PRÝNCESS Makes Her Move With “A-List” and Diary Footage
PRÝNCESS is a Manhattan-born and Atlanta-raised rising artist. She taught herself to write and record, built her approach around pop, funk, and rock, and has cited Michael Jackson and Prince as early reference points — not as a branding exercise, but as a baseline for what artistic control actually looks like in practice. Her upcoming debut album Girl Power is the first full statement of that, and she has been rolling it out on her own terms since the campaign launched: new music on the 17th of each month, no exceptions.
April 17th brought "A-List," released via Ditto Music, and it is one of the sharper singles in the campaign so far. The track runs on a pop-driven structure with funk rhythms underneath and direct, uncluttered phrasing on top. Thematically, it sits in the space between status and self-definition — not chasing visibility, but not apologizing for it either. She has described it as an anti-diss track, which holds up. The confidence in it is not pointed at anyone. It simply exists, which is a harder thing to pull off than it sounds.
What arrived alongside the single is worth equal attention. The Diary Footage visual, posted on YouTube, is shot in a home setting — a girl group playing games, drinking, existing in each other's company. Nothing is constructed for effect. Two images surface repeatedly: PRÝNCESS wearing a tiara and PRÝNCESS playing her iconic pink guitar — details that connect the visual directly back to the identity the track is built around.
Michael Stipe Suggests Billie Eilish Could Play Him in R.E.M. Biopic
Michael Stipe has offered a playful suggestion for who might portray him in a potential R.E.M. biopic: none other than global pop sensation Billie Eilish. The legendary frontman shared his thoughts during an appearance on The Late Show With Stephen Colbert this past Thursday (April 23), as the conversation turned toward the recent trend of musician-focused films.
When host Stephen Colbert brought up the prospect of an R.E.M. movie, he jokingly suggested that actor David Cross would be the ideal choice to play a bearded Stipe. However, the pair soon pivoted to the challenge of casting a younger version of the singer. “Maybe Billie Eilish could do it,” Stipe proposed. Colbert was quick to agree, noting, “You guys got similar blue eyes there.”
Stipe also shared a brief, humorous anecdote about a past encounter with the singer. He recalled that Eilish had once held a door open for him at a Manhattan restaurant. “She’s incredibly polite and sweet, but I didn’t know who she was until she was down the street,” he admitted.
Beyond the lighthearted casting discussion, Stipe provided updates on his long-awaited solo material. He described a unique creative process for his upcoming album, noting that one track features the sound of a tree being played back to itself. “It sounds like Daft Punk, but I’m putting a sea shanty in the song,” he explained. Stipe confirmed that he is currently putting the finishing touches on the record, which is expected to arrive in 2026.
The singer also recently debuted a new solo track, ‘The Rest Of Ever’, during his television appearance, showcasing his evolving vocal register. While Stipe has been focused on his solo career, he remains on excellent terms with his former R.E.M. bandmates. The group, who disbanded in 2011, reunited in the summer of 2024 for their induction into the Songwriters Hall of Fame, where they delivered a surprise acoustic performance of their 1991 classic ‘Losing My Religion’.
Slam Dunk Festival Director Steps Down Amid Allegations
Slam Dunk Festival has confirmed that one of its directors will be stepping down from all operational duties following a series of allegations that surfaced online. The festival, a staple of the alternative music scene, issued a formal statement on Friday (April 24) addressing the situation.
While the organization did not disclose specific details regarding the nature of the claims or the identity of the individual involved, they emphasized the gravity of the situation. “We are aware of allegations published yesterday relating to one of our directors,” the statement read. “We take these allegations seriously and understand that they may be distressing and hard to process for our community.”
The festival organizers noted that while the director in question “strongly refutes” the claims, a decision was reached in consultation with the board for them to step back while the matter is investigated. “Our Slam Dunk fans, staff, and artists are, as always, our top priority,” the statement continued. “The director in question has agreed, in consultation with the board, to step down from Slam Dunk operations while this matter is ongoing.”
The festival management further stated that they remain committed to fostering a “safe, respectful, and inclusive environment” for all attendees, partners, and employees. They acknowledged that the situation is currently an “ongoing legal matter,” making it inappropriate for them to provide further public commentary at this time. However, they pledged to maintain transparency with their community and promised to provide updates as the situation develops.
The allegations first gained traction after a woman shared claims on Instagram and other social platforms, accompanied by screenshots of an alleged conversation. The individual who made the claims later updated her followers, stating that she had been advised by police to remove the posts, a request she complied with despite her reservations.
Slam Dunk Festival is currently preparing for its 20th-anniversary celebrations, scheduled to take place at Hatfield Park on May 23 and Temple Newsam in Leeds on May 24. The event’s lineup features high-profile acts including Good Charlotte, Sublime, Knocked Loose, and Boston Manor. As of now, no artists have withdrawn from the festival, though fans have expressed concern regarding the potential impact of these developments on the upcoming shows.
Charli XCX Shifts Gears: Why She’s Trading Dance Floors for Rock Music
Charli XCX has officially signaled a departure from the high-octane electronic sound that defined her 2024 cultural phenomenon, Brat. In a candid new interview, the artist revealed that she is currently deep in the creative process for her eighth studio album, and the direction is decidedly more guitar-driven. “The dance floor is dead, so now we’re making rock music,” she declared, marking a bold transition for the pop visionary.
A New Sonic Direction
The shift comes after a whirlwind period that saw Charli XCX headline major global festivals and inspire the viral ‘Brat summer’ craze. Having recently provided the score for Emerald Fennell’s Wuthering Heights adaptation and released a companion project, the singer is now focused on pushing her boundaries. During a conversation with Vogue, she offered a glimpse into the upcoming record, playing unreleased tracks anchored by gritty electric guitar riffs.
“I think the dance floor is dead, so now we’re making rock music,” she explained, noting that her inspiration stems from the nocturnal energy of being out in the world. She emphasized that she is determined to avoid the trap of creating a ‘Brat 2.0’, preferring to explore new, more internal avenues of expression.
“I’ve been making music since I was 14. It’s nearly 20 years. I feel very spoiled saying this, but there is not much that can thrill me within music any more. For me, it’s fun to flip the form. We know there’s gonna be people who are bothered by it, but that’s fine.”
Finding Purpose Through Art
Charli reflected on the necessity of evolving her sound, even if it risks alienating those who preferred her previous work. She noted that the intense hype surrounding her last album actually fueled a craving for something more quiet and introspective. “Getting back to something more internal is really nice,” she shared. The new project aims to examine how art provides a sense of purpose, particularly when she looks beyond the domestic sphere of her life with husband George Daniel.
“I don’t really want to write songs about my husband forever,” she admitted. “If I write about our relationship, I’m probably only really interested in writing about some of the more obscure feelings of being married.” Instead, the album will grapple with the existential weight of her creative identity and what life might look like if her connection to art were ever severed.
Looking Ahead
While the new album has yet to be officially announced, the artist has been active in the studio, sharing glimpses of her progress with fans. This pivot aligns with her previous comments about feeling “stuck, empty and barren” following the overwhelming success of Brat, leading her to seek inspiration in film and more experimental indie pop textures. With producers like A.G. Cook and Finn Keane involved, the project is already being described as an “anti-Brat” statement.
As she prepares to make her headline debut at Reading & Leeds this August, fans can expect a fresh, perhaps more classic feel, as Charli XCX continues to challenge the expectations of modern pop music.
The Rolling Stones Return: New Music, ‘The Cockroaches’ Alias, and Tour Updates
The Return of The Rolling Stones
After weeks of speculation fueled by cryptic posters across London, The Rolling Stones have officially confirmed their return to the music scene. The mystery surrounding the moniker ‘The Cockroaches’—an alias previously used by the band for secret performances—has been resolved, with the group preparing to release a brand-new single titled ‘Rough And Twisted’ this weekend.
The campaign began with mysterious posters featuring a QR code, which directed fans to a website echoing the sentiment of Ronnie Wood’s iconic ‘Who The Fuck Is Mick Jagger?’ t-shirt. Following confirmation from Universal Music, it is now clear that the rock legends are entering a new creative chapter.
New Music and ‘Rough And Twisted’
According to reports from The Times, the upcoming single ‘Rough And Twisted’ captures the band’s classic energy. Mick Jagger is said to deliver a vocal performance that explores themes of travel and grit, set against an electric blues riff reminiscent of the band’s 1981 hit ‘Start Me Up’. The track is expected to feature a “killer riff” and a signature harmonica solo from Jagger, arriving as a vinyl-only “white label” release this Saturday, April 11.
This single serves as the lead-off for a new, as-yet-untitled studio album. This record will mark the band’s 26th studio effort and their first since the 2023 Grammy-winning Hackney Diamonds. The project sees the band reuniting with producer Andrew Watt, who played a pivotal role in the success of their previous record.
The Rolling Stones perform live. CREDIT: Dave J Hogan/Getty Images
Beyond the upcoming release, the band is reportedly already looking toward the future, with at least 10 additional songs already written for subsequent projects.
The Status of Future Tours
While the news of new music is cause for celebration, fans hoping for an immediate return to the stage may need to temper their expectations. A spokesperson for the band has clarified that there are currently no concerts planned, noting: “The Rolling Stones will play when they decide to, not before.”
This statement reinforces reports from last year that the band had scrapped plans for a 2026 UK and European stadium tour, primarily due to Keith Richards being unable to commit to the rigorous schedule. The band’s last major outing was their highly successful 2024 ‘Hackney Diamonds’ tour in the US, which grossed an estimated $235 million and solidified their status as one of the highest-grossing touring acts in the world.
For now, the focus remains on the music. With the band continuing to collaborate with Andrew Watt and maintaining a prolific writing pace, the legacy of The Rolling Stones continues to evolve well into their seventh decade.
Pink Floyd Announce New ‘8-Tracks’ Compilation Album
A Retrospective of a Golden Era
Pink Floyd have officially announced the release of a new compilation album titled 8-Tracks. The forthcoming collection serves as a curated journey through the band’s most transformative decade, focusing specifically on the period between 1971 and 1979.
The album is scheduled for release on Friday, June 5, and will be available across vinyl, CD, and all major digital streaming platforms. Fans can currently pre-order or pre-save the collection via the band’s official channels.
- READ MORE: 50 geeky facts about Pink Floyd
The tracklist highlights eight essential compositions that defined the band’s ascent to global superstardom, including classics such as ‘Money’, ‘Wish You Were Here’, ‘Another Brick In The Wall, Part 2’, ‘Time’, and ‘Comfortably Numb’. These are complemented by earlier fan-favorites like ‘One Of These Days’ and ‘Wot’s… Uh The Deal’. Notably, the compilation includes an exclusive full version of ‘Pigs On The Wing’, a rarity originally featured on the 1977 Animals eight-track cartridge release.
The Floydian Listening Experience
To ensure a cohesive sonic narrative, the track sequence has been meticulously edited by Steven Wilson. By utilizing sound effects sourced directly from the original multitracks, Wilson has crafted a continuous listening experience designed to reflect the band’s signature aesthetic. An official statement describes the project as a document of the “full measure of Pink Floyd’s transition into their breakthrough era,” marking their evolution from experimental roots to becoming one of the most significant rock acts in history.
The compilation draws from a legendary run of albums, including Meddle (1971), Obscured By Clouds (1972), The Dark Side Of The Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979). It is positioned as both an entry point for new listeners and a refined experience for long-time devotees.
The Full Tracklist
Side A
1. ‘One Of These Days’
2. ‘Wot’s… Uh The Deal’
3. ‘Money’
4. ‘Another Brick In The Wall, Part 2’
Side B
1. ‘Wish You Were Here’
2. ‘Time’
3. ‘Comfortably Numb’
4. ‘Pigs On The Wing’ (full version)
This announcement follows a period of significant activity for the Pink Floyd legacy. Recently, David Gilmour’s iconic ‘Black Strat’ guitar set a record as the most expensive guitar ever sold at auction, and the band celebrated the 50th anniversary of Wish You Were Here with a Christmas Number One album spot in the UK. As the band continues to revisit their storied past, 8-Tracks stands as a testament to their enduring influence on rock music.
Your Little Hand in Mine: Makes My Blood Dance Explore Softer Rock
“Your Little Hand in Mine” by Makes My Blood Dance bends what we’ve come to expect from the band without losing what makes them hit so hard in the first place. Known for intense, high-energy rock built around love, longing, and romantic chaos, the band leans into a softer register here, but “soft” doesn’t mean dull. This is still very much a rock song, just one that swaps aggression for ache and adrenaline for a slow-burning pull.
The track moves with a kind of patient intensity. Guitars stay melodic and expressive rather than crushing, giving the vocals room to breathe. The drums keep things grounded, locking into a groove that feels more like a heartbeat than a battle march. You can tell this is the same band, there’s a familiar urgency in the way the melodies climb, but the emotional focus is turned inward. It’s not about breaking down the walls; it’s about what happens once they’re already down.
Lyrically, Makes My Blood Dance stick to what they do best: love as a high-stakes situation. “Your Little Hand in Mine” leans into intimacy and devotion without slipping into sugary territory. There’s a romantic core, but it’s shaded with vulnerability and a little darkness, as if the narrator knows that closeness always comes with a risk. That tension is what gives the song its power. It’s tender, but it never feels weightless.
The music video takes that emotional world and filters it through something more surreal and theatrical. Described as “a fantasy forest ritual for glitch angels,” the visual pairs the band’s rock energy with AI-generated, dreamlike imagery. A successful businessman becomes the central figure, pulled out of his polished reality and dropped into a forest full of fauns, dancers, and gothic female forest creatures. The result feels like a dark romance story unfolding inside his head: desire, temptation, and transformation all colliding at once.
The AI elements don’t just serve as a gimmick; they amplify the song’s themes. The glitchy textures, shifting shapes, and impossible landscapes mirror the way love can feel unreal, like you’re walking through someone else’s dream. Meanwhile, the presence of the band—guitarists, singers, dancers—anchors the whole thing in rock performance tradition. It’s not just a visual experiment; it’s still a music video that celebrates the energy and showmanship that Makes My Blood Dance are known for. “Your Little Hand in Mine” by MMBD shows a different shade of the band: more vulnerable, more cinematic, but no less intense. It’s proof that they can dial down the heaviness without losing their bite, turning a love song into something that feels mystical, electric, and strangely human all at once.
Wisemary’s Musical Evolution: From “Won’t Bow Down” to the Upcoming “Flashbang”
St. Louis’s rock ensemble Wisemary has been making waves in the local music scene, and their journey is a testament to their evolving sound and unyielding spirit. Known for their soulful classic rock covers, the band, under the mentorship of Grammy-nominated superproducer Carl Nappa, has transformed into a group with a distinctive, authentic sound. Their latest releases, “Won’t Bow Down” and the upcoming “Flashbang,” showcase this evolution.
“Won’t Bow Down,” the band’s debut single, is a powerful anthem of defiance and resilience. The song’s lyrics, “Hide in the shallows / You circle like a shark / I sold my shadow / So I could leave a mark,” set a tone of rebellion and strength. The chorus, “I know what you want / But I won’t feed the beast,” resonates with anyone who’s ever felt pressured to conform. This track, emerging from the band’s intense anxiety and pressure during their formative years, captures the essence of hard rock with a swampy undertone.
As they gear up for the release of “Flashbang,” Wisemary promises to bring the same raw, unfiltered energy that has become their signature. The lyrics of “Flashbang,” such as “Hear your boots pace around my porch / Lit blast charge blowing down my door,” suggest a narrative of unexpected confrontation and resilience, much like their journey in the music industry.
The band’s lineup – lead singer Zach Rehagen, bass guitarist Ryan Litteken, lead guitarist Carson Kilo, drummer Andrew Martin, and rhythm guitarist Evan Gay – brings a unique blend of influences to their music. Their sound pays homage to legends like Jimi Hendrix, Michael Jackson, and Billy Joel, while also drawing inspiration from bands like Fleetwood Mac and Foo Fighters. This eclectic mix is reflected in their energetic performances, which have captivated audiences at venues like Arrowhead and The Pageant in St. Louis.
Wisemary‘s roots in St. Louis’s blues, alternative rock, and hip-hop heritage add depth to their music. Their journey from local bars and clubs to larger venues is a story of dedication, passion, and the pursuit of a unique sound. With their self-titled debut album set for release in 2024, Wisemary is poised to leave a lasting impression on the rock scene.
As fans eagerly await “Flashbang,” it’s clear that Wisemary‘s music is not just about sound but about a message. Through songs like “Won’t Bow Down” and “Flashbang,” they urge listeners to embrace their individuality and stand firm against adversity. Wisemary is not just a band; they are a musical movement, inspiring others to find their voice and never bow down.
Check out his latest release below:
Lakeith Stanfield Smacks Lil Wayne For His Words On George Floyd
Lil Wayne has a history of making controversial statements about race and police brutality, so it was no big surprise he said some provocative things about the death of George Floyd at the hands of Minnesota police.
Lil Wayne speaks on the murder in Minneapolis of George Floyd, he says we should blame ourselves for it
— Complex Ambition (@ComplexAmbition) May 29, 2020
(@FatJoe Show) pic.twitter.com/DqYrCypHJl
"I think when we see these situations, I think we also have to understand that we have to get very specific. ... And what I mean by that is we have to stop viewing it with such a broad view, meaning we have to stop placing the blame on the whole force and the whole everybody or a certain race or everybody with a badge," Wayne said during a discussion with Fat Joe. "We have to actually get into who that person is. And if we want to place the blame on anybody, it should be ourselves for not doing more than what we think we're doing."
Wayne also criticized those who think Tweeting something is taking action.
"Some people put a tweet out and they think they did something. Some people wear a shirt and they think they did something," Wayne explained. "What you gonna do after that? Did you actually help the person? Did you actually help the family? Did you actually go out there and do something? So, if I ain't about to do all that, then I ain't about to do nothing. I'll pray for ya."
Atlanta star Lakeith Stanfield was among those who don't want to hear it from Wayne.
"Wayne STFU," he typed under a vintage photo of police protests.
Here's some more reaction.
Taylor Swift with the hammer for white supremacists while Kanye West rocks his MAGA hat and Lil Wayne points the finger at us. The epitome of skinfolk ain't always your kinfolk.
— Andreas Hale (@AndreasHale) May 29, 2020
And What the Fuck do Lil Wayne be on ?
— CHUCK INGLISH (@Chuckisdope) May 29, 2020
Dog says the most outta pocket shit when it comes to the people that look like him... and we let it slide
Why ?
Is it Cuz folks looks like Tarantula and we cant relate ??
Stop asking that man what he thinks.
Lil Wayne literally thought "Wheezy outta here" producer tag was about him, I'm not gonna stress myself out about what he has to say.
— Ahmed/Official A&R for OVO Records (@big_business_) May 29, 2020
Lil Wayne is 100% correct and people want to act like he's not because they'd rather be emotional than logically. https://t.co/Vh6i6pu5Gu
— Hotep Jesus (@HotepJesus) May 29, 2020
This is why Wayne the GOAT. He is straight up no BS. Tweets are not action. #lilwayne #truth pic.twitter.com/gGLAXQygkD
— Danny (@nghbrhood_watch) May 29, 2020
Stop asking rappers that dropped out in the 8th grade their opinion on black political issues it’s so many black advocates to speak to and y’all wanna hear from lil wayne??!?!? pic.twitter.com/V8tGYxnOVC
— skinny (@IAmSarah3) May 30, 2020
What do you think?
Rick Ross Has Discovered Marble On his Property
Rick Ross bought Evander Hollyfield's 109 room Georgia mansion for $5.8 million in 2014 after the bank foreclosed on Holyfield.
The heavyweight champ owed $14 million on the property at the time and claimed it was costing him a million dollars a year to run on top of the mortgage.
What Holyfield didn't know, and Ross just found out, is that there is valuable marble under the grounds of the 235-acre estate.
