining Angus Young in ecstatic soak atop a speaker stack; “Demon Fire”, a monumental boogie recognisable as a descendant of “Whole Lotta Rosie”; “Wild Reputation”, a swaggering retread of “Rock And Roll Ain’t Noise Pollution”; “Shot In The Dark”, a rolling rocker illuminated by one of those Angus Young solos that emphasises the sheer mellifluous prettiness of his playing as well as its pyrotechnic flashiness.

It is perhaps regrettable that it now looks like there will not be an Axl Rose-fronted AC/DC album – those shows were fantastic, Rose endowing AC/DC’s familiar cheerful live pantomime with genuine feral menace – but it may be that AC/DC reflected, reasonably, that they don’t have that kind of time. At any rate, Power Up deserves acclaim for more than merely existing, and it deserves plenty for that. If AC/DC’s – and the world’s – circumstances permit a tour, Rosie’s re-inflation will be abundantly justified.

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Listen to London Grammar’s heavenly and “empowering” new single ‘Lose Your Head’

London Grammar have shared the latest single from their anticipated third album ‘Californian Soil’. Check out the epic video for ‘Lose Your Head’ below.

  • READ MORE: London Grammar – ‘Truth Is A Beautiful Thing’ Review

The third single from their new album, following ‘Baby It’s You‘ and the title track, ‘Lose Your Head’ continues to carry the thread of Balearic energy and elegiac sounds that marks their new material. Produced by acclaimed dance producer George Fitzgerald, the track comes with a message of “femininity and power” from singer Hannah Reid.

“’Lose Your Head’ is about power and control in relationships,” she said of the song. “The lyrics are quite dark, but I wanted to show the song in an upbeat way.”

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The track also comes with a cinematic video, directed by Zhang + Knight (famed for videos from the likes Sigrid and Ghostpoet), which sees Reid finding her way through a tumultuous dreamscape.

The trio will release ‘Californian Soil’ on February 12. In October, they announced full details of the record, including the tracklist and artwork. In a statement about the record, Reid said it was about her “gaining possession” of her own life.

“Misogyny is primitive,” Reid said, “which is why it is so hard to change. But it is also fearful. It’s about rejecting the thing in yourself which is vulnerable or feminine. Yet everybody has that thing.

She added: “This record is about gaining possession of my own life. You imagine success will be amazing. Then you see it from the inside and ask, ‘Why am I not controlling this thing? Why am I not allowed to be in control of it? And does that connect, in any way to being a woman? If so, how can I do that differently?’”

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Their last album, ‘Truth Is A Beautiful Thing‘, came out in 2017.

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Music Venue Trust say that all venues can be saved with continued “people power”

The Music Venue Trust have thanked everyone who has supported them this year, and vowed that all venues can be saved in 2021 with more “people power” and with gigs look set to return in the spring.

The MVT has continued to work to protect and preserve live music in the UK during the coronavirus pandemic, which has forced gig spaces across the country to close their doors. Last month, the organisation launched a campaign to save 30 UK venues that were still in danger of being lost forever in the wake of coronavirus restrictions after not being eligible for the government’s £1.57billion Cultural Recovery Fund.

After securing a huge total of over £80 million in donations and government grants this year through their #SaveOurVenues campaign – rescuing the futures of over 400 UK grassroots venues until March 31, 2021 – the MVT announced their plans to a further aid 24 venues with £230,000 of funding. It’s the latest in a series of huge accomplishments to save the struggling live music scene, and MVT CEO Mark Davyd quoted Joe Strummer in his reasoning for why: “Without people, you’re nothing”.

“When we look at where donations are coming from and when they spike, it is very closely linked to the coverage we receive from the NME,” said Davyd. “What that means is that NME readers are taking action and making a huge difference to keep these venues alive. We want to make it incredibly clear to the NME and its readers that the Music Venue Trust are merely standing in front of the work done by the public, by artists and by good samaritans.”

He continued: “This is the result of people power. When Music Venue Trust and NME were first talking about this crisis in March, we were looking at the very real closure of 500 venues. In a very short space of time, now not even one of the 30 left on our critical list looks like it will actually be closing imminently as we feared. It’s quite an astonishing achievement and it belongs as much to the writers and readers of the NME as anyone.”

The Windmill, Brixton
Calum Gunn of Dananananaykroyd performs at The Windmill, Brixton on January 29, 2011 in London (Picture: Nick Pickles/Redferns)

Earlier this week, the 100 Club in London confirmed that they would be piloting a new ventilation system next month that aims to wipe out 99.99 per cent of dangerous airborne pathogens, such as coronavirus, within buildings. Davyd cited this and a number of other projects and breakthroughs as promising signs on the horizons of gig-goers.

“We can realistically predict that a lot of venues will start to open up in April,” he told NME. “I know that everything seems quite bleak at the moment with the tier system, but there’s a lot of stuff happening in science with progress in rapid testing and progress with the vaccine. I don’t think that we’ll be at full capacity, but I think we’ll see a very large amount of venues able to open safely with risk mitigation. If we can get these venues to April, we can be confident that they’ll survive.”

Save Our Venues
Save Our Venues (Picture: Press / Save Our Venues)

However, Davyd said there was still much work to be done and urged music venues to continue to support Crowdfunding where possible and/or write to their local MPs if a venue in their area is in danger.

“Everyone’s done an incredible job,” said Davyd. “I won’t tell you which one, but the chief of one local council got in touch to say, ‘Please can you stop people from sending us any more letters – we promised we’re going to do something’.”

“I genuinely believe that if you really get yourself organised and get a really strong and powerful voice from people directly then you can achieve absolutely amazing stuff. We can get there, keep writing letters, keep Tweeting, keep on supporting your local venue. They can all make it if we try.”

Voicing optimism for 2021, Davyd added: “In January we will be announcing full details of a process by which we hope to bring back live music very safely in early Spring. We’re working on trialling that at The 100 Club and you’ll be seeing more of that in the new year. We’re prepared to listen to the science, work with government and come up with something that keep gig-goers safe and gets them back into the live music environment that they love.”

“There’s a lot of work to be done, but it is being done.”

One of the 30 venues still on the MVT’s critical list is POP in Hyde, Cheshire.

“We haven’t been able to generate our own income since March,” POP founder Jax Francis told NME. “We were lucky in that we got some money from The National Lottery, but that’s run out through paying rent each month. Any savings that we had are now long gone because we’ve had bills to pay. 2020 was always going to be our year, but unfortunately it wasn’t.”

Describing POP as “much more than a music venue,” Jax said that they’d also been offering mental health drop-ins and activities throughout the week before COVID shut them down.

“People have said that if we weren’t there, they wouldn’t be with us now,” she continued. “We’re a safe space for people aged nine to 92, as well as a place for gigs.”

She went on: “We’re the only venue locally that does all-age gigs. We do showcases for bands as young as 13. If we lose that, it will be horrendous. When I was young and a punk it was safer for me to be at gigs than it was to be at home because I came from a really dysfunctional environment. The fact that we can offer the same thing in a space that’s DBS-checked means the world. We see young bands getting signed so we know that it’s really valuable.”

She added: “We’re based in a really deprived area, so to see people donating like they have has really blown us away. It’s humbling and feels like people are sharing our vision.”

Visit POP’s Crowdfunding page here.

Ian Fletcher, managing director of Waterloo in Blackpool, said that his venue faced a similar predicament.

“The situation at the moment is that it’s all pretty dire,” he told NME. “No one in government knows their arse from their elbow and the rules don’t make sense. You can go to Asda where it’s rammed and chaotic, but you can’t go and sit in a controlled environment and watch a show.”

He continued: “Over the years, we’ve turned a pub into a venue and then into a community hub. We were one of the fastest growing small venues in the country until March. We went from local bands to big touring bands and established acts that wanted to play in front of 350 people.”

Praising the support they’ve received so far, Fletcher said: “The community spirit we’ve seen has been great. The sad thing is that we can’t repay everyone by putting a show on. It’s bad for people’s wellbeing to not be able to go out, see some music and let some steam off.”

Fletcher added that for Blackpool to lose Waterloo would be unthinkable. “A lot of people know Blackpool as a cabaret town,” he said. “For live music, it’s not got a lot. It’s very important for the town and people in the North West who travel for music, Without us, there would be nothing here and that would be a shame.”

Visit Waterloo’s Crowdfunding page here. 

Last month, The Music Venue Trust yesterday released a statement in response to the British government’s tiered coronavirus measures, asking them to reconsider “specific challenges” they present to grassroots venues while calling them “inconsistent and illogical”. The UK’s nightclubs have also warned that they face “extinction” without government support and clarity.

NME named the Music Venue Trust among our People Of The Year for 2020.

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The Kinks Lola Versus Powerman And The Moneygoround, Part One

The Kinks’ story wouldn’t be the ripping yarn it is without some turbulence. Or rather, a lot of turbulence. Even when compared to the other giants of the ’60s and ’70s, The Kinks arguably attracted the heaviest of weather, forever forcing them to ride out one storm after another. And few other periods competed with the dire straits that surround Lola Versus Powerman And The Moneygoround, Part One. Lawsuits, personal turmoil, mishaps, brilliant music that stubbornly failed to chart – the litany of woes was long. But with the victory they eventually extracted from defeat’s jaws, The Kinks once again proved their brand is crisis.

First released in 1970 and now presented in a 50th-anniversary deluxe box (plus three less generous but still handsome editions), The Kinks’ eighth studio album brought the band back from the brink due to hits “Lola” and “Apeman”. At the same time, the LP’s triumphant air is complicated by the fact they could’ve just as easily sent themselves tumbling over. For all the bum business deals and the Musicians’ Union ban that kept them out of the US until 1969, The Kinks’ crummy luck was sometimes compounded by a knack for self-sabotage. That’s all too clear in one of the most compelling curios among the 36 B-sides, outtakes, new mixes and alternate versions that now augment the lucky 13 on the original LP. It’s an extract from a shambolic show at Queens College in Flushing, NY, in March 1971. The chaos you hear was “typical of many Kinks gigs at the time”, Ray says in an accompanying commentary. “Disorganised, broken equipment, fighting on stage, excess, drinking.” Yet Davies can’t conceal his delight at the lusty cheers of an audience that “kept coming back for more”, a sign that The Kinks were about to begin a new era.

Indeed, what’s most striking about Lola Versus Powerman – to use the album’s shortform name and reduce confusion about the lack of a Part Two – is how it highlights The Kinks’ ability to turn chaos to their advantage. It’s also a testament to their genius that an album so full of disparate ideas and ambitions works as well as it does.

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Its most beloved song encapsulates that capacity for risk. Desperate for a hit that could reverse his band’s slide, Ray Davies built “Lola” to serve that purpose, test-marketing the singalong melody on his two young kids. Yet for him to use such a can’t-miss tune for a humorous tale of gender ambiguity and sexual identity is another signal of his willingness to take the least obvious route. A few decades later, he pushed it in another unlikely direction by enlisting the Danish National Chamber Orchestra and a choir for a 2010 version included here that’s almost comically grandiose, yet still conveys the song’s generosity of spirit.

The new set’s variety of incarnations for “Apeman” – which range from a harder-rocking alternate full of Dave’s enthusiastic choogling, to an oddly zydeco-flavoured unplugged live rendition – indicate the band’s abundance of fresh musical ideas inspired by their re-engagement with US audiences. Again, there’s something perversely counter-intuitive about Ray’s decision to pair the Blue Cheer-worthy riffage in “Top Of The Pops” and the proto-Muswell Hillbillies country-rock of “Got To Be Free” with his satirical attacks on the British music business, a subject that was hardly relatable for the Yanks. Yet even the most specific carping in “Denmark Street” and “The Moneygoround” contained a more universal theme about simple folk finding themselves at the mercy of powers that don’t give a toss “if I live or I die, if I starve or I eat”, as he put it in “Get Back In Line”. Surely the punters in the Fillmore East could see their own experience in that.

Even if they couldn’t, they had to dig the energy of an album that continually transforms the rancour it contains into something more positive, even transcendent. Terrific new mixes add further sparkle and sharpness to many songs, highlighting the deft interplay between the punchier, rawer guitars of Ray and Dave – with “Top Of The Pops”, Dave’s snarling “Rats” and the B-side “The Good Life” all sounding burlier than ever – and the music-hall-style keyboard contributions by new recruit John Gosling. It’s easy to understand why Ray and Dave sound so energised and excited by the music at hand in the “kitchen sink” commentaries that provide another throughline for the set’s three CDs.

Following the gloriously messy Flushing concert excerpt, there’s one final gift at this birthday party: a re-working of the outtake “Anytime” that incorporates a newly written set of pandemic-themed lyrics (“I went to church to light a candle for humanity but the doors were locked”, intones the female narrator). It’s another risky move to try to collapse the five-decades gulf between our present troubles and the album’s original moment. But like so many of the risks taken here, it pays off in spades. It may also be a reminder that the chaos The Kinks knew all too well is just a fact of existence, one which the rest of us are usually better able to deny. 

Extras: 9/10. Limited edition includes 10” with 60-page hardback book, three CDs, one LP and two 7” singles in reproductions of the Italian picture sleeve for “Lola” and the Portuguese picture sleeve for “Apeman”. Additional 7” and enamel pin badge exclusive to deluxe boxset orders.

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Andy Keels Rides His Own Wave On New Power Track “Get Up Stand Up”

English singer-songwriter Andy Keels has just recently released a second solo single, “Get Up Stand Up,” a few weeks after having dropped his debut solo track “Dead To Me,” in which he spoke about betrayal and the sadness of losing some of the closest people to him. Andy Keels creates from the heart and everything seems to stem from his intuition and creative visions. Authentic and raw, his sound resembles him and offers a straightforward reflection of his own state of being. It was the case on “Dead To Me” and is once again beautifully displayed on his new single, “Get Up Stand Up.” The latter is more uplifting and joyful, and offers a different glimpse of who Andy Keels really is. His versatility and determination are key in explaining his success, and while that’s no extraordinary fact knowing everything he’s accomplished in his life, it is particularly impressive to witness on “Get Up Stand Up,” a mixture of highly polished technique, raw emotions, and a New York City-inspired rock feel all throughout. 

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AC/DC’s Angus Young explains the title of new album ‘Power Up’

AC/DC‘s Angus Young has explained the idea behind the title of the band’s new album ‘Power Up’.

‘Power Up’ came out earlier this month, and became the fastest-selling album of 2020.

  • READ MORE: AC/DC on their explosive comeback record ‘Power Up’: “This album is for Malcolm”

“I went through everything — like titles in songs,” Young told Australian radio station Triple M of the selection process for the album title.

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“In the song ‘Realize’, there’s the line, ‘I’ve got the power to mesmerise.’ The word ‘power,’ it goes back to the name AC/DC. We always looked at ourselves as that of power, electric power.

“So I just wanted another, if you could say, okay, what could you call AC/DC, and you say they’re power. And I just thought something positive: power up. When we get on a stage, we plug in the guitars and everything powers up when we’re out there.”

Young also recently discussed the band’s ever-consistent hard rock sound, saying it is “what we do best”.

In a recent interview with NME, Angus discussed the death of his brother and AC/DC guitarist Malcolm Young, declaring that ‘Power Up’ is an album “for Malcolm”, adding: “His death was a huge blow to us, but I still think he’s there when I’m playing.”

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Reviewing ‘Power Up’, NME wrote: “As with all good AC/DC albums, the band’s commitment to unrelenting silliness on this record cannot be ignored either – even if you sense that they are in on the increasingly surreal images they present.

The review added: “This is, all considered, a kick up the arse at a time when we need it the most.”

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Watch Brittany Howard’s powerful Nina Simone cover on ‘Colbert’

Brittany Howard stopped by The Late Show With Stephen Colbert this week and played a Nina Simone cover – watch below.

The performance came after the Alabama Shakes vocalist secured five Grammy nominations this week.

  • READ MORE: Brittany Howard on how her late sister Jaime inspired her powerful solo album: “I feel like we did it together”

Heading to Colbert on Tuesday night (November 24), Howard performed an impassioned. cover of Simone’s track ‘Revolution’, a song she has been covering live at pre-pandemic gigs. Watch footage below.

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Howard’s five Grammy nominations come in the categories of Best Rock Performance (‘Stay High’), Best Alternative Music Album (her debut solo album ‘Jaime’), Best R&B Performance (‘Goat Head’)’ and Best American Roots Performance (‘Short and Sweet’).

Howard’s nomination for Best Rock Performance is one of a list of all-female nominees, the first time this has ever happened in the history of the Grammys.

Other nominees for Best Rock Performance include Fiona Apple for ‘Shameika’, Phoebe Bridgers for ‘Kyoto’, ‘The Steps’ by Haim, Grace Potter’s ‘Daylight’, and ‘Not’ by Big Thief, the band fronted by Adrianne Lenker.

NME spoke to Brittany Howard last year about her debut solo album ‘Jaime’, which pays homage to her late sister who died from cancer as a teenager. “She was the beginning of everything for me,” Howard said. “She definitely trained me up and taught me about songs.

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“She’d be like, ‘Brittany, if we’re going to write a song, you’ve got to have a verse and you’ve got to have a chorus.’ We were little kids! Seeing our names together on the album is appropriate – I feel like we did it together.”

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Maxïmo Park share high-powered new single ‘I Don’t Know What I’m Doing’

Maxïmo Park have released a new single called ‘I Don’t Know What I’m Doing’ – you can listen to it below.

  • Read more: Maxïmo Park’s Paul Smith: “It feels like nobody’s been held to account for the Grenfell Tower fire”

It’s the third track to be shared from the band’s upcoming new album, ‘Nature Always Wins’, and it follows the release of singles ‘Baby, Sleep’ and ‘Child Of The Flatlands’.

Speaking on the new track, frontman Paul Smith said: “It’s about taking responsibility for how your own behaviour can affect other people, and how nobody knows it all, but that doesn’t stop us from trying. More personally, it’s about the fears and self-doubt I’ve experienced as a new parent.”

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Watch the video for ‘I Don’t Know What I’m Doing’ below:

Speaking about ‘Nature Always Wins’, Smith told NME: “Last time we wanted to make more political music, but we also didn’t want to rely on the cliches of it being a punk record. We wanted to do something you could dance to but also think about what you’re dancing to, which is more of a post-punk or punk-funk sort of ideal.”

He continued: “With this one, I’ve become a parent over the past four years and the other guys in the band have got kids as well and I didn’t want to ignore it but I also didn’t want it to be the central aspect of the record because I want the record to be open to all. It’s clearly about being a parent, songs like ‘I Don’t Know What I’m Doing’ for example, in many ways these are universal feelings of self-doubt that people have.

“I’ve tried to make it as personal and specific as I can without it losing that universal appeal, otherwise it feels too inward or self-obsessed.”

‘Nature Always Wins’ will be Maxïmo Park’s seventh album and will arrive on February 26 – you can pre-order it here.

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In addition to the new single, the band have also announced some new album launch shows, which will see them play a socially distanced show at Pryzm in Kingston on February 26. Tickets go on sale December 1 here.

Maxïmo Park’s album launch show dates are as follows:

FEBRUARY, 2021

26 – Kingston, Pryzm – with Banquet (socially distanced)
27 – Newcastle, Tyne Theatre (socially distanced)

AUGUST, 2021

24 – Dundee, Fat Sam’s – with Assai Records
25 – Edinburgh, The Liquid Room – with Assai Records
28 – Leeds, Brudenell Social Club – with Crash Records
29 – Preston, Blitz – with Action Records
30 – Liverpool, The Arts Club – with Jacaranda Records

SEPTEMBER, 2021

01 – Coventry, The Empire – with HMV
02 -Oxford, O2 Academy2 Oxford – with Truck Store
03 – The Brook, Southampton – with Vinilo
05 – Bexhill, De Lar Warr Pavilion – with Music’s Not Dead
06 – Norwich, The Waterfront – with HMV

Maxïmo Park’s last album was 2017’s ‘Risk To Exist.’ In a three-star review of the album, NME‘s Mark Beaumont noted that while the album had “impeccable bad timing” with its political bent, it was still “a cracking post-debate disco record.”

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Iggy Pop’s iconic ‘Raw Power’ silver trousers are going up for sale

The silver trousers that Iggy Pop wore during The Stooges’ ‘Raw Power’ era are going up for auction.

The metallic, studded trousers were worn by the frontman on the sleeve of the 1973 album, as well as at several performances at the time.

  • Read more: “The perfect marriage”: why Iggy Pop and David Bowie’s Berlin year inspired the new breed of punks

The item will go up for auction on December 2 at 10am PT (6pm GMT) via Julien’s Auctions in Beverly Hills as part of the auction house’s ‘Icons & Idols: Trilogy Rock ’N’ Roll’ sale. An online catalogue lists the guide price for the trousers as $800-$1,200 (£602-£904).

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The description reads: “A pair of metallic silver pants with metal stud decorations worn by Iggy Pop while performing on stage as well as on the front and back covers of Iggy And The Stooges’ 1973 album ‘Raw Power’. The pants have a black leather weave on the waistband and close with rope lace on the front. No labels present. Accompanied by a copy of the album.”

Iggy And The Stooges, Raw Power
The back cover of a reissue of Iggy And The Stooges’ ‘Raw Power’ CREDIT: Sony Legacy

For more details, visit the Julien’s Auctions website.

Earlier this month, Pop inducted Nine Inch Nails into the Rock And Roll Hall Of Fame at a virtual ceremony.

“When I first heard about Nine Inch Nails and I heard a little of their music, I thought, ‘Well, who is this guy?’,” he said during his induction speech. “So I took a look and I saw a face straight out of 15th century Spain. I think Trent could have played Zorro.”

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He added: “Listening to Nine Inch Nails’ music — which is so often called “industrial” — I actually hear a lot of funk. Just listen to ‘Closer,’ and the foundation could be Stevie Wonder or George Clinton, but on top of that is a focused and relentless process of emotional destruction which paints a portrait of pain, pressure, and dissatisfaction.”

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Listen to Tom Grennan’s empowered new song ‘Something Better’

Tom Grennan has shared another new track from his forthcoming second album – watch the video for ‘Something Better’ below.

The track is the third preview of his forthcoming new album ‘Evering Road’, which is set for release on March 5, 2021 via Insanity Records.

It follows the release of the gospel-tinged ‘Amen’ last month, and first taster ‘Oh Please’, which arrived back in April.

  • READ MORE: Tom Grennan calls his upcoming second album a “thank-you note”
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“When I wrote ‘Something Better’, it was a song about me smiling on the outside but dealing with a whirlwind of dark thoughts and distractions on the inside,” he said of the song in a statement.

“Since Covid-19 and lockdown, the tables have turned! I’m smiling on the inside, and I’m constantly distracted with thoughts of the exciting, crazy and better future that is coming, and it’s just around the corner!”

Watch the ‘Something Better’ video below.

Discussing the themes behind ‘Evering Road’, he added: “This album has been such a therapeutic experience, it has helped me through one of the toughest times of my life. Evering Road documents a transitional stage for me, where I felt I’ve learnt so much and grown into a new man, moving myself into a new calm and positive space.

“Gospel and soul have been a huge influence on me during this album, for me it’s so emotional yet uplifting, and I wanted to translate this DNA through my music. I’m just BUZZING for people to hear it, so hopefully it can be a lifeboat of sorts for at least one person.”

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Watch Tom Grennan hype up his second album in an interview on the red carpet at the NME Awards 2020 back in February above.

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AC/DC’s ‘Power Up’ has shot to Number One and is the fastest-selling album of 2020 so far

AC/DC‘s new album, ‘Power Up’, has shot to Number One in the biggest first-week tally of 2020 so far.

The legendary Australian rockers’ 18th record has sold 62,000 copies, overtaking Kylie Minogue who racked up 55,000 chart sales of her new album ‘DISCO’ last week.

  • Read more: 10 Things You Might Not Know About AC/DC’s ‘Back In Black’

AC/DC’s Angus Young thanked fans for their support. “A very big thank you to everyone who put in their time, effort and creativity to get PWR/UP to Number 1! Also a big shoutout to all our fans, old and new. You are, and always have been, our guiding inspiration”, he told OfficialCharts.com.

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AC/DC
Brian Johnson and Angus Young of AC/DC perform on stage at Tacoma Dome on February 2, 2016 in Tacoma, Washington. (Picture: Jackie Butler/WireImage)

‘Power Up’ is the band’s fourth Number One album in the UK, and their first in 10 years since 2010’s ‘Iron Man 2 – OST’.

Meanwhile, Guns N’ Roses guitarist Slash has praised AC/DC for creating a “great fucking record” in ‘Power Up’.

Speaking to Consequence Of Sound, Slash praised the band after they defied personal tragedy – including the death of founding guitarist Malcolm Young – to deliver their album.

Slash, Guns N’ Roses
Guns N’ Roses’ Slash CREDIT: Getty Images

“The tragedy of losing Malcolm [Young, AC/DC’s founding rhythm guitarist]… the fact that Angus [Young] and company would survive that and keep it going, in the spirit of probably what Malcolm would have done, was great,” Slash explained.

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“I just love those guys because as far as rock ‘n’ roll is concerned, they just are driven.”

Hailing the band’s latest album specifically, he added: “Then, on top of it, they make such a great fucking record at this point in the game. It’s a really inspired album. I’ve had it in the car for the last couple of days and it’s probably gonna sit there for a while.”

In other news, Young recently recalled the first time he heard Jimi Hendrix’s music. “When I heard ‘Purple Haze’, boy, that was it”, he said of the occasion.

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Slash on AC/DC’s ‘Power Up’ album: “It’s a great fucking record”

Guns N’ Roses guitarist Slash has praised AC/DC for creating a “great fucking record” after the rock icons returned with ‘Power Up’.

Speaking to Consequence Of Sound, Slash praised the band after they defied personal tragedy – including the death of founding guitarist Malcolm Young – to deliver their 17th studio album.

  • READ MORE: AC/DC on their explosive comeback record ‘Power Up’: “This album is for Malcolm”

“The tragedy of losing Malcolm [Young, AC/DC’s founding rhythm guitarist]… the fact that Angus [Young] and company would survive that and keep it going, in the spirit of probably what Malcolm would have done, was great,” Slash explained.

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“I just love those guys because as far as rock ‘n’ roll is concerned, they just are driven.”

Hailing the band’s latest album specifically, he added: “Then, on top of it, they make such a great fucking record at this point in the game. It’s a really inspired album. I’ve had it in the car for the last couple of days and it’s probably gonna sit there for a while.

AC.DC (Picture: Press)

“It’s exciting for me. I’m happy for them, and I can’t wait for this virus situation to end so we can go check them out on tour somewhere.”

On the band’s influential legacy, Slash said: “They’re a great influence on people who think that rock’n’roll is sort of just fun and games, and then as soon as any kind of mishap happens, [bands] break up or they fall apart or they quit.

“AC/DC is a great example of longevity. They’re a great example of tenacity and perseverance, a great example of talent, and a great example of what rock ’n’ roll is all about. So, I’m so stoked that they just continue to do it.”

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Slash’s Guns N’ Roses bandmate Axl Rose joined AC/DC to complete their ‘Rock or Bust’ tour back in 2016 when hearing issues forced the departure of singer Brian Johnson.

In a four-star review of the band’s latest album, Power Up, NME wrote: “While far from a reinvention of the wheel, ‘Power Up’ is a joyous celebration of the unbridled heavy rock that has served them well for almost 50 years and, we can hope, a unifying cry for the future.”

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Bugzy Malone shares powerful new track ‘Don’t Cry’ and announces new album ‘The Resurrection’

Bugzy Malone has announced his latest album ‘The Resurrection’ and released new single ‘Don’t Cry’ – a collaboration with Dermot Kennedy.

The powerful new track sees the Manchester rapper dissecting his near-fatal motorbike crash, which occurred earlier this year, for the first time.

A video for the track, directed by Myles Whittingham, also depicts a tense boxing match to reflect Malone’s mental and physical journey since the accident.

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I’m bleeding out, I’m bleeding out, my eyes are full of blood they’re closing up / My clothes are tight enough they cut them off, the skies aren’t bright enough to see the gods,” Bugzy raps on the new track.

‘The Resurrection’ will arrive on January 22, 2021.

It follows the release of ‘Doe’d Up’ and ‘M.E.N III‘, the third instalment of his ‘M.E.N’ series which debuted at #18 in the singles chart.

After his crash, Malone said he was “lucky to be alive” in a statement shared on social media.

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He wrote: “They tell me I’m lucky to be alive but although I sustained serious injuries at the time I lost consciousness so I don’t remember much, what I do remember is the non-stop love, and just want to say thanks for all the well wishes and prayers you lot caught me off guard with all the support!”

The last music shared by Malone before his crash was ‘Boxes Of Bush’, taken from the soundtrack for Guy Ritchie’s The Gentlemen.

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Bon Iver’s Justin Vernon praises Wisconsin voters for embodying “the power of conversation”

Bon Iver’s Justin Vernon has released a statement thanking Wisconsin voters for their sincerity and shared conversations, as part of his on-going ‘For Wisconsin’ voting drive.

The non-partisan initiative launched on September 22 saw Vernon, along with The National’s Aaron Dessner, encourage citizens to register to vote and participate in upcoming elections, particularly the recent race between President Trump and now, President-elect Joe Biden.

Vernon’s statement today (November 8) comes after Joe Biden was elected the 46th President of the United States. The post reads: “When we announced the “For Wisconsin” project, we were trusting in sincerity.

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“From the first, we were looking for conversation, not conversion. Conversation in voices designed to be heard by each other, not over each other. The voices we use when we visit. Your voice was exactly that.

“Thank you for conveying that the power of conversation is measured not in volume, but in consideration. In quiet questions. In small stories. And sometimes, in silence… so others may speak.”

Vernon’s home of Wisconsin played a crucial role in the 2020 election, often being referred to as one of the “battleground states” that would determine which candidate won.

The Midwest state has a long history of voting Democrat from 1988 to 2012, albeit with narrow margins. In 2016, Trump flipped it red, despite underperforming in the polls.

Earlier this week, on November 4, Wisconsin was called in favour of Biden at 49.6 per cent of the vote. Trump narrowly followed at 48.9 per cent.

  • Read More: Bon Iver – ‘i, i’ review
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Just 24 hours before voting booths opened, Vernon and Dessner shared a rousing cover of Aimee Mann’s ‘Wise Up’. The video, made to support the ‘For Wisconsin’ initiative, featured Mann’s lyrics of “It’s not going to stop/’Til you wise up” against a backdrop of the state’s stunning landscape.

“The stakes couldn’t be any higher in this election and it may come down to a handful of votes,” Dessner wrote in the video description.

Other videos in support of ‘For Wisconsin’ include Feist covering Cat Stevens’ ‘Trouble’ and a live performance from Arcade Fire of their 2020 track ‘Culture War’.

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Lizzo shares powerful message following election: “Let’s get to work, America”

Lizzo has shared a powerful video message following the news that Joe Biden has defeated Donald Trump in the 2020 US Presidential election.

Biden claimed victory earlier today (November 7) after days of vote counting finally saw him eclipse the 270 electoral college votes needed to win the race and defeat the current President.

“Let’s get to work, America,” Lizzo captioned a lengthy video post on her Instagram page. “It’s time to hold the people in charge accountable. It’s time for them to listen. And it’s time for actual change in our policies and practices.”

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In the video, Lizzo said: “There are a few times in this country, where I’m hopeful. Like every time I’m hopeful it gets taken away from me. And this time I was hopeful, and I was scared.

“I think Trump is out of office, officially. I’m seeing the news everywhere, I think this is the end of that four year term that felt like 1000 years, where people lost their lives, their livelihoods. This country fell into a pandemic, a recession…”

View this post on Instagram

It’s time to hold the people in charge accountable. It’s time for them to listen. And it’s time for actual change in our policies and practices.

A post shared by Lizzo (@lizzobeeating) on

She added: “You can’t really blame one president for things but you can blame them for how they handle it. It was so mishandled, and I felt so unseen and so neglected. Whether you’re blue or red, that man didn’t care about you.

Speaking of Kamala Harris becoming the first woman and first woman of colour to become US Vice President, Lizzo added: “I’m so excited to see a black woman in the White House, a brown woman in the White House, and be an American woman in the White House. And I’m so ready to see if America can hold itself accountable.”

“This is not the end,” she concluded. “This is literally the beginning of progress and holding these people accountable. And now we get to hold people accountable who listen and can hopefully bring some actual change.

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“Everyone’s celebrating out there and I hope y’all are celebrating too. It’s a beautiful day. God bless y’all. I love y’all. Let’s get to work America.”

Stars of the entertainment world have begun to react to the news of Biden’s victory online. “You just gave the world one of the greatest acts of kindness and bravery humanity has ever seen,” tweeted Lady Gaga.

“Nothing but love for our new Commander in Chief and the 1ST female VP elected to the White House.”

Others to share their joy at the result include Spike Lee, who drank champagne in the streets of Brooklyn, and Billie Eilish, who shared a video message on Instagram. “Thank you for caring about the climate, about women’s rights, about social justice, about fucking surviving right now,” she wrote.

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Power Trip’s Riley Gale to have Dallas transitional home for LGBTQ youth named after him

Dallas Hope Charities has announced a new transitional home for LGBTQ youth will be named after late Power Trip vocalist Riley Gale.

  • READ MORE: A tribute to Power Trip’s Riley Gale, a self-styled ordinary guy who made a modern metal masterpiece

It’s the second Dallas Hope Charity location to be named after Gale after he passed away aged 34 in August this year – last month they announced The Riley Gale Memorial Library, set to be housed at the Dallas Hope Center.

The new transitional home will be called ‘Dallas Hope Center – Riley Gale Location’. Its purchase, along with the library, has been enabled by fan donations made in Gale’s honour.

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Dallas Hope Charities CEO Evie Scrivner told The Dallas Observer that the support shown for the charity, after the surviving members of Power Trip encouraged donations in the wake of Gale’s passing, was “crazy”.

“We had no idea what that would result in, but the metal, thrasher community is like the most giving, generous, connected — it’s crazy just the people that have come together,” Scrivner said.

An NME tribute to Riley Gale called the singer “a self-styled ordinary guy who made a modern metal masterpiece”.

“Riley had earned the right to be listened to. With Power Trip, he was the fulcrum of an outfit that found themselves at the forefront of a thrilling new wave of heavy music – a scene that includes the likes of Code Orange, Turnstile, Knocked Loose, Higher Power and Enforced. Humbly, Riley called it ‘a generation of bands that are worth their salt’.”

Tributes also flowed from all corners of the music world, including Slipknot’s Jay Weinberg, Ice T, Machine Head’s Rob Flynn, Coheed and Cambria, Anthrax and more.

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AC/DC amp up excitement for new album ‘Power Up’ with devilish ‘Demon Fire’ trailer

AC/DC have shared a new trailer ahead of the release of their new album ‘Power Up’ next month.

The band’s 17th studio album sees them reunite with frontman Brian Johnson, who temporarily left the line-up in 2016 due to hearing loss, and is their first release since the death of co-founder Malcolm Young.

  • Read more: AC/DC on their explosive comeback record ‘Power Up’: “This album is for Malcolm”

‘Power Up’ will be released on November 13 and the legendary group have teased its arrival with a trailer featuring a clip of the song ‘Demon Fire’, which will appear on the record. The song soundtracks a red-lit video of two cars driving in the dark, the figures behind the wheel revealed to be red-eyed demons.

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As the clip reaches its end, the devil stands at the mouth of a tunnel as flames light up the sides of the road. Watch it below now.

 

AC/DC have shared one song in full from the record so far in ‘Shot In The Dark’. Speaking to NME earlier this month, Angus Young described it as “a strong single from a powerful rock album”. “You’ll be able to hear it and know straight away that it’s AC/DC. That’s what we’ve always strived for,” he added.

He continued to discuss the group’s return, saying: “We got together in 2018 and we worked on a lot of ideas that Malcolm and me had done through the years.

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“There were AC/DC tracks we’d never got the chance to work on and it was just great that everyone wanted to be a part of it. We’ve managed to get back what the world has known as AC/DC since 1980 when Bon Scott passed away.”

Meanwhile, the band have weighed in on whether some of their classic songs would be accepted in 2020. “I don’t know anymore, I didn’t even know what ‘woke’ stands for and I only found out since I came back to England,” Johnson said. “I have no idea of what it does or how it works!”

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Burna Boy backs #EndSARS campaign during powerful BET Hip Hop Awards 2020 performance

Burna Boy was among the main performers at last night’s BET Hip Hop Awards 2020, teaming up with Coldplay‘s Chris Martin for a politically-charged performance of ‘Monsters You Made’.

The Afrobeats star called out police brutality in his native Nigeria during the performance, using powerful visuals to back the #EndSARS campaign, while his band wore shirts that read #StopPoliceBrutality.

Ending the performance, Burna Boy delivered a short monologue to remember the victims of last week’s protests in Lagos’ Lekki Gate – with Amnesty International claiming that at least 12 people were killed after brutal clashes broke out last week.

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“This is for Tiamiyu Kazeem, this is for Kolade Johnson, this is for everyone that has lost their lives at the hands of SARS and all kinds of police brutality,” he said.

“End police brutality now and end profiling.”

The impassioned performance comes after Burna Boy previously described the EndSARS movement as the most important moment in Nigeria’s history.

Speaking to Sky News last week, he said: “It is shocking when you see it happen in that place, in such a place, that was the landmark of everything.

“The Lekki Toll Gate, that was the most peaceful place to protest, the most peaceful venue in the whole country and then that is the place where (the shootings) happen. It is not something that you can just wrap your head around.

  • READ MORE: Burna Boy: “A revolution is needed. I want to inspire it”
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“This is the most important moment in Nigeria’s history… that is what we are witnessing right now because if nothing changes after this, if this doesn’t work, then it is over.”

Other key winners at last night’s awards include the likes of Megan Thee Stallion and Roddy Ricch. 

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AC/DC launch new ‘Power Up’ logo name generator

Ahead of the release of their much-anticipated 17th album ‘Power Up’, AC/DC have shared a new online program which allows users to display their initials in the style of the band’s iconic lightning bolt logo.

  • Read More: Every AC/DC song with “rock” in the title – ranked in order of how much they rock

Users of the generator, which can be found here, are asked to enter their name. Their initials are then displayed as neon signs in the band’s famous font either side of a lightning bolt, matching the cover of ‘Power Up’.

The classic logo was first used on AC/DC’s 1977 album ‘Let There Be Rock’ and has appeared on every one of the band’s albums since, apart from the following year’s ‘Powerage’.

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The Australian rock veterans announced their new album at the end of last month. It sees frontman Brian Johnson returning to the group after Axl Rose’s stint as singer, with drummer Phil Rudd and bassist Cliff Williams also returning to the fold.

Comeback single ‘Shot In The Dark’ followed on October 1, the band’s first new material since 2014’s ‘Rock Or Bust’ LP.

Describing the track, Angus Young told NME: “It’s a strong single from a powerful rock album. You’ll be able to hear it and know straight away that it’s AC/DC. That’s what we’ve always strived for.”

Young has also confirmed that the album does not feature contributions from his brother and the band’s original rhythm guitarist Malcolm, who died in 2017, despite it featuring a number of his “ideas”.

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Young said: “I know a lot of people have been saying: did Malcolm actually play, is it his instrument on the new album? I chose not to do that because I felt Malcolm himself wouldn’t like me trying to splice his guitar work.”

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Ray BLK returns with powerful “revenge song” ‘Lovesick’

Ray BLK has shared new single ‘Lovesick’, a “revenge song” that will feature on her long-awaited debut album.

It’s the singer’s second release of the year, following her track ‘Warriors’, which featured on the soundtrack to the film Rocks.

  • Read more: Little Simz, Run The Jewels and Ray Blk give advice for DIY musicians in this exclusive extract from Phil Taggart’s ‘Slacker Guide To The Music Industry’

Speaking about ‘Lovesick’ in a press release, BLK said the track was about “taking control and reclaiming your power after being disrespected in a relationship and getting even.”

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“I’m always trying to empower women not to take disrespect sitting down but to keep a distance from people who don’t make them feel good about themselves and boss up because success is the best revenge,” she said.

“It’s a big theme of not just this song but my overall debut album. Even me rapping on this song was me taking back control, as a black female artist in the UK there’s a lot less support all round, including in getting features from other artists. After finding it so difficult I just said fine forget that then, I can actually do a better verse than a lot of these guys.”

 

She added that her rap verse reflects “a new wave of outspoken female artists who aren’t afraid to take full ownership of their sexuality and remind women that they are in control, and to only give their time to relationships that are valuable to them and make sure they are being cared for because a woman of value isn’t free.”

Ray also came up with the creative concept for the music video, which you can watch above. “I want women to watch this video and listen to this song and be inspired to step away from anybody whoever played with them and focus on stepping themselves up and trying to build an empire,” she explained. “That is how powerful I want people to feel from this song.”

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The star was one of a number of performers to take part in Wireless Festival’s virtual event Wireless Connect in July. In a review, NME‘s Nicolas-Tyrell Scott said her set saw her “stun with her neo-soul geared numbers, but not before she pays tribute to Black Lives Matter in a powerful freestyle that sees her lay bare all of her concerns and appreciation for the movement.”

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Mel C says she’ll do “everything in my power” for another Spice Girls tour

Mel C has promised she is doing everything she can to ensure another Spice Girls tour will happen next year.

2021 will mark 25 years since the band introduced themselves to the world with debut single, ‘Wannabe’. Mel C said there’s high hopes for a 25th anniversary tour.

  • Read more: Does Rock ‘N’ Roll Kill Braincells?! – Melanie C

“It would be rude not to!” the singer told ITV’s Lorraine this week, when asked whether the band will look to mark the milestone with a tour. “We had the most incredible year last year, playing stadiums and we have got to do it again. We talk about it all the time.”

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The pop star, who performs solo as Melanie C, added: “Of course this year has thrown everything into chaos, I think a lot of the big artists that were planning to perform this year will move to next year, so sadly it probably will delay the Spice Girls getting back on stage, but I’m doing everything in my power to make that happen.”

Last year’s tour reunited Mel C (Melanie Chisholm aka ‘Sporty Spice’), Mel B (Melanie Brown aka ‘Scary Spice’), Emma Bunton (‘Baby Spice’) and Geri Horner (‘Ginger Spice’). Victoria Beckham (‘Posh Spice’) was absent from the UK stadium tour, deciding to instead focus on her family and fashion business.

Geri Horner and Mel C rehearse for the Spice Girls’ reunion tour 2019

Speaking about the Spice Girls’ bond, Mel C added: “We appreciate each other now more than ever.

“We love each other and drive each other mad in equal measures, but we’re like family. It’s just one of those situations.”

Horner, formerly Halliwell, quit the band in 1998 and the rest of the girls disbanded in 2001.

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They reunited for a world tour in 2007, which included Beckham, and last performed as a five-piece at the 2012 London Olympics opening ceremony.

Melanie C released her eighth solo album, titled ‘Melanie C’, earlier this month. In a three-star review, NME‘s Rhian Daly wrote: “Sporty Spice delivers her best work in decades with an ode to self-love inspired by a new generation of girl power espoused by Shura, Nadia Rose and more”.

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Demi Lovato Slams The ‘Commander In Chief’ With A Powerful Protest Anthem

In the road toward the 2016 election, YG and Nipsey Hussle had the viral dis track, "FDT," or "Fuck Donald Trump." Now, with less than a month before Election Day 2020 and early voting already underway, pop superstar Demi Lovato has released her own protest song, "Commander in Chief." And like the rappers before her, she doesn't mince words.

In the somber new track, which surprise-dropped Tuesday evening (October 13), Lovato takes aim at the president, referencing his response to the coronavirus pandemic, the fires that have ravaged the West Coast, and racial injustice in the United States. "Commander in Chief, honestly / If I did the things you do, I couldn't sleep," she sings on the refrain. "Seriously, do you even know the truth? / We're in a state of crisis, people are dying / While you line your pockets deep / Commander in Chief / How does it feel to still be able to breathe?"

https://youtu.be/gfc5jeJLXZs

Speaking with CNN, Lovato explained the importance of using her platform to shed light on political issues. "There's been so many times that I've wanted to write the President a letter or sit down with him and ask him these questions," Lovato said. "And then I thought, I don't really actually want to do that and I thought one way that I could do that is writing a song and releasing it for the whole world to hear and then he has to answer those questions to everyone and not just me."

Writing in response to a fan who suggested incorporating her politics might isolate some fans, the "Cool for the Summer" singer explained that she understood the potential career risks associated with speaking up. "This is my response to anyone who wants to silence me," she wrote in an Instagram Story.

"You do understand as a celebrity I have a right to political views as well?" she added, in a comment that was shared as an Instagram Story. "Or did you forget that we aren’t just around to entertain people for our entire lives…that we are citizens of the same country and we are humans with opinions as well? The difference between me and the type of artist you WANT and EXPECT me to be (but I’m sorry honey that will never BE me ?) I literally don’t care if this ruins my career. This isn’t about that. My career isn’t about that. I made a piece of art that stands for something I believe in. And I’m putting it out even at the risk of losing fans. I’ll take integrity in my work over sales any day. As mochas I would like to be sad that I disappointed you, I’m too busy being bummed that you expect me, a queer Hispanic woman, to silence my views/beliefs in order to please my audience i.e. your family. ?"

The corresponding music video for "Commander in Chief" is slated for release Wednesday (October 14) at 8 p.m. PT, or 11 p.m. ET.

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Ava Max Powered Through Heaven And Hell With Pasta And Late-Night Dancing

What is Ava Max going as for Halloween this year? "Something hellish. I feel hellish, as you can tell," she said to MTV News on a recent Zoom call. "I'm wearing all black. I've been wearing all black the last two weeks a lot."

Of course, feeling hellish is only half of Max's story. On the "Sweet But Psycho" singer's energetic debut album, Heaven & Hell, she's both angel and devil, as asymmetrical as her trademark hairstyle. Max split the LP into its two titular parts after dreaming up the concept en route to the 2019 VMAs, where she performed during the red-carpet pre-show. She finished the ethereal opening track, "H.E.A.V.E.N.," during quarantine earlier this year with producer and collaborator Cirkut. And to listen to Heaven & Hell is to discover not divine highs and evil lows, but a steady stream of uptempo electro-pop that could power an hourlong cycling class, a much-needed solo dance session, and just getting shit done.

That's by design, too. "I try and make it super empowering, each song, and motivating, but I also want there to be a story, but then I also want you to be able to dance to it," she said. "But then on top of that, I want it to be weird and theatrical. So I feel like, personally I like to have my cake and eat it, too."

https://www.youtube.com/watch?v=KMBE_hcSDTI

She dropped Heaven & Hell in September; by October 2, her biggest song (and so far, her signature song), "Sweet But Psycho" had reached the staggering milestone of 1 billion streams on Spotify. It's all part of the long tail of Max's success that began when she was a teenager chasing pop success. Now, thanks to a smash hit and a conceptually bold debut album, she's getting comfortable showing off the various parts of herself. And she can't wait for Halloween candy: "Snickers, Smarties, and maybe a Ring Pop. I love a Ring Pop. Let's be real."

MTV News talked to Max about Heaven & Hell, where she'll keep her streaming-milestone plaque, and why chestnuts have the key to her heart.

MTV News: "Sweet But Psycho" just hit a billion streams on Spotify, which is insane. I feel like our brains can't even fathom what a billion of anything is.

Ava Max: It's insane to me, too. I'm like, really? You guys streamed that song 1 billion times? It's funny, because my dad was hearing a lot of songs before I released "Sweet But Psycho." He was like, "Ah, that song, we'll see. It's super pop." At the time, there was not any pop. So my dad was like, "I don't know." He liked my slower songs that I never release, actually, that he's like, "Oh, those will probably do better." Now I hit a billion. I was like, "Dad, look. There are a billion."

MTV News: I know the RIAA will send you a Gold or a Platinum record. Does Spotify send you any fun care package when that happens?

Max: I think they're sending me a plaque, which I just got told. So that's really cool.

MTV News: Where do you think you'll put it? A place of prominence?

Max: Probably over my shoes in my closet. OK, so I don't like to show off like that. I wouldn't put it where people would see. It's only for me privately, because I feel so awkward showing off my plaques. You know what I mean? My mom has them in her hallway in her house. Then every time I go, I'm like, that's so awkward. I don't know. I'm more of a private person. I talk about myself all day long in interviews. I don't want to talk about myself when my friends come over. "Oh, look at that plaque!" Oh, no. I don't want to see my face anywhere in my house.

https://www.youtube.com/watch?v=89S-RbszwJE

MTV News: Your album Heaven & Hell is split between those two concepts. Where did that idea come from?

Max: Heaven & Hell, for me, it just made sense, because everything I've been through in my life has been heaven and hell. Everything in between has been up and downs: relationships, careers. I think nothing is ever perfect, or 100 percent amazing, or 100 percent bad. I think it's all a mixture. It just made sense to me for what we go through as humans. It's nothing religious, because I'm a very spiritual person. It's more so just about the emotions we go through in life. For instance, my album came out two weeks ago, and then two days after my album came out, my grandpa passed. So it was very hard to celebrate my album because of that. It's crazy, because I was talking about it so much, and it happened to me. I felt like I was living in heaven, but also hell, because I was so sad about my grandpa's passing. It was the craziest feeling of emotions. It's exactly what I talk about. It's life. So that's why Heaven & Hell, for me, is the perfect album title for my big album.

MTV News: I know this has been a hard year, and, obviously, it sounds like it just got a lot harder. I'm sorry to hear that. Is there stuff that you have been really coming back to, musically, to help?

Max: Well, when my album came out, I really liked listening to upbeat, empowering music, but then, I don't know, when I'm in a sad mood sometimes, it takes me a minute, because music makes me think of all the memories, and it makes me cry even more. I mean, I think it depends. Now, music is helping me, but initially, the first few days, I have to be in quiet. But now, I definitely need to listen to upbeat music. Anything like Beyoncé, Destiny's Child — something to get me feeling motivated, because I know that's what my grandpa would have wanted.

MTV News: Do have anything you could say, or any pointers you could give, to people who still want to just dance to your album, even though they can't dance in clubs or with people right now?

Max: Turn off your lights and dance in the dark. I like the nighttime. I'm a night owl. So I dance in the nighttime. But it's a workout album, too. I love to workout to upbeat music. That's why I made such motivating, empowering songs, because I personally feel like I go even harder working out, or even doing little things, I don't know, cooking a meal. I like to put on music. I think as long as I'm putting out empowering music, I think it helps with all those things. Dancing, working out, creating your goals for the future.

https://www.youtube.com/watch?v=W3g62eSUwvI

MTV News: You mentioned cooking. Is that something you did a lot with some found time in quarantine? Because you, unfortunately, weren't able to tour and do things like that?

Max: The beginning of quarantine, I did not [order from] Postmates because I was so terrified. I cooked every single meal. I'm not even kidding you. I told my mom, I'm like, I give you kudos, because my wrists were hurting. I was cooking breakfast, lunch, and dinner. My niece would come over, I would make her food, and then I'd be like, wow, moms do so much. That was just cooking. That wasn't even cleaning up babies, which I don't have. I'm like, imagine being a mom. Kudos to moms. I just clap for all moms out there. Because the cooking was hard all day.

MTV News: Did you have a signature dish you made?

Max: Tacos. I love tacos. I was making a lot of tacos. I was making a lot of pasta. I was making a lot of really comforting food. Let's just say my jeans did not fit at the beginning of quarantine.

MTV News: Were you bingeing any TV shows? Did you see any movies that you were like, "I need this in my life?"

Max: I regret watching Tiger King. I regret that, because everyone was watching Tiger King. Do you remember at the beginning? I was just like, no, I'm not going to watch it. Finally, I watched it. It was bad. I mean, I did not like it. Yes, it was a good show. Right? But it was just like, I don't want to see them mistreating tigers. I just didn't like the whole anger thing. I remember getting a headache after watching that. Other than that, I loved Dead to Me with Christina Applegate. Another one I watched was Little Fires Everywhere with Kerry Washington and Reese Witherspoon. Oh my god! I love small-town dramas. Can you tell?

https://www.instagram.com/p/CF7zx1Vlsgk/

MTV News: What are you excited for in the rest of 2020?

Max: I am excited for the holidays. Is that weird? I'm excited to spend time with my family, roast some marshmallows by the fire, eat some chestnuts. A lot of people don't know this, but chestnuts are one of my favorite foods.

MTV News: Chestnuts roasting on an open fire?

Max: Not even kidding you. It's an Albanian thing, too. Albanians love to make chestnuts during the wintertime. We can turn into a chestnut if we eat too many. It's full of carbs. But anyway, I'm also excited because I'm finishing the deluxe [edition of Heaven & Hell], and I'm really, really excited for everyone to hear these records as well. It's just a lot of music. I promise you guys there will be no shortage of music.

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Sad13’s Power-Pop Memories, Anthony Ramos’s Feel-Good Exhale, And More Songs We Love

The search for the ever-elusive "bop" is difficult. Playlists and streaming-service recommendations can only do so much. They often leave a lingering question: Are these songs really good, or are they just new?

Enter Bop Shop, a hand-picked selection of songs from the MTV News team. This weekly collection doesn't discriminate by genre and can include anything — it's a snapshot of what's on our minds and what sounds good. We'll keep it fresh with the latest music, but expect a few oldies (but goodies) every once in a while, too. Get ready: The Bop Shop is now open for business.

  • Sad13: “Market Hotel”
    https://www.youtube.com/watch?v=WSnM3wQr7Yw

    “I’m just an adult dirtbag,” Sadie Dupuis sings on “Market Hotel,” putting a new spin on a beloved power-pop touchstone. It’s yet another hallmark inside a reference-rich musing on Brooklyn shows, sexism, gigging until you die, and how all those concepts mingle inside memory. As the closer to her excellent new album Haunted Painting, “Market Hotel” punctuates the themes that likewise run throughout the song cycle. It’s also an incredibly potent two-minute firebomb, with the prototypically brilliant lyrical turns of phrase that makes Dupuis such a force: “I’m playing an adult / You’re just playing yourself.” —Patrick Hosken

  • The Mountain Goats: “Get Famous”

    Singer-songwriter John Darnielle says we “wouldn’t even believe” how much fun The Mountain Goats had writing and recording “Get Famous,” but I hear it loud and clear. The upbeat new single tackles the siren call of fame with characteristic cleverness. “You’ve been waiting for this ever since you were young / Be careful not to choke on your tongue,” Darnielle advises over a frolicking brass section. He would know. “Get Famous” is the second single off of Getting Into Knives, the prolific folk-rocker’s forthcoming studio album, and his 19th as The Mountain Goats. —Sam Manzella

  • Anthony Ramos: “Stop”
    https://www.youtube.com/watch?v=hsqIqVJz75o

    From stage to screen to his own singing career, Anthony Ramos has already proven himself as a multifaceted and multi-talented performer. He leans into his pop sensibilities and peels back another layer with new single “Stop.” The feel-good track’s message of slowing down and appreciating life’s smaller moments might be well trodden, but Ramos’s soulful delivery keeps it feeling fresh. “Sometimes I wish my life was like a photograph / Double tap the good ones and just photoshop the bad,” he sings before resolving to “stop” – both metaphorically and literally, taking a beat going into the chorus. The video follows Brooklynite Anthony Payne, who lost his job during the pandemic and began giving outdoor haircuts in the city to support the Black Lives Matter movement. Ramos himself even gets under the clippers, taking a moment, and giving us all a breath of fresh air. —Carson Mlnarik

  • Travis Scott ft. Young Thug & M.I.A.: "Franchise"
    https://www.youtube.com/watch?v=_VRyoaNF9sk

    Seeing "Travis Scott" and "Franchise" together now immediately conjures associations with McDonald's, but quickly after pushing play on his latest — a collaboration with Young Thug and M.I.A. — there's a callback to Dem Franchize Boyz's "White Tee," and the title takes on new significance. Brawny and speckled with whimsy from its guests ("I'm higher than the plane / I'm where the Skypes be," raps Thug; "Kawasaki, catch a fish, Sushi, maki, livin' life," raps M.I.A.), Scott's latest is further proof of his comfortable spot at the top. —Patrick Hosken

  • Elliot Jones: “Do it Again”
    https://www.youtube.com/watch?v=pBA77TWGOY4

    “Do it Again” is an end-of-summer daydream that puts me in the mood to, well, make mistakes. Can I squeeze in one last summer fling before the city completely cools down? Indie-pop sweetheart Elliot Jones seems to think so. His new single is a hazy musing on the question, is the high worth the low? It’s a self-aware conclusion as he sings, “Why do I do this? Falling in love with my own lies / Know the truth, but I’m so clueless.” Regardless, his dreamy vocals help put everything in focus and remind us that there’s only one way to learn, and that’s just to “Do it Again.” —Daniel Head

  • Mike Sabath: "Good Energy"
    https://www.youtube.com/watch?v=mpjeXsQ4wFM

    A few years ago, producer Mike Sabath was a teenage budding sonic maestro, ready to make his mark in the pop realm. Since then, he's written songs for everyone from Selena Gomez to Lizzo — and now he's bringing "Good Energy" to a solo career. His debut single vibrates with all the kinetics of party music, nostalgic and ethereal as chillwave with horn stabs and soulful vocals lifted right from the pop charts. Treat yourself to some of his energy. —Patrick Hosken

  • Chappell Roan: “Pink Pony Club”
    https://www.youtube.com/watch?v=GR3Liudev18

    Every now and then, I get this itch to drop everything, change my hair, and become a dancing gay Brooklyn bartender à la Coyote Ugly, never mind the fact that I can’t dance. I thought I might be alone in my disputatious daydreams until I heard Chappell Roan’s “Pink Pony Club.” The rising pop starlet has been charting her takeover since signing with Atlantic Records as a teen, and the dusty yet decadent single is a promising sign of what’s to come. In a rhinestone cowboy hat, Roan starts off slow with visions of “a special place where boys and girls can all be queens every single day,” letting the soft keys give way to a triumphant electronic chorus reminiscent of Kacey Musgraves’s “High Horse.” Her voice reads as hallowed as the halls she sings about, and there’s a palpable electricity in its glitzy video, as she gives a stadium-ready performance to a group of bored barflies. Add in a couple of cameos from RuPaul's Drag Race legends like Meatball and Porkchop, and she’s got me already booking my ticket to L.A. —Carson Mlnarik

  • Carla Morrison: "Ansiedad"
    https://www.youtube.com/watch?v=ChPy6Q30b38&feature=youtu.be

    Even if you don't speak Spanish, Mexican pop vocalist Carla Morrison's face tells you everything you need to know in her striking new video for "Ansiedad" ("Anxiety," in English). As she navigates the weight of mental-health struggles that saw her take a step away from the spotlight for the last few years — personified by her choreo collaborators — Morrison also resounds deeply with her voice, a magnetic instrument conveying both longing and hard-earned hope. —Patrick Hosken

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Sumen Releases Powerful New Collection Of Cross Genre Songs

El Segundo, CA-based songwriter and producer Sumen, has just released an impressive collection of songs, six of them, each offering a different feel and often blending multiple genres. “Hold Me, Love Me,” “Let It Roll,” “Critical Rescue,” “Silly Songwriter,” “All I Want” and “The Covid-19 Fix” are the titles of Sumen’s new releases. 

From rock and roll to blues, pop, and even rockabilly, Sumen’s Berklee College of Music’ education has given him the tools and musical knowledge to compose and create any kind of music he wishes to make. 

One of the most playful releases we have heard in a while, “Silly Songwriter” is a rockabilly song inspired by The Beatles’ member Ringo Starr’s early years’ drumming technique, the half swing drum groove). “Hold Me, Love Me” is the ultimate rock-dance track, two genres Sumen researched in-depth to create this incredible fusion. 

The Covid-19 crisis also inspired Sumen to imagine a track crafted specifically for the events titled “The Covid-19 Fix,” portraying a lighthearted take on the events through sophisticated acoustic guitar licks, loose bass guitar lines, and catchy vocal melodies. 

All in all, Sumen is proving his undeniable talent throughout each of these songs, no extraordinary fact knowing that he comes from a musical family, so the inspiration and sounds run deep in his veins. 

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London’s Dingwalls to re-open as The PowerHaus following copyright issue

London venue Dingwalls is set to reopen as The PowerHaus after a copyright issue blocked the use of its original name.

  • READ MORE: Music venues warn: “There’s no guarantee we’ll all see funding or re-open”

The Camden Lock establishment, which previously hosted intimate gigs from The Strokes and Foo Fighters, was purchased by veteran promoter Vince Power back in June.

It’s now been announced that Power has rebranded the 500-capacity space with the name of his old venue on Seven Sisters Road, Finsbury Park (known later as the Robey pub).

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The promoter ran The PowerHaus during his tenure with Mean Fiddler in the ’90s, in which he welcomed bands including Radiohead, The Stone Roses, Blur and Primal Scream.

Camden’s Dingwalls (Picture: Alamy)

“I hope to continue in this tradition and have artists of this calibre at The PowerHaus Camden, which has been refurbished and is nearly ready to open,” Power explained.

“It’s not all about the name but I am sad the name Dingwalls cannot be used as I have some great memories associated with it. But we are looking to the future and the future is bright. The PowerHaus will probably be the best venue in Camden.”

This comes as many venues across the country remain closed due to the coronavirus crisis. Last month, the government announced the first 135 venues in England that will receive emergency grants from the £1.57billion Culture Recovery Fund.

However, a number of grassroots establishments have since spoken to NME about their need for public support to weather the storm of the closures caused by the pandemic. A petition has also been launched urging the government to extend the furlough scheme for those working in the live music industry.

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The Leadmill in Sheffield is just one of the gig spaces to have recently been given the green light to re-open, albeit with a reduced crowd capacity (down from 900 to 140). They now plan on hosting intimate acoustic shows, comedy and drag nights in a bid to keep afloat.

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Deftones share new powerful single ‘Ohms’, as Chino Moreno tells us what it’s all about

Deftones have released the first single and title track from their long-awaited new album ‘Ohms’. Check it out below, along with our interview with frontman Chino Moreno.

  • Read more – “This record embedded in our brains”: the endless power of Deftones’ ‘White Pony’

Details of the Sacremento alt-metal band’s ninth album emerged yesterday, having teased fans with mysterious social media posts and billboards in the US. Now we know that ‘Ohms’, the follow-up to 2016’s ‘Gore’, will arrive on September 25. The record was produced by Terry Date, who previously worked with the band on their classic albums ‘Around The Fur’, ‘White Pony’ and self-titled, as well as the unreleased ‘Eros’ which saw sessions pulled following a car crash involving bassist Chi Cheng. Cheng later died from his injuries.

‘Ohms’ is launched with the release of the title track along with a dramatic accompanying video by director Rafatoon. Speaking to NME, frontman Chino Moreno opened up about the reflective nature of the lyrics.

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“As the last song on the record, it’s kind of sung in retrospect – it’s looking back not just at the batch of songs that come before it, but our lives and our surroundings” Moreno told NME. “The verses are reflecting, but the chorus kind of says, ‘Yes this, but this‘ – it’s saying that time will change with the decisions we make. It’s a question and an answer.

“The very first line of the song is ‘We’re surrounded by debris of the past’. That’s not directly about one thing. It could be about an experience or a relationship, but honestly in my mind I was thinking about the environment, the world and the Earth. The chorus is saying that we’re going to remain here together and nothing’s going to change that.”

He continued: “It’s a dichotomy of reflecting on negative things, but coming out of it optimistic.”

Explaining how representative ‘Ohms’ is of the rest of the album, Chino said: “It sounds like we’re in peril when the song starts with a riff that’s all angular and dirty, then all of a sudden it lifts up with the chorus. That’s a good scope of where this record’s at, and as a Deftones’ song in general.

“That yin and ying of what we’ve always done of making very brutal music while having these lush overtones and undertones within it is what makes us who we are. We’ve never just been a metal band, we’ve never just been an alternative band, we’ve always just been us. We feel comfortable in never having to choose and let the songs unfold in an organic way.”

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Deftones share the artwork for new album ‘Ohms’

Deftones release ‘Ohms’ on September 25. Fans can pre-order the album here.

The tracklisting of ‘Ohms’ is:

Genesis
Ceremony
Urantia
Errorr
The Spell of Mathematics
Pompeji
This Link Is Dead
Radiant City
Headless
Ohms

Later this year the band will also complete their 20th anniversary celebrations for 2000’s seminal ‘White Pony‘ by releasing the remix album ‘Black Stallion‘, featuring DJ Shadow among the guest collaborators.

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Jay-Z and Pharrell share details of powerful new song, ‘Entrepreneur’

Jay-Z and Pharrell Williams have today shared details of a new song collaboration.

  • Read More: Jay-Z’s 10 Best Songs 

The pair will release new song, ‘Entrepreneur’ tomorrow (August 21) alongside a cover package Williams has worked on with TIME magazine.

Called ‘The New American Revolution’, the package includes interviews with Tyler, The Creator, Angela Davis and more following the global Black Lives Matters movement this summer. TIME have described the song as “a celebration of Black ambition.”

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Speaking about the song to TIME, Williams said the song is about “how tough it is to be an entrepreneur in our country to begin with. Especially as someone of colour, there’s a lot of systemic disadvantages and purposeful blockages.

“How can you get a fire started, or even the hope of an ember to start a fire, when you’re starting at disadvantages with regards to health care, education, and representation?”

Williams added: “The song is trying to communicate that when we stick together, treat each other better and welcome each other, there’s more money and more opportunity for everyone.”

Jay-Z and Pharrell
Jay-Z and Pharrell perform live

TIME adds that the magazine issue will explore “the systemic inequalities that Black people have faced throughout United States’ history, and how a more equitable future might be achieved across policy, medicine, culture, sports and education.”

The magazine have also included a short selection of the lyrics in the new song ahead of its release.

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“In this position with no choice, the system imprison young Black boys, distract with white noise,” Pharrell says on one verse, while Jay-Z asks: “Black Twitter, what’s that? When Jack gets paid, do you?”, referencing Twitter CEO, Jack Dorsey.

He later adds: “For every one Gucci, support two FUBU’s.”

Back in June, Williams delivered a powerful speech to rally for legislation that would make Juneteenth – the day that celebrates the end of US slavery in 1865 – a state holiday in Virginia.

“This is a very special moment,” Williams said during his speech. “From this moment on when you look up, you look at the vastness of the night sky, and you see those stars moving up there—know that those stars are our African ancestors dancing.

“They’re dancing in celebration because their lives are finally being acknowledged. And I can’t say it too many times up here today, a paid holiday. It’s not the end of it. It’s merely just the beginning. Their lives matter. Their descendants’ lives matter. Black lives matter in the eyes of the commonwealth.”

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Cardi B and Megan Thee Stallion celebrate “powerful women” in US$1million giveaway

Cardi B and Megan Thee Stallion have announced a giveaway of US$1 million to celebrate “powerful women”, as a way of marking the success of their collaborative single ‘WAP’.

In posts to their respective Twitter profiles, the pair announced the giveaway in collaboration with the mobile payment transfer service, Cash App.

Cardi B tweeted, “Y’all made #WAP amazing!! we’re partnering with Twitter and Cash App to give away a total of $1 million dollars to celebrate all you powerful women out there.”

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Megan Thee Stallion made a similar post, asking, “how can some $ help you or a woman you know right now?”

The pair will select 2,000 winners at random who will each receive $500.

According to Cash App terms and conditions, the giveaway is open until 8pm ET on August 20, with entries only valid when made through Twitter or the app.

Several recipients of the giveaway have already taken to Twitter to share their excitement at being selected by the rap duo.

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“My jaw is on the floor!” wrote one. “I was blessed omg I needed this so bad,” tweeted another recipient.

Earlier this week ‘WAP’ broke the US record for the most first-week streams for a song, topping the Billboard Hot 100 and earning Cardi her fourth US number one single and Megan her second.

Released on Friday August 7, ‘WAP’ has already drawn unexpected attention by several conservative figures. Ben Shapiro of The Daily Wire was mocked by Cardi for his reading of the song’s lyrics, while she later came forward to say she hadn’t expected “conservatives and Republicans to be talking about ‘WAP’”.

“I didn’t think the song was as vulgar as they said it was, you know?” she said.

The singer also received backlash from PETA for the use of big cats in the official music video and also defended the casting of Kylie Jenner following backlash from fans.

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Listen to EarthGang’s turbo-charged new song ‘Powered Up’

EarthGang have shared a new song – listen to ‘Powered Up’ below.

The song, which features on soundtrack for Madden NFL 21, the latest installment in EA SPORTS’ video game franchise, is a turbo-charged jam filled with big, syncopated beats and playful group vocals.

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In June, the Atlanta duo joined forces with J.I.D, 6LACK, and Mereba for the Spillage Village song ‘End of Daze’.

Last month, EarthGang’s OLU covered Marvin Gaye’s 1971 hit, ‘What’s Going On’. The musician explained that he shared his rendition of Gaye’s plea for peace track after repeated viewings of Spike Lee’s Vietnam veteran war film Da 5 Bloods.

Dedicating the song to his father, OLU wrote in an op-ed accompanying the rendition for DJ Booth that he hopes “greed and hate die”, in an apparent reference to the divisions Gaye sang about in his anti-war song from the ’70s.

“I hope that greed and hate die; they’re diseases,” OLU wrote in part of the op-ed. “They run rampant across the globe, causing untold hardship for the human race and mother nature. These are the perfect breeding grounds for institutional racism. Stripping opportunities and quality of life away from a group of people simply because they are different or to profit, hurts entire nations and causes countries to crumble in ruin.”

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He continued: “They say you can tell a lot about a society by the way it treats children and the elderly. Two of the most vulnerable populations on this planet are abused, mishandled, overlooked, and left to fend for themselves.”

EarthGang’s first major label album ‘Mirrorland‘ was released last year on Dreamville, Interscope, and Spillage Village.

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Listen to rising rapper Chika’s empowering new track ‘My Power’

Rising rapper Chika has released an empowering new track called ‘My Power’ – listen to it below.

  • Read more: Project Power review: pills, thrills and mixtapes in Netflix’s drug-fuelled superhero romp

The song – which is featured in the new Netflix film Project Power – hears the Alabama MC boast about self-worth while celebrating the power of perseverance.

Look at my story, recognise l’m so chosen/ Finally found a light, my fire bright lit out smoking,” Chika raps during the song’s second verse.

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On the chorus, she spits: “My word is my power power/ Crazy with the skill, believe me I can go hours/ Dance beyond the pain to say the rain a cold shower/ Gotta play the game to ascertain what’s your power.

Listen to ‘My Power’ below:

Not only contributing to the film’s soundtrack, Chika also makes her acting debut in Project Power playing a high school classmate.

It comes after Jamie Foxx, who stars in the action crime sci-fi alongside Joseph Gordon-Levitt, Dominique Fishback and Rodrigo Santoro, saw potential in the Alabama-native within the film industry following the release of her debut EP, ‘Industry Games’.

Meanwhile, Snoop Dogg and Chika look set to collaborate after the two hit it off during a recent Instagram Live session.

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Chika was surprised to be joined on her Live by Snoop last weekend (August 8), with the latter praising Chika by saying that he was “here to give you your flowers.”

“I’m here to tell you I fuck with your music. I love your shit,” Snoop said. “I play it, I enjoy it. I wanted to tell you that. I didn’t want to, like, let you hear about it. I want you [to] hear it from me, from the Dogg’s mouth.”

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Alicia Keys debuts powerful ‘Perfect Way To Die’ video at BET Awards

Alicia Keys has shared a powerful new video for her recent track ‘Perfect Way To Die’.

The video doubled up as her performance at this week’s virtual BET Awards – watch it below.

  • Read more: On the ceremony’s 20th anniversary, the BET Awards were absolutely vital

The new video, directed by Chris Robinson, sees Keys sat at the piano while images of people killed as a result of police brutality, including George Floyd, are projected onto buildings.

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Revealing the reasons behind the song on its release last month, Keys said: “Of course there is no perfect way to die. This phrase doesn’t even make sense but that’s what makes the title so powerful and heartbreaking because so many have died unjustly.

“It’s written from the point of view of the mother whose child has been murdered because of the system of racism that looks at Black life as unworthy. We all know none of these innocent lives should have been taken due to the culture of police violence.”

During the song, Keys discusses deaths at the hands of the police, singing: “Simple walk to the corner store/Mama never thought she would be/Getting a call from the coroner/Said her sons been gunned down/Been gunned down.”

Discussing this year’s BET Awards, which come as Black Lives Matter protests are continuing to be held across the globe, NME wrote: “Everyone knows that the BET awards is one of the biggest platforms in the world, and in its 20th year, the show is still as political as ever.

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“The BET channel was created to give unheard black communities a voice – and that was deemed political. And now, with the resurgence of the Black Lives Matter movement and the assurance that black voices cannot be silent any longer, the channel has leant its platform once again.”

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YouTuber creates ‘new’ Iron Maiden song ‘Power Gravy’ using artificial intelligence

Iron Maiden might not have released original music for half a decade, but YouTuber Funk Turkey has employed artificial intelligence to create a track in imitation of the band entitled ‘Power Gravy’.

  • Read More: All the rock songs written by AI bots – ranked and rated in order of… greatness?
The YouTuber, real name Kirk Connor, collected all of Iron Maiden’s lyrics from the Genius Lyrics Database and used them to write a new song using the Markov chain mathematical system. He then performed all the vocals and instrumentals himself.

The generated lyrics open: “8 and 40 souls became the number of the Moon / when you’re debating witches and the clouds In His Majesty’s Craft“, while the chorus concerns the titular ‘Power Gravy’.

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“Vocals are… hard,” Connor wrote on YouTube. “Bruce Dickinson is very hard to emulate/impersonate, so I just did the best I could and hope it’s not awful. That man has golden pipes. It sounds like a South Park parody, but then again, it is a parody, so… uhhhh… don’t take it too seriously.”

The track is not Connor’s first, with the YouTuber previously sharing tracks imitating Metallica, AC/DC, Nickelback, Red Hot Chilli Peppers and Metallica. Last month, he uploaded a fake Nirvana song entitled ‘Smother’, which was also generated with artificial intelligence.

Speaking about programming the drums using ‘Superior Drummer 2’, Connor added: “I know Dave Grohl hates computer drums but it’s the best thing I got, soooo… Sorry Dave. I still love you.”

Meanwhile, fans are hopeful that a new album by the real Iron Maiden might be on its way. With the band claiming they’re “never going to fucking retire,” in January, drummer Nicko McBrain told fans to “keep their eyes peeled” for new music.

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Dingwalls to reopen under ownership of veteran promoter Vince Power

Camden venue Dingwalls is set to reopen after coronavirus under the ownership of veteran promoter Vince Power.

Power, who ran promotions firm Mean Fiddler until 2005, has taken over operation of the intimate venue from Enhanced Hospitality, the Camden New Journal reports.

The 500-capacity venue first opened in 1973 and has previously played host to intimate shows from the likes of Red Hot Chili Peppers, The Strokes and Foo Fighters.

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Confirming plans to open next year, Power told the New Journal: “There are still some things we have to work out – how we manage the lockdown situation and what it means for live music.

“We may not be able to open until New Year. We are working through plans of what we can do there.

“[Dingwalls] has such a rich history, though in recent years it has been up and down. It needs a lot of attention but I am excited about it.”

Vince Power (Picture: Getty)

Camden’s culture chief Councillor Jonathan Simpson said: “Vince Power has a great history in running successful live venues and festivals in London. Our music venues face massive uncertainties due to the public health pandemic and when they reopen they will need our support more than ever. I hope Vince’s expertise will help Dingwalls thrive.”

Power previously headed up the Vince Power Music Group, which went into liquidation in 2012, and Music Festivals plc, which raised £6.5 million when  floated on London’s Alternative Investment Market in 2011.

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Confirmation over Dingwall’s future comes after a selection of UK grassroots music venues  signed an open letter to the government calling for an emergency £50million of funding to allow them to “hibernate” until October due to restrictions caused by coronavirus.

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Beyonce shares powerful a capella version of Juneteenth track ‘Black Parade’

Beyoncé has dropped a new a capella rendition of ‘Black Parade’, the powerful new track she dropped last week to mark Juneteenth, the day commemorating the end of slavery in the US.

‘Black Parade’ is co-written by Jay-Z, as well as longtime collaborators Derek Dixie, Caso and Kaydence. It sees Beyoncé sings about her Southern heritage and womanhood.

The new version, exclusive to TIDAL, offers a stripped-back take on the track, allowing Beyonce’s powerful vocals to shine.

I’m goin’ back to the South, I’m goin’ back, back, back, back / Where my roots ain’t watered down, growin’, growin’, like a baobab tree,” she sings.

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To tie in with the track’s release, she also launched ‘Black Parade’, a new initiative by the same name, to support Black-owned businesses.

The Black Parade website features a directory of Black-owned businesses, run through her BeyGOOD charitable foundation. All proceeds from the song benefit BeyGOOD’s Black Business Impact Fund.

Beyoncé has penned open letters and shared impassioned videos demanding justice for the deaths of both George Floyd and Breonna Taylor. The singer was vocal about the higher number of Black coronavirus deaths during Lady Gaga’s all-star ‘One World: Together At Home’ livestream earlier this year.

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TV On The Radio’s Tunde Adebimpe shares powerful new protest song, ‘People’

TV On The Radio’s Tunde Adebimpe has shared a powerful new protest song to mark Juneteenth – the annual commemoration day to mark the emancipation of slavery in the US.

  • Read More: How to support Black Lives Matter and anti-racist organisations if you can’t protest

The song, called ‘People’, sees Adebimpe urging listeners to challenge and condemn white supremacy and racism. “If you see it’s a Nazi, say it’s a Nazi, and get that Nazi out,” he sings on the track.

With some assistance from TV On The Radio drummer Roofeo, the self-produced track is available to stream or purchase via Bandcamp. All proceeds from the song will go to the Southern Poverty Law Center, Movement for Black Lives, and the American Civil Liberties Union.

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You can stream/purchase the song on Bandcamp – who are donating a share of profits to the NAACP Legal Defence Fund on Juneteenth – here.

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NEW SONG – PEOPLE A Public Service Announcement Link in bio. All proceeds will be divided between: The Southern Poverty Law Center (@splcenter) The ACLU (@aclu_nationwide) and The Movement for Black Lives (@mvmnt4blklives) All Power to the People

A post shared by Tunde Adebimpe (@tadebimpe) on

Earlier this month, Adebimpe shared an emotive Instagram video dedicated to victims of police brutality, including George Floyd.

Floyd, 46, died in Minneapolis on May 25 following an altercation with police officers. Floyd, who was African American, was killed when a white police officer appeared to kneel on his neck as he lay on the ground during an arrest. Mass protests across the US and all over the world have followed in the wake of his death.

Artists who have released protest songs in recent weeks include Elvis Costello, The Killers, H.E.R. and Trey Songz whilst others, including Bruce Springsteen and Jay-Z, have shared protest playlists.

A large number of names from across the worlds of music and entertainment have publicly called for justice for Floyd following his death, including Killer Mike,Beyonce, Ice Cube, Janelle Monae, Billie Eilish, Jay-Z, Adele and Travis Scott.

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Yesterday (June 19), Usher wrote a powerful new essay calling for change on Juneteenth.

Writing in the Washington Post, Usher called for politicians to recognise the day as a national holiday and for citizens to support black-owned business today and in the future.

“My heart is shattered by the ongoing injustices in this country, incited by its long history of racism that has led to deadly outcomes for too many of our people. This country must change. And it must change quickly,” he wrote.

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Cat Power covers Cassius’ ‘Toop Toop’ in tribute to Philippe Zdar

Cat Power, aka Chan Marshall, has released a cover of Cassius‘ 2006 single ‘Toop Toop’ as a tribute to member Philippe Zdar on the first anniversary of his passing.

  • READ MORE: Franz Ferdinand, Hot Chip and Phoenix lead tributes to producer and Cassius member Philippe Zdar

Marshall’s acoustic-driven cover also features French musician -M-, released to Youtube with an old photograph of Zdar. Listen to it below:

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Cassius’ label Ed Banger records said the new cover was shared at the behest of Zdar’s widow, Dyane.

“A year ago, we went down to @motorbass studio Chan & Matthieu were jamming, thinking of a tribute for our Brozeur Philippe,” they wrote on Instagram.

“@catpowerofficial started to whisper, @m_chedid followed her voice with his fingers on his guitar, magic happened, Antoine pushed the rec button…A year later, the light is still on, we’re still powered by the love you all sent from all around the world.”

Marshall featured as Cat Power on three tracks from Cassius’ 2016 album ‘Ibifornia’: ‘Action’, ‘Go Up’ and ‘Feel Like Me’. Zdar also mixed Cat Power’s 2012 album, ‘Sun’.

View this post on Instagram

A year ago, we went down to @motorbass studio Chan & Matthieu were jamming, thinking of a tribute for our Brozeur Philippe. @catpowerofficial started to whisper, @m_chedid followed her voice with his fingers on his guitar, magic happened, Antoine pushed the rec button… A year later, the light is still on, we’re still powered by the love you all sent from all around the world. Today, his wife Dyane wanted to share this recording. CAT POWER & -M- •Toop Toop• (a tribute to Zdar) ❤️ (link in bio)

A post shared by ED BANGER / PEDRO WINTER (@edbanger) on

The French producer and DJ died at the age of 50 in June last year, after accidentally falling from a high floor of a building in Paris. He was a week away from releasing the last Cassius album, ‘Dreems’.

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Zdar produced Hot Chip’s last studio album ‘A Bath Full of Ecstasy’, also released after his passing. During his lifetime, he was known for mixing and producing Phoenix‘s landmark 2009 album ‘Wolfgang Amadeus Phoenix’, and over the course of his career, worked with the likes of Franz Ferdinand, Cat Power, Robyn and more. He owned and operated a studio, Motorbass Studio, in Paris.

Marshall released her last full-length album as Cat Power, ‘Wanderer’, in 2018.

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Usher pens powerful essay calling for change on Juneteenth

Usher has written a powerful new essay calling for change on Juneteenth – the annual commemoration day to mark the emancipation of slavery in the US.

  • Read More: How to support Black Lives Matter and anti-racist organisations if you can’t protest

Writing in the Washington Post to coincide with the day, Usher has called for politicians to recognise the day as a national holiday and for citizens to support black-owned business today and in the future.

Under the headline ‘Why it’s so important that Juneteenth become a national holiday,’ Usher said the day should unite the US. “It should be a national holiday, observed by all Americans,” he wrote.

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“As an artist, it is my duty to reflect the trying times in which we live. My heart is shattered by the ongoing injustices in this country, incited by its long history of racism that has led to deadly outcomes for too many of our people. This country must change. And it must change quickly,” he continued.

“As we celebrate today, let’s stay open to possibility. Let’s support black-owned businesses today and every day. Let’s uplift our resilient history. Let’s honour our people. Happy Juneteenth, America.”

Usher – Credit: Getty

Earlier today, 12-year-old Keedron Bryant’s a cappella song, ‘I Just Wanna Live’ was released to coincide with ‘Juneteenth’.

The video of Bryant’s emotive performance, which was uploaded the day after Floyd died in police custody, soon went viral as a result of its powerful message and was shared by Barack Obama, LeBron James, Janet Jackson and Lupita Nyong’o. It has now been viewed on Instagram over 3.2 million times.

Speaking about the song and its reach, Bryant said he thought there was “still hope…that we can change the world.”

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In the song, Bryant sings: “I’m a young black man, doing all that I can to stand/Oh, but when I look around, and I see what’s being done to my kind/Every day I’m being hunted as prey/My people don’t want no trouble.”

As reported on Sky News, Chris Atlas from Warner Records spoke about how much the record “moved” him when he first heard it. He said: “I was already moved by the record, but hearing the vocals over the production, it just hit me in another way.

“I was like, ‘Wow this is an amazing song.’ We should be a part of making sure the world hears this on a larger capacity but then also donate proceeds from the song to the right cause. That’s actually giving back and using music as a healing mechanism, which I truly believe it is.”

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Bad Rabbits share powerful new video for previously released ‘WWYD’

Bad Rabbits have shared a powerful new video for their 2016 track ‘WWYD’ – you can watch it below.

Originally featured on the band’s second album, ‘American Nightmare’, the song talks about police brutality and the injustices suffered by the black community, asking questions like “What would you do when triggers are pulled before questions are asked?

It comes following the death of George Floyd, an African-American man, who was killed when a white police officer knelt on his neck for almost nine minutes as he lay on the ground during an arrest. Mass protests calling out racism have since taken place across the US and all over the world.

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In a press release, the question is asked as to whether or not Bad Rabbits released their sophomore release prematurely. “Nah. ‘American Nightmare’ was the siren warning of the oncoming storm,” the band replied.

“Fast forward to 2020 and what has changed over the course of four years? Shit, what has changed over the course of 400-plus years? It took a pandemic, killer police and a filler president just to get the masses listening. Now that we have your ears, please allow us to reintroduce ourselves.”

Watch the Torey Champagne-directed video for ‘WWYD’ below:

Elsewhere on the song, frontman Fredua Boakye sings: “Tell em dine on their own bullets tonight/ Tell em dine on their own bullets tonight/ Tell em dine on their conflict/ Tell em dine on their bullshit/ They gon dine on their bullets tonight/ Yo this for the fallen/ Sing for them/ No justice no peace/ Yo sing it for the fallen/ Yea this is for the fallen/ I’ma sing for them.

Earlier this week, Bootsy Collins said he doesn’t think black people have “been allowed to advance that much” over the years.

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Speaking in a new interview, Collins, who rose to prominence with James Brown in the 1970s before later joining Parliament-Funkadelic, discussed how far the black community have come in light of recent events following the death of George Floyd last month.

Meanwhile, Team Roc, the social justice arm of Jay-Z‘s Roc Nation, demanded the immediate dismissal of charges brought against a protester in Charleston.

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Watch Machine Head’s gritty new video for powerful Jesse Leach collaboration ‘Stop The Bleeding’

Machine Head have released two new songs that were finished in response to the killings of George Floyd and Ahmaud Arbery in the US — you can watch the gritty video for ‘Stop The Bleeding’, a collaboration with Killswitch Engage‘s Jesse Leach, below.

‘Stop The Bleeding’ is the A-side of the two-song digital release ‘Civil Unrest’, while ‘Bulletproof’ serves as the B-side. A significant portion of the proceeds from streams of ‘Stop The Bleeding’ will go to the Grassroots Law Project, the organisation representing Floyd, Arbery and Breonna Taylor and their families.

Explaining more about their decision to release ‘Stop The Bleeding’, which was originally recorded in December 2018, Machine Head vocalist and guitarist Robb Flynn said: “I wrote and sang the lyrics on Wednesday May 27 2020, the day that the four officers who murdered George Floyd were [originally] not charged with anything. This day was engulfed in protests and riots across America.

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“I drove into Oakland past large demonstrations already happening, and in a fury wrote down everything I was feeling after watching the horrific footage. Within hours what I wanted to say, what I needed to say, had been recorded in the song.”

Machine Head have accompanied the release of the single by sharing the video for ‘Stop The Bleeding’, which features both Flynn and Leach. Directed and edited by Mike Sloat, the clip was shot on location on the streets of Oakland, while Leach’s part was filmed remotely in Kingston, NY with David Brodsky. You can see it below.

Speaking about working with Leach, Flynn said: “I had been speaking with Jesse for maybe six months about singing on the song, as it always had a little bit of a Killswitch vibe to me. Unfortunately (or fortunately), our schedules hadn’t lined up, but with the subsequent lockdown from coronavirus, we had time to make it work. After what happened to George Floyd, I sent him the lyrics I’d written and he replied saying he was “100% on board”.

“Jesse is someone I consider to be a pioneer and in many ways, one of the men who changed the face of metal. His contribution to this song made it extremely powerful, and it’s an honour to have him be a part of it.”

Leach repaid the compliment by saying it was “an honour” to be asked to contribute to the track.

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“Yes, because it’s Machine Head, but more importantly, this is a message that needs to be heard and spread,” he said. “These issues concerning abuses of power and racism are timeless. I have written about these previously and I’ll write about them again. I think Robb really nailed this one, both lyrically and sonically.

  • Read more: Killswitch Engage’s Jesse Leach — “The year I had my entire life turned on its head”

“My hope is this song helps awaken those who hear it,” Leach continued. “Robb has been a frequent voice of the voiceless in these times, so teaming up with him is a no-brainer.

“We need more of our Metal Community to speak out on social issues and help raise awareness, especially during these crucial times. Music is the soundtrack to our lives, it transcends language and culture. This is the reason we as musicians need to do our part to spark thought and discussion on these types of issues. We can make a difference through music and we can help stop the bleeding.”

Speaking about ‘Bulletproof’, Flynn said that the lyrics “were finished in the aftermath of not only the Ahmaud Arbery murder at the hands of white supremacists, but everything twisting out of control in our world.

“The isolation and craziness of the pandemic, the lockdown protesters storming government buildings with AR-15s, as well as the blatant lies and conspiracies pouring out of our political leader’s mouths, hour by hour, day after day.”

You can stream or purchase the two songs here.

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Kendrick Lamar’s "HiiiPoWer" Invoked The Spirit Of Lesane Parish Crooks


Kendrick Lamar’s “Alright” has soundtracked peaceful protests but as these same peaceful protesters get hit with teargas and rubber bullets, “HiiiPoWer” truly resonates with the times.

“I watch this video and reminise on that krazy am hour of september 13, 2010. I got a visit from Lesane Parish Crooks. Reserch this name.”

There’s a question that often frequents certain rap circles: “what would the rap game be like if Tupac was alive today?” ‘Pac doesn’t necessarily stand at the top of hip-hop’s Mount Rushmore due to his technical prowess or even the charge of his wordplay. He’s the greatest to ever do it because he wasn’t afraid of speaking his mind, and through that, he challenged the listener with timeless gems that resonate even during the most unpredictable moments in life. A pen that undoubtedly influenced generations of rappers that followed, Tupac painted an image of a Black America ravaged by the Reagan administration’s policies and budget cuts. An America that was being silenced and even further marginalized through Reaganomics and tough-on-crime stances that continued to target Black and Brown Americans across the country. That’s a narrative in hip-hop that hasn’t changed mainly because things haven’t changed. In the past few weeks, we’ve witnessed an uprising in America that has led to protests in other countries demanding justice. 

Kendrick Lamar's "HiiiPoWer" Invoked The Spirit Of Lesane Parish Crooks
Raymond Boyd/Michael Ochs Archives/Getty Image

The murder of George Floyd isn’t an uncommon story in America. We’ve seen it in the past, most notably with Eric Garner, who died from suffocation at the hands of police in 2014, over allegations of selling loose cigarettes. George Floyd, it was an alleged counterfeit $20 bill. Both deaths shouldn’t have happened, and anyone with a grain of humanity in their soul would agree. But the death of George Floyd has sparked protests across the country calling for imminent change. Change that’s beginning to seem somewhat tangible. Not just within the justice system but in society as a whole. Racism is still rampant and has been, even in the most subtle ways. Nearly 100 years after Black Wall Street was burned to the ground, America’s witnessing some of their “sacred values” that are rooted in racism get burned to the ground as well.

In the midst of a revolutionary uprising, a few people across social media began criticizing artists like Kendrick Lamar for not using his platform to issue a statement or show his solidarity publicly. His music has previously been anthemic for the Black Lives Matter movement. The hook for “Alright,” for example, became a chant during demonstrations against police brutality. This week, Kendrick Lamar’s 2015 opus To Pimp A Butterfly returned back to Billboard 200 chart after seeing 120% increase in sales. “Alright” has soundtracked peaceful protests but as these same peaceful protesters get hit with teargas and rubber bullets, the intro to Kendrick Lamar’s “HiiiPower” truly resonates.

“The sky is falling, the wind is calling/ Stand for something or die in the morning.”

“HiiiPoWer” was initially introduced by Ab-Soul before every other member of TDE at the time began to push the movement as a collective. References to HiiPoWer are scattered throughout the TDE discography but there was a stronger emphasis on the idea in Section.80. Kendrick explained it as a movement that should be treated like a religion of sorts, one that’s meant to bring a sense of enlightenment and elevation to the minds of Generation Y.

“HiiiPoWer is the way we think, the way we live. See it’s known as today that the human race is nothing. No morals. No standards. What we’re about to do is raise the level of expectations. No, you don’t have to have a lot of money. You don’t have to be rich. But you will be rich in mind and spirit. Some say it’s as big as a crew, some say it’s as big as a gang. HiiiPoWer, we stand for it as if it’s as big as a religion.”

“HiiiPoWer” was a key introduction to someone who would become one of the most important artists of our time. 2011 was a year that many considered essential to the rap renaissance. Artists like Drake, Wale, J. Cole, and Kendrick Lamar were on their come-up, but truthfully, no one’s vision was as vivid as Kendrick’s.

‘Pac once said, “I’m not saying I’m gonna rule the world or I’m gonna change the world, but I guarantee you that I will spark the brain that will change the world.” Kendrick Lamar became that mind. “HiiiPoWer” was admittedly inspired by a dream Kendrick had, where ‘Pac visited him to tell him not to allow his message and his memory to die. He didn’t. 

Kendrick Lamar tackles conspiracy theories and oppressive systems, taking notes from prominent Black figures who dedicated, and ultimately lost, their lives for Black liberation. MLK Jr. and Malcolm X had visions that were bigger than themselves or even their immediate geographical community. Even references to Black Panther co-founders Bobby Seale and Huey P. Newton emphasizes the message of imminent change on “HiiiPoWer”, though we’re witnessing it come into fruition nine years later. The reference to Seales, at this point in time, seems to reflect exactly what has gone on in the past two weeks. Bobby Seales was tried as part of the Chicago Eight accused of conspiring to incite riots at the 1968 DNC Convention in Chicago. The riots that ensued in late August 1968 sparked due to police brutality against demonstrators. Police fired teargas into the crowd, beat down demonstrators, and arrested them. Then-mayor Richard J. Deley shut down a protest permit for anti-war demonstrators before deploying 12K police officers, the Illinois National Guard, and Army Forces. Sound familiar?

Tryna stay above water, that’s why we shun the navy
Pull your guns and play me, let’s set it off
Cause a riot, throw a Molotov
Somebody told me them pirates had got lost
‘Cause we been off them slave ships
Got our own pyramids, write our own hieroglyphs.”

The theme of liberty, especially for the Black community under an oppressive system, runs deep throughout the track. But there are moments when Kendrick admits that his fate could be similar to ‘Pac’s. Or Malcolm’s. Or Martin’s. As a voice of rebellion for a generation, a community of marginalized groups, Kendrick acknowledges that his words carry weight. There’s a long list of activists, Black activists specifically, who have been targeted and have been under surveillance for speaking out against the system. Kendrick invites the world to view his autopsy if ever he’s assassinated for speaking his truth. But even now, in the age of social media, where performative activism is at an all-time high, these community leaders and activists who have been at the forefront of the Black Lives Matter movement organizing and leading protests are being heavily surveilled under the FBI’s concern for “Black extremism.” Just last week, The Verge published an article on protecting digital security ahead of protests, to block authority from receiving information that would tip off the police, or allow them to trace you. 

Kendrick Lamar's "HiiiPoWer" Invoked The Spirit Of Lesane Parish Crooks
Roger Kisby/Getty Images

What emboldens this is J. Cole’s production on the song. Cole enhances the feeling of paranoia with synths that sound phone-tapped blended with dial-up Internet tones and morse code. The drums kick with a powerful punch and a Just Blaze touch. Distorted guitars clash through the beat like an interception on a radio signal, and Kendrick’s leading the takeover. 

2020 will mark 24 years since Tupac was shot and killed in Las Vegas. He was only 25-years-old at the time. He changed the world in his own way, though he never lived to witness it with his own eyes. Even as injustices continue to take place, the power system at large is beginning to dwindle at the hands of the people, slowly but surely. It’s long-deserved, and a battle that has been passed on from generation to generation. The level of expectation, as Kendrick Lamar explained on the “Cut You Off” outro, has been raised to a point where rebellion can be the only solution to change. 

“All of society is doing is leeching off the ghetto. They use the ghetto for their pain. For their sorrow. For their culture. For their music. For their happiness. For their movies to talk about Boyz In The Hood,” ‘Pac said in the same interview referenced earlier. “I don’t want to be 50-years-old at a BET ‘We Shall Overcome’ achievement awards, you know what I’m sayin’? I want when they see me, they know that everyday that I’m breathin’, it’s for us to go farther.”

“HiiiPoWer” has been overshadowed in Kendrick’s catalog by the more commercially appealing records, understandably. His core fans, though, will always hold the record in high regards. Some were introduced to Kendrick with this single while others recognized a moment as his official arrival to the realm of rap’s elite. That same summer Section.80 was released, Snoop Dogg, Dr. Dre, and The Game officially passed the torch to Kendrick as the new reigning King of the West Coast. Surely, ‘Pac would’ve been alongside all three rappers if he had lived to see the day. 

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Kendrick Lamar’s "HiiiPoWer" Invoked The Spirit Of Lesane Parish Crooks


Kendrick Lamar’s “Alright” has soundtracked peaceful protests but as these same peaceful protesters get hit with teargas and rubber bullets, “HiiiPoWer” truly resonates with the times.

“I watch this video and reminise on that krazy am hour of september 13, 2010. I got a visit from Lesane Parish Crooks. Reserch this name.”

There’s a question that often frequents certain rap circles: “what would the rap game be like if Tupac was alive today?” ‘Pac doesn’t necessarily stand at the top of hip-hop’s Mount Rushmore due to his technical prowess or even the charge of his wordplay. He’s the greatest to ever do it because he wasn’t afraid of speaking his mind, and through that, he challenged the listener with timeless gems that resonate even during the most unpredictable moments in life. A pen that undoubtedly influenced generations of rappers that followed, Tupac painted an image of a Black America ravaged by the Reagan administration’s policies and budget cuts. An America that was being silenced and even further marginalized through Reaganomics and tough-on-crime stances that continued to target Black and Brown Americans across the country. That’s a narrative in hip-hop that hasn’t changed mainly because things haven’t changed. In the past few weeks, we’ve witnessed an uprising in America that has led to protests in other countries demanding justice. 

Kendrick Lamar's "HiiiPoWer" Invoked The Spirit Of Lesane Parish Crooks
Raymond Boyd/Michael Ochs Archives/Getty Image

The murder of George Floyd isn’t an uncommon story in America. We’ve seen it in the past, most notably with Eric Garner, who died from suffocation at the hands of police in 2014, over allegations of selling loose cigarettes. George Floyd, it was an alleged counterfeit $20 bill. Both deaths shouldn’t have happened, and anyone with a grain of humanity in their soul would agree. But the death of George Floyd has sparked protests across the country calling for imminent change. Change that’s beginning to seem somewhat tangible. Not just within the justice system but in society as a whole. Racism is still rampant and has been, even in the most subtle ways. Nearly 100 years after Black Wall Street was burned to the ground, America’s witnessing some of their “sacred values” that are rooted in racism get burned to the ground as well.

In the midst of a revolutionary uprising, a few people across social media began criticizing artists like Kendrick Lamar for not using his platform to issue a statement or show his solidarity publicly. His music has previously been anthemic for the Black Lives Matter movement. The hook for “Alright,” for example, became a chant during demonstrations against police brutality. This week, Kendrick Lamar’s 2015 opus To Pimp A Butterfly returned back to Billboard 200 chart after seeing 120% increase in sales. “Alright” has soundtracked peaceful protests but as these same peaceful protesters get hit with teargas and rubber bullets, the intro to Kendrick Lamar’s “HiiiPower” truly resonates.

“The sky is falling, the wind is calling/ Stand for something or die in the morning.”

“HiiiPoWer” was initially introduced by Ab-Soul before every other member of TDE at the time began to push the movement as a collective. References to HiiPoWer are scattered throughout the TDE discography but there was a stronger emphasis on the idea in Section.80. Kendrick explained it as a movement that should be treated like a religion of sorts, one that’s meant to bring a sense of enlightenment and elevation to the minds of Generation Y.

“HiiiPoWer is the way we think, the way we live. See it’s known as today that the human race is nothing. No morals. No standards. What we’re about to do is raise the level of expectations. No, you don’t have to have a lot of money. You don’t have to be rich. But you will be rich in mind and spirit. Some say it’s as big as a crew, some say it’s as big as a gang. HiiiPoWer, we stand for it as if it’s as big as a religion.”

“HiiiPoWer” was a key introduction to someone who would become one of the most important artists of our time. 2011 was a year that many considered essential to the rap renaissance. Artists like Drake, Wale, J. Cole, and Kendrick Lamar were on their come-up, but truthfully, no one’s vision was as vivid as Kendrick’s.

‘Pac once said, “I’m not saying I’m gonna rule the world or I’m gonna change the world, but I guarantee you that I will spark the brain that will change the world.” Kendrick Lamar became that mind. “HiiiPoWer” was admittedly inspired by a dream Kendrick had, where ‘Pac visited him to tell him not to allow his message and his memory to die. He didn’t. 

Kendrick Lamar tackles conspiracy theories and oppressive systems, taking notes from prominent Black figures who dedicated, and ultimately lost, their lives for Black liberation. MLK Jr. and Malcolm X had visions that were bigger than themselves or even their immediate geographical community. Even references to Black Panther co-founders Bobby Seale and Huey P. Newton emphasizes the message of imminent change on “HiiiPoWer”, though we’re witnessing it come into fruition nine years later. The reference to Seales, at this point in time, seems to reflect exactly what has gone on in the past two weeks. Bobby Seales was tried as part of the Chicago Eight accused of conspiring to incite riots at the 1968 DNC Convention in Chicago. The riots that ensued in late August 1968 sparked due to police brutality against demonstrators. Police fired teargas into the crowd, beat down demonstrators, and arrested them. Then-mayor Richard J. Deley shut down a protest permit for anti-war demonstrators before deploying 12K police officers, the Illinois National Guard, and Army Forces. Sound familiar?

Tryna stay above water, that’s why we shun the navy
Pull your guns and play me, let’s set it off
Cause a riot, throw a Molotov
Somebody told me them pirates had got lost
‘Cause we been off them slave ships
Got our own pyramids, write our own hieroglyphs.”

The theme of liberty, especially for the Black community under an oppressive system, runs deep throughout the track. But there are moments when Kendrick admits that his fate could be similar to ‘Pac’s. Or Malcolm’s. Or Martin’s. As a voice of rebellion for a generation, a community of marginalized groups, Kendrick acknowledges that his words carry weight. There’s a long list of activists, Black activists specifically, who have been targeted and have been under surveillance for speaking out against the system. Kendrick invites the world to view his autopsy if ever he’s assassinated for speaking his truth. But even now, in the age of social media, where performative activism is at an all-time high, these community leaders and activists who have been at the forefront of the Black Lives Matter movement organizing and leading protests are being heavily surveilled under the FBI’s concern for “Black extremism.” Just last week, The Verge published an article on protecting digital security ahead of protests, to block authority from receiving information that would tip off the police, or allow them to trace you. 

Kendrick Lamar's "HiiiPoWer" Invoked The Spirit Of Lesane Parish Crooks
Roger Kisby/Getty Images

What emboldens this is J. Cole’s production on the song. Cole enhances the feeling of paranoia with synths that sound phone-tapped blended with dial-up Internet tones and morse code. The drums kick with a powerful punch and a Just Blaze touch. Distorted guitars clash through the beat like an interception on a radio signal, and Kendrick’s leading the takeover. 

2020 will mark 24 years since Tupac was shot and killed in Las Vegas. He was only 25-years-old at the time. He changed the world in his own way, though he never lived to witness it with his own eyes. Even as injustices continue to take place, the power system at large is beginning to dwindle at the hands of the people, slowly but surely. It’s long-deserved, and a battle that has been passed on from generation to generation. The level of expectation, as Kendrick Lamar explained on the “Cut You Off” outro, has been raised to a point where rebellion can be the only solution to change. 

“All of society is doing is leeching off the ghetto. They use the ghetto for their pain. For their sorrow. For their culture. For their music. For their happiness. For their movies to talk about Boyz In The Hood,” ‘Pac said in the same interview referenced earlier. “I don’t want to be 50-years-old at a BET ‘We Shall Overcome’ achievement awards, you know what I’m sayin’? I want when they see me, they know that everyday that I’m breathin’, it’s for us to go farther.”

“HiiiPoWer” has been overshadowed in Kendrick’s catalog by the more commercially appealing records, understandably. His core fans, though, will always hold the record in high regards. Some were introduced to Kendrick with this single while others recognized a moment as his official arrival to the realm of rap’s elite. That same summer Section.80 was released, Snoop Dogg, Dr. Dre, and The Game officially passed the torch to Kendrick as the new reigning King of the West Coast. Surely, ‘Pac would’ve been alongside all three rappers if he had lived to see the day. 

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Paul George Narrates Powerful Clippers Film "While We Were Away"

Paul George and the Clippers teamed up for a video that tackles the recent protests as well as COVID-19.

Ever since the NBA shut down on March 11th, a lot has happened in the world. In terms of the Coronavirus, millions of people have been infected with it worldwide, and over 100,000 people in the United States have died from it. Meanwhile, over the past couple of weeks, protests have been going on all across the world following the murder of George Floyd at the hands of the police. 

Today, the Los Angeles Clippers released a powerful short film called "While We Were Away" which speaks on many of the events of the last three months. This film was narrated by Paul George and there are some very poignant lines that truly make you think and reflect on everything that is happening in the world right now.

“While we were away, George Floyd, Breonna Taylor, and Ahmaud Arbery were murdered,” George said. “Cause of death: another more familiar virus, centuries old.”

Basketball is set to come back on July 31st and for sports fans, the NBA is needed more than ever right now. Sports are a form of escapism and the hectic nature of the world has made escapism that much more important.

If you're a Clippers fan, you can't help but feel comforted by George's presence on the team. It's clear that he is a leader which is a quality you want come playoff time.

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N.W.A’s "Fuck Tha Police" Still Holds Power


Over thirty years later, N.W.A.’s “Fuck Tha Police” resonates with a new generation, finding life as a modern-day protest anthem.

It’s rare that a song’s power only intensifies with time. Though nostalgia can be a powerful means of preserving replay value, more often than not a song stands as a representation of a moment in time. A reflection of the social climate, of the musical trends prevalent. When N.W.A. first released “Fuck Tha Police” back in August of 1988, over thirty years ago, it’s uncertain whether Ice Cube, Dr. Dre, Eazy-E, MC Ren, and DJ Yella had any idea what they had created. A song that has continued to resonate with people of all ages, unified by a shared disdain for abusive police and the systems they represent.

Following the death of George Floyd, murdered by the disgraced police officer Derek Chauvin, the protests that sparked in defiance looked to the past for its theme music. With thousands placed in direct confrontation with police, in many cases forced to suffer abuse with impunity, the need for a rallying cry has reached an apex. “Fuck Tha Police” has found new life as a modern-day anthem, one whose message has endured for decades. In its simplest form, a stand against authority figures, especially those who succumb to the temptations of tyranny. Yet amidst the simple bluntness of the titular curse lies a long and complex history. One chock-full of racial prejudices borne through a lack of empathy and understanding. Satisfying though it may be to blast “Fuck Tha Police” in a cop’s vicinity, the deeper meanings should not be diluted.

N.W.A's "Fuck Tha Police" Still Holds Power

Al Pereira/Michael Ochs Archives/Getty Images

The story of its creation was sold to many by the 2015 N.W.A biopic Straight Outta Compton, which depicted our five heroes being racially profiled outside of a recording studio and roughed up for no other reason beyond their skin color. In reality, a revelation on HBO’s The Defiant Ones confirmed that “Fuck Tha Police” was originally declined by Dr. Dre, after Ice Cube presented the young producer with the incendiary lyrics. It was only after Eazy-E and Dre engaged in a joyride on the Los Angeles freeway, possessed by a desire to fire paintballs into passing cars. “Fifteen minutes after that, the police is behind us,” reflects Dre, older and wiser. “They pull us out of the car with guns drawn, lay us face down on the freeway.”

In the same clip, Cube admits that Dre’s frequent trips to jail were the catalyst for “Fuck Tha Police.” As he explains, Dre’s company tended to mean that the parties were in full swing; in Cube’s eyes, the Doc’s recurring weekend slammer trips were the ultimate buzzkill. “I was mad that all the fun stopped, and Dre had to go to jail till Monday,” smiles Cube. “So I wrote ‘Fuck Tha Police.’” A far cry from the narrative put forth in the film, but authorial intent doesn’t necessarily matter when the product is ushered into the world. The minute it was released, “Fuck Tha Police” provided a voice to everybody who ever experienced police brutality. Especially when Cube’s opening verse painted such a vivid picture, one that could be juxtaposed with any given protest montage of today with no shortage of relevancy.

N.W.A's "Fuck Tha Police" Still Holds Power

Albert L. Ortega/Getty Images

It’s become all too familiar a sight. A Black person harassed, assaulted, and in the bleakest cases, murdered because a police officer claims to have feared for their safety. We’ve seen the footage. Traffic stops turned fatal, as was the case for Philando Castile. A fatal chokehold placed on George Floyd over a counterfeit bill. Instances where the consequences of an officer’s actions went unfeared, the system backing them designed as an impenetrable safety net. For Ice Cube, frustrated by the seemingly unconquerable presence of the police, rebellion came through music. By belittling the organization that had disrupted his daily life. Provocative in its blunt title and direct message, it didn’t take long before “Fuck Tha Police” caught the ire of law enforcement across the country. For those who self-aggrandized themselves as untouchable, the hostile bars of Compton’s finest served as the ultimate undermining. And given how infectiously catchy the track was, its popularity ensured that “Fuck Tha Police” quickly achieved anthem status. And given how many different walks of life have experienced negative interactions with aggressive police officers — across all generations — NWA’s controversial creation continues to carry the same weight today.

Though the track’s longevity speaks to the brilliance of its creators, it also reveals a darker truth on the other side of the coin. The fact that the animosity between the civilian population and the police sworn to serve and protect still exists is a disturbing reality. It also highlights how deeply entrenched within the system that racism really is. “Police think they have the authority to kill a minority,” rapped Ice Cube, in his instantly recognizable opening verse. Sadly, that truth has revealed itself like clockwork. Only this time, it seems as if the people have had enough. The streets have since come alive in protest; there isn’t a person in the entire United States that hasn’t come to know the name of George Floyd. Though some police have attempted to combat the uprising with force, they’ve quickly realized that heightened publicity can be a devastating counter to their all-too-often unprovoked bouts of violence. Excessive force will no longer be judged by fellow officers, but the court of public opinion — one that is, for what feels like the first time, standing largely united. All the while, N.W.A’s “Fuck Tha Police” continues to capture the zeitgeist once again, gaining renewed purpose as a protest anthem for a new generation. 

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Larry Fitzgerald Pens Powerful Essay On Hometown Of Minneapolis


Larry Fitzgerald spoke about his hometown of Minneapolis in an essay published in the New York Times.

Arizona Cardinals’ wide receiver Larry Fitzgerald, a native of Minneapolis, says the city has been turned upside down, but remains hopeful that change is coming. The NFL legend wrote a new essay regarding the state of the country The New York Times, Sunday.

Larry Fitzgerald Pens Powerful Essay On Hometown Of MinneapolisAbbie Parr / Getty Images

“The events of the last several days have turned Minneapolis, and our nation, upside down. Injustice, death, destruction, pain, violence, protests, and riots have made it clear — we as a nation are not OK. We are not healthy,” Fitzgerald writes. “The violent death of George Floyd in police custody is yet another example of a systemic problem we have yet to solve. A cancer we are failing to cut out. People and communities are suffering, lives are being lost and futures are being destroyed.”

Fitzgerald goes on to write that the voice of the unheard cannot continue to be ignored: “We must refuse to allow the screams of the unheard to be disregarded,” he wrote. “We must act. Good people may find themselves a part of a broken system but must take it upon themselves to bring about the needed change. If you are silent and passive you are complicit in upholding the status quo.”

Check out Fitzgerald’s full essay here.

[Via]

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Lil Baby Shares Powerful Photos Of Himself At Atlanta Protest


Lil Baby posted some powerful photos on Instagram of himself from a Black Lives Matter protest that he recently attended in Atlanta.

Lil Baby shared some moving black-and-white shots taken of him at one of the Black Lives Matter protests in Atlanta recently. He posted the photos to Instagram on Saturday (June 6th) with the caption, “It’s A Bigger Picture …”

In the photos, Baby can be seen wearing a black T-shirt that reads “BLACK LIVES MATTER.” He’s also sporting a black face mask with the words “NO JUSTICE NO PEACE” written on it. The rapper appears to have arrived to the protest on his bike, but later ditched it to march with the rest of the crowd. In the second photo, Baby has a megaphone around his neck, and in the third, he stands next to Atlanta city councilman, Antonio Brown, while he gives a speech. According to a post on Antonio’s account, the two of them had just met the day before.

“Met a dope dude named Dominique,” Antonio wrote on some photos of Baby at the protest, referring to his real first name. “A brother whose seen struggle but also recognizes his divine power to call forth all that he seeks in life. When we first met he showed up in a worn black t-shirt, some joggers and @balenciaga sneakers. No jewelry or entourage. His driver patiently waited outside while we talked for hours. I thought because everyone called him @lilbaby_1 that he would have this huge ego and only care about superficial shit. Instead he spoke about how much he loved business, fashion and lifting up his community. He’s only been rapping for 3 years and has completely dismantled an industry. The hood he grew up in and the projects that raised him made him baby. A rebel with a cause, disrupting with a purpose bigger than himself.”

Lil Baby Shares Powerful Photos Of Himself At Atlanta ProtestParas Griffin/Getty Images for LVL XIII Luxury Footwear

“The next day we marched down Mitchell Street with our fist in the air yelling – No Justice, No Peace as he leaned over and whispered in my ear, ‘this is what matters!'” Antonio continued. “See he understood his calling was greater than the streets – it was to change the streets. To inspire the people to see beyond their environment and conditions that silently kept them unconsciously imprisoned. After marching for an hour, a white business owner brought out some waters to the crowd of walking protesters. As he was handing out the waters Lil Baby ran over to him and gave him $500. I looked up at him and smiled because if I was rich that’s something I would’ve done. As the protest came to an end, I watched in silent awe as [T.I.] graciously walked up to him and greeted him like a King. It was inspiring to see one generation salute the next as they prepare to take their rightful place in Hip Hop.”

Lil Baby recently revealed that he’s been working on some new music about police brutality.

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Michael B. Jordan Gives Powerful Speech At Black Lives Matter Rally

Michael B. Jordan gave a fiery speech regarding racism in Hollywood, Saturday.

Actor Michael B. Jordan gave a powerful call to action during Saturday's Black Lives Matter demonstration in Los Angeles, telling Hollywood insiders they "need to go on notice."

Michael B. Jordan Gives Powerful Speech At Black Lives Matter RallyRich Fury / Getty Images

"We are in the heart of Hollywood right now, one of the world’s most powerful industries and I am an active member of that. And they need to go on notice," he said. "Anybody that deals with me, if you have racist beliefs, if you have a racist bone in your body, if you're not with me, if you don't stand with me and people that look like me, you don't need to be with me. I use my power to demand diversity but it's time that studios and agencies … do so."

"You committed to a 50/50 gender parity in 2020, where is the challenge to commit to black hiring? Black content, led by black executives, black consultants … So let us bring our darkness to the light? We're done with discrimination," he added.

Insecure star Kendrick Sampson also made an appearance during the event.

"I want you to spread the word, this is factual: The police system that we know today is based on slave-catching," Sampson said. "... The policing system started with a bad seed. It has grown a bad tree and it bears bad fruit ... We need to imagine a world free of police terror. We call ourselves an industry of creatives. Where the fuck is your imagination?"

Check out footage from the event below.

View this post on Instagram

#justice #blmla #bldpwr ? @producertommy

A post shared by Black Love (@blacklove) on

[Via]

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Banksy Shares Powerful Artwork In Wake Of George Floyd’s Murder


Following protests across the world demanding justice for George Floyd, Breonna Taylor, Ahmaud Arbery, and countless others, Banksy emerges from the shadows to make a powerful statement with his latest piece.

America is witnessing a revolution across the country but the support is coming from all pockets of the world. Black Lives Matter protests in Australia, Europe, and Asia have taken place in support of justice for George Floyd while this week, the officers involved in the Houston native’s death have been charged for their involvement. 

Banksy has often taken social issues and turned these moments into powerful art. Though his identity still hasn’t been confirmed, he shared a powerful statement on his Instagram page with three slides. The first includes a picture frame with a shadowy figure and a lit candle next to it. The next slide zooms out of the shot revealing the candle lighting the American flag.

“At first I thought I should just shut up and listen to black people about this issue.

BUt why would I do that?
It’s not their problem. It’s mine.

People of colour are being failed by the system. The white system. Liek a broken pipe flooding the apartment of the people living downstairs. This fauly system is making their life a misery, but it’s not their job to fix it. They can’t — no-one will let them in the partment upstairs.

This is a white problem. And if white people don’t fix it, someone will have to come upstairs and kick the door in.”

 Check the post out below. 

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LeBron James & Uninterrupted Release Powerful Political Ad

LeBron James is using his platform for justice in the wake of George Floyd's murder.

George Floyd's murder at the hands of the police has created a brand new movement in this country. It is a movement that is more organized, more united, and more motivated than ever. The goal is to eradicate police brutality while also advocating for social equality and equity amongst all races of people. Numerous athletes and celebrities have offered money to these causes and have also used their voices to propel real change. As you can imagine, LeBron James has been one of the most prominent voices on that front.

Today, LeBron released a powerful ad alongside his very own brand, Uninterrupted. As you can see in the clip below, we can hear a basketball bouncing in the background with words on the screen. The words say phrases like "shut up and dribble" which is something LeBron has heard all too often. Eventually, the basketball stops dribbling and bounces wildly as if the person has abandoned it. Then the words "shut up and lay still" appear on the screen.

LeBron finishes off the add noting "this is why we can't just stick to sports." This advertisement is undeniably strong and will definitely make people stop and think before criticizing athletes for using their voice. Life is bigger than athletics and it's important to use your platform to speak up against injustice.

This is something LeBron knows all too well.

 

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Dallas Cowboys Issue Powerful Statement On Social Injustice

The Dallas Cowboys are looking to have difficult conversations about race relations.

Ever since the murder of George Floyd at the hands of the police, the entire country has been trying to have productive conversations about race relations in the United States. Systemic racism is still extremely prevalent and police brutality is a perfect example of how that continues to manifest. Athletes around the country have been uniting to talk about these hard subjects and now, the Dallas Cowboys are speaking out in a powerful new video.

The 2-minute clip below showcases various members of the Cowboys, including Dak Prescott, speaking on the racism they have faced over the years and how they hope to educate those around them. During this video, you even see members of the Dallas police force taking to people of color and engaging in a productive dialog about how to better patrol their communities. Clearly, the team is trying to bring all sides together for the greater good.

The Cowboys have been known to engage in these issues in the past although sometimes they receive criticism. For instance, owner Jerry Jones was very much against kneeling for the National Anthem although he eventually partook in such a protest while locking arms with his players.

Hopefully, the dialog created by teams like the Cowboys goes a long way.

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Tee Grizzley Spits Powerful Bars Against Police Brutality


Tee Grizzley voices his thoughts on police brutality with some new bars, standing up for George Floyd and Ahmaud Arbery.

Following a large-scale tragedy, a new wave of art tends to follow. For many rappers, the fight against police brutality has been an ongoing reality, one that has plagued the likes of Meek Mill, DaBaby, Tee Grizzley, and countless others. As George Floyd’s memory continues to inspire the nation to rise up in protest, Grizzley has taken a moment to put his thoughts on paper. 

Tee Grizzley Spits Powerful Bars Against Police Brutality

Scott Legato/Getty Images

Previewing an acapella verse from a song that appears to be in the works, Grizzely wasted little time in setting the tone. “You ever seen the police kill somebody that’s your color?” he asks. “In uniform, they ain’t even dressed as undercovers / that shit make me want to hit my girl with a rubber, scared to bring a child into this world where don’t nobody love us / Kaepernick took a knee, he was standing his ground / George Floyd took a knee, he was getting pinned down.”

Grizzely continues, his words resonating. “Ahmaud went on a jog, he was minding his business, they chased him down trying to gun him down on a street full of witnesses / this shit gotta stop.” It’s unclear whether he’ll be putting these words to an instrumental, but it should be noted that we’re still waiting for the release of The Smartest, an album that has already seen singles like “Payroll.” Show some support to the Detroit rapper for holding it down with some powerful words, a reminder that the fight continues. 

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Denzel Curry Pens Powerful Statement On Racial Injustice

Following the deaths of George Floyd, Ahmaud Arbery, and Breonna Taylor, Denzel Curry took to Twitter to gather his thoughts.

Following the tragic deaths of George Floyd, Ahmaud Arbery, and Breonna Taylor, many have felt compelled to stand up in the face of racial injustice -- a systemic injustice that has claimed the lives and shattered the safety of black people for years. Even now, disgraced police officer Derek Chauvin's fate remains uncertain, with questions on whether George Floyd's murderer will end up doing significant jail time to begin with. 

Denzel Curry Pens Powerful Statement On Racial Injustice

Scott Dudelson/Getty Images

Amidst all the pain that these killings have caused, the entire hip-hop community has been mobilizing. Several rappers have already issued statements; some have taken to the streets alongside the people to demand justice. For Denzel Curry, the scars of police brutality run deep. In March of 2014, Denzel's brother Treon Johnson was killed after sustaining fatal injuries at the hands of police officers, who tased and pepper-sprayed Johnson into a state of sepsis. Yesterday, Denzel took to Twitter to share a powerful reflection on current events. 

"After looking at most of your comments in my last few posts about the current situation happening in the U.S.A," begins Denzel, addressing his fans and supporters. "It seems a lot of you are Extremely insensitive, Extremely Ignorant, and most likely come from places where you don’t have to face the prejudices that my people face on a daily basis. To you I’m just an entertainer and I’m suppose to dance for your support of my music and craft but now I’m here to say FUCK ALL THAT. We are living in one of the worst times in America."

"It’s even got to the point that I don’t even want to consider myself as an American, most people don’t treat us as Americans let alone human," he continues. "Most of you say there’s no reason to riot but in our defense there’s no reason to be killing my people. The tension in the United States has got me at a crossroads and I’m here to tell you it’s either you With Me or Against Me. I don’t agree with senseless violence and that goes for both ends... I advocate for doing the right thing." 

Our thoughts go out to Denzel Curry, and everyone hurting as a result of systemic racism and police brutality. Rest in peace to George Floyd, Ahmaud Arbery, and Breonna Taylor. 

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Travis Scott Posts Powerful Statement Regarding Death Of George Floyd


Travis Scotts opens up regarding the death of George Floyd and the need for police reform in the U.S.

Travis Scott has released a lengthy statement regarding the death of George Floyd and the ensuing protests across the country.

Travis Scott Posts Powerful Statement Regarding Death Of George FloydRich Fury / Getty Images

The rapper uploaded his statement to Instagram, calling for police reform and speaking about police brutality.

“As I pace around thinking, trying to find something to ease the pain,” the post began. “There are almost no words that I can think of to properly express, or I can use to suppress, this enraged feeling of us continuously losing our brothers and sisters to brutality at the hands of officers, or anyone with misguided intentions for our well-being.”

“The rage that we are feeling is from direct personal experience and the constant pain of wanting our voices to be heard,” he continued. “To be seen as equal and human, too. We have to change and reform police policy in our U.S. cities, and there needs to be accountability immediately! Especially when officers abuse power to the point where it callously takes a life.”

“My heart goes out to George Floyd’s family and everyone who’s suffered loss based on this type of senseless injustice and brutality,” he concluded. “Me and the team are gonna do everything possible to make sure these issues are addressed on a long-term basis. Thank u Bun for picking me up this morning and helping me figure out ways I can really help move this forward. Love. See you all soon!”

[Via]

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Kareem Abdul-Jabbar Pens Powerful Op-Ed Regarding George Floyd

The Los Angeles Times published a power op-ed written by Kareem Abdul-Jabbar regarding the death of George Floyd, Sunday.

Former NBA star Kareem Abdul-Jabbar penned a powerful op-ed, published in the Los Angeles Times, Sunday, regarding the death of George Floyd and the protests being held across the country.

Kareem Abdul-Jabbar Pens Powerful Op-Ed Regarding George FloydDominik Magdziak / Getty Images

"African Americans have been living in a burning building for many years, choking on the smoke as the flames burn closer and closer," he wrote. "Racism in America is like dust in the air. It seems invisible -- even if you're choking on it -- until you let the sun in. Then you see it's everywhere."

The Hall of Famer defended the protesters and spoke about the systemic racism inherent in all levels of our society.

"The black community is used to the institutional racism inherent in education, the justice system and jobs. And even though we do all the conventional things to raise public and political awareness -- write articulate and insightful pieces in the Atlantic, explain the continued devastation on CNN, support candidates who promise change -- the needle hardly budges," he says.
"So, maybe the black community's main concern right now isn't whether protesters are standing three or six feet apart or whether a few desperate souls steal some T-shirts or even set a police station on fire, but whether their sons, husbands, brothers and fathers will be murdered by cops or wannabe cops just for going on a walk, a jog, a drive. Or whether being black means sheltering at home for the rest of their lives because the racism virus infecting the country is more deadly than COVID-19," he continued.

Check out Abdul-Jabbar's full piece here.

[Via]

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Vanessa Bryant Shares Powerful Kobe Photo In Support Of George Floyd


Vanessa Bryant had a powerful message about life in light of the recent protests.

Police brutality in the United States has always been a massive problem. Numerous unarmed people of color have been killed by the police, including George Floyd who was choked to death in Minneapolis this past week. Protests have erupted all across the country and people are waiting to see how this will all play out. Needless to say, people are scared and angry and with the Coronavirus going around, life feels incredibly fragile.

When Eric Garner was killed by police a few years ago, many NBA players wore “I Can’t Breathe” shirts in solidarity, including Kobe Bryant. Today, Vanessa Bryant took to Instagram with a photo of Kobe wearing the shirt and urged people to take care of each other while also standing up against injustice.

“My husband wore this shirt years ago and yet here we are again,” Bryant wrote. “Life is so fragile. Life is so unpredictable. Life is too short. Let’s share and embrace the beautiful qualities and similarities we all share as people. Drive out hate. Teach respect and love for all at home and school. Spread LOVE. Fight for change- register to VOTE. Do not use innocent lives lost as an excuse to loot. BE AN EXAMPLE OF THE CHANGE WE WANT TO SEE.”

Bryant’s post is a stark reminder of the loss of Kobe and what a leader he would have been during these times. Regardless, it’s good to know one of the best basketball players ever had the back of his people.

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Travis Scott Shares Powerful Nike Ad After George Floyd Killing

Travis Scott is using his platform to speak out on the death of George Floyd and many others.

George Floyd, Breonna Taylor, and Ahmaud Arbery are all people of color who were tragically taken from us way too soon. The most recent of these tragedies is Floyd who was killed by a police officer in Minneapolis, Minnesota this past week. Since his murder, there have been protests all across the country and people are rightfully demanding justice as the deaths of black people at the hands of the police have become all too common in our society. 

Many celebrities are speaking out on these atrocities and are urging fans to donate to various causes that will help those most affected by these atrocities. Today, Travis Scott used his voice, as well as his partnership with Nike to help speak out on what's happening. In the ad below, there are numerous pieces of text that urge people to not remain silent. Instead, the ad asks those with a voice to speak up and let it be known that as a society, we won't stand for these injustices any longer.

At the end of the ad, Nike urges people to "be part of the change," which is truly a powerful message.

As for the Floyd case, the officer who directly led to his death has been arrested and charged with third-degree murder. Moving forward, the other cops involved are expected to be charged, as well.

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Juelz Santana Drops Powerful Bars For George Floyd


Juelz Santana dedicates his new song to George Floyd, speaking about police brutality and racism.

George Floyd, a 46-year-old man, was pinned down by police at the beginning of this week, restricting his airway for several minutes as he pleaded with them, saying that he could not breathe. A video has been circulating showing the incident, which is truly disturbing and disgusting. Floyd was later pronounced dead.

Four police officers have been fired following the death of George Floyd and Donald Trump has promised justice for the man’s family. Riots have been breaking out across the country as people are tired of hearing about racist police brutality incidents, with a Target store being looted last night and multiple surrounding buildings being set on fire.

Juelz Santana Drops Powerful Bars For George Floyd
Fernando Leon/Getty Images

Doing his part in raising awareness for the continued problem, Juelz Santana has released a freestyle track dedicated to George Floyd, dropping bars about the situation and speaking out in his own way.

“All they wanna do is prosecute us, shoot us when they ain’t gotta shoot us,” he raps. “They kill us, turn around and then protect their own/Meanwhile, we can’t even protect our own.”

Like the rest of us, Juelz Santana is frustrated about constantly facing racial discrimination in the world. For now, this track is only available on the rapper’s IG page. Listen below.

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Killer Mike Raps Powerful Bars About Police Brutality On "RTJ4"


Following the tragic killing of George Floyd at the hands a police officer, Killer Mike showcases some poignant lyrics from “Run The Jewels 4.”

With Run The Jewel’s RTJ4 lined up to be released on June 5th, Killer Mike has taken it upon himself to preview one of the upcoming tracks, “Walking In The Snow.” And while a sneak peek is generally seen as a joyous affair, this latest arrives under somber circumstances. Though it wasn’t specifically written about the death of George Floyd, Mike’s lyrics about police brutality resonate even harder in the wake of it. 

Killer Mike Raps Powerful Bars About Police Brutality On "RTJ4"

Michael Loccisano/Getty Images

“And every day on the evening news they feed you fear for free, and you so numb you watch the cops choke out a man like me,” he raps, over El’s off-kilter production. “And ’til my voice goes from a shriek to whisper, ”I can’t breathe” / and you sit there in the house on couch and watch it on TV / The most you give’s a Twitter rant and call it a tragedy.”

It’s unclear whether Mike’s verse offers his suggestions as to what might be done, but it doesn’t appear as if he’s particularly satisfied with the current societal state. He all but confirms as much in his caption, writing “I will keep pushing for a better society but I refuse to not acknowledge the one I am stuck with.” Given everything that has transpired, all the racial tension that seems to be brewing in the United States, it’s no surprise that Mike feels the way he does. For now, he remains one of the most powerful voices in the game, speaking as an authority when people need to hear it the most.

Look for Run The Jewels 4, complete with the full version of “Walking In The Snow,” on June 5th. Rest in peace, George Floyd. 

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50 Cent Asserts Dominance After Sharing Photo Of 1998 Sampler "Power Of The Dollar"


50 Cent took a walk down memory lane as he shared a picture of his 1998 sampler “Power of the Dollar” on Instagram.

When it comes to boasting about his accomplishments, 50 Cent never misses an opportunity. The media mogul remembers where he came from prior to building his empire, and it was through hard work and careful maneuvering that he’s been able to amass the success that he sees before him. While he has a slew of hits under his belt, there are hip hop fans who don’t recognize Fif as a formidable force in the rap game. It’s been years since he’s released a full-length music project, but the Power boss is here to remind you that he’s still better than your favorite rapper.

50 Cent Asserts Dominance After Sharing Photo Of 1998 Sampler "Power Of The Dollar"
Bryan Bedder / Stringer / Getty Images

Twenty years ago, 50 Cent was set to release what was supposed to be his debut album. Power of the Dollar was slated to hit the streets in the summer of 2000, but when he was shot in May of that year, it forced the record to be delayed. Two years prior, Fif completed a sampler of the project, and just a few hours ago, he shared a photo of the tape. “?Damn i did this in 1998 ?‍♂️ and i still can rap better then you fools ???‍♂️,” he penned in the caption.

He also took the opportunity to give a shout out to Pop Smoke by reminding the public that the late rapper’s posthumous album hits streaming services on June 12. Check out 50 Cent’s post below.

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Mike Tyson’s Punching Power Is Still Insanely Vicious: Watch


Mike Tyson could still eviscerate anyone in a boxing ring.

Mike Tyson is one of the most celebrated legends of boxing and while his career may have ended on shaky terms, there is no denying that he was an incredible knockout artist in his prime. Tyson was incredibly feared in the ring as his opponents knew that one punch could be the absolute death of them. Even in retirement, Tyson has been passionate about boxing and still likes to give some tips and tricks on how to be dominant in the ring.

Recently, Tyson expressed interest in coming out of retirement to do some charity fights. Today, he decided to take to Instagram where he showed off the full range of his current punching arsenal and all we can say is “wow.” As you can see, Tyson’s power is vicious and his speed is pretty incredible for a 53-year-old. If he were to get back in the ring, he could kill someone.

Tyson has been a fan favorite in pop culture circles over the last decade and a return to the ring would make for one of the most impressive comebacks we have ever seen. Of course, it’s not like he’ll be competing for the heavyweight championship, but still, you can’t help but marvel at his current shape.

If you’re his trainer, your ribs have to hurt after each session, even if you’ve got all that padding on.

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Fivio Foreign Taps Star Power For "800 B.C." Tracklist


Meek Mill, Quavo, Lil Baby, and more join Fivio Foreign on his forthcoming project.

One of the most exciting new voices in hip-hop right now is Fivio Foreign. The rapper declared his arrival with “Big Drip” in 2019, a single that has since gone viral, dominating nightclubs and playlists in the virtual world and beyond. Though he’s currently riding the wave of the aforementioned single, along with the recently released “Wetty” that is now a smash on TikTok, a formal body of work is due.

The rapper recently announced his forthcoming project, 800 B.C. which is due out this Friday. Serving as a teaser before his official album, he’s still gathered some star power from hip-hop’s finest to bring the project to life. Eight-tracks in length, the project includes appearances from Meek Mill, Lil Baby, Quavo, and Lil Tjay. On the production side, Fivio enlists Yamaica, Axl Beats, 808 Melo, Szamz, and Bordeau & Non Native.

The rapper recently revealed that he had recorded a collaboration with the late Pop Smoke a day before his death. It’s unclear why it didn’t make this project but we could presume it might be saved for Fivio’s official album. 

1. DRIVE BY (PRODUCED BY YAMAICA)
2. WETTY (PRODUCED BY AXL BEATS)
3. DEMONS & GOBLINS (FT. MEEK MILL) (PRODUCED BY BORDEAUX & NON NATIVE)
4. BIG DRIP (PRODUCED BY AXL BEATS)
5. AMBITION FT LIL TJAY (PRODUCED BY 808 MELO)
6. AWESOME (PRODUCED BY SZAMZ)
7. ISSA VIBE  (PRODUCED BY YAMAICA)
8. BIG DRIP REMIX (PRODUCED BY AXL BEATS)

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Cardi B Reacts To Claim She’s Using Celebrity Power For COVID-19 Testing

Cardi B was rushed to the hospital last week for stomach pains but she took to Twitter to deny that she's using medical resources to test for Coronavirus.

Coronavirus has put the world at a halt but the pandemic has caused even more stress on the medical system. As citizens practice social distancing to slow down the spread of COVID-19, doctors and nurses are doing whatever they can to increase the speed of testing. However, people are still suffering from other types of medical issues. Cardi B, for instance, was recently rushed to the hospitals after suffering stomach pains. 

Apparently, some fans thought that Cardi was using her celebrity status to get access to COVID-19 testing. A user on Twitter pointed out the flaws in testing after her aunt's friend was denied service at the hospital due to the overwhelming amount of patients. "She's been stuck at home with the rest of her family without getting help. So I go on social media and see Cardi B at the hospital because she 'thinks' she has the virus and getting the help she needs," the person wrote. After suggesting that Cardi a) hasn't donated anything for frontline workers of the pandemic and b) is using up resources that could be used towards people who've actually contracted the virus, the "Press" rapper drew the line.

"Ummmmmm I was literally throwing up everything I swallow and lost 5 pounds in 4days do to stomach issues.NOT CAUSE OF THE RONA. You can still go to the hospital for other problems you know," she wrote in a since-deleted tweet. 

Interesting that this fan decided to call Cardi B, out of all people, out on this. Cardi has actually been quite vocal about celebrities getting easier access to COVID-19 in the past which prompted a response from Idris Elba. Check out the tweet below. 

Cardi B Reacts To Claim She's Using Celebrity Power For COVID-19 Testing

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Drake To Executive Produce "48 Laws Of Power" Series For Quibi


Drake and co-manager Future The Prince are helping to bring Robert Greene’s best-selling book, “48 Laws of Power” to the small screen with a new series on Quibi.

Drake and his longtime co-manager and business partner, Future The Prince, are setting out to pursue yet another television project, this time for the soon-to-be launched streaming platform, Quibi. Based on Robert Greene’s New York Times best-selling book, Drake and Adel “Future” Nur will be executive producing 48 Laws of Power, a series that will “detail the nature of power and how one can secure and maintain it.” Jason Shirer from the duo’s “co-venture” production company, DreamCrew, will also serve as executive producer, as will Zack Hayden of Anonymous Content, and Greene himself. Drake is also set to direct an episode of the series.

Drake To Executive Produce "48 Laws Of Power" Series For QuibiVaughn Ridley/Getty Images

“When Drake and I sat down with Robert Greene, it was incredibly inspiring,” Future said. “The laws allow for a wide range of dynamic storytelling, and Quibi allows us to tell these stories in bite-sized chapters similar to the book.” Greene is also excited to bring the pages of his widely-read book to the small screen. “I have always thought that The 48 Laws of Power would be a perfect fit for a series, bringing to life the timeless Machiavellian game of power as portrayed in the book,” the author noted. “But it was not until Drake and Future with Anonymous Content approached me with their unique cinematic approach to the laws that I knew I could join forces with them and go all in for a filmed interpretation of my work.”

The series will debut on Quibi, a short-form mobile entertainment platform launching on April 6th. Other series that are set to premiere on Quibi are Chance The Rapper’s Punk’d reboot, as well as Idris Elba and rally driver Ken Block’s car race competition show, Elba vs. Block. Quibi will be offering a 90-day free trial once it has launched.

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Iman Shumpert Praises LeBron James For His "Superpower" Basketball IQ


Iman Shumpert says that it’s amazing how LeBron James knows absolutely everything about all players, coaches, and staff in the NBA.

Love him or hate him, LeBron James has been hailed as one of the NBA’s greatest players of all time. The Akron, Ohio native is respected on and off of the court for his basketball skills, philanthropic efforts, altruistic nature, and of course, Taco Tuesday videos. His former Cleveland Cavaliers teammate, Iman Shumpert, sat down with Vlad TV to discuss what it was like ballin’ in the paint with the basketball icon.

Iman Shumpert Praises LeBron James For His "Superpower" Basketball IQ
Kevin C. Cox / Staff / Getty Images

Shumpert recalled moving form the New York Knicks to the Cavaliers and joining forces with LeBron. “It felt weird,” Shumpert said of the early days. “But Bron has a very genuine characteristic. It’s like, he has to share basketball knowledge. It might be his biggest superpower, his ability to get everybody on the same page. It’s actually kinda scary. He can explain this game forward and backward.”

The free-agent went on to call LeBron’s basketball IQ “unbelievable.” Shumpert said James knows the “playbook, knows where everybody’s supposed to be, know the other team’s coach’s playbook, style of coaching, how his ball club’s gonna play.” He added that it’s amazing that LeBron James can know intimate knowledge of every player’s strengths and weaknesses around the court and how their coaches are going to move because of Bron’s passion, skill, and talent of the game. “Make me feel like I didn’t do my homework!” Watch Iman Shumpert praise LeBron James below and check out what else he had to say about playing alongside Carmelo Anthony.

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Fenki’s “Champion” Is Both Majestic And Powerful

Portuguese producer and DJ’s latest track released, “Champion,” is an incredible tour de force accomplished by the rising electronic music artist who shares a motivational anthem that will cheer up even the most depressed of souls out there. Sonically flawless and offering a privileged glimpse at what this young prodigy is capable of making in the realm of music, “Champion” will make aficionados dance through the night, re-charge their energy, and get ready to accomplish great things.

Techno, house, and electro are blended with a sure taste for what works and what doesn’t, as Fenki leads the way for this new generation of Portuguese artists to shine all over the world.

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50 Cent Pissed Coronavirus Is Delaying "Power" Spinoffs Production


50 Cent was not happy that production on two of his “Power” spinoff shows had to be postponed due to the threat of coronavirus.

50 Cent was far from pleased to announce that production on two of his Power spinoff series, Power Book II: Ghost and Power Book III: Raising Kananhas been halted due to the rapidly spreading coronavirus pandemic. The network, Starz, made the decision after it was understood that New York State, where both shows were being filmed, officially hosts the largest number of cases of coronavirus in the United States. The hiatus became effective on March 13th, with no recommencement date in sight at this time. As one of the franchise’s creators and executive producers, Fif was majorly frustrated by the ultimately inevitable move, noting that they were one of the only shoots that was still ongoing. Sharing a screenshot of the Deadline article that broke the news, he begrudgingly made the unfortunate announcement to his Instagram followers.

“I had to do it we were the last production still working,” he wrote. “F*ck.” While it’s not certain that they were actually the very last ones, the Power teams are certainly following in the footsteps of countless other films and television shows that have temporarily pulled the plug. Almost every major production has shut down in the wake of the coronavirus pandemic, and plenty of films have been pushing their release dates back by several months. While there is no word yet on the status of the other two Power spinoffs, Power Book IV: Influence and Power Book V: Force, both shows have reportedly not even begun production yet.

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Jadakiss Spits Fire Freestyle For Power 106’s L.A. Leakers


Jadakiss recently released his fifth studio album “Ignatius” and stopped by Power 106 to show exactly why he’s considered a hip hop icon.

We have love for Nate Dogg‘s “I Got Love” and apparently, Jadakiss does, too. The New York rapper stopped by Power 106 in Los Angeles to visit the L.A. Leakers to show off his impressive freestyle skills and he did so over the late Long Beach legend’s classic track. Jadakiss is known near and far as an emcee who can bring hard bars, and he didn’t disappoint with this latest freestyle look.

Jadakiss Spits Fire Freestyle For Power 106's L.A. Leakers
Mike Coppola / Staff / Getty Images

You know I will let the nine burst / West Coast mixtape kiss my converse / ‘Fore you play your part gotta read your lines first / ‘Fore it’s in your heart gotta be in your mind first,” Jadakiss rapped effortlessly. “Album is out now / I’m hearin’ ’em chant that / You know it’s heroin whenever I stamp that / Know how I do n*ggas / You know that I chew n*ggas / Seasoned veterans or one of these new n*ggas / Gotta be kiddin’ me / Could never get rid of me / Even if they kill me I’m still the epitome.”

That was just the beginning of Jadakiss’s freestyle and he continued to dominate for another minute and a half. His recent release, Ignatius, is being hailed as the album hip hop needed in 2020, so check out the project here and watch Jadakiss drops bars with the L.A. Leakers below.

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Isaac Hayes III Questions Megan Thee Stallion’s Negotiating Power

Isaac Hayes III, son to late icon Isaac Hayes, discusses why Megan Thee Stallion believes she should negotiate her contract before releasing her first album.

After Megan Thee Stallion came forward with grievances against her label, it seems as if everyone is weighing in with their two cents. Megan took to social media to share that 1501 Certified Entertainment was holding her back and keeping her from releasing new music. Now that she's managed by Roc Nation, some things are apparently shifting behind the scenes and Megan revealed that she wanted to renegotiate her contract because there were things in the document that she didn't understand. 

Isaac Hayes III, son to the legendary late music icon Isaac Hayes, has had a long career in the industry. He recently shared his opinion on the matter and uploaded a video of himself criticizing Megan's desire to renegotiate her deal. He starts things off by saying that he is a fan of Megan Thee Stallion and played her music on his radio station long before she became a star. "When I see the same ol' same tricks and mistakes being made by an artist, I'm gonna point 'em out 'cause I want to see her succeed," Hayes said.

"Artists need to be mindful of the 99 and the one percent," he added. "That means that granted, an artist is 99 percent of the success sometimes, right. They do all the heavy lifting, they're out in front of the camera, they do all the traveling, they're up late, they work hard, but there's also this one percent that artists cannot forget about."

Hayes states that the "one percent" are those that give you just a nudge that "changes the entire trajectory of your life." He added, "Meaning, if it wasn't for them, there would be no you. There might be another version of you, but there would be no you." He said he doesn't know Megan's relationship with 1501, but "regardless of what the contract said," she elevated musically as an artist under their guidance.

He doesn't believe that Megan should be talking about reworking her contract until she's released a debut album and gained a level of success where she can pull those types of moves. Hayes gave the examples of Boyz II Men and the Backstreet Boys who both renegotiated their contracts, but that wasn't until they released chart-topping records.

When artists make moves prematurely, Hayes asked if they'd rather have "50 percent of 50 million dollars or 100 percent of a million dollars." Check out his opinion in full below.

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Kobe & Gianna Bryant Memorial: Beyoncé Delivers Powerful Performance

Kobe and Gianna's Bryant's public memorial is taking place in Los Angeles.

Kobe Bryant was one of the most beloved basketball players of all-time. Unfortunately, he and his daughter Gianna tragically passed away in a helicopter crash on January 26th. Today, a memorial was held at the Staples Center where thousands came out to pay respects. The Staples Center was packed with friends, family, celebrities, and fans. It was a beautiful service that saw some tributes from Vanessa Bryant and many others.

To start off the event, Beyoncé got on stage to deliver gorgeous renditions of "XO" and "Halo." Beyoncé's performance was very powerful and resonated with every single person in that building. Many throughout the crowd were moved to tears as they began thinking about the legacy Kobe and Gianna have left us with.

Ever since their tragic passing, numerous tributes have poured in from all over the world. The Los Angeles Lakers had their very own ceremony prior to their first game after the accident. As the NBA season goes on, we can expect to see even more tributes, especially with the playoffs just around the corner.

Our thoughts are with the families of those affected by the accident. This can't be an easy time and everyone has shown a ton of strength. It's commendable, to say the least.

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50 Cent Wins NAACP Image Award For "Power"


50 Cent’s directorial debut in “Power” has earned him an NAACP Award for outstanding directing in a drama series.

50 Cent‘s knack for directing has earned him a new award of his collection. The Power exec. made his directorial debut in season six on “Forgot About Dre” can now be referred to as an award-winning director. Fif took home an NAACP Image Award this weekend for Outstanding Directing In A Drama Series for his work in Power, a major deal for the South Side Queens native.

“NAACP AWARD – Outstanding Directing in a Drama Series. now you know the vibes LOL SOUTH SIDE i’m not here to make friends we come to take over,” he wrote in one post, following it with another post boasting his hustler’s mentality. “hard work beats talent, when talent isn’t working. you maybe gifted but you don’t want it as bad as me.”

Fif was competing against acclaimed directors such as Ava Duvernay, Debbie Allen, Carl H. Seaton, Jr., and Jet Wilkinson. Power’s Omari Hardwick also scored big with the award for Outstanding Actor In A Drama Series.

50 Cent became a television mogul in the past few years but his hard work throughout his career was recently recognized with his own star on the Hollywood Walk Of Fame. The rapper recently launched his new series on ABC, For Life starring Nicholas Pinnock. Fif also has another show heading to Fox titled The Notorious C.O.P on the way. 

Peep Fif’s posts below. 

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"Power" Star Omari Hardwick Claps Back At Fans On IG


Omari Hardwick clapped back at some “Power” fans in the comments of his poetic IG post who told him to stick to playing Ghost on the hit show.

Omari Hardwick retaliated against some trolls in his IG comments who told him that fans only like him as Ghost on Power after the actor put a famous poem in the caption of his post. The Power actor was repping his Alpha Phi Alpha roots on Instagram when he posted a photo of himself accompanied by the poem “Invictus” by English poet William Ernest Henley. It’s customary that pledges learn that particular poem before they’re given the opportunity to become a member of the fraternity, so it makes sense that these words carry special meaning for Omari.

However, one of his followers was not impressed by this share, and decided to let the actor know that he should stick to playing James “Ghost” St. Patrick on Power instead of trying to be deep. It’s definitely possible that the user didn’t know the significance behind the poem, but even so, they made it clear they’re only interested in Omari when he’s playing Ghost. The troll commented, “We want ghost f*ck what you talking about,” to which Omari replied, “I am ghOst. I am first O. I am everything. You want ghost cuz i put me in him.”

"Power" Star Omari Hardwick Claps Back At Fans On IGJamie McCarthy/Getty Images for STARZ

It appears that another user agreed with the original commenter, as they replied, “Honestly I agree holy sh*t .. he was kool until I hear him in real life .. matter fact where’s tommy.” Omari saw this reply as well, and really started to get fed up with all the hate. He did his worst, writing back, “Now you….you the clown. When i slap the sh*t outa you (cuz you don’t deserve more than that) outa you….i will remind you thas from me, Omari. B*tch ass f*ck boy. Go be just THAT. Clown ass n*ggas. Should go ask your Momz if she can rebirth you. Matta fact….go find Tommy & Joe. See if they don’t say the same.”

Omari really let the spirit of Ghost take over him for a minute there. While the series finale of Power already premiered on February 9th, several spinoffs of the popular show have been announcedPower Book II: Ghost, Power Book III: Raising Kanan, Power Book IV: Influence, and Power Book V: Force.

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College Linebacker Power Slams Cop During Arrest: Watch

Vide shows Eastern Kentucky University football player, Michael Harris, manhandling a police officer during chaotic arrest.

Michael Harris, a linebacker at Eastern Kentucky University, is facing a felony charge of assault as well as three other misdemeanor charges, stemming from his chaotic altercation with police in Ohio earlier this week.

According to TMZ Sports, a woman at a Grove City, Ohio business phoned police after she allegedly witnessed Harris acting "aggressive" and 'not all there.' When officers on the scene confronted the 6'3, 245-pound linebacker, he responded by power slamming one of them onto the pavement before reinforcements came to the rescue. Check out the incident in the video embedded below.

After regaining control of the 19-year old Harris, officers reportedly took him to a hospital where he "remained aggressive" until he was sedated by the staff. Harris was ultimately booked on a felony charge of assault, in addition to misdemeanor charges of disorderly conduct, resisting arrest and obstructing officials business.

TMZ Sports reports that a search of Harris' vehicle turned up pills and a digital scale "consistent with drug use," although Harris stated that he was not under any medications or illicit drugs. Harris signed with the Auburn Tigers out of high school but transferred to Eastern Kentucky just this month. It remains to be seen what kind of discipline he'll face from the school.

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Sorry 50 Cent: Twitter Is Not Happy With The Power Series Finale

Power winded up its run this weekend with its series finale.

But don't worry, Starz has confirmed four different spinoffs of 50 Cent's show.

However, judging from the reaction to the last episode of Power, some of the series's many fans might not make the jump.

Check on Twitter on Power:

Posted In: Television 50 Cent
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Nicki Minaj Presses 50 Cent For TV Role: "I Should’ve Been On ‘Power’"


South Jamaica, Queens natives 50 Cent and Nicki Minaj hang out on “Queen Radio.”

A new Nicki Minaj album is officially on the way. On Friday, following a week’s worth of Meek Mill-related drama, Nicki dropped off her new single, “Yikes,” followed by the latest episode of the tea-filled “Queen Radio.” As usual, “Queen Radio” is always filled with guest stars and this week she brought out fellow South Queens, Jamaica native, 50 Cent.

The Power executive and Nicki discussed a variety of topics from his upcoming show For Life to his love life. Nicki and 50 Cent have, surprisingly, never worked together on music, although Fif’s always shown his support to the fellow South Side native. Nicki even went as far as saying aside from her husband, 50 Cent has been one of the few people that has always had her back.

Nicki did take the opportunity to ask Fif a few questions she’s been longing to ask him for a while. The first one was aimed at 50 Cent and Jay-Z, asking why neither of them signed her. 

“Because of Fendi,” 50 Cent said about Nicki’s former manager. “That’s the only reason why I wasn’t saying nothing or checking real hard for her because he was over there.”

Before letting 50 Cent go, she asked him why she never got the opportunity to star in one of his films or television projects. Fif then flipped it on her. “We can make that happen whenever I can get availability outta you,” he said.

“You heard it here first, Barbz. He’s going to let me come on one of his shows, okay? I should’ve been on Power, chile,” she said.

Check the clip on the latest episode of “Queen Radio.” 

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Cam’ron Trolls "Power" Actor Michael Rainey Jr. After Receiving Death Threats


Cam’ron’s portrayal of Rico in “Paid In Full” has haunted the last 18 years of his life.

Power finally came to an end yesterday and it appears as though not everyone is entirely satisfied with the finale. However, a few weeks prior, a leak finally revealed the question everyone’s been asking: who killed Ghost? The answer turned out to be Ghost’s son, Tariq, who’s portrayed by Michael Rainey Jr. If you recall, Rainey revealed he received exactly 326 death threats in his DMs following the big reveal. Now, the thing is Rainey is solely an actor on the show. He doesn’t write or control the fate or actions of his characters but not everyone got that memo, clearly.

Cam’ron can relate. The rapper took on the iconic role of Rico in Paid In Full where he famously shot and killed Mitch out of greed. Although Cam’s career extends far past his acting career, many still associate him with Rico. In fact, in wake of Michael Rainey’s alleged death threats, Cam stated that it’s been eighteen years since the film launched and he’s still getting asked about Rico’s actions. 

“Yo bro, live with it ??‍♂️.. it’s been 18yrs and they still asking.. why I killed Mitch ??‍♂️?.. #YaTurn??#NiggasGetDeathThreatsEveryDayB#UBeAlright #UTuffRight,” he wrote on Twitter. 

If you’re one of those who aren’t satisfied with the Power finale, Starz announced that they’ve ordered three more Power spin-off series on top of Power Book II: Ghost. 

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"Power" Finale Recap: Ghost Makes Moves Beyond The Grave In Unsatisfying Ending

The "Power" season finale gives us a Shakespearian ending.

SPOILERS AHEAD.

Courtney Kemp and 50 Cent turned Starz into a contending cable channel with Power. The nation became obsessed with Ghost, and his struggle to attain power at any cost. For the last two months, fans of Power have been piecing together clues to try and discover the final betrayal. Who shot Ghost? The answer to that question was finally revealed this weekend. The signs have always been there, and we've suggested multiple times that Tariq would be the killer. Courtney Kemp has admitted that Shakespearian themes influence her writing, and there is nothing more Shakespearian than a son murdering his father. Patricide is as classic as poetry itself. 

The series finale of Power was somewhat of a letdown due to the fact that a majority of the episode highlighted scenes we already watched. It felt like watching a mash-up of the last four episodes, making "Exactly How We Planned" play like a special edition rerun with a few new scenes peppered in. There were some important revelations though. Viewers get to see Tasha and Ghost have one last tender moment during a conversation that is as real as it gets. The two speak briefly at their old loft where Ghost admits that he did once love Tasha, but he also reminds her that she fell out of love with him the moment he tried to go legit. This is an important scene because it gives closure to their relationship. Fans have spent years placing blame on either Ghost or Tasha for their ways, but in the end, we see that they both are at fault. Tasha couldn't love Ghost as a clean businessman, and Ghost couldn't let Angela go. Their future was always doomed. 

After Power forces viewers to watch the "James St. Patrick As Lieutenant Governor" storyline once again, the show takes a step back. The murder of Ray Ray (the corrupt cop Tariq killed for slaughtering Raina) becomes central to the plot one more, something that was hinted at two episodes ago. Ghost threatens to turn Tariq in for killing Ray Ray, and he also tells Tasha that he will snitch on her as well for killing LaKeisha unless both of them play along with his plan. Blackmailing your son and wife in order to gain political power is a new low for Ghost, one that ends up costing him his life. 

As the episode follows Tariq around, we learn that the young St. Patrick got the gun to kill his father from Dre. Power also makes it a point to highlight that Tariq's teacher, Mr. Radnor, gets arrested for selling the drugs 'Riq gave him. Expect that to play into a spin-off series. In fact, it feels like many moments in the episode are set up to play into spin-offs, which robs this finale from feeling too conclusive. Tariq's treachery knows no bounds this episode. It is revealed that he called Vincent and the Italians to kill Tommy in order to stop him from saving Ghost, a move that paid off and stopped Tommy from getting there in time. The young St. Patrick makes all the right moves in "Exactly How We Planned," but he still can't save the person he loves most: his mother. After 'Riq and Tasha decide that killing Ghost is the only way to free themselves from his power, the latter comes up with the plan to murder her estranged husband. 

Tasha plans on pulling the trigger, but on the night in question, it is Tariq who kills his father. Tasha gets her new lover Q to drive her to Truth, while Tariq enters the club a different way. He changes the plan after being confronted by the ghost of Kanan (much like his father was on the same night). Kanan goads Tariq into taking matters into his own hands, giving him the confidence to kill Ghost as Tasha tries to run to his rescue. Tommy witnesses Tariq at the scene before everyone flees the club, and viewers finally get their answer. 

That's not it though. After Ghost dies, Tasha, Tariq, and the fam plan to collect from Jame's will. The joke is on them. Ghost left absolutely nothing for Tasha, which is disgraceful and disrespectful. Instead, he left everything to his kids. Tariq gets the most though since he inherited Raina's share as well. That means millions of dollars, properties, and club Truth are all now Tariq's, under one condition. He must graduate a four-year university while maintaining a GPA of 3.5 before he can see a single penny. It looks like even in death, Ghost has Tariq and Tasha jumping through loops. With the plan to cash out somewhat thwarted, next on the murderous family's agenda: lying to the police. Tasha and Tariq spin a tale that blames Dre for the death of Ghost, which works after 'Riq blackmails Saxe into running with the story. It appears that everyone is off free, until Dre is murdered in prison. That leaves Tasha and Tariq without a fall man, which essentially messes everything up. Remember, before he died Ghost put a hit on Dre and moved 2-Bit to the same prison to get that murder accomplished. Once again, even in death Ghost enacted a power move that ends up having massive repercussions for Tasha. 

Q's role in Power has been pointless until now. The tall, dark, and handsome new lover of Tasha gets dragged into the drama, but he's not as dumb as we thought he was. And we've also found out  When Q drove Tasha to Truth, he parked and went into a store to buy a Red Bull just in case he needed an alibi. Tasha, clueless about this fact, tries to frame Q for murdering Ghost now that Dre is dead. She drops an anonymous tip to the police, who come and arrest Q while he is mid-love-making to her. The cops find the gun, and carry him out as he yells for Tasha to back him up. Of course, she doesn't, and she feels satisfied with her slick self. That is, until the police show up at her apartment and arrest her days later. Q's alibi checks out; proving Tasha framed him and while also placing her at the scene. As Tariq screams in protest, Tasha is taken to prison for murder. Now both Tasha and Tariq's futures are in Ghost's control. One must go to college and the other will rot in jail due to his moves. He's been playing chess from the beginning. 

Both Ghost and Tasha met their appropriate ends. Tasha, who has used snitching to remove her enemies (she put Kanan in jail, lest we forget), ends up in prison where she has sent countless others. Meanwhile, James, a killer, has his life taken. It's poetic for the couple to reach these fates, but we wish it was done more eloquently. This finale had so much invested in spin-offs that it felt like a regular-season finale and not a series closer. That sense of a definitive conclusion is robbed from viewers because we know Power is far from over.

Sound off in the comments and let us know what you thought of the Power finale. Were you surprised?

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"Power’s" Naturi Naughton & Omarion Tease New Music Collaboration


Naturi Naughton & Omarion might have some new music on the way.

With Power officially coming to an end this weekend, a conversation needs to be had about the impact the gangster-drama had on the culture over the past half-decade. The death of Ghost St. Patrick’s daughter, Raina, the murder of LaLa Anthony’s character, LaKeisha, and the antics surrounding who killed Ghost has provided the masses with genuinely compelling and sometimes hilarious television content that will be talked about for years to come. However, as the production comes to its conclusion, the show’s actors are left with the reality that they are officially unemployed and have to pursue their next venture. Naturi Naughton, who plays Tasha St. Patrick’s character on Power appears to have her next opportunity lined up heading back into the music realm as she recently posted a photo of herself and Omarion on Instagram hinting at a possible upcoming music collaboration. 

During her stint in the R&B girl group, 3LW, Naughton contributed to multi-platinum hits like “No More (Baby I’ma Do Right),” and “Playas Gon’ Play,” while also collaborating with artists such as Beyonce, Usher, Luther Vandross, and more. Naughton obviously has the talent, vocal range, and aesthetic to become one of the newest power players in today’s R&B scene and a collaboration with the extremely unbothered Omarion can possibly propel the singer turned actress up the Billboard charts. 

In the photo posted on her Instagram, Naughton and Omarion blissfully sit side-by-side as it’s captioned:

“We STILL HERE! #2020 it’s on! Me + @omarion + @ehudsonmusic + ezra__xx = (fire) #NaturiMusic #Omarion #3LW #B2K#20yearsinthegame #theyaintready #blessed.

While the Notorious actress didn’t exactly roll out a single name or project release date, there’s a good chance she and the former B2K frontman do have some listen-worthy music currently in the works. Check out Naturi Naughton’s Instagram post below and tune into the series finale of Power tonight at 8 P.M. EST on Starz.

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Starz Orders 3 More "Power" Spin-Offs

The "Power" universe expands.

Starz is ordering three more new shows set within the Power universe. 

Variety reports that Power Book III: Raising Kanan, Power Book IV: Influence, and Power Book V: Force have all been ordered by the network, on top of the already announced Power Book II: Ghost.

Raising Kanan will follow Kanan Stark during the '90s as a prequel series, Influence will be set around the character of Rashad Tate, and Force will focus on Tommy Egan leaving New York for good. Ghost will continue where the original series leaves off and star Mary J. Blige, Method Man, and other select members of the original cast.

“In television history, only a select few shows have inspired four consecutive series extensions, launched into active production and development at the same time,” said Jeffrey Hirsch, president and CEO of Starz. “These new and exciting chapters will continue the journey of some of ‘Power’s’ most controversial characters while featuring a growing ensemble of complex, distinct characters along with the high-octane drama that set ‘Power’ in a class of its own.”

Starz announced last year that Power's sixth season would be its last. The final episode, "Exactly How We Planned," is set to air February 9th.

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The Rock Shares Powerful Eulogy From His Father’s Funeral On IG

Rocky Johnson passed away last month.

Dwayne "The Rock" Johnson posted the eulogy he gave at his father's funeral recently on Instagram, as noted by Complex.

View this post on Instagram

You trail blazed and even harder, you changed people’s harsh behaviors toward a man of color. Paving the way for me, my family and generations to come. You loved us with the capacity of which you could - given all the givens. Raised me with an iron hand and a tough complicated love. A love that now, as a father and man, I’ve learned to refine as I raise my own children. I wish I had one more shot. To say one more thing. You were taken too fast. Slipped right thru my hands. But you were so loved, lived so full, defined culture and now you rest high. Peacefully. And that makes my heart smile. I love you and now I have an angel to call by name. I’ll see you down the road, Soulman. Til we meet again. Your son ??

A post shared by therock (@therock) on

The 11-minute video includes old photos of him and his father, footage of the speech, funeral and more.

“I wish I had one more shot,” Dwayne says to began his emotional tribute. “I wish I had one more shot to say goodbye … to say I love you, to say thank you, but I have a feeling he’s watching. He’s listening.” 

He walks through learning about his dad's passing, his father's legacy and his impact on the wrestling community and other stories.

“What’s amazing to me now, after a day like today after we come here and we give our respect and our love, he’s galvanized, he’s responsible for galvanizing families now," he said reflecting on how a loss like this can bring family together. "Because through processes like this, we’ve all lost loved ones, but guaranteed when we walk out of these doors, we’re going to hold each other a bit tighter, we’re going to hug each other a bit harder, we’re going to kiss each other and we’re going to say, ‘I love you,’ and we’re going to be a bit more present.”

Rocky Johnson died of a heart attack on January 15th at the age of 75.

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"Power" Recap: Rashad Tate Receives An Immense "Reversal Of Fortune"

One step closer to the answer.

This week's episode of Power, entitled "Reversal Of Fortune," presented viewers with the calm before the storm. After the violence and the emotional ups and downs of last week's episode, Courtney Kemp slowed things down a bit. Hopeful politician Rashad Tate took the mainstage in "Reversal Of Fortune." The clock rewinds back to the moment that St. Patrick and Tate split ways, and we witness the enraged politician have a night out on the town. In a drunken stupor, he puts a hit on Ghost which leads to a guest-starring role for Cedric the Entertainer. Viewers saw Cedric (who is named Croop in the show) get killed by Tommy before the mid-season break, and now Power illustrates how it reached that point. 

After his night of drunken bliss, Tate wakes up in his brother Kamal's home. Kamal is a cop, and is both supportive and wary of his brother. It's in his brother's home that Tate gets the news of Ghost joining rival Loretta Walsh's campaign. The family dynamic between Tate, his brother, his nephew, and sister-in-law is on full display here. Kemp does the same thing here that the show did with Paz two episodes earlier. Tate is given a solid family background that helps make his character more relatable. He loves his nephew and plays the supporting uncle role. As interesting as it is, it's also strange to see a show devote so much time to a supporting character that is presumably at the end of his run. With the amount they've invested into his backstory this late in the game, it could just be an indicator of Tate's involvement in a spin-off show.

Tate tries to plead his case to the DNC after Ghost and Loretta team up, but they advise him to concede. That isn't an option for Tate though and he storms off only to be greeted by Croop and his son. The young politician tries to call off the hit on Ghost, but Croop wants his money. He gives Tate an ultimatum: tell him where to find Ghost or die. The obvious answer is given and Croop is on his way to tail Mr. St. Patrick. 

This could have been a game-changing moment. Ghost has a chance to save his own life here, but he lets his pride destroy him. Tate heads to Truth to speak with Ghost and warn him about the hit, but the former drug kingpin's arrogance causes Tate to rethink his strategy. If Ghost had just been humble, Tate would have warned him about the hit and he would have beefed up his security. Instead, Ghost allowed his power trip to consume him to the point of letting his guard down. Tate becomes even more determined to take Ghost down, and later, Dre gives him the ammo he needs. The treacherous thug mentions Tariq suspiciously, and Tate then tries to use that information to agitate Tasha. He tells Tasha that Ghost is planning to get his son locked up for the murder of Raymond Jones, but she doesn't buy it. Something tells me this piece of information is crucial though, and may have been heard or passed to Tariq at some point. None the less, Tate leaves empty-handed. Viewers are treated to a repeat of the scene where Tate hires Dre to kill Ghost out of desperation, but we all know how that one turns out. 

Later, while Tate is taking out the trash, he is approached by Croop's vengeful son. Before Tate can meet his doom though, Kamal kills Croop's son, which ties up that loose end nicely for the councilman. It seems like Tate is in the clear at first, but his brother is rightfully suspicious. Kamal takes Tate down to the station to file a report, and this is where they learn that there was a shooting at Truth. Now, Tate has an alibi and we know he didn't kill Ghost because he was already at the police station at the time of the gunshot. Tate rides along with Kamal to the crime scene, and begrudgingly admits that Dre might have killed Ghost and he may be implicated. Kamal's suspicions grow even more when they are informed at Truth that Ghost is dead. 

Tate spins the story of Ghost's death into a beautiful press moment and wins back the hearts of his constituents. Slick work for a man who was desperate just hours before. The next day, the DNC comes crawling back to Tate and Kamal informs him that Dre was killed in prison. "Reversal Of Fortune" is true to the title: Tate goes from political homicide to earning the Democratic nomination in a matter of days. To cap things off Tate sullies Romona's career by telling the press that she was sleeping with Ghost. Once again, this move implies that there is more story to tell in regards to Tate. It would be pointless to show Rashad still creating enemies if the show didn't plan to explore these relationships at some point. Before the episode ends, Tate is enjoying the spoils of his victory when the local news announces Ghost's killer. Tate is in shock, and the audience is left clueless. I believe the most important part of this episode may be Tate telling Tasha that Ghost planned to let Tariq go to jail. That has been an unresolved plot line for most of the season, and Ghost at one point did consider letting his son take the fall to learn a lesson. Could that have motivated Tasha and Tariq to kill Ghost? We'll see next week. 

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"Power" Shares First Look At Mary J. Blige’s Character In Series Spin-Off


“Power Book II” couldn’t come sooner.

50 Cent‘s beloved series Power is coming to an end in its final sixth season but fans know that there’s more coming since Mary J. Blige has confirmed that she will be leading the new spin-off series titled Power Book II. “This is probably the most exciting thing that’s going to happen to me this year,” MJB said. “I’ve been a fan of Power since the very beginning and I want to thank Courtney Kemp and 50 Cent for starting this conversation with me.”

"Power" Shares First Look At Mary J. Blige's Character In Series Spin-Off
Ethan Miller/Getty Images

After the announcement, it was revealed that Method Man would also take part in the show and will play attorney Davis Maclean. Clearly the Power executives know how to get their fans pumped since they’ve just dropped off the first look at Mary’s character in the upcoming spin-off. The image sees Mary speaking sternly to another character, dressed in high fashion wear. “The Queen has stepped onto the scene,” the caption reads. 

Omari Hardwick, who stars as James “Ghost” St. Patrick, recently chatted about the end of the show and detailed how he would sum of the final chapter.”Chaos. Chaos, chaos, chaos. Some of the best acting and writing we’ve seen in all six seasons,” he said.

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Lil Xan Honours XXXTentacion On Birthday By Sharing Some Of His Powerful Advice

Xan pays tribute to his fallen friend.

Plenty of friends, fans, and family of XXXTentacion took to social media to honour the late rapper this past Thursday, January 23rd, on what would have been his 22nd birthday. After he was murdered on June 18th, 2018, X did not make it to see 22, but his supporters and loved ones have ensured that his memory is kept alive by sharing some loving messages and revealing special exchanges they'd had with the rapper while he was still alive. One of those people was fellow rapper, Lil Xan, who posted a tribute to X on Instagram and shared some of the powerful advice he had given Xan.

"Happy Birthday Legend ?," Xan wrote, followed by some happy memories of X. "I met you in 2016 and we spent a week in an airbnb with other up and coming rappers to celebrate 'Look At Me' hitting 1 million ! And the way you spoke was like you were an old soul who had a purpose, that purpose was to save millions of life’s." Xan continued to heartfelt message by writing, "love you man and thank you for always giving me the best advice that I’ll cherish forever❤️ Love you man..." In the post, Xan shared a photo of X followed by a screenshot of some of their DMs. "Be empowered by it," X told Xan, followed by Xan writing, "Move in silence." X then proceeds to unleash some words of wisdom, declaring, "Get what you want out of it all, don't let them ruin your love for yourself. And beyond everything, always fear yourself. Because you are your best friend and your worst enemy." Wow.

Another one of X's pals wished him a happy birthday on social media. Ski Mask The Slump God tweeted, "Happy Birthday Jah. Saying I Miss You Is A Understatement But I Know I’ll See You Again One Day." In the same vein as Xan, Trippie Redd also posted screenshots of his DMs with X from jsut a few days before the late rapper's death, in which he gave Trippie some life-changing advice. Though Trippie has since deleted the post, the DMs from X read: "Hope you see what I was trying to warn you about when you're out. Get all those demons from around you and get some good energy around you. The company you keep define you to a certain point." Trippie said that this was the "best advise I could have ever gotten cause wen I did wat u said it just changed my whole perspective u really truly are the goat still ♾ love u." 

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"Power" Actor Michael Rainey Jr. Puzzled By "326 Death Threats" He Received On Instagram


“Power” fans have no chill.

50 Cent‘s beloved series Power is coming to an end and as the final sixth season is coming to a close the fans are getting wild. The leading man James “Ghost” St. Patrick has been killed and 50 and his team are building lots of drama around the revelation on who the killer is. According to Page Six, a leaked version of the ending shows that the culprit is James’ son Tariq, played by Michael Rainey Jr.

"Power" Actor Michael Rainey Jr. Puzzled By "326 Death Threats" He Received On Instagram
Nicholas Hunt/Getty Images

The one suspicion (that can’t be confirmed) has been taken so literally that Michael has received over 300 Instagram DMs that are death threats all thanks to his fictional character. The 19-year-old actor was so taken back by the real messages that he posted a couple photos to his Instagram feed looking puzzled by the wild reactions. “Me going through my dms tryna figure out why I have 326 death threat messages,” he captioned the image. 

Once the series officially ends, fans will have more to look forward to since a spin-off adaption titled Power Book II will arrive with Mary J. Blige as the lead. This is probably the most exciting thing that’s going to happen to me this year,” Mary said of the series. “I’ve been a fan of ‘Power’ since the very beginning and I want to thank Courtney Kemp and 50 Cent for starting this conversation with me.”

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"Power" Actor Joseph Sikora Confirms Another Spin-Off Series


Tommy will lead this upcoming “Power” spin off.

While Power is wrapping up its final sixth season, fans have something to look forward to since there’s already been talk of a spin-off series. We recently posted about Power Book II that will star Mary J. Blige and Method Man and will arrive later this year. “This is probably the most exciting thing that’s going to happen to me this year,” Mary said of the series. “I’ve been a fan of ‘Power’ since the very beginning and I want to thank Courtney Kemp and 50 Cent for starting this conversation with me.”

"Power" Actor Joseph Sikora Confirms Another Spin-Off Series
Jamie McCarthy/Getty Images

While we patiently wait for the arrival of the new series, Joseph Sikora who plays a bad boy in Power jumped on Instagram to announce that his character Tommy Egan will also be getting the spin-off treatment. Joseph shared an image that sees him wearing a hat that reads “Tommy Season One.” 

“Who’s READY?!!!! ???” he captioned the clip. By no surprise, the post had many followers comment in excitement. “???????????????????????????????????????????? HERE. FOR. IT!!!!!!!” Megan Good wrote, while LaLa Anthony added, “Me‼️‼️‼️‼️”

“I’m gonna have to say that I I’ll take a lot of credit for making Tommy funny,” Joseph previously said of his character. “I sought to make Tommy funny because I made that up from guys I was actually scared of growing up or people that I’ve met in dangerous street situations where there always seems to be this strange humor that you have to laugh at. 50 Cent is funny. So there is all of those elements and I sought that out because this character could be a little one new noted.”

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50 Cent Promises To Leak More "Power" Scenes Before Series Ends

50 Cent says there are alternate endings to the show.

For months, fans of the ultra-popular television series Power have been wondering who shot, and ultimately killed, Ghost. The producers of the show laid out a bunch of possible suspects, pointing out even the smallest motives that may have led to the character's demise. Alibis were studied and people were questioned as we patiently waited for the season to continue. Now that we're a few episodes closer to learning the legitimate fate of James St. Patrick, 50 Cent up and spoiled the entire thing in the midst of his current gripe against Starz, the premium cable network that distributes Power. People were up in arms after he leaked a clip revealing that Tasha St. Patrick (played by Naturi Naughton) was the one who pulled the trigger. However, it would appear as though Fif had it all planned, insisting that there are alternate ends to the show and that the one he released may not be the final result.

50 Cent Promises To Leak More "Power" Scenes Before Series Ends
Paul Morigi/Getty Images

Taking to social media, 50 Cent continued his barrage against Starz, this time actually helping out the network by attracting more viewers to the next episode of Power. Leaking the results of the major cliffhanger may not have been wise but, now that we know he may have been capping, we're more enticed to view the next instalment. 

"Your gonna have to wait to find out who killed Ghost," wrote 50 Cent on Twitter, sharing a report that recalls how Courtney A. Kemp, the show's creator, spoke about potential leaks and said that the producers of the show have filmed multiple endings in case something surfaces online. "I will leak more before this is over. I’ve prepared for every possible thing WELCOME TO THE 50CENT SHOW."

It looks like we'll need to keep it locked to 50 Cent's social pages to find out exactly what happened.

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50 Cent Goes In On Starz, Leaks "Power" Clip Revealing Who Killed Ghost


It’s never been wise to play with 50.

Curtis “50 Cent” Jackson was the victim of a shooting that left him with nine gunshot wounds. After being able to live through such a traumatic experience there’s no way any conglomerate or board room full of executives that could strike fear into his heart. In the past, 50 Cent has struggled to come to terms with the premium cable network Starz, in regards to his hit television series, Power.  

We’ve seen the multidimensional artist make amends with the network, make his directorial debut, and establish his dominance as one of the driving forces behind Starz. However, now it looks like that relationship has soured once again as the show is finally coming to an end. In a rather direct post to his Instagram account, 50 Cent revealed that the beef has been rekindled captioning a photo with this statement:

“These people at Starz bugging out, talking to me like they crazy. Like I ain’t who I am, they got me f*cked up. I will put all this shit out tonight.”

 Minutes later, 50 Cent posted a clip revealing who killed Ghost on the timeline. SPOILER ALERT: In the clip, a teary-eyed Tasha St. Patrick (played by Naturi Naughton) can be seen holding a handgun pointed towards her victim James “Ghost” St. Patrick (played by Omari Hardwick) stating, “I can’t let you destroy my son,” before firing off a single bullet and instantaneously regretting her decision. 

While this might have been a ‘power’ move by 50, he definitely has severed his relationship with the Starz network and could also have burned a few bridges with rivaling companies due to his recklessness. With his upcoming “BMF” project set to release in the near future and his executive produced ABC television series For Life set to begin soon, the “I’m The Man” rapper could possibly go on to succeed without some of the relationships he’s tarnished in the television realm. 

Check out the Power storyline revealing clip below. 

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"Power" Recap: Tommy’s Episode Is The Most Revealing Yet

Another suspect off the table.

SPOILERS AHEAD.

Tommy and Ghost have been boys since day one, which is why their time as enemies has been so dramatic. This week's episode of Power mends the relationship between the two brothers, and also gives fans a hint as to who shot Ghost. Entitled "It's All Your Fault," the thirteenth episode of the season focuses on Tommy. After last week's somewhat slow episode, this week Courtney Kemp and 50 Cent deliver the strongest episode mid-season yet. "It's All Your Fault" begins back at the moment that Tommy kills Proctor's cousin Benny. At this time, Tommy has one goal in mind: Kill Ghost.

Tommy disposes of the body very easily, but Benny's disappearance worries Elisa Marie and her guardian, Aunt Dolores. Proctor's family was apparently mob royalty, which leaves Elisa Marie in the care of some very dangerous people. This works to her advantage though. Dolores and Vincent have a meeting where the former accuses the latter of offing Benny. In order to save face, Vincent gives Dolores two bodyguards and promises to get to the bottom of things. Elisa Marie, being a smart young girl, monitors all the mob talk and also listens to the recording her dead father left her. Dolores walks in just as the recording gets good, and the two ladies have a bonding moment. Dolores fills Elisa Marie in on the truth of the family, and Elisa identifies Tommy as the voice on the tape. This sets in motion the motivation behind Tommy leaving town, which we saw at the end of the last episode. 

Elisa Marie and Dolores take the recording to Tariq, who denies knowing anyone named Tommy and Ghost. His slick act doesn't work on Dolores, who puts two and two together and quickly calls Tariq out for helping Tommy kill Proctor. Elisa Marie tries to defend Tariq, but Dolores isn't buying it. She's a smart woman, because moments later Tariq runs to Tommy, alerting him of the recording. Tariq's movements seem shadier than usual in this episode and the further we get into the show, the more guilty he begins to look. 

Tommy heads over to Truth to presumably kill Ghost for murdering Lakeisha and shutting down his base of operations. His plan is foiled, but before he can exit the area Blanca approaches him. The law enforcement officer hands Tommy Lakeisha's belongings, and Mr. Egan immediately identifies Tasha's earring in the bag. Putting the pieces together rather quickly, Tommy heads over to Tasha's apartment to kill her. Their confrontation is brief, with Tasha admitting to killing Lakiesha within seconds. She gets Tommy to read the papers his deceased lover signed to snitch on him, and reminds him that all her bags were packed in the house. Tommy almost kills her, but decides to let her live at the last moment. This scene is crucial to Tommy's relationship with Ghost. After he realizes that Ghost did not kill his girl in revenge for killing Angela, Tommy begins to make a 180-degree turn. 

Viewers are brought back to the scene of Tommy and Ghost meeting up, somewhat reconciling, and then getting shot at. Tommy discerns that Ghost did not know about the recording Proctor kept either, which is another moment that helps him rebuild trust with his frenemy. After fleeing the scene and escaping a still unknown third party trying to kill Ghost, Tommy heads to Dolores' house to seize the audio recording. He kills the guards, kidnaps Elisa Marie, and proceeds to pry her for more information. Tommy, who was raised in a harsh environment, ends up empathizing with the daughter of the man he murdered. Elisa Marie vents about her drug addict mother and protective father, and asks Tommy if he killed Proctor. Tommy won't admit his guilt, but his non-answer is an answer enough for the sharp young girl. While Tommy is interrogating Elisa Marie, 2Bit calls and confirms that it was Dre, not Ghost, who snitched out his operation to the police. This is the final moment of revelation for Tommy, who decides he needs to reconcile with Ghost. Tommy brings Elisa Marie back to Dolores, unharmed, and goes to speak with Tariq. 

When Tommy tells Tariq that Ghost is innocent of these crimes, the younger St. Patrick cares not. Tariq tells Tommy that he believes Dre is trying to kill Ghost, but he refuses to help. If his father dies, he will not be the man to try to stop the situation. The grim outlook from Tariq makes him look suspicious, or at least complicit, in the murder of his father. Couple that with the scene last week where Tasha doesn't answer Paz when asked who killed Ghost, and it makes things seem like Tasha and Tariq had a hand in Ghost's undoing. After leaving Tariq behind, Tommy attempts to get to Truth to save Ghost from his fate. Unfortunately, Vincent catches up with Tommy and a shootout occurs. Tommy murders the Italians, giving Vincent a particularly gruesome death, and speeds off to Truth. 

Here is our heartbreaking moment: Tommy arrives too late. He walks in to find a dying Ghost, bleeding on the floor, and he looks up to get a clear look at the killer-- the camera remaining closely on Tommy's visage. Tommy looks shocked, he clearly recognizes the killer but a dying Ghost tells him to "let it go." This is a very important moment. Whoever the killer is, for Tommy to allow them to live means he has some type of love or connection to the shooter. Ghost telling Tommy to "let it go" means the dying St. Patrick doesn't want his killer to die either. That makes Tariq a prime suspect at this point, since Tommy would have extra incentive to kill Tasha, considering he let her live in an earlier scene. It couldn't possibly be Saxe, because Tommy would shoot him immediately. Ghost dies in Tommy's arms, also ridding any hope viewers had that he was still alive. The episode wraps with Tommy being viciously shunned by his grieving mother, who gifts him with a present from Ghost's will before she writes him off as the killer. Tommy takes what he's given, clears his apartment, and heads on the road. First though, he meets up with Elisa Marie, who gives him the last of the recordings. Next, Tommy kills Spanky after a tip from 2Bit about his snitching ways. It's good to see Tommy make it to the end alive, driving out into the sunset as it were, but this episode raised just as many questions as it answered. It's a fitting end to Tommy's storyline, and gives enough room for him to appear in the spinoff series. The reconciliation and moment of fate between he and Ghost was an integral moment for the final season. We're one step closer to finding Ghost's killer. 

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50 Cent Brushes Off "Power" Fans That Criticized Him For Last Week’s Episode


“Say sorry or say something nice.”

50 Cent uses social media to stay in close communication with Power‘s viewership. He reminds them to tune in every week. He supplies them with funny memes to counterbalance the frustration they may experience from some moments of the television show. At times, he takes into consideration the viewers’ complaints and tries to appease them. When Power‘s sixth season kicked off over the summer, fans were disappointed to discover that the original theme song had been replaced by a new rendition by Trey Songz. After weeks of protest, Fifty conceded to switch the theme back to the version sung by Joe. This kind of relationship between a show’s executive producer and its fanbase can be fun, but it must be difficult to monitor the satisfaction levels of the masses. 

50 Cent has taken to Instagram to call out all the Power watchers that criticized him for last Sunday’s episode. “Y’all some funny motherfvckers man,” he wrote in a caption on a photo of himself. “Called me all kinds names because y’all didn’t like the last episode… now we friends again. ?ain’t this some bullshit.” In a follow-up post, he continued: “Now everybody love me again, I wasn’t shit last week. ? say sorry or something nice.”

In the midst of his beef with Fif, French Montana leaked a clip from last week’s episode of Power before it aired and tried to warn its viewers that they would be disappointed with the outcome. I guess he was on to something. Anyway, read our recap of that episode here

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Taraji P Henson Angrily Addresses 50 Cent On Power Vs. Empire

Because Taraji P. Henson is the star of Empire, "rival" show to 50 Cent's baby Power, Fif has said some pretty nasty things about her, including comparing the 49-year-old's appearance to Michael Jackson.

Henson recently did T.I.'s  Expeditiously podcast and during the chat Tip brought up his friend Fif and his habit of taking a dump on Empire and its actors at any and every opportunity.

"Our show has nothing to do with his show, we're talking two different subject matters," Henson said, and started to become angry.  "Does he understand what I did to get here? Why tear down another black person for competition? There are a million other shows he can compete with? And to do that publically, it's embarrassing."

Do you find 50 Cent's mission to destroy Empire "embarrassing" and racially fraught?

Or is Fif just the rare color blind troll?

His supporters would probably bring up that he recently shamed Oprah into ceasing her MeTooing of black men.

Posted In: Television 50 Cent
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Method Man Joins Mary J. Blige In "Power" Spin-Off Series "Power Book II"


Method Man will play an attorney.

As the series finale to Power closens, more information on the show’s spin-off series Power Book II is becoming more available since none other than Mary J. Blige is leading the upcoming hit. “This is probably the most exciting thing that’s going to happen to me this year,” Mary said of the series. “I’ve been a fan of ‘Power’ since the very beginning and I want to thank Courtney Kemp and 50 Cent for starting this conversation with me.”

Method Man Joins Mary J. Blige In "Power" Spin-Off Series "Power Book II"
Frank Micelotta/Getty Images

Deadline now reports that Method Man will be joining Mary in the show and will play attorney Davis Maclean. Method Man (born Clifford Vincenzo Smith Jr.) and Mary are no rookies when it comes to collaboration. They previously won Best Rap Performance by a Duo or Group for their 2003 single, “You’re All I Need.” 

Power Book II is currently under production in New York and details on the premise or more stars to join are being kept at a low. “Now you know shit is about to get crazy. POWER BOOK II MJB,” 50 Cent shared on Instagram when showcasing the first poster for the show. Keep it locked for more details and get ready for the series said to be arriving later this year. 

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