Bill Maher recently sparked a wave of mixed reactions from his Real Time studio audience after making a pointed joke about Ariana Grande’s weight. The comment, delivered during his opening monologue on Friday, August 7, occurred amidst ongoing public discourse regarding the pop star’s appearance following the release of her latest project, Petal.
During the segment, Maher referenced a recent influx of UFO files released by the administration. “Triangular craft, weird lights over an army base, a stick-like figure with large eyes. Oh, that was just an Ariana Grande video,” he quipped. While the initial remark drew laughter from the crowd, the atmosphere shifted when he added, “Please, we kid. We kid. Maybe that joke will make her eat something.” This follow-up comment was met with audible groans from the audience.
The White House released a new wave of UFO files. Sightings include a triangular craft in the sky, high-speed orbs near an army base, and a stick-like figure with large eyes, but that was just Ariana Grande. pic.twitter.com/buBBGk2Ze4
The incident follows recent news that Grande’s representatives confirmed she would be “taking a step back from visibility” following her current Eternal Sunshine tour. The singer has been the subject of intense online scrutiny, which she addressed directly during a recent concert. “The announcement that was made yesterday was not a reactive or impulsive thing,” she told her fans. “It was a decision that was made from a thoughtful and empowered place.”
Grande, who recently released her eighth studio album, Petal, has maintained that her decision to step back is a proactive measure for her well-being. Sources close to the star have emphasized that she remains in good health, noting the high level of athleticism required for her performances. Despite the public chatter, Grande continues to fulfill her professional commitments, including upcoming dates at Chicago’s United Center and a 10-night residency at The O2 in London.
As the conversation surrounding celebrity body image continues to evolve, Maher’s attempt at humor highlights the ongoing tension between public commentary and the personal boundaries of high-profile artists.
