Lil Uzi Vert may have just dropped two new albums earlier this year, but he's already prepping to release a third, and according to the rapper himself, it's going to feel like the mid-2010s again. Earlier this week, Uzi teased on Twitter that he's got a new album coming soon, just two months after dropping Eternal Atake as well as the deluxe version, LUV Vs. The World 2. A few days after making the exciting announcement, the ever-active tweeter also revealed that DJ Plugg, one of the producers from Uzi's 2015 breakout mixtape, Luv Is Rage, will be working on his untitled upcoming project. Now, Uzi is offering up some more details about his new album, including the type of "energy" we can expect from it.

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On Saturday (May 16th), Uzi responded to a fan who asked him, "are we gonna feel the energy through the songs like old uzi music?" Uzi reassured them that his new music would, in fact, be reminiscent of his early stuff, replying, "Yes I had 2 get my feet wet again if you here my new features I’m back on my shit." 

It's been less than a month since Lil Uzi Vert released Eternal Atake as well as the deluxe edition which served as LUV Vs. The World 2. Perhaps the double dose of music that he released was meant to compensate for the long wait period fans endured for both projects. Or maybe, Lil Uzi Vert is just in a giving mood. The rapper hit Twitter earlier today where he teased the release of even more music. 

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"I can't wait to drop again I got some shit," he tweeted before hinting at even more clips of music. "This shit sound like the streets," he added.

What's interesting is that after the release of Eternal Atake, he began teasing the deluxe version of the album. Initially stating that it would be eight songs, which is already more than most bonus tracks included on your average deluxe edition, he released the "second half" of the album with an additional fourteen tracks.

Eternal Atake and LUV Vs. The World 2 proved to live up the hype and also marked Uzi's ascent into rap stardom alongside major names. Pushing 288K units in the first week of Eternal Atake's release, he reclaimed the number one spot on the Billboard 200 for a second week in a row with an additional 247K units.

Peep Uzi's tweets below. 

It’s been a ride leading up to Lil Uzi Vert‘s Eternal Atake, and the double disc album that would follow, including LUV Vs. The World 2. Little did we know way back when Uzi first started teasing the album that we’d be in the midst of a full-blown crisis when it would finally arrive. All that to say, the album has become even more of an a monumental release, as fans hold on to any piece of normalcy and routine in the wake of mass uncertainty. Uzi, for all intents and purposes, reflects the normalcy of the rap industry. On Eternal Atake and LUV Vs. The World 2 Uzi is just being Uzi. He’s doing all the things we expect from the quirky, googly-eyed artist. He’s rapping about materialism and women. He’s, if just for a moment, allowing us to distance ourselves from the Coronavirus news cycle to immerse ourselves in his colourful and alien world. Now that we’ve had time to sit with the unexpected double disc album, we’ve decided to rank our top 10 favorite songs from both discs. Check out the ranking below, and sound off with what’s missing, what’s misplaced, and perhaps (!) what we got right.

10. Secure the Bag (Eternal Atake)

Kicking off the list at a solid #10, “Secure the Bag” helps close out the first instalment in the Eternal Atake saga. It happens to be Uzi’s second song about securing the bag (and titled as such), following one on his joint project with Gucci Mane, although the sounds of each song couldn’t be more different. Whereas the 1017 song was brash and urgent, this song is a drawn out, and a rather whiny affair. Uzi exaggerates his words on the hook, “I was on the roaaadddddd,” he croons, where elsewhere in the song he keeps his whining curt. Securing the bag is all apart of the game that is life, according to Uzi, and he definitely seems to be winning at that. 

9. Wassup feat. Future (LUV Vs. The World 2)

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“Wassup” is only the second collaboration we have between Future and Lil Uzi Vert (!) both icons in their own right, as surprising as that may seem. Their first collab, “Seven Million,” is definitely a favorite from Uzi’s The Perfect LUV Tape. “Wassup” is up there too, with Pierre Bourne’s signature trap-lite production, and Uzi’s incessant chorus of “what’s up, what’s up, what’s upppppppPpp” sure to be stuck cyclically in your head. Uzi’s verse is solely dedicated to money, not having enough of it, and then subsequently, having so much of it that he can “build me a new facility.” He also reminds us that he is not from this world again, “Everybody know I am from outer space / So you know that aliens be sendin’ me.”

8. Low Mein (Eternal Atake)

“Low Mein” became one of the fans’ favorite songs upon release, and their streaming of the song helped it climb up the Billboard charts, to debut at #8 on the Hot 100– the second-highest charting record from the album, and a non-single at that. The second song on Eternal Atake, it begins mostly with Uzi’s voice and the sound of claps, before a swell of production starts, altogether, behind him. Bugz Ronin and Brandon Finessin create something that’s triumphant if not slightly muted, horns sound far-away and a frenzy of organ keys play alongside them, while Uzi’s voice is front and center. Uzi rhymes “large low mein” with “fresh romaine” and that’s about all you need to know.

7. I’m Sorry (Eternal Atake)

“I’m Sorry” is a record that makes up the “Renji” section of Uzi’s album, as Uzi disciples have astutely uncovered. “I’m Sorry” is actually the first “Renji” song, thus kicking off a series softer songs, followed by “Celebration Station” and “Urgency” with Syd. Uzi himself is soft-spoken on the record, his vocals lightly tread atop the glitchy beat. While “Urgency” is the closest thing we get to a certified r’n’b record on the double disc, this one is a close second. The record appears to be an apology to Uzi’s infamous ex, Brittany Byrd.  “And I’m sorry for everything I ever said, yeah I’m sorry if you were misled / And I’m sorry if my words messed with your head,” he sing-raps. Still, even with his apology in tow, he is resolute that Brittany is “banned” for his entire existence.

6. Baby Pluto (Eternal Atake)

“Baby Pluto” is quickly becoming an alternative nickname for Uzi, as it should be. The man is nearing alien-status, with his pitched vocals and spacey production. Lest we forget, the album cover for Eternal Atake shows a UFO approaching earth, with bright purple, green, red and orange hazily drifting out from the planet, in water colour-like fashion. That summary actually makes for a pretty accurate “Baby Pluto” description, too. The whole song is dripping in colourful swag, in a drawing-outside-the-lines manner. The content is materialistic fare, which is pretty common tropes for Uzi. He delivers a punchy hook that runs through a plethora of Uzi’s fancy vehicles.

5. Moon Relate (LUV Vs. The World 2)

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“Moon Relate” is a marching band anthem, Uzi style. A hollow, restrained drum roll pitter-patters in the background of the production from Danny Wolf and Kid808, while Uzi muses in emo-rap fashion about his numbness. However just as quickly as he reflects on how he’s numb from the pain, he’s right back to flexing about his Wraith. Uzi’s seems to be constantly teetering between one side of the spectrum and the other, juggling materialistic pursuits with emotional turmoil. 

4. P2 (Eternal Atake)

It’s pretty much a given that “P2” would make the list. Everyone loved the original. How could we not love a sequel? “P2” retains some of the catchiest elements of “XO Tour Life,” interpolating and sampling the record– handled by TM88 once more. The soft, lurching sound you’ll recognize from the original makes a return appearance in this beat, as do the drums, while TM88 litters in a few new melodic elements. As we wrote in our breakdown of the two records, “P2” has an overall cleaner aesthetic, while Uzi continues to grapple with his break-up with ex Brittany Byrd. He lays bare how he’s feeling, still downtrodden by the fact that his ex is basically ignoring him. There’s the recurring idea that he’s numb, and even money won’t help at this point, yet he turns to it regardless: “I got paper cuts from hundred dollar bills covered in bustdowns / Countin’ with my thumb now, money make me numb now.”

3. Lotus (LUV Vs. The World 2)

The album opener, “Myron,” leads us right into “Lotus.” The two make for similar-sounding bedfellows, and it’s clear throughout this double disc that Uzi knows how to put a tracklist together. Oogie Mane returns for the production on this joint, alongside Don Cannon and Treshaun Beatz. Nintendo-esque buttons chime quickly one after another before petering off into the lonely ether, as the beat builds up with the inclusion of closed hi-hats and drums. Uzi is in his usual zone: high-end designer swag and excess spending are among the main topics, with a few not-so-menacing gun-riddled bars and self-aware lyrics sided in between: “My pants, they so tight, don’t know if they for her or him.”

2. Celebration Station (Eternal Atake)

This record, mid-way through Eternal Atake, is relegated to what sleuthing fans have deemed the Renji section of Uzi’s album. The album is divided into three parts to reflect Uzi’s personality, with ‘Renji’ being his softer, sweeter side. Thus, it’s not surprising that we find both this record and a song like “I’m Sorry” within the ‘Renji’ section (tracks #7-12, as he confirmed on Twitter). Following suit of the apologetic “I’m Sorry,” “Celebration Station” is naturally, as the name would indicate, slightly more upbeat but the vibe is contained nonetheless. It’s a light, airy beat layered with wavy, distant vocal samples and fluttering keys. It’s feel-good and dance-worthy, which is exactly the type of song you need in your life right now.

1. Myron (LUV Vs. The World 2)

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The deluxe edition of Eternal Atake is really a whole new album, in a not-so-surreptitious manner as it’s also blatantly titled LUV Vs. The World 2. As the title indicates, it is a sequel of sorts– to Lil Uzi Vert Vs. The World. Uzi clearly knows how sequels work too (if “P2” wasn’t already telling), giving us a sonically similar but fully-updated project that follows exactly in its predecessor footsteps. A lot of quirky, bubble-trap-pop flares define the project, including on the first single and stand-out, “Myron.” A feat, considering the production team is actually quite a bit different. Supah Mario and Oogie Mane kick off “Myron” in a wobbly, glitter haze, while Uzi uses his voice as an instrument, wavering with each bar. The song, which is apparently titled after his fans, is actually not really about the fans at all. It’s really just one flex after another, in the typical goofy Uzi manner: “Cause I could fuck your bitch and fuck your mom and auntie / Your girl’s a five, but your mom is a dime piece” he rattles. “I stand on my money then my height, it turn to 9′ 10″” is another highlight. Honestly, these lyrics are probably true too.

For many emerging artists, it's a dream to have a singular song chart on the Billboard Hot 100 during their career. For Lil Uzi Vert, the reality is that every song from his last two projects charted simultaneously in back-to-back weeks.

With the release of Eternal Atake and LUV Vs. The World 2, Lil Uzi Vert effectively took over the world, dominating the charts and finally following through on a two-year-old promise. Since their releases, both bodies of work have been in heavy rotation, and apparently that's the case for the majority of music consumers in the United States. 

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According to this week's Billboard Hot 100 tally, the Philadelphia rapper has become the first artist in history to chart every single song from two projects simultaneously in back-to-back weeks. In last week's chart, every song from Eternal Atake was included in the list of the hundred most popular songs of those seven days, with three of them finding a home within the Top Ten. With this week's numbers, Uzi makes history by running similar figures with LUV Vs. The World 2. "Myron" and "Bean (Kobe)" with Chief Keef were the most popular songs, landing in the Top Twenty.

In addition, the 25-year-old has tied Lil Wayne as the artist wit the second-most simultaneous entries in Billboard Hot 100 history with twenty-two this week.

Congratulations to Lil Uzi Vert, who is seriously having a moment to start the year. He has already teased another project in the works for when a mysterious competitor releases his next body of work. Do you think it could come before the end of the year?

With a carefully-timed deluxe edition release, Lil Uzi Vert has secured another week at the top of the Billboard 200. The weekly list of the hottest albums in the world was updated on Sunday (March 22) and the results were undeniable: Lil Uzi Vert is still on top of the world.

For the second consecutive week, Eternal Atake is spending time at the pole position of the most prominent music chart. After moving nearly 300,000 equivalent album units in its first week out, the long-awaited body of work was boosted by an additional 247,000 units last week. The deluxe edition of the project, which included LUV Vs. The World 2, is likely a supporting reason for such a strong second week. 

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It’s not just the album chart that Lil Uzi Vert currently has on lock. The last time the Billboard Hot 100 was tallied, the Philadelphia rapper was included in the Top Ten three times, making himself just the fourth rapper EVER to accomplish that feat.

Making history as the first album in 2020 to spend two back-to-back weeks at No. 1, it’s possible that The Weeknd meets him there in the coming weeks. Expected to make its debut at the first spot, After Hours could very well compete with Eternal Atake to become the year’s most popular album to date. Which one is your favorite?

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It's tough to admit when you're wrong, but Ebro Darden did just that. Days ago, the Hot 97 talk show host took to social media to acknowledge an interview he conducted with Uzi four years ago. During their discussion, Ebro told the young, rising rapper that artists such as himself may find success, but they would struggle when it came to having longstanding careers in the rap industry. Uzi was defiantly objective to the prediction, and when it was shared that Eternal Atake would take the No. 1 spot on the charts alongside its deluxe version, Ebro came forward to own that he was wrong.

Lil Uzi Vert‘s Eternal Atake is finally out as well as the deluxe edition that serves as LUV Vs. The World 2. Praised across the board, Lil Uzi overcame the sophomore slumped and exceeded the expectations his fans had set for him. Bugz Ronin, a producer on the project, recently sat down with Billboard to detail some of the records he produced. 

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“Lo Mein” is among one of the five production credits Ronin has on the project, along with “Baby Pluto,” “Homecoming,” “Bust Me”,” and “Secure The Bag.” Apparently, “Lo Mein” was a spontaneous record that occurred in the middle of a Nerf Gun war in the middle of the hotel room. 

We did this one in his hotel room with one speaker. He knew the tempo that he wanted and [explained it to] me and co-producer Brandon Finessin. So I was structuring the melody while he was rapping. From what I’ve witnessed, he doesn’t really write. So the fact that he was writing along was crazy to me. We loaded up the beat, he started recording and got into his little dancing phase. So when we played the beat, everybody was just turning up with Nerf guns. [laughs] It’s not really where you’re at or what equipment you got — it’s about making it work and sound good.

Check out the full interview here and check out our review of Eternal Atake. 

After making the fans wait for approximately two years, Lil Uzi Vert finally released Eternal Atake, which debuted at the Number One spot on the Billboard 200. With the arrival of the deluxe edition (which was packed alongside LUV Vs. The World 2), the Philadelphia rapper is looking set to enjoy another week at the top spot.

In the latest tally of sales projections, Lil Uzi Vert looks to have no legitimate competition as he is eyeing a second week at the pole position of the charts. With an estimated 255,000 equivalent album units moved on the deluxe, Baby Pluto will have the strongest debut of the week for a second straight campaign.

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Following him up directly is Lil Baby, who is still experiencing a surge from his My Turn album. The Atlanta star will move an additional 90,000 copies of the project.

As for the full-fledged debuts on this week’s sales projection report, Don Toliver and Jay Electronica find themselves lower on the list. Houston-bred Don Toliver is set to debut at approximately the seventh position on the charts, enjoying a whopping 47,000 equivalent album units moved. Jay Electronica’s first-ever studio album, a collaboration with Jay-Z, arrives at the sixteenth spot with 28,000 sales.

Elsewhere on the list, DaBaby, Doja Cat, Youngboy Never Broke Again, Post Malone, and others are still performing well from their recent releases. 

Which album were you jamming to this weekend?

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Now that I've got your attention with that headline, it's time to get down to business. Lil Uzi Vert has officially reached a new stage in his career, achieving something that only the highest-tier of rappers have been able to do, so it might be time to start thinking of him as a superstar on the same level as people like Lil Wayne, Drake, and others.

The latest Billboard Hot 100 standings have been released and, in addition to having the highest-charting album of the week, Lil Uzi Vert also has three separate entries into the Top 10 of the Hot 100. Off of Eternal Atake, "Baby Pluto," "Lo Mein," and "Silly Watch" all ended up within the top ten songs of the week. He becomes just the fourth rapper in history to pull off such a feat, joining Drake, Lil Wayne, and J. Cole.