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David Byrne’s Who Is The Sky? reviewed: former Talking Head has fun wrestling with big conundrums

No possible new endeavour is too far-fetched… Such is the diversity of David Byrne’s projects since Talking Heads’ split in 1991, it can feel like no possible new endeavour is too far-fetched. Now that American Utopia and Here Lies Love have finished their runs, maybe it’s time for a Broadway musical about the turbulent childhood of Tristan Tzara? Or else an art photography book of textile factories in South Carolina? And surely there’s an album of New Orleans bounce to be made with Diplo and Big Freedia, and possibly a weekly column of recipes for the New York Times? The fact that none of these options seem particularly outlandish makes the relatively straightforward nature of his latest release all the more remarkable. Byrne’s first studio album since 2018’s American Utopia, Who Is The Sky? consists of 12 robustly performed pop songs, almost all of them under three and a half minutes in length. Though several contain stories – like the one about the Buddha scarfing down too many canapes – none serves a single overarching concept or occupies a role within a cross-platform project. Instead, they have been designed for humbler aims, whether it’s to amuse, to delight or to… Read More →

Big Thief’s Double Infinity reviewed: uplifting and open-hearted sixth album

A dense, deep, fluid album… If Big Thief are now ostensibly a trio, how come they have never sounded as big as they do on Double Infinity? It’s paradox that reflects one of the central themes of this, their sixth studio album – how people change over time, how the present is simply a bridge between the infinite experience of the past and possibilities of the future. Double Infinity is a dense, deep, fluid album that pushes their exceptional rate of development into new areas thanks in part to a roster of New York musicians, who collectively add layers to the band’s songs, shifting them into unexpected directions, but without overwhelming the essence of Big Thief’s trade: making music from raw emotion. “Gonna turn it all, into rock and roll,” sings Adrianne Lenker on “Grandmother”, a lyric that seems more like a mantra, set against a backdrop of percussion and wordless vocalising. These rapturous incantations comes courtesy of Laraaji – the most prominent musician who joined Lenker, guitarist Buck Meek and drummer James Krivchenia for recordings sessions at New York’s Record Plant. In a neat echo of Laraaji’s ‘discovery’ by Brian Eno – who heard him playing in Washington Square… Read More →

Radiohead announce first tour for 7 years

Radiohead have announced a run of 20 shows to take place in five cities across Europe. The band will play shows in Madrid, Bologna, London, Copenhagen and Berlin. These will be the band’s first tour dates since their tour for Moon Shaped Pool in 2018. In a message to fans today, Radiohead’s Philip Selway said: “Last year, we got together to rehearse, just for the hell of it. After a seven year pause, it felt really good to play the songs again and reconnect with a musical identity that has become lodged deep inside all five of us. It also made us want to play some shows together, so we hope you can make it to one of the upcoming dates. For now, it will just be these ones but who knows where this will all lead.” Advertisement The dates are: NOVEMBER 04, 05, 07, 08 MOVISTAR ARENA MADRID, SPAIN 14, 15, 17, 18 UNIPOL ARENA, BOLOGNA, ITALY Advertisement 21, 22, 24, 25 THE O2, LONDON, ENGLAND DECEMBER 01, 02, 04, 05 ROYAL ARENA, COPENHAGEN, DENMARK 08, 09, 11, 12 UBER ARENA, BERLIN, GERMANY To help get tickets directly to fans and to minimise interception from touts and bots, tickets will only be accessible by registering at radiohead.com. Registration opens… Read More →

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SEVENTEEN’s S.Coups and Mingyu form new sub-unit CxM

SEVENTEEN‘s S.Coups and Mingyu have announced the formation of a new sub-unit, CxM – find out more below. READ MORE: SEVENTEEN – ‘Happy Burstday’ review: a double-edged showcase of individuality Today, the pair unveiled the new sub-unit, CxM – made up of their initials. The duo are due to drop their debut mini-album, ‘Hype Vibes’, on September 29 – pre-orders are now live, you can place yours here. Advertisement While no concrete details have been revealed about the album – such as how many tracks it will contain, or the name of the songs – the pair have released a trailer for the upcoming project. The trailer is set in Los Angeles and sees S.Coups and Mingyu as they prepare for a day out. They make their separate ways down to a beach, where they party with a number of strangers, dancing and drinking along the way. Watch the trailer for CxM’s ‘Hype Vibes’ below. [embedded content] This marks the second SEVENTEEN sub-unit that either are members of. S.Coups is part of the SVT Leaders sub-unit alongside Hoshi and Woozi, while Mingyu is in a separate sub-unit with Wonwoo. It is currently unclear if CxM are planning for other activities after the album’s… Read More →

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Michael Stipe finally clears up R.E.M. ‘It’s The End Of The World As We Know It’ lyric confusion after 38 years

Michael Stipe has clarified some of the most legendarily misheard lyrics to R.E.M.’s ‘It’s The End Of The World As We Know It (And I Feel Fine)’. The rapid-fire lyrics to the classic 1987 single have long been the source of speculation among fans, with Stipe’s signature under-enunciated delivery style during the band’s early days only further muddying the waters. Advertisement The frontman took to Bluesky over the weekend, sharing a Simpsons meme in which Homer claims to be able to sing every word to the song, only to be told that nobody can. “I can,” Stipe quipped. I can — Michael Stipe (@michaelstipe.bsky.social) 2025-08-30T17:14:21.198Z In further posts, he confirmed the correct lyrics to a couple of the song’s most tenuous and often misheard lines. “It’s ‘Left of west and coming in a hurry with the Furies breathing down your neck’,” he wrote. “It’s ‘Team by team reporters, baffled, trumped, tethered, cropped, Look at that low playing, fine, then’.” It’s ‘Left of west and coming in a hurry with the Furies breathing down your neck — Michael Stipe (@michaelstipe.bsky.social) 2025-09-01T00:10:02.362Z It’s “Team by team reporters, baffled, trumped, tethered, cropped, Look at that low playing, fine, then — Michael Stipe (@michaelstipe.bsky.social)… Read More →

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Watch ZEROBASEONE’s dynamic music video for nu-disco tune ‘Iconik’

ZEROBASEONE have returned with their debut full-length album, ‘Never Say Never’, and a music video for ‘Iconik’ – check them out below. READ MORE: ZEROBASEONE: “We wanted to debut, but then it just became this really big thing that we didn’t expect” Yesterday (September 1), the WAKEONE K-pop released their highly anticipated album. It was accompanied by a dynamic and energetic music video for ‘Iconik’. The clip sees them in various settings as they sing along to the catchy nu-disco tune. Advertisement Watch the music video for ZEROBASEONE’s ‘Iconik’ below. [embedded content] The rest of ‘Never Say Never’ sees the group exploring multiple genres and lyrical themes across songs like ‘Slam Dunk’, ‘Lovesick Game’, ‘Goosebumps’, ‘Dumb’, ‘Now Or Never’, ‘Extra’, ‘Long Way Back’, ‘Star Eyes’ and ‘I Know U Know’. Check out the full album below. Recommended Following the release of the album, ZEROBASEONE will tour Asia in October as part of their ‘Here & Now’ world tour. The tour is due to kick off this October in Seoul, South Korea, and will be followed by dates in Thailand, Japan, Malaysia, Singapore, Taiwan and Hong Kong. ZEROBASEONE’s Asia 2025 leg of the ‘Here & Now’ tour is: OCTOBER03 – KSPO Dome –… Read More →

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Murder investigation launched after man found in “pool of blood” at Burning Man festival

A murder investigation has been launched after a man was found in a pool of blood at Burning Man Festival. This year’s edition of the annual event began on August 24 in Black Rock City, Nevada and is due to wrap today (September 1). Advertisement It was during the traditional burning of the wooden effigy on Saturday (August 30) that an attendee informed authorities that they had discovered a man “lying in a pool of blood”. Pershing County Sheriff’s Office say the body was found at 9:14pm local time, at which time they immediately responded and “found a single white adult male lying on the ground, obviously deceased” (via USA Today). The office also said that they believe the incident is a “singular crime”, while advising festivalgoers to remain “vigilant”. The identity of the man and the cause of death have not been revealed, with Sheriff Jerry Allen saying “appropriate communication” will be provided as the investigation plays out. According to USA Today, it is the first suspected homicide at Burning Man, although eight other deaths have been reported since 1996. Recommended This year’s festival got off to a rocky start after its infamous Orgy Dome announced that its main… Read More →

Slow Motion Cowboys announce debut UK tour

Slow Motion Cowboys, the New Orleans-based Americana band fronted by songwriter Pete Fields, make their first visit to the UK for dates in September and October. As we wrote in our review of their latest album Wolf Of Saint Elmo, they are “a wonderful throwback to early 2000s Americana; languid country with a cosmic backwash that underlies plaintive songs about loss and heartache”. You can hear “Invisible Stars” on our latest Sounds Of The New West Vol. 7 compilation, free with the October 2025 issue of Uncut. There’s also a live version of the song below. Visit the band’s website to book tickets to their tour dates, which are: September 23 – Sound Lounge, SuttonSeptember 24 – Betsy Trotwood, LondonSeptember 25 – The Grove, NottinghamSeptember 26 – Le Pub, NewportSeptember 27 – Otley Labour Room, LeedsSeptember 28 – Bears Bar, BournemouthSeptember 30 – The Bees Mouth, BrightonOctober 1 – The Princess Pavilion, FalmouthOctober 2 – The Rye Bakery at The Station, FromeOctober 3 – Fish Factory Arts Space, PenrynOctober 5 – Boogaloo, London

Uncut’s Ultimate End Of The Road Festival 2025 Round-Up!

So that’s us just about back from another incredible year at Larmer Tree Gardens. End Of The Road continues to demonstrate exactly why it’s such an essential festival – with a mind-boggling array of performances from brilliant artists covering a multitude of genres, styles and disciplines. As ever, huge thanks to our crack team comprising Tom Pinnock, Sam Richards and Mark Beaumont, who represented Uncut on site. Advertisement Thanks, also, to all of you who attended our Uncut Q&As – perhaps our best sessions yet – featuring packed crowds for Matt Berninger, Kristin Hersh and Christopher Owens. And now, for your edification, here’s a round up of all our EOTR 2025 blogs… Photo: Gem Harris Photo: Burak Cingi Photo: Burak Cingi Photo: Burak Cingi Photo: Rachel Juarez Carr Photo: Burak Cingi Photo: Rachel Juarez Carr Photo: Burak Cingi Photo: Rachel Juarez Carr Photo: Gem Harris We’re off to End Of The Road Festival 2025 Advertisement “Like Karen O fronting LCD Soundsystem” – 6 of the best new acts to see at End Of The Road 2025 Sharon Van Etten: “Women can headline festivals!” – Plus Rogê, Westside Cowboy and all the highlights from End Of The Road, Day 1 “I can’t get over Keith Richards’ fence” : Matt Berninger Q&A – End… Read More →

Father John Misty closes End Of The Road 2025 with a blitz of bombast

Four days into End Of The Road 2025 and even the weather itself has gone experimental, with passages of blazing summer heat giving way to lengthy bursts of challenging downpour. But this is a festival of stern and uncompromising stuff. As Shovel Dance Collective start the day with some dark, cranky and stirring drone-folk, EOTR remains defiant. Into one sunnier interlude wanders Georgia’s Jake Xerxes Fussell and a soft-stick drummer, here to bestow Americana both light and dark – a wife dies and is buried in the space of a weekend, but also, “I got fresh fish this morning!” – with his elevating guitar intricacies. As careful with his music’s geography as its spiderweb arpeggios, he’s a welcoming player, even inviting Nick Lowe’s “I Love The Sound Of Breaking Glass” onto his idyllic porch swing. Advertisement Straight outta Louisville with trucker dust on their heels, Ryan Davis & The Roadhouse Band are similarly sumptuous, but imbued with rather more edge and energy, not least by having a besuited keyboardist jiving and jerking around the stage and indulging in tom-tom freak-outs as if under the impression he’s in At The Drive-In. Instead, Davis’s music is rich in Midwest mythology, from the National-esque… Read More →

12 weird and wonderful things we encountered at End Of The Road 2025

The lifesize portrait of David Lynch welcoming us to the all-new, Red Room-style cinema tent. Kudos to anyone who made it through the entirety of Thursday’s five-film Lynch-athon without losing all grip on reality The scary outback shack that, come midnight, transformed into the site’s most intimate rave den. Key Saturday night floor-filler? Peaches’ “Fuck The Pain Away” Advertisement The surprisingly popular spoon-making workshop. Because who doesn’t need spoons? The on-site entomologist opening his leather case and doling out pre-mixed negronis in plastic test tubes The enterprising 12-year-olds trying to flog us a cassette of their friends’ version of Pink Floyd’s “Wish You Were Here” Advertisement The Astronauts’ Caravan, where the effects of antigravity were simulated by literally spinning a 1980s caravan full of people like a tombola. Not recommended after sampling any of the below… Best craft IPA names: No Rest For Dancers, Geometry Of Sound and People Money Space Time Keyboard comedian Huge Davies and his terrifying electro-metal anthem about collecting Pokémon: “Put them in the balls! They like it in the balls!” Is it a bird? is it a plane? No, it’s bloke dressed as old-school Superman, zooming through the mud – a pretty daring deed come… Read More →

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Police report reveals details of ex-Mastodon guitarist Brent Hinds’ fatal motorcycle accident

Several details surrounding ex-Mastodon guitarist Brent Hinds’ fatal motorcycle accident have been revealed. READ MORE: Mastodon: “We don’t talk about our feelings with each other, we just put them in the lyrics” The lead guitarist and co-vocalist, who left the Mastodon line-up earlier this year, died in a motorcycle accident last Wednesday (August 20), aged 51 years old. At the time, it was reported that Hinds, who was riding a motorcycle, was at an intersection when a BMW SUV crashed into him. Now, in a police report filed by the Atlanta Police Department, new details have emerged of the horrific crash that took Hinds’ life. Per the report, Hinds was riding a Harley Davidson bike on the night of August 20, when he was hit by a car that had allegedly ran a red light to make a left turn and failed to yield. The driver of that car spoke to investigators and maintained that she “was positive the light was green”. However, a witness told responding officers that the light appeared to be red and that while Hinds appeared to be riding at a high speed, the car did not have the right of way and failed to yield in time…. Read More →

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KISS’ Gene Simmons on how much money he’s made over the course of his career

KISS‘ Gene Simmons has spoken about his net worth and how much money he has made over the course of his career. The bassist and singer appeared on The HoneyDew podcast, where he was asked about his relationship with money, how he manages it, and how music stardom impacted how he navigates his finances. Advertisement He started by explaining that he learned to be responsible with money because of his mother. He said, as transcribed by Blabbermouth: “It’s interesting. Different cultures think of money in different ways. If you’re not Jewish, per Benjamin Franklin, a penny saved is a penny earned — by the way, now a penny saved is two pennies earned, ’cause that was before taxes, before America had taxes, federal included — so if you are not Jewish, people say, ‘Oh, you’re frugal.’ If you’re Jewish, ‘You’re fucking cheap.’” He later said: “When somebody says I’m cheap, I say, ‘Thank you. I’m smart, bitch. I’ll see you at the end.’ And revenge, for all the people that had something to say about you, the best revenge is to have them work for you. That’s the best revenge. Keep your nose right on the grindstone. Work hard, work harder… Read More →

Christopher Owens: “I didn’t know anything about the world”

There are, it transpires, many things that Christopher Owens can quote by heart. Most psalms of the King James Bible (“the first pop songs, by the way”); passages of Shakespeare; and extended sections of his favourite musical, Man Of La Mancha. Advertisement “I get goosebumps every time I watch it,” he says, before going on to recite almost all of “The Impossible Dream (The Quest)” and run through the film’s full plot and key dramatic scenes, all in order to illustrate the sonic root of his band Girls. It’s a typically elaborate diversion in Owens’ intriguing journey from cloistered cult child to revered cult rocker. “I grew up on the road, kind of, and I feel a little weird when I’m not,” Owens says, detailing his youthful travels around Europe and Asia, and life in the Children Of God cult. “They became obsessed with the fun they had,” he says, referring to the practice of “flirty fishing” which saw members sleep with over 200,000 people in the 1970s and ’80s. “The liberation of nightclubbing and showing people God’s love through sleeping with them. I think there were a lot of people that did it genuinely thinking they were out there showing… Read More →

Tyler Ballgame meets Belle And Sebastian at End Of The Road, Day 3

Line-up clashes? Saturday at End Of The Road takes it to the next level: the stylistic. Case in point. Brighton’s The New Eves, playing their biggest ever show, open the main Woods stage with a wake-up call of jagged, disjointed and shape-shifting crank-folk bedecked with shrieks, yelps and spoken word rants of ancient fantasy hue – “the first sunrise of primordial chaos!” – all while being filmed from the photo pit by a Cossack. They call what they do Hagstone Rock, but it relentlessly defies definition: part primal Velvets rock (right down to stand-up drummer Ella Oona Russell), part motorik Can drone, part Birthday Party clamour, and part classic pop – “Rivers Run Red” is effectively Merseybeat chewed down to the bone and refashioned into a sacrificial headpiece. You might have them tagged as The Last Wicker Party, then they premier a new, weird western song on which Violet Farrer – one of their four singers – performs interpretive twirls and shouts about boy scouts. Advertisement Over on the Garden Stage, meanwhile, New England’s Tyler Ballgame couldn’t be more digestible. Elvis Presley meets Roy Orbison in his fabulous falsetto and his songs sound like memories of 1950s jukebox pop that… Read More →

Titanic and Throwing Muses go cello crazy at End Of The Road, Day 3

As is fast becoming the tradition, the Garden Stage opens with a showcase of solo guitar skills – this time from 18-year-old Muireann Bradley, who specialises in sure-footed, old-time country blues. It’s obviously slightly incongruous to hear a teenager sing “all the friends I ever had are gone” (via Bob Dylan), but rather poignant too – and there’s no doubting Bradley’s commitment to inhabiting the joys and tragedies of these ancient songs. Dressed in dead men’s suits (and dresses), The Golden Dregs take a truckload of typically British disappointment – will you just look at the state of that weather? – and turn it into something transcendent, via the medium of literate country-rock. Frontman Benjamin Woods resembles a young Lloyd Cole, doling out sage advice he’s just too stubborn to take himself. Advertisement The tempest raging outside means that Titanic, the band led by Guatemalan singing cellist Mabe Fratti, pull a bumper crowd in the Folly. But the clamour is thoroughly deserved. Their buoyant art-pop is packed with compelling twists and turns, sometimes knotty, sometimes dreamy, occasionally even danceable. And Fratti’s cello is an impressively versatile instrument: bowed for a lush, thick texture, plucked like a jazz bass or scraped… Read More →

The Who live at Madison Square Garden review: Daltrey and Townshend reign triumphant

Their most anticipated stop of the band’s farewell tour New York fans of The Who can recall numerous Madison Square Garden triumphs by the band throughout their incredible history. Their five night sold out run in 1979 comes to mind, as does the legendary Concert for New York City held a month after 9/11 where most rock fans and critics agree, it was British buskers Pete Townshend and Roger Daltrey who stole the show. You can now add one more ionic Who concert to the list. Advertisement It was an unabashed love-fest at the band’s final show at New York City’s Madison Square Garden show last night [August 30, 2025], arguably their most anticipated stop on the band’s The Song Is Over: The North American Farewell Tour. Photo: Sarah Waxberg/ Live Nation Photo: Sarah Waxberg/ Live Nation Photo: Sarah Waxberg/ Live Nation Photo: Sarah Waxberg/ Live Nation Photo: Matt Ramirez/MSG Entertainment Photo: Matt Ramirez/MSG Entertainment The sold-out crowd, most of whom appeared to be in their 40’s and 50’s, sang along at numerous checkpoints of the band’s incomparable canon, with a wistful and energetic Townshend still playing guitar like a man on fire. One of rock’s most prolific and influential songwriters,… Read More →

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Chris Foreman, Madness guitarist, reveals he has incurable blood cancer diagnosis

Chris Foreman, guitarist for Madness, has revealed he has been diagnosed with a treatable but incurable form of blood cancer. READ MORE: Madness: Before We Was We review – charting the ska-pop princes’ pre-fame course The musician, who is one of the founders of the band, announced the news on a Facebook post yesterday (August 29). In the statement, the 69-year-old said that the cancer is called myeloma, but he still has a “long way to go” before he can get back on stage. Advertisement The statement started with Foreman explaining that he had pains in his shoulders and upper back. “Earlier this year I had severe pain in my upper back and shoulders,” it read. “On the 28th of June we played a show in France and it had become unbearable. I had an MRI scan at the end of June and they found a tumour on my spine. On the 4th of July I went to the Royal Sussex and had all sorts of stuff done to me. I had radiotherapy which blasted it and stopped the pain. I actually had a Spinal Tap too – rock n roll!” It later said: “What I’ve got is a form of cancer called… Read More →

Throwing Muses’ Kristin Hersh: “If you fight a wave, you’re gonna wipe out”

For Kristin Hersh, songcraft is a bit like surfing. “The surfers, their approach to their boards is like my approach to my guitar,” she says of the associates of her pro-surfer son Bodhi. “Their approach to the ocean is my approach to music itself. And something about their chill vibe is not weed, but meeting the ocean halfway with the board, and I meet music halfway with the guitar, which does about half the work. Your job is then to disappear and not get in a way. If you fight a wave, you’re gonna wipe out. And if I fight the song, it’s gonna die in my hands. I’m gonna wipe out.” Advertisement Over the course of her Uncut Q&A chat with Tom Pinnock – the second of the weekend, to a rain-braving crowd at the Talking Heads stage and with Hersh arriving in her very first pair of “actual British wellies!” – many of Hersh’s quirky and unique angles on music and its mysterious making are touched upon. She discusses her synesthesia: the D minor chord is “like an ochre”, E major 7 “burnt orange”. Her practice of writing songs for Throwing Muses or 50 Foot Wave on band-specific… Read More →

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The Molotovs take aim at “people who try to take advantage of you because they think you’re young, vulnerable, and stupid” on new single ‘Rhythm Of Yourself’

The Molotovs are releasing their third track in October, titled ‘Rhythm Of Yourself’, and they’re hoping for it to become their third UK No. 1 physical single in a row. The track will follow The Molotovs’ previous releases, ‘More More More’ and ‘Today’s Gonna Be Our Day’, and is due to be released on October 31. This comes as the duo are also expected to release their debut album, titled ‘Wasted On Youth’, on January 31, 2026. Advertisement Released via Marshall Records, ‘Rhythm Of Yourself’ is influenced by “early ’80s stark Jam, Favourite Worst Nightmare era Arctic Monkeys and Sex Pistols”. There will also be a B-Side, ‘Johnny Don’t Be Scared’, and it will be available on white vinyl and all streaming platforms. Speaking about the upcoming track, Matt from The Molotovs said: “‘Rhythm Of Yourself’ is about people who try to take advantage of you because they think you’re young, vulnerable, and stupid. It is also a chant for individualism: dance to the rhythm of yourself, meaning don’t let people change you, don’t let anyone get in the way of your vision – and groove to the beat of your own drum. “The verses tell the story of an older, cunning… Read More →

The Incredible String Band celebrated at End Of The Road, Day 2

“These little things out in the woods are so magical,” says Matt Berninger during his Friday afternoon Uncut Q&A, and all around him End Of The Road takes the challenge head on. Just a short time later, members of London’s Broadside Hacks collective arc out across the Garden Stage, enclosing Mike Heron and his daughter Georgia Seddon. They’re here to celebrate the work of Heron’s psych folk innovators The Incredible String Band – or predominantly their first five albums – and grace it with a kind of fervent fragility. Advertisement The Celtic folk of “Chinese White”, cracked and intricate, approaches the edge of breakdown; “Maya” drifts by on a psychedelic Eastern lilt, for all its yells of “Jesus and Hitler!” Seddon takes on a keening “Cold Days Of February” but it’s not until the closing stretch that Heron takes the vocal fore, his delicate husk of a voice imbuing “Log Cabin Home In The Sky” an hymnal “Air” and a shortened, ambient gospel “A Very Cellular Song” with a weightless lustre. Incredible? Pretty much. At the Talking Heads stage, meanwhile, New Orleans’ Sabine McCalla is bringing antique Southern blues and soul to life like Simone without the crackle. With just… Read More →