9lives on Touring, Fashion, and the Evolution of His Sound
New Zealand producer 9lives discusses his creative journey, the synergy of his current tour, and his vision for the future of electronic and hip-hop.
New Zealand producer 9lives discusses his creative journey, the synergy of his current tour, and his vision for the future of electronic and hip-hop.
Yoon Go arrived on the scene with a style so distinct and a sound so carefully crafted that it was clear from the start she wasn’t here to blend in. Rooted in the glossy hooks of early 2000s pop and shaped by the polished emotional storytelling of K-pop, her music has always carried a quiet magnetism. Something More, her newest single, takes everything that made her debut releases compelling and pushes it somewhere deeper and more vulnerable. The song sits with a feeling that’s genuinely hard to name — that hollow sense of being close to something real without ever quite grasping it. Longing without a clear object. Connection that dissolves right at the edges. Yoon doesn’t dramatise it or wrap it in a tidy emotional bow. She just maps it, honestly and precisely, which is exactly what makes it so affecting. Musically, Something More is hushed and immersive. The production layers soft textures beneath a vocal performance that somehow manages to feel both cool and completely raw at the same time. The track doesn’t rush toward anything — it drifts, circles, and lingers, mirroring the emotional state it’s describing with an almost architectural intelligence. The writing is where Yoon… Read More →
Layla Rey doesn’t pick a lane; she builds her own road between them. The artist carries the rawness of the underground into spaces that are cinematic, polished, and emotionally precise. Her music toggles between house floor energy and R&B vulnerability without losing either. What holds it together is a creative instinct that asks one question before anything else: does this need to move, or does it need to sit? That question shapes her sound, her visuals, and — as this interview makes clear — the way she thinks about everything. You’ve talked about carrying both the streets and the spotlight. What does it actually look like when those two worlds pull you in different directions creatively? It looks like me saying something a little too real, then sitting back like, okay, how do I make this sound expensive? The instinct is always honest. The spotlight just teaches you how to deliver it so it lingers a little longer. “Still I Rise” goes full underground house. “You Changed the Way I Love” is slow-burn R&B. What tells you which sonic world a story belongs in? I ask myself one question—do I need to move through this, or sit with it? If… Read More →
1. KATSEYE – “PINKY UP” KATSEYE kicks off the week with a statement. The two-time GRAMMY-nominated global girl group drops “PINKY UP” just ahead of their Coachella debut, and it lands exactly like you’d expect — bold percussion, a driving bassline, sleek synth textures, and a punk-inspired energy that dares you to hold back. Produced by dwilly, “hitman” bang, and FRANTS, the track expands the world KATSEYE has been building with confidence and precision. This is a group that knows exactly who they are, and “PINKY UP” makes sure everyone else does too. 2. Eshan Agarwal – “That One’s On Me” New York singer-songwriter Eshan Agarwal delivers one of the sharpest relationship narratives in recent pop memory with “That One’s On Me.” The track doesn’t chase drama — it sits with the uncomfortable truth that sometimes the warning signs were always there. Produced by Marrick Smith, the single threads emotional precision with lyrics that turn the lens inward rather than outward. It’s the kind of song that finds you mid-scroll and makes you stop. Building toward his upcoming album Strangers Again, Agarwal is establishing himself as a storyteller worth following closely. 3. Royel Otis – “Sweet Hallelujah” The ascendant Australian… Read More →
Kara North returns with “Close To You, Closer Still,” a track that leans into intimacy while continuing to expand her signature blend of pop and electronic sound. Where earlier releases emphasized atmosphere and empowerment, this single shifts toward closeness, focusing on connection, vulnerability, and the subtle tension that comes with emotional proximity. Built on a foundation of soft yet steady electronic production, the track unfolds with layered synth textures, restrained percussion, and a vocal delivery that feels both direct and distant at once. The arrangement leaves space for the melody to breathe, allowing the emotional core of the song to take center stage without overwhelming the listener. Rather than relying on heavy drops or dramatic shifts, the track favors a gradual build, mirroring the slow unfolding of personal connection. “Close To You, Closer Still” also reinforces Kara North’s evolving identity as more than a conventional pop act. As an AI-generated artist shaped by the fusion of music, fashion, and digital storytelling, her work consistently explores how emotion can be communicated through constructed identities. This release, in particular, highlights the idea that closeness doesn’t always require physical presence — a theme that feels especially relevant within her broader digital narrative. With… Read More →
With “Irmãos,” TchiTchi leans into the cultural roots that shape his music. The young artist, born in Oslo and currently based in the United States, brings his Portuguese heritage into focus on a song built around loyalty, memory, and family ties. Performed entirely in Portuguese, the track carries emotional weight from the start. The word “irmãos” means “brothers,” and the record explores that bond through moments drawn from real life. “Brothers in the storm, brothers in the rain…” Those lines echo throughout the song, forming the emotional core of the narrative. The writing focuses on shared struggles and the quiet strength of standing together when circumstances become difficult. Musically, TchiTchi continues to explore a genre-fluid approach. Afrobeat rhythms blend with pop structures and melodic rap, creating a sound that reflects the international path of his life. Growing up in Norway while staying connected to his Cape Verdean family heritage shaped the way he approaches rhythm, melody, and language. The track also marks a tonal pivot. His previous release, “Luxury Nights,” celebrated nightlife and friendship, built for bright city lights and late hours. “Irmãos” travels in the opposite direction, exploring responsibility and personal history. “I wrote this song for my brothers… Read More →
At just 16 years old, independent pop artist Anushka is already taking her first major step into the music world with the release of her debut single, “My Valentine.” Written, composed, and produced entirely by the young artist herself, the track introduces a voice shaped by classical training, global influences, and a genuine desire to create music that connects emotionally with listeners. Balancing high school life with songwriting and production, Anushka approaches music with curiosity, discipline, and a willingness to learn every part of the creative process. In this interview with New Hit Singles, she reflects on the excitement and nerves of releasing her first song, the challenges of teaching herself production, and the role her family, teachers, and everyday experiences play in shaping her music. She also shares what she’s learned from this first release and what listeners can expect from the next chapter of her journey. Q: Congratulations on releasing your debut single! What did it feel like the moment “My Valentine” officially went live? A: When “My Valentine” officially went live, I felt very nervous because it was the first time I was sharing my music with such a wide audience. At the same time, it was… Read More →
South African artist Kapi Gantsu is offering fans a new way to experience his music with the release of his latest project, Victory Theatre Live. The EP captures the spirit of a live performance, presenting a collection of songs recorded in front of an audience and driven by the natural chemistry between musicians on stage. Instead of relying on studio production tricks, the project focuses on the immediacy and emotion that only a live setting can create. Every moment feels spontaneous, allowing Gantsu’s voice and songwriting to take center stage while the live band adds warmth and depth to the arrangements. Recorded at the historic Victory Theatre, the EP showcases the artist performing in a setting where music unfolds organically. The sound blends elements of soul, African jazz, and contemporary influences, creating a listening experience that feels both intimate and expansive. What makes Victory Theatre Live particularly compelling is how it highlights the power of performance. The audience’s presence becomes part of the recording, adding an extra layer of atmosphere that studio recordings rarely capture. The interaction between the musicians and the crowd brings an energy that keeps the songs feeling dynamic and alive. Gantsu has built a reputation for… Read More →
TKTAY approaches songwriting like a quiet conversation with the past. On the new single “Thanksgiving on a Friday,” the artist captures the strange emotional space that exists between heartbreak and clarity, where reflection slowly turns into growth. The track moves with a gentle, deliberate pace. Instead of rushing toward a dramatic climax, it allows the story to unfold naturally. Soft instrumentation and understated production leave room for the emotional weight of the lyrics to settle in. It feels personal, almost like a page taken from a journal rather than a typical pop narrative. At the center of the song is the idea of gratitude appearing in unexpected moments. The title itself hints at a shift in perspective. Thanksgiving traditionally represents reflection and appreciation, but placing it on a Friday suggests something less ceremonial and more spontaneous. It becomes a metaphor for recognizing lessons in places you did not initially expect to find them. TKTAY’s vocal delivery carries that sense of vulnerability. There is no attempt to mask the pain behind the story. Instead, the performance leans into it, letting the honesty of the moment guide the song forward. The result is a track that feels relatable for anyone who has… Read More →
Independent singer-songwriter Melissa Rose enters 2026 with a clear statement of intent. Her latest releases, “Bulletproof” and “Witchwell,” are not just songs but deeply personal reflections on survival, rebuilding, and reclaiming authorship over one’s life. Written, arranged, and released without the backing of a label or outside funding, the two tracks mark an important chapter in Rose’s journey as a fully independent artist. Born on December 18, 1985, in Tawas City, Michigan, Rose grew up in the small communities of Decker, Argyle, and Marlette before eventually settling in Lapeer. Music became part of her life early through her school’s band program, where she learned saxophone and developed a lasting understanding of music theory. Classic rock played a major role in shaping her musical identity, with artists like Robert Plant and Duane Allman inspiring her to see songwriting as a way to tell meaningful stories rather than chase recognition. Without formal industry training or financial support, Rose built her musical skill set through independent learning. She taught herself piano, guitar, songwriting, and arrangement using online resources, approaching music with determination and curiosity. That self-taught foundation continues to define her work today. For Rose, music has always been more than a craft…. Read More →
Independent producers are reshaping hip hop from the ground up, and Tyler Tester is doing it with intention. Raised in Wilkesboro and Boone, North Carolina, Tyler Tester didn’t grow up feeling like he fit neatly into his surroundings. That sense of being an outsider ended up shaping the core of his artistry. Instead of letting isolation define him, he turned it into motivation. His mission became clear early on: create music that makes people feel less alone. Like many creatives, Tyler Tester was first inspired by watching others succeed in music. Seeing artists build careers and support their families through their craft sparked something deeper than fandom. It became a blueprint. He began experimenting with beat-making on BandLab, a platform that gave him both accessibility and room to develop technically. The early stages weren’t easy. Learning to mix, shape sound, and develop a signature style required patience. But once he stopped trying to simply create noise and started pouring his own emotions into the process, everything shifted. He discovered he had a natural feel for mixing atmospheric, emotion-heavy instrumentals that don’t just sit in the background. They carry weight. Music became more than a creative outlet. It became an escape… Read More →
For Spanish guitar performer Sandy Ortega, practice is performance and performance is something far greater than routine. With a growing repertoire of 43 original compositions and an upcoming collaboration with a dancer from The Metropolitan Opera at Lincoln Center, Ortega continues to expand his sound without stepping away from its classical roots. In this conversation with New Hit Singles, he speaks candidly about chasing “El Toque” — the elusive Spanish touch — why modern listeners often misunderstand the sweetness of classical Spanish guitar, and why writing new material still excites him more than revisiting the past. Grounded in discipline but guided by something beyond himself, Ortega’s creative process is as instinctive as it is intentional. Q: Do you have a specific routine before recording or performing that helps you stay focused? A: Not really but focus is most important before a practice that takes a while to get that focus maybe 20 minutes or so. I consider any practice that I do everyday as performing. Q: What’s something you stopped doing musically that actually made your sound stronger? A: When I compose I stopped thinking about what I should compose from one phrase to the next. … Read More →
Longboat is back with a full-length statement. Absentia, the newly released album from Longboat, is out now, and it finds the Seattle-based artist digging deep into the idea of loss from every possible angle. Rather than framing the record around one emotional narrative, Longboat builds Absentia as a collection of stories, each one examining what disappears, what remains, and how people respond when something essential is taken away. At its core, Absentia is an album about absence, but not in a single sense. Across its tracklist, loss shows up as heartbreak, lost freedom, faded relevance, cultural erosion, political consequence, and even dark humor. Longboat has been open about the intent behind each song, but the album never feels prescriptive. Listeners are encouraged to connect in their own way, making the experience personal rather than fixed. Musically, Absentia leans into organic instrumentation and careful arrangement. Longboat handles vocals throughout and adds soprano sax on “Who Can Stop Me Now?”, bringing an unexpected texture to one of the album’s most striking moments. He’s joined by Ryan Leyva on acoustic and electric guitars with backing vocals, Eric Verlinde on electric piano, Will Moore on bass, and James Squires on drums. The performances are… Read More →
New releases don’t always need a big moment to make an impact. Sometimes all it takes is a song that feels right. With “Perfect Day,” The Providers and Friends arrive with a debut that’s confident, approachable, and easy to spend time with. Built around a familiar country narrative, the song follows a long-standing crush that’s been part of the picture since childhood. Rather than pushing toward a dramatic payoff, “Perfect Day” stays focused on the journey. It highlights shared time, open roads, and the kind of everyday moments that quietly shape a connection. The writing feels intentional but unforced, letting the story unfold at its own pace. The production supports that same mindset. Acoustic guitar and drums keep the track grounded, while pedal steel and electric guitar add warmth and lift without taking over the mix. Everything feels balanced and natural, giving the song a steady flow that makes it easy to return to after the first listen. Vocally, the performance stays relaxed and conversational. There’s a sense of familiarity in the delivery that makes the story feel lived in rather than staged. The group dynamic comes through clearly, reinforcing the idea that this is a collective sound built on… Read More →
Known for turning inward and exploring the quiet spaces of the mind, NUDNIK has returned with Under the Underground, a record that’s intimate, precise, and profoundly human. The album isn’t about spectacle or immediacy—it’s about presence, reflection, and letting emotion breathe. Since the release of his debut album iNODE, NUDNIK has been navigating personal loss, life changes, and creative evolution. These experiences shape every note of Under the Underground, giving the music a raw honesty without feeling confessional. Minimalist but deliberate, the record balances tension and calm, silence and sound, creating a listening experience that feels both private and expansive. With this album, NUDNIK is sharing a space where doubt, curiosity, and self-awareness collide, inviting listeners to move through it at their own pace. We sat down with him to discuss the journey behind Under the Underground, the role of grief in creativity, and how music can be both therapy and conversation. Your new album is called Under The Underground. What does that title mean to you, and how does it represent the themes of the record?The title came out of thin air. It was actually my first post on Facebook after the release of my debut album iNODE. At… Read More →
Young Meepa released MXTPE #1: birth in late 2025 as a self-produced mixtape shaped by instability, movement, and lived experience. Written, produced, engineered, and performed entirely alone, the project functions as a record of a specific period of survival—one the artist already considers distant. There is no fixed creative method behind the mixtape. Young Meepa describes his process as inconsistent by design, with tracks beginning in different ways depending on circumstance. Some songs form quickly: a beat, a burst of anger, a single freestyle recorded once and left intact. Others develop slowly, accumulating meaning over time. This lack of uniform structure becomes part of the project’s identity, reflecting a life shaped by uncertainty. That contrast is most visible in “Lil blue bag$” (from his latest album MXTPE 2: misanthropy), a track that took shape over six or seven years. The song followed Young Meepa through multiple cities, periods of homelessness, and repeated data loss as laptops disappeared or failed. At one point, the track existed only as a single audio file, continuously overwritten to prevent it from being lost again. Sound and texture play a central role across the music Young Meepa creates. Influenced by the heavy, spatial production associated… Read More →
For Masque, music has never been background noise. It’s been a lifeline. On January 9, the Hawaii-based rock artist releases his new single “Save Me, Lady Gaga,” a deeply personal track that transforms admiration into empowerment and pain into purpose. Masque traces the roots of that connection back to 2013, when Lady Gaga’s Artpop arrived during one of the darkest periods of his life. While everything else felt unstable, music became the force pulling him forward. That relationship deepened again in 2020, when isolation pushed many inward and music became, in his words, a shining lighthouse. Sonically, Masque operates outside expectations. His sound is darker and moodier than what typically dominates Hawaii’s airwaves, yet that contrast helped shape him. The island’s inherent sense of joy now acts as a counterweight, balancing the emotional gravity of his songwriting and giving his music a unique push-and-pull between heaviness and release. Lady Gaga’s presence in “Save Me, Lady Gaga” is symbolic rather than literal. To Masque, she represents someone who endured darkness and emerged into the light, leading by example. That journey gave him the courage to speak openly about his own identity and emotions, while still forging a voice that remains distinctly… Read More →
This Christmas by Vincent Poag encourages people to set aside personal troubles and differences and approach the season with empathy and understanding. Instead of focusing on individual concerns, the song invites listeners to come together — symbolized by voices blending and the repeated call to “be friends.” Released in 2011 as the first single from his debut album Circling Back, This Christmas stands out because of its lyrical clarity. “This Christmas let’s forget our troubles / In tribute let us all be humble.” Rather than escaping reality, the song acknowledges it: trouble exists, differences exist. The lyrics accept that division is part of life, but they repeatedly point towards friendship as the answer. By placing the phrase, “For Christmas let’s be friends,” in the context of Christmas, the lyric frames friendship as a conscious decision tied to the season’s values. It implies setting aside differences, pride, and conflict in favor of connection. As the song continues, Vincent Poag widens the circle: “Make believe we’re a family / Spreading love under heaven’s tree.” The idea of family is not limited by blood or background. It’s imagined, shared, and chosen. That sentiment becomes even clearer when he sings, “This season let’s forget… Read More →
Peg Luke steps into a long and meaningful musical tradition with her newest release, “Mary Did You Know,” offering a serene and spiritually rich interpretation of a song that has become a modern Christmas essential. While her version highlights expressive flute work and gentle orchestral colors, the original carries its own unique history and emotional weight. Taken together, both versions reveal why this song continues to touch listeners year after year. To understand what makes Peg Luke’s approach meaningful, we first need to revisit how “Mary, Did You Know?” originally came into existence. The lyrics were written in 1984 by Mark Lowry, who imagined what he would ask Mary if he could speak with her face-to-face. These questions, about her newborn son’s miracles, his divinity, and his purpose, formed the heart of the text. Several years later, musician Buddy Greene composed the melody, giving the words a contemplative, hymn-like tone. The first official recording came in 1991 when Michael English released the song, introducing it to the world as part of the contemporary Christian music movement. From there, the song grew far beyond church stages and quickly became a holiday staple, recorded by artists across genres including gospel, country, and… Read More →
Tyra is quickly emerging as one of the most compelling dark-pop artists of her generation. The Swiss singer-songwriter has carved a space for herself by turning her experiences into close-to-the-heart songs that resonate deeply with listeners. Tyra’s journey to music was far from linear. Growing up in a small Swiss town, she always loved to sing, but fear and the pressure to “stay practical” kept her away from a creative path. She studied psychology and worked full-time, convincing herself that music could wait. But in 2023, everything changed. Her father, a motocross champion known for his fearless spirit, suffered a tragic accident that left him paralyzed. Weeks later, Tyra was diagnosed with cancer. She realized life was too short to chase anything other than her passion. That realization pushed her into the studio, and ultimately into her power. She soon began working with producer Dominik Rivinius at Boogie Park Studios, where she started shaping the sound she’s known for today: a blend of electronic textures, catchy pop hooks, and lyrical honesty. Tyra describes the core identity of her music as “embracing the full spectrum of human experience.” For her, dark-pop is not just a genre, it’s a space where she… Read More →
“Your Little Hand in Mine” by Makes My Blood Dance bends what we’ve come to expect from the band without losing what makes them hit so hard in the first place. Known for intense, high-energy rock built around love, longing, and romantic chaos, the band leans into a softer register here, but “soft” doesn’t mean dull. This is still very much a rock song, just one that swaps aggression for ache and adrenaline for a slow-burning pull. The track moves with a kind of patient intensity. Guitars stay melodic and expressive rather than crushing, giving the vocals room to breathe. The drums keep things grounded, locking into a groove that feels more like a heartbeat than a battle march. You can tell this is the same band, there’s a familiar urgency in the way the melodies climb, but the emotional focus is turned inward. It’s not about breaking down the walls; it’s about what happens once they’re already down. Lyrically, Makes My Blood Dance stick to what they do best: love as a high-stakes situation. “Your Little Hand in Mine” leans into intimacy and devotion without slipping into sugary territory. There’s a romantic core, but it’s shaded with vulnerability and… Read More →